“LA Made” is a series exploring stories of bold Californian innovators and how they forever changed the lives of millions all over the world. Each season will unpack the untold and surprising stories behind some of the most exciting innovations that continue to influence our lives today. Season 2, “LA Made: The Barbie Tapes,” tells the backstory of the world’s most popular doll, Barbie. Barbie is a cultural icon but what do you really know about her? Hear Barbie's origin story from the peopl ...
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123: Clowns
Manage episode 283001870 series 1984858
Contenuto fornito da Bande à part. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Bande à part o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
We unexpectedly become fascinated with clowns and their make-up, including Joseph Grimaldi. See links below. Leichner Kosmetik: https://www.cosmeticsandskin.com/companies/leichner.php Dave Fagundes and Aaron Perzanowski, The fascinating reason why clowns paint their faces on eggs, BBC Future (6 December 2017): https://www.bbc.com/future/article/20171206-the-fascinating-reason-why-clowns-paint-their-faces-on-eggs Costume worn by Joseph Grimaldi (1800-1823), Museum of London: https://collections.museumoflondon.org.uk/online/object/794735.html Carold Reed (director), Veniero Colasanti (costume design), Trapeze (1956): https://www.imdb.com/title/tt0049875/ Mode Circus Knie, Textilmuseum St. Gallen (7 March 2019 – 19 January 2020): https://www.textilmuseum.ch/modecircus/ Jean-Antoine Watteau, ‘Pierrot, formerly known as Gilles’ (c. 1718-19), Musée du Louvre, Paris: https://www.louvre.fr/en/oeuvre-notices/pierrot-formerly-known-gilles Playbill for The Great United Circus Alhambra Palace (1858), Victoria & Albert Museum: http://collections.vam.ac.uk/item/O1462318/the-great-united-states-circus-playbill-horner/ National Fairground and Circus Archive, The University of Sheffield: https://www.sheffield.ac.uk/nfca
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169 episodi
Manage episode 283001870 series 1984858
Contenuto fornito da Bande à part. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Bande à part o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
We unexpectedly become fascinated with clowns and their make-up, including Joseph Grimaldi. See links below. Leichner Kosmetik: https://www.cosmeticsandskin.com/companies/leichner.php Dave Fagundes and Aaron Perzanowski, The fascinating reason why clowns paint their faces on eggs, BBC Future (6 December 2017): https://www.bbc.com/future/article/20171206-the-fascinating-reason-why-clowns-paint-their-faces-on-eggs Costume worn by Joseph Grimaldi (1800-1823), Museum of London: https://collections.museumoflondon.org.uk/online/object/794735.html Carold Reed (director), Veniero Colasanti (costume design), Trapeze (1956): https://www.imdb.com/title/tt0049875/ Mode Circus Knie, Textilmuseum St. Gallen (7 March 2019 – 19 January 2020): https://www.textilmuseum.ch/modecircus/ Jean-Antoine Watteau, ‘Pierrot, formerly known as Gilles’ (c. 1718-19), Musée du Louvre, Paris: https://www.louvre.fr/en/oeuvre-notices/pierrot-formerly-known-gilles Playbill for The Great United Circus Alhambra Palace (1858), Victoria & Albert Museum: http://collections.vam.ac.uk/item/O1462318/the-great-united-states-circus-playbill-horner/ National Fairground and Circus Archive, The University of Sheffield: https://www.sheffield.ac.uk/nfca
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