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Cities and Memory remixes the world, one sound at a time - a global collaboration between artists and sound recordists all over the world. The project presents an amazingly-diverse array of field recordings from all over the world, but also reimagined, recomposed versions of those recordings as we go on a mission to remix the world. What you'll hear in the podcast are our latest sounds - either a field recording from somewhere in the world, or a remixed new composition based solely on those ...
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"The original field recording is dense, detailed and full of lively street traffic noise. Bursts of radio, voices, cars and noise. The intertwined sounds of life inspired where I cut the samples, how I colour coded them to arrange and structure the track that ultimately ebbs and flows like the snapshot of life captured. "Slowly the melody presented…
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Intermundium is a stroll down the sidewalk in a street called Titi Garage in Yaounde, Cameroon (Central Africa). This piece was recorded using stereo microphones. On the right, you can hear the hustle and bustle of the road: mostly cars and motorcycles zooming by. On the left, you can hear folks chatting, taxis stopping, and bars with music playing…
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This market is the biggest Livestocks market in Altay area at west-north part of XingJiang Province. The herders still use the traditional way to dealing with the price, which's been 1 thousand years or even longer. Except the busy animals roars, you also can hear them talking and clapping hands(means deal). Recorded by Digimonk.…
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On the newly-refurbished platform 7 at Gatwick Airport, UK, as we hears trains arriving, dropping up hundreds of travellers and holidaymakers excited about embarking on their latest journeys, while every 30 to 60 seconds a plane takes off or lands overhead, making it clear that this can only be a train station directly connected to an airport. Reco…
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"The original recording is of a livestock market in the city of Altay, Altay Prefecture, Xinjiang, China. There are men shouting and talking, various noises of a livestock market, and a huge variety of bellowing sounds from the livestock. The animal noises are very musical in their own way, but also wonderfully unique and discordant, and I was insp…
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"I often focus on the visual nature of sound and music, and when working with field recordings, my aim is always to find the hidden or unexpected connections between the sounds of the recording, musical sounds and other natural sounds. I always try to create expansive musical landscapes that can trigger memories and associations - and hopefully inv…
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"RGB (Red, Green, Blue) is a colour model used for representing and displaying colours in digital systems. The acronym RGB stands for Red, Green, and Blue, which are the three primary colors of light. In this context, RGB (105,105,105) represents the colour DimGrey, and this track serves as the soundtrack for DimGrey. In RGB (105,105,105), the audi…
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"The original field recording was from Hotel Shadab, Hyderabad India. The recording was so humanly rich, with lots of voices, and activities which gave me an aural sense of a city in a busy day. Although I have never been to Hyderabad, the recording presented information about a generic day but of a particular time. "So the recording inspired me in…
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"I was inspired to use depth and space to frame both the ambient atmosphere and the composition; to have layers of time and memory intermingling, manifesting a narrative of sorts. "Another aspect is that we hear the sound recordist, which I really like, and that presence adds another mysterious layer to the story." River in Otterton, England reimag…
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"My partner is a scientist who studies reindeer, so I've been lucky enough to spend a fair amount of time with these strange animals and the people who herd them. The relationship between the deer and the herders is unique in the realm of human-animal relationships, more akin to symbiosis than to any definition of domestication. "The crunching text…
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Dukha, there is another well-known name is Tsaatan which's called by Mongolia. its small and special community at west-north corner of Mongolia. They're actually Tuvan, living with reindeers and still keep the traditional migration life. I lived with them at their winter camp in deep mountains for a week. What a nice and pure people. Recorded by Di…
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"I've been really into the concept of "anemoia," a term referring to feelings of nostalgia for places or events that one has never experienced. Listening to field recordings often gives me this feeling; they're a little glimpse into someone else's life or a part of the world, and the sound-only nature of field recordings allows the listener to use …
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"As soon as I read the title of the field recording it made me nostalgic for that time when rain wasn't just an inconvenience to be avoided, but something fun. Who didn't love splashing in puddles or drawing on a steamed up window in the back of a car as a child? "My editing of the field recording was minimal, simply removing a few short sections t…
