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Contenuto fornito da Gray Jones. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Gray Jones o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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114 - Cameron Johnson (Empire, Zoe Ever After)

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When? This feed was archived on August 01, 2022 13:54 (1+ y ago). Last successful fetch was on March 15, 2022 18:12 (2y ago)

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Manage episode 278472548 series 2829363
Contenuto fornito da Gray Jones. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Gray Jones o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

This week, host Gray Jones interviews Cameron Johnson, TV writer on 'Empire' and 'Zoe Ever After,' who has sold several pilots.

Cameron Johnson Biography

Cameron Johnson grew up in the Bay Area and studied political science at USC, because if you tell your family you’re going to be a lawyer, you don’t just commit to the bit – you get a degree in it. However, while there, he secretly pursued an additional education in screenwriting. After several torturous years prepping the best and brattiest of Brentwood for the SAT, he became a writer on the BET show 'Zoe Ever After.' He then sold 'White People Problems,' an hour dramedy about a wealthy, dysfunctional black family to Bravo, and is currently redeveloping it as a half-hour for Peacock. Cameron has spent the past two seasons working on Fox’s 'Empire', where he wrote and produced six episodes and managed the 160,000 follower writers’ Twitter account. He also sold 'Diversity Hire,' a satirical look at race in the workplace, to Fox in 2019.

INDEX TO THE EPISODE:

2:02 - Interview start, Cameron’s background, from the Bay Area to Political Science at USC. 5:00 - from Poli Sci to his first writing gig. 7:07 - Writing material that wasn’t his voice. 8:12 - How he learned to write from his unique point of view, and what led to his first staff job. 13:13 - His relationship with representation. 15:21 - His first experience on staff, on 'Zoe Ever After.' 19:10 - Sponsor break 20:16 - Selling 'White People Problems,' and what led to his job on 'Empire.' 24:02 - The trial by fire in going from multi-cam comedy to one hour drama, and what he learned in the process. 27:42 - On developing and selling 'Diversity Hire' in a bidding war. 30:16 - Explaining a “put pilot” commitment. 31:02 - On the insecurities of a writer, and whether success makes them go away. 32:30 - How he got involved with Fake Empire, co-creating 'Tom Swift,' which will be a back-door pilot inside 'Nancy Drew.' 36:31 - How he develops and manages his various projects. 38:59 - Advice to greener writers. 46:22 - How does someone develop their own voice, and learn to tell authentic stories? 49:05 - Conclusion.

Follow Cameron on Twitter: @CameronJAwesome.

You can help with the ongoing costs of bringing these weekly podcasts to you by becoming a patron of the podcast – for as little as 25¢ per episode! There are many reward levels. CLICK HERE to find out more.

Buying Final Draft screenwriting software? Use this link to support the podcast: tinyurl.com/BuyFinalDraft.

Buy Gray’s book for only $4.99! Look for it on Amazon – How To Break In To TV Writing: Insider Interviews.

Didn’t get your questions asked? Make sure you follow Gray on Twitter (@GrayJones) so you can get the scoop on who is being interviewed and how to get your questions in. Also check out our TV Writer Twitter Database to find Twitter addresses for over 1,200 TV writers. Find previous episodes and other resources at www.tvwriterpodcast.com.

  continue reading

130 episodi

Artwork
iconCondividi
 

Serie archiviate ("Feed non attivo" status)

When? This feed was archived on August 01, 2022 13:54 (1+ y ago). Last successful fetch was on March 15, 2022 18:12 (2y ago)

Why? Feed non attivo status. I nostri server non sono riusciti a recuperare un feed valido per un periodo prolungato.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 278472548 series 2829363
Contenuto fornito da Gray Jones. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Gray Jones o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

This week, host Gray Jones interviews Cameron Johnson, TV writer on 'Empire' and 'Zoe Ever After,' who has sold several pilots.

Cameron Johnson Biography

Cameron Johnson grew up in the Bay Area and studied political science at USC, because if you tell your family you’re going to be a lawyer, you don’t just commit to the bit – you get a degree in it. However, while there, he secretly pursued an additional education in screenwriting. After several torturous years prepping the best and brattiest of Brentwood for the SAT, he became a writer on the BET show 'Zoe Ever After.' He then sold 'White People Problems,' an hour dramedy about a wealthy, dysfunctional black family to Bravo, and is currently redeveloping it as a half-hour for Peacock. Cameron has spent the past two seasons working on Fox’s 'Empire', where he wrote and produced six episodes and managed the 160,000 follower writers’ Twitter account. He also sold 'Diversity Hire,' a satirical look at race in the workplace, to Fox in 2019.

INDEX TO THE EPISODE:

2:02 - Interview start, Cameron’s background, from the Bay Area to Political Science at USC. 5:00 - from Poli Sci to his first writing gig. 7:07 - Writing material that wasn’t his voice. 8:12 - How he learned to write from his unique point of view, and what led to his first staff job. 13:13 - His relationship with representation. 15:21 - His first experience on staff, on 'Zoe Ever After.' 19:10 - Sponsor break 20:16 - Selling 'White People Problems,' and what led to his job on 'Empire.' 24:02 - The trial by fire in going from multi-cam comedy to one hour drama, and what he learned in the process. 27:42 - On developing and selling 'Diversity Hire' in a bidding war. 30:16 - Explaining a “put pilot” commitment. 31:02 - On the insecurities of a writer, and whether success makes them go away. 32:30 - How he got involved with Fake Empire, co-creating 'Tom Swift,' which will be a back-door pilot inside 'Nancy Drew.' 36:31 - How he develops and manages his various projects. 38:59 - Advice to greener writers. 46:22 - How does someone develop their own voice, and learn to tell authentic stories? 49:05 - Conclusion.

Follow Cameron on Twitter: @CameronJAwesome.

You can help with the ongoing costs of bringing these weekly podcasts to you by becoming a patron of the podcast – for as little as 25¢ per episode! There are many reward levels. CLICK HERE to find out more.

Buying Final Draft screenwriting software? Use this link to support the podcast: tinyurl.com/BuyFinalDraft.

Buy Gray’s book for only $4.99! Look for it on Amazon – How To Break In To TV Writing: Insider Interviews.

Didn’t get your questions asked? Make sure you follow Gray on Twitter (@GrayJones) so you can get the scoop on who is being interviewed and how to get your questions in. Also check out our TV Writer Twitter Database to find Twitter addresses for over 1,200 TV writers. Find previous episodes and other resources at www.tvwriterpodcast.com.

  continue reading

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