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Emmy-nominated director and cinematographer Paul Cameron, ASC: Westworld, 21 Bridges, Man on Fire, Gone in 60 Seconds, Collateral

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Manage episode 270249168 series 105726
Contenuto fornito da The Cinematography Podcast. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da The Cinematography Podcast o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Paul Cameron, ASC got his start guerilla-shooting live music with borrowed equipment from film school. Starting off in the budding world of music videos and fast-paced commercials creatively prepared Paul for the action/thriller genre. Paul met cinematographer-turned-director Dominic Sena, who gave him the opportunity to shoot Paul's first feature, Gone in 60 Seconds. They were able to collaborate and communicate with a shared visual language. Later, Paul's work on the film Man on Fire with director Tony Scott allowed him to really hone his look. Though he prefers to use film cameras, Paul had the opportunity to shoot Michael Mann's Collateral with digital cameras, one of the first major films to use the technology. Jonathan Nolan, the director and producer of the HBO series, Westworld, asked Paul to shoot the pilot before there was even a script. They quickly decided to shoot on 35 mm to capture the grand scale of the western landscape. For season three of Westworld, Paul was the director of photography for the first episode, and has earned an Emmy nomination for his work. He also had the opportunity to direct episode four of the series for the very first time and really enjoyed it. Westworld will return for Season 4. Find Paul Cameron: https://paulcamerondp.com/ Instagram: @paulcameron_dp See Westworld on HBO: https://www.youtube.com/watch?v=yvGE7Cz9VDA Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep88/ Sponsored by Hot Rod Cameras: www.hotrodcameras.com Website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz
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301 episodi

Artwork
iconCondividi
 
Manage episode 270249168 series 105726
Contenuto fornito da The Cinematography Podcast. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da The Cinematography Podcast o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Paul Cameron, ASC got his start guerilla-shooting live music with borrowed equipment from film school. Starting off in the budding world of music videos and fast-paced commercials creatively prepared Paul for the action/thriller genre. Paul met cinematographer-turned-director Dominic Sena, who gave him the opportunity to shoot Paul's first feature, Gone in 60 Seconds. They were able to collaborate and communicate with a shared visual language. Later, Paul's work on the film Man on Fire with director Tony Scott allowed him to really hone his look. Though he prefers to use film cameras, Paul had the opportunity to shoot Michael Mann's Collateral with digital cameras, one of the first major films to use the technology. Jonathan Nolan, the director and producer of the HBO series, Westworld, asked Paul to shoot the pilot before there was even a script. They quickly decided to shoot on 35 mm to capture the grand scale of the western landscape. For season three of Westworld, Paul was the director of photography for the first episode, and has earned an Emmy nomination for his work. He also had the opportunity to direct episode four of the series for the very first time and really enjoyed it. Westworld will return for Season 4. Find Paul Cameron: https://paulcamerondp.com/ Instagram: @paulcameron_dp See Westworld on HBO: https://www.youtube.com/watch?v=yvGE7Cz9VDA Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep88/ Sponsored by Hot Rod Cameras: www.hotrodcameras.com Website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz
  continue reading

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