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Contenuto fornito da The B-Side: A Film Stage Podcast and The Film Stage. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da The B-Side: A Film Stage Podcast and The Film Stage o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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Ep. 92 – The Final Frame: Peter Bogdanovich's Squirrels to the Nuts (feat. James Kenney)

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Manage episode 343811511 series 3404685
Contenuto fornito da The B-Side: A Film Stage Podcast and The Film Stage. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da The B-Side: A Film Stage Podcast and The Film Stage o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Welcome to The B-Side, from The Film Stage. Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. This is the third episode of what we are calling The Final Frame. Here we will dissect the final film of a great, well-respected filmmaker, wrapped in the context of said filmmaker’s entire career. Our subject today: the recently departed Peter Bogdanovich. His final film: She’s Funny That Way, starring Owen Wilson, Imogen Poots, Kathryn Hahn, Rhys Ifans, Jennifer Aniston, Will Forte, Austin Pendleton, George Morfogen, Richard Lewis, and Cybill Shepherd. But wait! That’s only half-true! Before the half-hearted release of She’s Funny That Way, there was another version of the film. Its title? Squirrels to the Nuts. This is the cut that Bogdanovich wanted the world to see. Until the studio made him change it. And our guest, James Kenney, is the man who saved Squirrels to the Nuts. He recounts the tale in a great piece on his wonderful website. We discuss Bogdanovich’s entire filmography. How he broke in under the umbrella of Roger Corman; his impossible three-film run of The Last Picture Show, What’s Up Doc?, and Paper Moon; the professional downfall that preceded a tragic personal downfall; his pseudo-comeback with Mask, quickly followed by a career making movies for TV. And then, after all of that, The Cat’s Meow, a Tom Petty documentary, and this complicated final film. Kenney speaks eloquently about Bogdanovich’s gentle aesthetic, and we marvel at Squirrels being his first self-generated work since They All Laughed. There’s much time spent discussing the marked differences between the two versions, and not nearly enough time marveling at the performance Bogdanovich got out of Cher in Mask. The same goes for Kenney’s defense of the much-maligned Illegally Yours! Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. We are also now on Spotify and Stitcher. Enjoy!
  continue reading

151 episodi

Artwork
iconCondividi
 
Manage episode 343811511 series 3404685
Contenuto fornito da The B-Side: A Film Stage Podcast and The Film Stage. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da The B-Side: A Film Stage Podcast and The Film Stage o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Welcome to The B-Side, from The Film Stage. Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. This is the third episode of what we are calling The Final Frame. Here we will dissect the final film of a great, well-respected filmmaker, wrapped in the context of said filmmaker’s entire career. Our subject today: the recently departed Peter Bogdanovich. His final film: She’s Funny That Way, starring Owen Wilson, Imogen Poots, Kathryn Hahn, Rhys Ifans, Jennifer Aniston, Will Forte, Austin Pendleton, George Morfogen, Richard Lewis, and Cybill Shepherd. But wait! That’s only half-true! Before the half-hearted release of She’s Funny That Way, there was another version of the film. Its title? Squirrels to the Nuts. This is the cut that Bogdanovich wanted the world to see. Until the studio made him change it. And our guest, James Kenney, is the man who saved Squirrels to the Nuts. He recounts the tale in a great piece on his wonderful website. We discuss Bogdanovich’s entire filmography. How he broke in under the umbrella of Roger Corman; his impossible three-film run of The Last Picture Show, What’s Up Doc?, and Paper Moon; the professional downfall that preceded a tragic personal downfall; his pseudo-comeback with Mask, quickly followed by a career making movies for TV. And then, after all of that, The Cat’s Meow, a Tom Petty documentary, and this complicated final film. Kenney speaks eloquently about Bogdanovich’s gentle aesthetic, and we marvel at Squirrels being his first self-generated work since They All Laughed. There’s much time spent discussing the marked differences between the two versions, and not nearly enough time marveling at the performance Bogdanovich got out of Cher in Mask. The same goes for Kenney’s defense of the much-maligned Illegally Yours! Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. We are also now on Spotify and Stitcher. Enjoy!
  continue reading

151 episodi

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