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1059: Exploring the Rich Soundscape of Gut Strings with Ernst Glerum

 
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Contenuto fornito da Contrabass Conversations. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Contrabass Conversations o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

Today’s episode dives into the multifaceted career of bassist and pianist Ernst Glerum, focusing on his recent piano-bass album Détaché.

We delve into Ernst’s use of gut strings on his mid-19th-century English bass and his shift to a mix including Pirastro Olive strings. Ernst shares his compositional process, the technical challenges and expressive nuances of playing with gut strings versus steel strings, particularly the influence of rosin type on sound quality.

Ernst speaks fondly about his admiration for iconic musicians and his future plans for composing new music, encapsulating the essence of his artistic explorations.

Subscribe to the podcast to get these interviews delivered to you automatically!

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Thank you to our sponsors!

Upton Bass – From Grammy Award winners and Philharmonic players like ME Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today!

Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah’s website to sign up for a free online trial lesson here.

  continue reading

24 episodi

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iconCondividi
 

Fetch error

Hmmm there seems to be a problem fetching this series right now. Last successful fetch was on November 15, 2024 13:36 (7d ago)

What now? This series will be checked again in the next hour. If you believe it should be working, please verify the publisher's feed link below is valid and includes actual episode links. You can contact support to request the feed be immediately fetched.

Manage episode 441034167 series 719
Contenuto fornito da Contrabass Conversations. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Contrabass Conversations o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

Today’s episode dives into the multifaceted career of bassist and pianist Ernst Glerum, focusing on his recent piano-bass album Détaché.

We delve into Ernst’s use of gut strings on his mid-19th-century English bass and his shift to a mix including Pirastro Olive strings. Ernst shares his compositional process, the technical challenges and expressive nuances of playing with gut strings versus steel strings, particularly the influence of rosin type on sound quality.

Ernst speaks fondly about his admiration for iconic musicians and his future plans for composing new music, encapsulating the essence of his artistic explorations.

Subscribe to the podcast to get these interviews delivered to you automatically!

Connect with us:

Thank you to our sponsors!

Upton Bass – From Grammy Award winners and Philharmonic players like ME Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today!

Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah’s website to sign up for a free online trial lesson here.

  continue reading

24 episodi

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