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Contenuto fornito da Kingston Shakespeare. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Kingston Shakespeare o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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With an estimated 100,000 tourists heading to New Orleans for Super Bowl LIX, we’re exploring a classic American pastime: the tailgate. Most people think of tailgating as a time for sharing beers and team spirit. But in this episode, we find out why tailgating motivates so many people to travel — and get to the heart of its culture. Learn about your ad choices: dovetail.prx.org/ad-choices…
Kingston Shakespeare Podcasts
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Contenuto fornito da Kingston Shakespeare. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Kingston Shakespeare o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Kingston Shakespeare is the home of KiSS (Kingston Shakespeare Seminar), and its offshoot KiSSiT (Kingston Shakespeare Seminar in Theory). Both explore the world by thinking through Shakespeare.
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28 episodi
Segna tutti come (non) riprodotti ...
Manage series 1254227
Contenuto fornito da Kingston Shakespeare. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Kingston Shakespeare o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Kingston Shakespeare is the home of KiSS (Kingston Shakespeare Seminar), and its offshoot KiSSiT (Kingston Shakespeare Seminar in Theory). Both explore the world by thinking through Shakespeare.
…
continue reading
28 episodi
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×Richard Wilson introduces the symposium and the first speaker David Hawkes. These are the recordings from the Shakespeare and Marx symposium organised by Kingston Shakespeare and held at Garrick's Temple to Shakespeare (Hampton, UK) on June 24, 2017. Recorded and edited by Anna Rajala and Timo Uotinen.…
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David Hawkes is Professor of English at Arizona State University. His publications span a huge variety of fields, from Milton and Shakespeare to Diego Maradona, sodomy, Darwinism, zombies, torture, Chomsky, magic, McCarthyism, Islam and Satan. The theme uniting all of his work is the impact of capital on the psyche, and especially the pernicious influence of usury. He reviews regularly for the Times Literary Supplement and his work has appeared in The Nation and In These Times as well as in academic venues like the Journal of the History of Ideas, English Literary History and Studies in English Literature. David Hawkes is the author of Idols of the Marketplace: Idolatry and Commodity Fetishism in English Literature, 1580-1680 (Palgrave, 2001), Ideology (Routledge, 1996, 2nd ed. 2003), The Faust Myth: Religion and the Rise of Representation (Palgrave, 2007), John Milton: A Hero of Our Time (Counterpoint, 2009) and The Culture of Usury in Renaissance England (Palgrave, 2010) and he has edited Milton’s Paradise Lost and Bunyan’s The Pilgrim’s Progress. More recently, he has written Shakespeare and Economic Theory (Bloombury, 2015) and collaborated with Alan Rubin and the artist LG Williams on The Age Of The Image: LG Williams SoCal Mid-Rise Pictures 2015-16 (published in 2016). He is currently working on a book entitled The Death of the Soul. For more information, see davidhawkes.net. These are the recordings from the Shakespeare and Marx symposium organised by Kingston Shakespeare and held at Garrick's Temple to Shakespeare (Hampton, UK) on June 24, 2017. Recorded and edited by Anna Rajala and Timo Uotinen.…
Questions to David Hawkes. These are the recordings from the Shakespeare and Marx symposium organised by Kingston Shakespeare and held at Garrick's Temple to Shakespeare (Hampton, UK) on June 24, 2017. Recorded and edited by Anna Rajala and Timo Uotinen.
