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105 // If Memory Had A Melody: The Score For 2049 (You‘ve Never Seen A Miracle: The Journey to 2049 Part Eleven)

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Manage episode 302246078 series 2364462
Contenuto fornito da Perfect Organism Network. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Perfect Organism Network o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

When we heard there was going to be a second Blade Runner film, most of us immediately wanted to know two things: who was going to direct it, and who was going to write the soundtrack.

Vangelis’ score for the 1982 film is a watershed moment in film score history, and for good reason. The music for Blade Runner 2049 would have to be special indeed to earn its place alongside its forerunner.

Lucky for us, Ben Wallfisch and Hans Zimmer delivered more than most of us could’ve dreamed for 2049. And in this episode, Jaime and Patrick dive deeply into that music, examining how it was made—and why, perhaps, it was made that way.

// iTunes: bit.ly/shoulderoforionitunes

// For more on this and our other projects, please visit www.bladerunnerpodcast.com

// If you'd like to join the conversation, find us on our closed Facebook group: Fields of Calantha.

// To support the show, please consider visiting www.bladerunnerpodcast.com/support. We've got some great perks available!

// And as always, please consider rating, reviewing, and sharing this show. We can't tell you how much your support means to us, but we can hopefully show you by continuing to provide better, more ambitious, and more dynamic content for years to come.

  continue reading

147 episodi

Artwork
iconCondividi
 

Serie archiviate ("Feed non attivo" status)

When? This feed was archived on September 02, 2022 21:50 (1+ y ago). Last successful fetch was on August 02, 2022 07:25 (1+ y ago)

Why? Feed non attivo status. I nostri server non sono riusciti a recuperare un feed valido per un periodo prolungato.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 302246078 series 2364462
Contenuto fornito da Perfect Organism Network. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Perfect Organism Network o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

When we heard there was going to be a second Blade Runner film, most of us immediately wanted to know two things: who was going to direct it, and who was going to write the soundtrack.

Vangelis’ score for the 1982 film is a watershed moment in film score history, and for good reason. The music for Blade Runner 2049 would have to be special indeed to earn its place alongside its forerunner.

Lucky for us, Ben Wallfisch and Hans Zimmer delivered more than most of us could’ve dreamed for 2049. And in this episode, Jaime and Patrick dive deeply into that music, examining how it was made—and why, perhaps, it was made that way.

// iTunes: bit.ly/shoulderoforionitunes

// For more on this and our other projects, please visit www.bladerunnerpodcast.com

// If you'd like to join the conversation, find us on our closed Facebook group: Fields of Calantha.

// To support the show, please consider visiting www.bladerunnerpodcast.com/support. We've got some great perks available!

// And as always, please consider rating, reviewing, and sharing this show. We can't tell you how much your support means to us, but we can hopefully show you by continuing to provide better, more ambitious, and more dynamic content for years to come.

  continue reading

147 episodi

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