“LA Made” is a series exploring stories of bold Californian innovators and how they forever changed the lives of millions all over the world. Each season will unpack the untold and surprising stories behind some of the most exciting innovations that continue to influence our lives today. Season 2, “LA Made: The Barbie Tapes,” tells the backstory of the world’s most popular doll, Barbie. Barbie is a cultural icon but what do you really know about her? Hear Barbie's origin story from the peopl ...
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Contenuto fornito da HKW and Haus der Kulturen der Welt. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da HKW and Haus der Kulturen der Welt o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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Cinema and Everyday Resistance | No Master Territories
Manage episode 334831574 series 1527473
Contenuto fornito da HKW and Haus der Kulturen der Welt. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da HKW and Haus der Kulturen der Welt o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
What forms of resistance can cinema offer? What relations exist between documentary film and activism? How does feminist film deal with sexually explicit images? These questions and more are addressed in a podcast series accompanying the exhibition “No Master Territories: Feminist Worldmaking and the Moving Image,” curated by Erika Balsom and Hila Peleg. In her 1982 film “Reassemblage,” Trinh T. Minh-ha influentially reformulated the terms of the ethnographic encounter: she would not “speak about,” but “speak nearby.” In this conversation with artist-filmmaker Laura Huertas Millán, the two discuss this concept and others pertaining to both their practices. More about the exhibition: www.hkw.de/en/NoMaster Sound excerpts from Trinh T. Minh-ha, What About China? (2022), copyright Moongift Films
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56 episodi
Manage episode 334831574 series 1527473
Contenuto fornito da HKW and Haus der Kulturen der Welt. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da HKW and Haus der Kulturen der Welt o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
What forms of resistance can cinema offer? What relations exist between documentary film and activism? How does feminist film deal with sexually explicit images? These questions and more are addressed in a podcast series accompanying the exhibition “No Master Territories: Feminist Worldmaking and the Moving Image,” curated by Erika Balsom and Hila Peleg. In her 1982 film “Reassemblage,” Trinh T. Minh-ha influentially reformulated the terms of the ethnographic encounter: she would not “speak about,” but “speak nearby.” In this conversation with artist-filmmaker Laura Huertas Millán, the two discuss this concept and others pertaining to both their practices. More about the exhibition: www.hkw.de/en/NoMaster Sound excerpts from Trinh T. Minh-ha, What About China? (2022), copyright Moongift Films
…
continue reading
56 episodi
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