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1 Conference Welcome by Robert O'Dowd + Frank Whately: Edward Alleyn and the Rose 1:05:21
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Robert O’Dowd opens the Marlowe and Shakespeare -conference held at the Rose Theatre, Kingston. He is followed by Richard Wilson introducing Frank Whately (Kingston) who is giving the opening plenary with a lecture entitled Edward Alleyn and the Rose. More on the talk and speaker: https://kingstonshakespeareseminar.wordpress.com/2018/01/24/frank-whately-edward-alleyn-and-the-rose-conference-introduction/ Recorded on November 17, 2017 at the Rose Theatre, Kingston. Audio recording and editing by Timo Uotinen.…
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1 Jean Howard: Playing History at the Rose 1:02:55
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Jean Howard (Columbia University) gives the third plenary lecture at the Marlowe and Shakespeare conference that is titled Playing History at the Rose. The session is introduced and chaired by Alison Findlay. More info on the talk and speaker:https://kingstonshakespeareseminar.wordpress.com/2018/01/24/jean-howard-playing-history-at-the-rose/ Recorded on November 17, 2017 at the Rose Theatre, Kingston. Audio recording by Anna Ilona Rajala and editing by Timo Uotinen.…
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In her illumination of Shakespeare through Hegel, Jennifer Ann Bates reads the logic of measure from Hegel alongside Measure for Measure. Bates argues that each text is an initiation into the execution of the logic of measure with a focus on the hangman’s mystery as discussed by Abhorson and Pompey. Jennifer Ann Bates is Professor of Philosophy at Duquesne University, Pittsburgh. She specializes in 19th century German philosophy with an emphasis on Hegel. Professor Bates established the Philosophy Duquesne-Heidelberg Exchange in 2013 and chaired it until 2016. She has served as a Heidelberg University Alumni Research Ambassador since 2013. Professor Bates is the author of Hegel’s Theory of Imagination (SUNY 2004), Hegel and Shakespeare on Moral Imagination (SUNY 2010), and co-editor (with Richard Wilson) of Shakespeare and Continental Philosophy (Edinburgh University Press, 2014). She has published numerous book chapters, as well as articles in the Wallace Stevens Journal, the Journal for Environmental Ethics, Criticism: A Quarterly for Literature and the Arts, Memoria di Shakespeare, Philosophy Compass, and Angelaki: Journal of the Theoretical Humanities. She is currently writing a chapter on Kant and Shakespeare for The Routledge Companion to Shakespeare and Philosophy, and a chapter on Kant, Hegel, Solger and Imagination for Cambridge University Press. More on Shakespeare at the Temple: https://kingstonshakespeareseminar.wordpress.com/about-2/kingston-shakespeare-seminar-at-garricks-temple/ Video soon available on YouTube: https://www.youtube.com/channel/UCNxT9bfns9lVmjQGjq_Y0Ww This talk is part of the Shakespeare and Hegel symposium, held at Garrick's Temple to Shakespeare (Hampton, London) on April 1, 2017. The session is chaired by Richard Wilson. Audio recorded and edited by Anna Ilona Rajala.…
This talk is part of the Shakespeare and the Enlightenment symposium, held at Garrick's Temple to Shakespeare(Hampton, London) in September 2016. The session is chaired by Richard Wilson. Paul A. Kottman is Associate Professor of Comparative Literature at the New School for Social Research, and Eugene Lang College, the New School for Liberal Arts. He is a member of the Committee on Liberal Studies, and is affiliated with the Philosophy Department. He holds the Abilitazione, Professore Ordinario in Filosofia, Estetica (Professor of Philosophy, Aesthetics) in Italy. He has held Visiting Professorships at the University of Tokyo; the Università degli studi di Verona; Instituto per gli studi filosofici, Naples; and the International Chair in Political Languages, Dipartimento di Politiche Pubbliche e Scelte Colletive (POLIS), Università del Piemonte Orientale. He has been awarded residential fellowships at the University of Wisconsin, Madison (Institute for Research in the Humanities) and Internationales Kolleg Morphomata, Universität zu Köln. Paul Kottman is the author of Tragic Conditions in Shakespeare (Johns Hopkins University Press, 2009), A Politics of the Scene (Stanford University Press, 2008) and the editor of Philosophers on Shakespeare (Stanford University Press, 2009), and The Insistence of Art: Aesthetic Philosophy and Early Modernity (Fordham UP, forthcoming). His next book is tentatively entitled Love as Human Freedom. He is also the editor of a new book series at Stanford University Press, called Square One: First-Order Questions in the Humanities. The symposium was held on September 3, 2016. Audio recorded and edited by Anna Ilona Rajala. On Shakespeare at the Temple:https://kingstonshakespeareseminar.wordpress.com/about-2/kingston-shakespeare-seminar-at-garricks-temple/…
