Artwork

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Live At The AM. Lunchtime Conversations 2021 - Daniel Boyd Stephen Gilchrist 15 June 2021

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Manage episode 297465570 series 2782813
Contenuto fornito da Australian Museum. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Australian Museum o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Artist Daniel Boyd and Academic Dr Stephen Gilchrist discuss the legacy of Emily Kame Kngwarreye and the importance of place and ceremony in art today. When Emily Kame Kngwarreye died in 1996, she was recognised as one of the world’s great painters. Her work was inherently tied to deep, layered understanding and interpretation of her Country’s stories, and was the culmination of a lifetime of making art as ceremony. If an inherent relationship to place is the basis of First Nations visual tradition, what does it mean for contemporary First Nations art practitioners? How do urban-based Indigenous artists – and those whose cultures have been lost to them – maintain links with their heritage and create ceremony through their work? Recorded at the Australian Museum on 15 June 2021
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100 episodi

Artwork
iconCondividi
 
Manage episode 297465570 series 2782813
Contenuto fornito da Australian Museum. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Australian Museum o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Artist Daniel Boyd and Academic Dr Stephen Gilchrist discuss the legacy of Emily Kame Kngwarreye and the importance of place and ceremony in art today. When Emily Kame Kngwarreye died in 1996, she was recognised as one of the world’s great painters. Her work was inherently tied to deep, layered understanding and interpretation of her Country’s stories, and was the culmination of a lifetime of making art as ceremony. If an inherent relationship to place is the basis of First Nations visual tradition, what does it mean for contemporary First Nations art practitioners? How do urban-based Indigenous artists – and those whose cultures have been lost to them – maintain links with their heritage and create ceremony through their work? Recorded at the Australian Museum on 15 June 2021
  continue reading

100 episodi

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