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"There are those of us who cannot afford to mourn in private. We might spend a day with family but quickly find ourselves at work surrounded by an indifferent clientele, disassociating into loss only to be dragged back into reality by strangers. "Listening to the original recording, I was struck by the sound of the ringtone and how news of a loved …
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"I recorded this sound sitting next to a friend and the body of her deceased mother. The mourning song, sung by women young and old in one of the Pamiri languages, provided a sad comfort - knowledge of the finality of all human experience and confirmation that we all must make this final journey sooner or later. I also imagined that the song was me…
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Migration Sounds feature on CBC Radio (Canadian national radio), on The Current show presented by Matt Galloway. The interview is with Cities and Memory founder Stuart Fowkes, and goes in depth into the Migration Sounds project, and how we can use sound as a tool to open up new angles on social issues and current affairs. The package features the f…
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This is the sound installation of the Migration Sounds project, presented in the Pitt Rivers Museum, Oxford. Please note that the sounds are panned left and right, and this was designed to be played in a large physical space, so it is likely to sound somewhat unusual through headphones or in particular close sets of speakers. In this installation, …
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"Slow melodic piano piece over top of morphing ambient pads with wind chimes from an alien planet. Mixed with fountains from Kardriorg Palace. I envisioned this piece as a lonely elderly man who visits the fountain every day to enjoy his lunch being around people." Kadriorg Palace fountains reimagined by Mathew Gracie.…
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"The Medellin traffic sample shapes both the atmosphere and structure of the piece. In the opening, isolated fragments—like engine hums and the sharp sounds of brake noise—are presented with minimal processing, immersing the listener in the city’s raw soundscape. "Following a moment of silence, which contrasts sharply with the noise, the piece evol…
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Noise, the soundtrack of our everyday life in a city. If you look at the spectogram of the recording you'll find it very boring and static, almost like a pink noise. It is mandatory to remember that noise pollution is a big issue for our wellbeing. The recording was made in Pueblito Paisa, Medellín, Colombia on 21 december 2023 at around 1 p.m. wit…
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"My piece “returning” was inspired by the field recording “in the turbine hall” by Cities and Memory. As I listened to the field recording, especially the resonance of the Tate Modern’s Turbine Hall, I immediately thought that it would blend well with some of my own recent experiments with resonance to create a new sonic landscape. "The sound sourc…
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"I tried keeping the integrity of the field recording with the aim of telling a story. However, I did edit out some coughing from tram passengers as this was too distracting. To provide some consistency, I added a piano melody, and wove in some ambience through drums. I liked the talking from the passengers and kept that in, allowing the piece to e…
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A ride from the trendy cultural hub of Telliskivi in Tallinn to Kanuti aboard the ubiquitous trams - all public transport is completely free to residents of Tallinn. Here we listen to the sounds of the tram journey, complete with announcements, doors sounds, exiting the tram and listening to it depart. Recorded by Cities and Memory.…
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"The title of my piece for the Autumn Project is called “Falling”. It is based on a field recording of fore and aft engine rooms on the Suur Toll museum ship in Tallinn Estonia. "I was very drawn to the percussive metallic clangs in the recording. For me autumn has a definite impact on my senses, which reminds me of distinctive percussive sounds co…
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Crossing the Baltic Sea from Tallinn to Helsinki aboard a large ferry, the deep pulsing of the ferry's engines mingles with light rain on the canopy overhead, and the faint piping of the music that can be heard much more loudly throughout the interior of the ferry. Recorded by Cities and Memory.Di Cities and Memory
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"A talented but tormented artist grapples with existential questions, consumed by his obsession with proving or disproving the existence of God. His creativity, fuelled by strange and often unsettling ideas, leads him into a spiralling journey of philosophical inquiry. "His lover, a narrator who has long since abandoned faith without much thought, …
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"I was struck by the similarities between the sounds of the people, streets and market of Blonie in Poland and those of Newton Abbot: the town in southwest England near where I live. "I made some field binaural recordings in Newton Abbot town centre and combined them with the Blonie market. There's the obvious difference in language but the overwhe…
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"The composition samples the original field recordings, mainly drills and the tools from the roadworks. These make up the percussion track and are the waves in several Wavetable synths. "Added to this are the sounds of various plumbers and joiners who have visited my home over the last few weeks." Roadworks in Treviso, Italy reimagined by Simon Woo…
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