Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Trauma: Get Your Parasitic Parasocials Up
Manage episode 262740779 series 2626694
Contenuto fornito da Kpop Critical. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Kpop Critical o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Funny how we’re posting this this week and Baekhyun goes on Lysn to say a fan had stalked him to his home and that he’s disappointed and feel violated. His ass goes i never forget a face! So to that girl…keep those eyes peeled. So we got part two of our Trauma Series. Parasocial relationships in Kpop! How different subjects and mediums have parasocial relations to each other. Idols and their relationships to fans, journalists, social media, and people who stay hate watching. The kinds of influence that media has on parasocial relationships. These parasocial relationships that aide to fantasies of deranged, but generally wealthy people, we have sasaengs (stalkers) emerge and fit into a category of the Kpop-industrial complex. We talk about some absolute nut shit that has gone down because idols must be available to their audience, while not individually knowing their fans. Its like a little tragic but also kinda funny sometimes? Anyways, we’re speaking on some little and large known facts of Kpop which vary in severity. We also deal with spectacle and what creating spectacle really means, and how it functions with relation to idols. We got that drops episode coming up soon that mentioned in the end. Happy summer, stream us and Yubin’s yaya (ME TIME) Sources: The Adoring Audience: Fan Culture and Popular Media *~Music this Episode~* Trauma | SEVENTEEN 넵넵(ME TIME) | YUBIN Follow Us: @kpop_critical_ $kpopcritical Catrina Cash App: $catrinajk www.instagram.com/catnastee/ Morgan Cash App: $mrgnhayes www.instagram.com/mrgnhayes.co.uk/ "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for -fair use- for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."
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33 episodi
Manage episode 262740779 series 2626694
Contenuto fornito da Kpop Critical. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Kpop Critical o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Funny how we’re posting this this week and Baekhyun goes on Lysn to say a fan had stalked him to his home and that he’s disappointed and feel violated. His ass goes i never forget a face! So to that girl…keep those eyes peeled. So we got part two of our Trauma Series. Parasocial relationships in Kpop! How different subjects and mediums have parasocial relations to each other. Idols and their relationships to fans, journalists, social media, and people who stay hate watching. The kinds of influence that media has on parasocial relationships. These parasocial relationships that aide to fantasies of deranged, but generally wealthy people, we have sasaengs (stalkers) emerge and fit into a category of the Kpop-industrial complex. We talk about some absolute nut shit that has gone down because idols must be available to their audience, while not individually knowing their fans. Its like a little tragic but also kinda funny sometimes? Anyways, we’re speaking on some little and large known facts of Kpop which vary in severity. We also deal with spectacle and what creating spectacle really means, and how it functions with relation to idols. We got that drops episode coming up soon that mentioned in the end. Happy summer, stream us and Yubin’s yaya (ME TIME) Sources: The Adoring Audience: Fan Culture and Popular Media *~Music this Episode~* Trauma | SEVENTEEN 넵넵(ME TIME) | YUBIN Follow Us: @kpop_critical_ $kpopcritical Catrina Cash App: $catrinajk www.instagram.com/catnastee/ Morgan Cash App: $mrgnhayes www.instagram.com/mrgnhayes.co.uk/ "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for -fair use- for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."
…
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