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Random Observations on Art, Photography, and the Creative Process. These talks focus on the creative process in fine art photography. LensWork editor Brooks Jensen side-steps techno-talk and artspeak to offer a stimulating mix of ideas, experience, and observations from his 50 years as a fine art photographer, writer, and publisher. Topics include a wide range of subjects from finding subject matter to presenting your work, and building an audience. Included in this RSS Feed are the LensWork ...
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show series
 
HT2085 - Commentary Beyond the Photograph In workshop and photo group critique sessions that I've observed over 50 years, almost all the comments offered are about technique, composition, or gear related. Such comments might be useful for beginning students, but a much more helpful kind of comment has to do with the content, the feelings the photog…
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HT2084 - Digital vs Optical Zoom A lens captures a finite amount of detail in a finite image circle on the film plane. Increasing the size of that circle through digital zoom does not increase the amount of detail that was captured; it just makes it bigger. This is known as "empty magnification." Optical zoom from the same position, however, captur…
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HT2083 - Getting Closer A universal rule in photography is to get closer to the content. This may not mean getting physically closer. The idea of getting closer means different things for different subjects. For example, getting closer to a distant landscape probably implies using a longer lens. Conversely, getting closer in street photography prob…
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HT2081 - Location Specifics vs Generalities A couple of years ago I had the opportunity to photograph in the famous Ryoan-ji Temple gardens in Kyoto. It was the fulfillment of a life-long dream to photograph there. Curiously enough, that brought me face to face with a fundamental decision: Do I make a project about the Ryoan-ji gardens or use those…
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LW1428 - A Firehose of Images Too much of a good thing can lead to a numb response. I was reminded of this while I was looking through a sizable book in the presence of the photographer. After the first 50 images, my attention began to wane. After 100 images, I was numb. All previous episodes of our weekly podcast are available to members of LensWo…
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HT2080 - Photoshop Doubts We photographers have always known that there's a tenuous relationship between photography and truth. Trick photography goes back to the earliest days of the medium. But now, in the age of Photoshop, it's so easy for people to assume that the spectacular thing we've captured with our cameras is a Photoshop fake.…
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HT2078 - From Where You Sit So many times, the process of photographing involves moving to location or a position where you can see a lovely scene and composition. Since I've had problems with my back these last few years, my mobility has been compromised. I can't hike or backpack the way I used to. My most frequent way of photographing these days …
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HT2076 - It's Been Photographed Before I know photographers who are hesitant to do something that's been done before, but it occurs to me that there is a premise behind that reaction that is not necessarily true. The premise is that the virtue lies in the subject itself, not in the experience had.Di Brooks Jensen
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HT2075 - Questions About Instax I guess I've been hiding under a barrel, but I just this week learned about Fuji Instax printers. I can see them easily becoming a fun gimmick at a party or a social gathering, but I'm wondering if anybody has figured out how to use this medium for more serious artwork. Any ideas?…
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HT2074 - Cameras Support Your Creativity, Or Not One thing our annual LensWork community book project has proven beyond any doubt is that, when it comes to publishing anyway, high quality images can be produced with any camera. If that's so, then what criteria should we use when selecting our tools?Di Brooks Jensen
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LW1427 - Art That Uses Photographs In recent years, at least for my own work, I've come more and more to realize the difference between "photographic art" and, a quite different thing, "art that uses photographs." Rarely now do I find that a processed and printed image is the end of the process. More frequently that's just the beginning phases of a…
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HT2073 - Done Is Not Always Concluded Most often, we are drawn to photograph those subjects we are passionate about. Once we've had the exhibition, published the book, posted the web gallery, that doesn't mean our passion for the subject ends; we keep photographing. What do we do with these post-publishing images? Thank goodness for second editions…
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HT2072 - Time For It to Marinate Instagram seems to have taken over the world of photography. I don't participate via Instagram because I believe it's important that images have an opportunity to mature, for us to think about them a little bit, for their meaning and metaphors to ripen. The idea of instantly posting an image just captured seems to s…
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HT2071 - Skill Means Little Without a Heart That Drives It Skill can easily be taught, but skill alone does not make art. Sensitivity, compassion, empathy are developed within us, over time, with purpose. These are the necessary ingredients to create artwork that is meaningful.Di Brooks Jensen
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HT2070 - Advice On a Great Place to Go My experience with other photographers has been that they are generous and kind. They're always willing to give me helpful advice of where to go photographing. That advice, however, is typically the result of their having made successful images there. But the kinds of images I make, or want to make, might be e…
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HT2069 - The Composed Background In every picture there exists a foreground and a background. To be more precise about this, there are the things you want your viewer to see, and there is the context against which the subject is seen. Our primary task in composing and processing is to direct the viewer to what we want them to see. The background/co…
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HT2067 - Brevity Is the Soul I know that Shakespeare was talking about the soul of wit, but I've come to conclude it is the soul of photography, too. At least it can be. How often do you look at a book or a project and wish there was more? As compare to, how many times to you find yourself looking at a project or a book and feeling like it is getti…
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LW1426 - More Captures, or More Artwork I'm of the school of thought that when you've clicked the shutter and made another capture, you haven't made artwork, yet. So what will you do with this precious day, evening, hour? Do you need more captures? Or, would your time be better spent making a print or some other finished piece of art? All previous …
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HT2066 - Way to Go, God My friend Joe Lipka (who is a lifelong practicing Catholic) will often set up his tripod to capture a beautiful landscape with the words, "Way to go, God!" I've come to recognize this as a type of photography. No one would ever think this about a novel, a piece of music, a poem, or sculpture.…
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HT2065 - The Forgotten Ones Buried in your Lightroom catalog are tons of images that deserve deeper attention. I have no doubt about this. I have faith that each time you click the shutter you do so because there was something that connected with you. That is, you've never clicked the shutter on a purposeful loser. Those potential images in your ca…
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