Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Contenuto fornito da Brierly Hill 90210 and Podcast hosted by Jon Miller. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Brierly Hill 90210 and Podcast hosted by Jon Miller o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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Brierly Hill 90210 presents... 1954
Manage episode 331363912 series 1435457
Contenuto fornito da Brierly Hill 90210 and Podcast hosted by Jon Miller. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Brierly Hill 90210 and Podcast hosted by Jon Miller o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Alan Freed used the term “rock and roll” as early as 1951. It was a euphemism for sex but Freed used it to describe rhythm and blues, or “race music”, in a way that was more acceptable to white audiences. Freed was keen to promote white cover versions of songs originally recorded by black artists. But, while this new rock 'n' roll music started to gain popularity and see increased record sales, there wasn't an instant mass take-over of the music scene. You'll hear a marginal increase in rock numbers but the charts are still dominated by big band orchestration and actor/singer cross-overs. Listen out for a crooning Norman Wisdom as you sit back and enjoy the sounds of 1954.
…
continue reading
71 episodi
Manage episode 331363912 series 1435457
Contenuto fornito da Brierly Hill 90210 and Podcast hosted by Jon Miller. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Brierly Hill 90210 and Podcast hosted by Jon Miller o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Alan Freed used the term “rock and roll” as early as 1951. It was a euphemism for sex but Freed used it to describe rhythm and blues, or “race music”, in a way that was more acceptable to white audiences. Freed was keen to promote white cover versions of songs originally recorded by black artists. But, while this new rock 'n' roll music started to gain popularity and see increased record sales, there wasn't an instant mass take-over of the music scene. You'll hear a marginal increase in rock numbers but the charts are still dominated by big band orchestration and actor/singer cross-overs. Listen out for a crooning Norman Wisdom as you sit back and enjoy the sounds of 1954.
…
continue reading
71 episodi
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