Professor Richard Wilson introduces the symposium on Shakespeare and the Enlightenment at Garrick's Temple to Shakespeare in Hampton, London. The symposium was held on September 3, 2016. Recorded and edited by Anna Ilona Rajala. On Shakespeare at the Temple: https://kingstonshakespeareseminar.wordpress.com/about-2/kingston-shakespeare-seminar-at-garricks-temple/…
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1 Stanley Wells: The Genius of Shakespeare 1:29:02
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Sir Stanley Wells delivers the 2017 Rose Theatre Shakespeare Birthday Lecture. The lecture is entitled ‘The Genius of Shakespeare’. The session is chaired by Richard Wilson. The Shakespearean actor Andrew Jarvis receives the Lifetime Achievement Award from the British Shakespeare Association on behalf of the great director John Barton. Sir Stanley Wells is Britain’s preeminent Shakespeare scholar and one of the world’s leading experts on the Elizabethan theatre. His many bestselling books on the Bard include Shakespeare, Sex and Love, Shakespeare & Co. and Shakespeare For All Time. He is the General Editor of both the Oxford and the Penguin Shakespeare editions, and President of Stratford’s Shakespeare Birthplace Trust. Sir Stanley is also one of the best-loved lecturers on TV and radio and at literary festivals, and this recording of his 2017 Rose Theatre Birthday Lecture is a spell-binding display of all his talents as a Shakespeare interpreter, raconteur and performer. Recorded on April 27, 2017 at the Rose Theatre, Kingston-upon-Thames. Recorded and edited by Anna Ilona Rajala.…
Claudia Wedepohl is the Archivist of the Warburg Institute. She has studied Art History and Italian Literature in Göttingen and Hamburg, concluding her studies with a doctoral thesis on the Cappella del Perdono and Tempietto delle Muse in the Ducal Palace of Urbino (published as a book in 2009). She joined the staff of the Warburg Institute in 2000. Since 2006 she is responsible for the Archive. Her academic work focusses on fifteenth-century Italian art and architecture, and art historiography around 1900. She has published widely on the genesis of Aby Warburg’s ideas and key terms, with a special interest in his concept of myth and mythology. The conference Frances Yates: The Art of Memory was held on April 30, 2016 at the Rose Theatre, Kingston. Recorded by Anna Rajala and Timo Uotinen. More at: kingstonshakespeareseminar.wordpress.com/…
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Sprang argues for a progressiveness in Yates in regards to Shakespeare (that is not merely limited to the occult) in her understanding in the use of images, especially pertaining to memory. He re-evaluates Yates’ observation that the advent of Ramist thinking has had an effect on the way Shakespeare. He links this view to cognitive approaches to Shakespeare and images. Felix Sprang has worked mainly on the intersection of literature and the ‘arts and sciences’ in early modern England as well as on the connection between literature and science across all literary periods. He is also interested in the aesthetics of literary texts and the methods derived from the project “Kulturwissenschaft”, in particular the strand devised by Aby Warburg and Ernst Cassirer. Felix Sprang has studied English, Biology, Philosophy and Paedagogics at the Goethe University Frankfurt and the University of Hamburg, and has received his PhD from the University of Hamburg with a dissertation that probes into literary reflections of scientific thought in early modern London. That book was largely conceived as Aby Warburg Scholar at the Warburg Institute, University of London. Having taught at the HU Berlin and the LMU Munich, he is now teaching English Literature at the University of Siegen. The conference Frances Yates: The Art of Memory was held on April 30, 2016 at the Rose Theatre, Kingston. The session was chaired by Edward Chaney. Recorded by Anna Rajala and Timo Uotinen. More at: kingstonshakespeareseminar.wordpress.com/…
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Margaret McGowan began teaching at the University of Strasbourg in 1955, moving on to the University of Glasgow in 1957, and then to the University of Sussex in 1964, where she was Professor of French, 1974–97, Senior Pro-Vice-Chancellor, 1992–97, and since 1997 has been a Research Professor. She was Vice President of the British Academy, 1996–98 and Chairman of the Review of the Warburg Institute, 2006–07. She was appointed FRSA in 1997, a Freeman of the City of Tours in 1986 and awarded Hon. DLitt Sussex, in 1999. Her publications include L’Art du Ballet de Cour, 1963; Montaigne’s Deceits, 1974; Ideal Forms in the Age of Ronsard, 1985; Louis XIII’s Court Ballets, 1989; Moy qui me voy: studies of the self, 1990; The Vision of Rome in Late Renaissance France, 2000; and Dance in the Renaissance: European fashion, French obsession, 2008 (Wolfson History Prize, 2008) . She was appointed CBE in 1998. The conference Frances Yates: The Art of Memory was held on April 30, 2016 at the Rose Theatre, Kingston. The session was chaired by Peter Mack. Recorded by Anna Rajala and Timo Uotinen. More at: kingstonshakespeareseminar.wordpress.com/…
