Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Harpsichord under Glass?
Manage episode 441011492 series 2996988
Contenuto fornito da American Public Media. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da American Public Media o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Synopsis
“Are people still writing concertos for harpsichord?” you ask. Well, today, we have an answer, which is “Yes!”
On today’s date in 2002, this new Concerto for Harpsichord and Chamber Orchestra by Philip Glass had its premiere performance at Benaroya Hall in Seattle. Glass was asked to write a new Harpsichord Concerto for the Northwest Chamber Orchestra and says he found the commission intriguing.
“For one, I have always been an admirer of the literature for harpsichord and have played a bit it myself,” Glass wrote. “Secondly, I knew that the modern-day harpsichord was capable of a fuller, more robust sound than was available in ‘period’ instruments and might make a handsome partner to a modern chamber orchestra.”
Glass’ concerto is in the traditional three movements of a Baroque era concerto, with a slower, more lyrical middle movement flanked by speedier, flashier outer movements.
And perhaps surprisingly for a “minimalist” composer famous — or infamous — for his loping, seemingly endless repeated patterns, this Harpsichord Concerto, despite being recognizably a work by Philip Glass, is more varied and mercurial than usual, with a final movement in which the harpsichord soloist really needs to “go for Baroque!”
Music Played in Today's Program
Philip Glass (b. 1937): Concerto for Harpsichord and Chamber Orchestra; Christopher D. Lewis, harpsichord; West Side Chamber Orchestra/Kevin Mallon; Naxos 8.573146
95 episodi
Manage episode 441011492 series 2996988
Contenuto fornito da American Public Media. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da American Public Media o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Synopsis
“Are people still writing concertos for harpsichord?” you ask. Well, today, we have an answer, which is “Yes!”
On today’s date in 2002, this new Concerto for Harpsichord and Chamber Orchestra by Philip Glass had its premiere performance at Benaroya Hall in Seattle. Glass was asked to write a new Harpsichord Concerto for the Northwest Chamber Orchestra and says he found the commission intriguing.
“For one, I have always been an admirer of the literature for harpsichord and have played a bit it myself,” Glass wrote. “Secondly, I knew that the modern-day harpsichord was capable of a fuller, more robust sound than was available in ‘period’ instruments and might make a handsome partner to a modern chamber orchestra.”
Glass’ concerto is in the traditional three movements of a Baroque era concerto, with a slower, more lyrical middle movement flanked by speedier, flashier outer movements.
And perhaps surprisingly for a “minimalist” composer famous — or infamous — for his loping, seemingly endless repeated patterns, this Harpsichord Concerto, despite being recognizably a work by Philip Glass, is more varied and mercurial than usual, with a final movement in which the harpsichord soloist really needs to “go for Baroque!”
Music Played in Today's Program
Philip Glass (b. 1937): Concerto for Harpsichord and Chamber Orchestra; Christopher D. Lewis, harpsichord; West Side Chamber Orchestra/Kevin Mallon; Naxos 8.573146
95 episodi
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