Stephen Fry's 7 Deady Sins - I will take each one of the Seven Sins in turn, lay them out on the surgical table and poke, prod, pry and provoke in an attempt to try to anatomise and understand them; I hope and believe it will be, if nothing else, delicious fun and something of a change from the usual run of podcastery. Hosted on Acast. See acast.com/privacy for more information.
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Contenuto fornito da The WallBreakers and James Scully. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da The WallBreakers and James Scully o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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BW - EP131—004: Orson Welles Is The Shadow—WOR And Network Radio In The Fall Of 1937
Manage episode 340334528 series 2494501
Contenuto fornito da The WallBreakers and James Scully. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da The WallBreakers and James Scully o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
The voice at the top of this clip is that of former WOR chief engineer Jack Poppele. The station went online on February 22nd, 1922. In 1934, WOR became one of the flagship stations of the Mutual Broadcasting System. The next March, Poppele was chiefly responsible for the creation of radio’s first directional antenna just as WOR increased its power to fifty-thousand watts. In December of 1936, Don Lee’s west coast chain of networks joined Mutual, giving it coast-to-coast access. But in the fall of 1937 The Mutual Broadcasting System had no top-fifty rated shows. Seventy-four percent of the U.S. population now had a radio set. Sunday evening’s most-heard shows belonged to Edgar Bergen, who pulled a 32.1, and Jack Benny, who pulled a 29.5. Both ran on NBC Red. Overall NBC’s Red Network had twenty-six of the nation’s top fifty shows, while CBS had nineteen, and NBC’s Blue Network had five. WOR’s Sunday afternoon programming had concerts, sports, and news bulletins. Their schedule was ripe for a new melodrama.
…
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511 episodi
BW - EP131—004: Orson Welles Is The Shadow—WOR And Network Radio In The Fall Of 1937
Breaking Walls: The Podcast on the History of American Network Radio Broadcasting
Manage episode 340334528 series 2494501
Contenuto fornito da The WallBreakers and James Scully. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da The WallBreakers and James Scully o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
The voice at the top of this clip is that of former WOR chief engineer Jack Poppele. The station went online on February 22nd, 1922. In 1934, WOR became one of the flagship stations of the Mutual Broadcasting System. The next March, Poppele was chiefly responsible for the creation of radio’s first directional antenna just as WOR increased its power to fifty-thousand watts. In December of 1936, Don Lee’s west coast chain of networks joined Mutual, giving it coast-to-coast access. But in the fall of 1937 The Mutual Broadcasting System had no top-fifty rated shows. Seventy-four percent of the U.S. population now had a radio set. Sunday evening’s most-heard shows belonged to Edgar Bergen, who pulled a 32.1, and Jack Benny, who pulled a 29.5. Both ran on NBC Red. Overall NBC’s Red Network had twenty-six of the nation’s top fifty shows, while CBS had nineteen, and NBC’s Blue Network had five. WOR’s Sunday afternoon programming had concerts, sports, and news bulletins. Their schedule was ripe for a new melodrama.
…
continue reading
511 episodi
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