Through historiographical reassessment of the life of Frances Yates, Marjorie G. Jones seeks to expound an adventurous side to Frances Yates’ world view as an autodidact and an outsider to traditional academia. In contrast to views of Yates’ non-existent spiritual life, Jones builds an analogy with the daring spiritual adventures that Yates studied, Giordano Bruno in particular, and the life she lived—‘rising beyond dogma to a higher truth’, as Jones explains. Interested especially in women’s spiritual journeys, Marjorie G. Jones is the author of the first biography of British historian Frances Yates, Frances Yates and the Hermetic Tradition (Ibis Press, 2008, since translated into Japanese and Italian) and a recently published biography of Philadelphia Quaker Mary Vaux Walcott, The Life and Times of Mary Vaux Walcott (Schiffer Press, 2016), which has been nominated for the Virginia Museum of Fine Arts’ Mary Lynn Kotz award. A resident of Philadelphia, currently she teaches history for Villanova University’s college program at Graterford Prison in Pennsylvania. Before moving to Philadelphia, she taught history for twenty years at Mercy College, Dobbs Ferry, NY and for its college program at Sing Sing prison. A graduate of Wheaton College, Massachusetts, she is also a graduate of the Rutgers Law School and the Graduate Faculty of the New School in NYC, where she focused on Historical Studies. The conference Frances Yates: The Art of Memory was held on April 30, 2016 at the Rose Theatre, Kingston. The session was chaired by Francesca Bugliani. Recorded by Anna Rajala and Timo Uotinen. More at: www.kingstonshakespeareseminar.wordpress.com…
Building on the work of Frances Yates, Sajed Chowdhury (National University of Ireland, Galway) proposes that hermetic writings (Hermes Trismegistus, in particular) were key influences on some renaissance women. He argues that hermetic writings, accessed via male contemporaries, informed the spiritual, medical and textual practices of women like Marguerite of Navarre, Katherine Philips and Aphra Behn, which are elucidated by a reading of their philosophical poetry. Chowdhury seeks to reintegrate significant strands of early modern intellectual and esoteric culture into intellectual history that has been lost due to a focus on a masculine geneology of knowledge. Sajed Chowdhury’s primary field of research is early modern literature, specializing in Renaissance poetry, early modern women’s writing, manuscript identities, and the history of sexuality. His doctoral thesis, Dissident Metaphysics in Renaissance Women’s Poetry (2013), was completed at the University of Sussex and was funded by the Arts and Humanities Research Council (UK). He is currently based at RECIRC, NUI Galway (http://recirc.nuigalway.ie/). The conference Frances Yates: The Art of Memory was held on April 30, 2016 at the Rose Theatre, Kingston. The session was chaired by Francesca Bugliani. Recorded by Anna Rajala and Timo Uotinen. More at: https://kingstonshakespeareseminar.wordpress.com/…
Anne-Valérie Dulac examines Frances Yates’ reading of Alhazen’s (Ab? ?Al? al-?asan ibn al-?asan ibn al-Haytham; c. 965 – c. 1040) optics as a possible source for the theory of sight in Love’s Labour’s Lost. Dulac prodes deeper into this bold suggestion and provides a reading of the play’s optics (also linking them to the Sonnets) as mirroring Alhazen – a combination of intromission and extramission, the eye receiving and emitting beams of light. Anne-Valérie Dulac is a senior lecturer in early modern literature at Université Paris 13 - Sorbonne Paris Cité. She is currently working on the forthcoming publication of her doctoral dissertation on Philip Sidney and visual culture, completed under the supervision of Professor François Laroque. Her research interests include Sir Philip Sidney’s works and correspondence, visual culture, limning and optics. The paper she will be presenting for this conference is adapted from a forthcoming chapter (“Shakespeare and Alhazen”) in a book edited by Sophie Chiari and Mickaël Popelard entitled Shakespeare and Science. The conference Frances Yates: The Art of Memory was held on April 30, 2016 at the Rose Theatre, Kingston. The session was chaired by Patricia Gillies. Recorded by Anna Rajala and Timo Uotinen. More at: https://kingstonshakespeareseminar.wordpress.com/…
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