Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Hindemith's 'Kammermusik' No. 4
Manage episode 441914902 series 2996988
Contenuto fornito da American Public Media. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da American Public Media o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Synopsis
In the 1920s, German composer Paul Hindemith wrote a set of seven concertos, which he collectively titled Kammermusik or Chamber Music. This generic title was part of Hindemith’s goal to foster a more “objective” musical style, modeled on 18th century composers like J.S. Bach.
Hindemith’s Kammermusik No. 4, a work for solo violin and chamber orchestra, had its first performance in Dessau on today’s date in 1925. The soloist was Licco Amar, the first violinist of the Amar String Quartet, an ensemble in which Hindemith played viola.
Hindemith’s father had been killed in World War I, and Hindemith himself had been called up, but avoided being sent to the front by forming a string quartet that played nightly to ease the nerves of his commanding officer. Then during the World War II, despite being considered a so-called “Aryan” composer, Hindemith fell out of favor with the Nazi regime and eventually emigrated to America, where he became a very influential teacher.
To address the role of music in society, Hindemith suggested composers should revive the idea of writing works amateur musicians could play at home with family and friends.
“People who make music together cannot be enemies,” he observed, “at least while the music lasts.”
Music Played in Today's Program
Paul Hindemith (1895-1963): Kammermusik No. 4; Konstanty Kulka, violin; Concertgebouw Orchestra; Riccardo Chailly, conductor; London 433 816
95 episodi
Manage episode 441914902 series 2996988
Contenuto fornito da American Public Media. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da American Public Media o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Synopsis
In the 1920s, German composer Paul Hindemith wrote a set of seven concertos, which he collectively titled Kammermusik or Chamber Music. This generic title was part of Hindemith’s goal to foster a more “objective” musical style, modeled on 18th century composers like J.S. Bach.
Hindemith’s Kammermusik No. 4, a work for solo violin and chamber orchestra, had its first performance in Dessau on today’s date in 1925. The soloist was Licco Amar, the first violinist of the Amar String Quartet, an ensemble in which Hindemith played viola.
Hindemith’s father had been killed in World War I, and Hindemith himself had been called up, but avoided being sent to the front by forming a string quartet that played nightly to ease the nerves of his commanding officer. Then during the World War II, despite being considered a so-called “Aryan” composer, Hindemith fell out of favor with the Nazi regime and eventually emigrated to America, where he became a very influential teacher.
To address the role of music in society, Hindemith suggested composers should revive the idea of writing works amateur musicians could play at home with family and friends.
“People who make music together cannot be enemies,” he observed, “at least while the music lasts.”
Music Played in Today's Program
Paul Hindemith (1895-1963): Kammermusik No. 4; Konstanty Kulka, violin; Concertgebouw Orchestra; Riccardo Chailly, conductor; London 433 816
95 episodi
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