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Contenuto fornito da Jan McInnis. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Jan McInnis o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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Hilde Mosse comes from one of the wealthiest families in Berlin and stands to inherit an enormous fortune. But she longs for something more meaningful than the luxurious lifestyle her family provides. So Hilde decides to pursue her dream of becoming a doctor. As the Nazis take power in Germany and the Mosse family is forced to flee, Dr. Hilde Mosse lands in New York having nearly lost everything.. She finds her calling treating the mental health of Black youth – and the symptoms of a racist system. In addition to photographs, school records, and correspondence spanning Hilde Mosse’s entire lifetime, the Mosse Family Collection in the LBI Archives includes the diaries she kept between 1928 and 1934, from the ages of 16-22. Hilde’s papers are just part of the extensive holdings related to the Mosse Family at LBI. Learn more at lbi.org/hilde . Exile is a production of the Leo Baeck Institute, New York and Antica Productions. It’s narrated by Mandy Patinkin. This episode was written by Lauren Armstrong-Carter. Our executive producers are Laura Regehr, Rami Tzabar, Stuart Coxe, and Bernie Blum. Our producer is Emily Morantz. Research and translation by Isabella Kempf. Voice acting by Hannah Gelman. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. Please consider supporting the work of the Leo Baeck Institute with a tax-deductible contribution by visiting lbi.org/exile2025 . The entire team at Antica Productions and Leo Baeck Institute is deeply saddened by the passing of our Executive Producer, Bernie Blum. We would not have been able to tell these stories without Bernie's generous support. Bernie was also President Emeritus of LBI and Exile would not exist without his energetic and visionary leadership. We extend our condolences to his entire family. May his memory be a blessing. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.…
Comedian Stories: Tales From the Road in Under 5 Minutes
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Contenuto fornito da Jan McInnis. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Jan McInnis o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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100 episodi
Segna tutti come (non) riprodotti ...
Manage series 2614207
Contenuto fornito da Jan McInnis. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Jan McInnis o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
…
continue reading
100 episodi
ทุกตอน
×Today's podcast is my 150th episode. I'm doing a quick look back on some of the episodes and encouraging you to listen to them. I'm also reminding you of a second podcast I'm co-hosting with comedian Frank King titled Over Fifty and F'ing Funny - interviews with working, non-famous comedians.
This episode on "Burning Lunch" is a quick story on something that happened many moons ago and still kind of mystifies those of us involved today. It happened over a year while I was doing 40 comedy shows for one group. We asked ourselves, What makes a good lunch, and why would you not like a sandwich for lunch? As we kick off the new year, give some thought as to what things from 2020 you can burn and feel good about it.…
Sure comedians remember things like their first time on stage or the first time they worked with a big star. But sometimes the firsts in comedy are things that are even bigger than those. In my podcast this week, I talk about 3 comedy firsts that I vividly remember that impacted me and kept me excited about my new career. And they aren't firsts that you usually think about when going into comedy. Take a listen.…
Yes comedians get asked weird questions. Probably because people aren't used to meeting comedians, so they just blurt out stupid questions, but also I think that people hat since we talk about ourselves on stage, people think we're okay with answering pretty much any questions off stage. But that is not really true. Here's a few of the weird questions I've been asked.…
Golfing and cops usually don't mix, unless you lived in my neighborhood. The place I called home when I first move to LA was pretty dicey, and full of cops. This week I'm telling a quick story about my run in with the law when all I wanted to do was golf.
All you've got to do to get famous is get on one of those shows like Last Comic Standing, and do really well - right? Well maybe or maybe not. Here's a short story about my auditions for these kinds of shows. Yeah, this episode went over 5 minutes. . . and I could have stretched this to 2 episodes, but I didn't. Enjoy this peak into comedy competitions.…
Not spending the holidays with your family because you don't want to kill them with a virus is one thing, but missing family get-togethers because you're working on the road as a comedian is totally different. In this episode, I talk about a couple of depressing, memorable times where I missed holidays with my family in order to do comedy.…
This is a really short episode today but this story has just stuck with me. A lot of bar gigs were hard for me, and this one just kinda summed up all of those bar gigs. When you go through stuff like this, and still do stand-up comedy, you know that you really want to do stand up comedy.
Prop comics are entertainers who use props; anyone from stand-up comedians to magicians, hypnotists and the like can be considered prop comics if they include humor in their act along with something visual. There are good and bad things about being a prop comic, and I've worked with a few in good and bad situations. Here's a couple quick stories.…
Performing comedy in front of zoom may be one of the hardest things to do. But as a comedian and keynote speaker it's something I HAVE to do now. So I've come up with 5 quick tips that have helped me do comedy on zoom SUCCESSFULLY. Hopefully these will help you regardless of if you're doing comedy or just giving a quick presentation.…
Yes, I've done my comedy at a resort for gay men . . . and it went great for ME. Not so great for the other 2 acts. This week's podcast is a short story about that show and what I learned.
Writing jokes for specific audiences is so much fun because you learn about the group, and the jokes usually help you connect right away! When you're working comedy clubs, you can't interview the audience ahead of time, but you can still do a little customization. Here's a few tips I've picked up along the way for customizing a comedy show . . . or any event really.…
Being live on hundreds of radio shows is a learning experience for sure, and one that has helped me even today with my virtual comedy events today. I'm not sure I learned from every show, but there were lots of strange experiences. Like the time they booked me and my clean comedy at the same time they booked a guy talking about swingers. It was too funny. Listen to my short podcast on some of the radio shows I've been on.…
Some comedians don't know when to stop with the jokes! Maybe you know someone like this who isn't even a comedian! But for me, I feel like we don't have to be "on" all the time - it's annoying. Here's a quick podcast about a couple guys I know who just can't stop with the jokes.
Our Baby Boomer Comedy Show is a hit! Or at least it is a hit give or take COVID. I'm sure we'll be performing it again in theatres soon, but this week's podcast focuses on how we got started with the show and a few of the hurdles we had to jump to get it up and running.
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