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Mahler Rückert-Lieder – Intro
Manage episode 288353203 series 2900628
Contenuto fornito da Mahler Foundation. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Mahler Foundation o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Rückert-Lieder is a song cycle of five Lieder for voice and orchestra or piano by Gustav Mahler, based on poems written by Friedrich Ruckert (1788-1866).
- Lied Ruckert 1: Blicke mir nicht in die Lieder
- Lied Ruckert 2: Ich atmet’ einen linden Duft!
- Lied Ruckert 3: Um Mitternacht
- Lied Ruckert 4: Ich bin der Welt abhanden gekommen
- Lied Ruckert 5: Liebst du um Schoenheit
---
A listening guide of Rückert-Lieder – Intro with Lew Smoley.
115 episodi
Manage episode 288353203 series 2900628
Contenuto fornito da Mahler Foundation. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Mahler Foundation o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Rückert-Lieder is a song cycle of five Lieder for voice and orchestra or piano by Gustav Mahler, based on poems written by Friedrich Ruckert (1788-1866).
- Lied Ruckert 1: Blicke mir nicht in die Lieder
- Lied Ruckert 2: Ich atmet’ einen linden Duft!
- Lied Ruckert 3: Um Mitternacht
- Lied Ruckert 4: Ich bin der Welt abhanden gekommen
- Lied Ruckert 5: Liebst du um Schoenheit
---
A listening guide of Rückert-Lieder – Intro with Lew Smoley.
115 episodi
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×1 Des Knaben Wunderhorn - Urlicht 1:46:09
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1:46:09A listening guide of Des Knaben Wunderhorn - Urlicht with Lew Smoley from ClassicalPodcasts.com .
Gustav Mahler score Klavierquartett, piano quartet, Movement 1: in A . --- A listening guide of Klavierquartett with Lew Smoley.
The final movement culminates in a resolution. The music, also reused in the First Symphony (in the Scherzo “Funeral March in Callot’s manner”), is subdued and gentle, lyrical and often reminiscent of a chorale in its harmonies. Its title, “Die zwei blauen Augen von meinem Schatz” (“The Two Blue Eyes of my Beloved”), deals with how the image of those eyes has caused the Wayfarer so much grief that he can no longer stand to be in the environment. He describes lying down under a linden tree, allowing the flowers to fall on him. He wishes to return to his life before his travels. He asks that the whole affair had never occurred: “Everything: love and grief, and world, and dreams!” --- A listening guide of Lieder Eines Fahrenden Gesellen – Die Zwei Blauen Augen with Lew Smoley…
Das klagende Lied is a work in which Mahler comes closest to the opera. This is because the composition is pervaded by drama and its elaboration in a text that regularly gets the character of a theatrically very effective dialogue. Gustav Mahler (1860-1911) was fourteen years old when his younger brother Ernst Mahler (1862-1875) died. The loss touched him deeply and gave him a gnawing guilt. A few years later he started Das klagende Lied, his first major work. Mahler himself wrote the text. He relied on a folk tale about two brothers, in which the elder kills the younger. Mahler called the work ‘My worry child’. It was his requiem for his brother Ernst. --- A listening guide of Das Klagende Lied – Intro with Lew Smoley…
1 Mahler Lieder Eines Fahrenden Gesellen – Wenn Mein Schatz Hochzeit Macht (When My Sweetheart Gets Married) 9:02
The first movement is entitled “Wenn mein Schatz Hochzeit macht” (“When My Sweetheart is Married”), and the text discusses the Wayfarer’s grief at losing his love to another. He remarks on the beauty of the surrounding world, but how that cannot keep him from having sad dreams. The orchestral texture is bittersweet, using double reed instruments, clarinets and strings. --- A listening guide of Lieder Eines Fahrenden Gesellen – Wenn Mein Schatz Hochzeit Macht with Lew Smoley.…
1 Mahler Lieder Eines Fahrenden Gesellen – Ging Heut’ Morgens Über’s Feld (I Went Out This Morning Over The Fields) 11:45
The second movement, “Ging heut Morgen übers Feld” (“I Went This Morning over the Field”), contains the happiest music of the work. Indeed, it is a song of joy and wonder at the beauty of nature in simple actions like birdsong and dew on the grass. “Is it not a lovely world?” is a refrain. However, the Wayfarer is reminded at the end that despite this beauty, his happiness will not blossom anymore now that his love is gone. This movement is orchestrated delicately, making use of high strings and flutes, as well as a fair amount of triangle. The melody of this movement, as well as much of the orchestration, is developed into the ‘A’ theme of the first movement of the First Symphony. --- A listening guide of Lieder Eines Fahrenden Gesellen – Ging Heut’ Morgens Über’s Feld with Lew Smoley.…
1 Mahler Lieder Eines Fahrenden Gesellen – Ich Hab’ Ein Glühend Messer (I Have A Glowing Knife) 12:33
The third movement is a full display of despair. Entitled “Ich hab’ein glühend Messer” (“I Have a Gleaming Knife”), the Wayfarer likens his agony of lost love to having an actual metal blade piercing his heart. He obsesses to the point where everything in the environment reminds him of some aspect of his love, and he wishes he actually had the knife. The music is intense and driving, fitting to the agonized nature of the Wayfarer’s obsession. --- A listening guide of Lieder Eines Fahrenden Gesellen – Ich Hab’ Ein Glühend Messer with Lew Smoley.…
The final movement culminates in a resolution. The music, also reused in the First Symphony (in the Scherzo “Funeral March in Callot’s manner”), is subdued and gentle, lyrical and often reminiscent of a chorale in its harmonies. Its title, “Die zwei blauen Augen von meinem Schatz” (“The Two Blue Eyes of my Beloved”), deals with how the image of those eyes has caused the Wayfarer so much grief that he can no longer stand to be in the environment. He describes lying down under a linden tree, allowing the flowers to fall on him. He wishes to return to his life before his travels. He asks that the whole affair had never occurred: “Everything: love and grief, and world, and dreams!” --- A listening guide of Lieder Eines Fahrenden Gesellen – Die Zwei Blauen Augen with Lew Smoley.…
Lieder eines fahrenden Gesellen (‘Songs of a Wayfarer’) is a song cycle by Gustav Mahler on his own texts. The cycle of four Lieder for low voice (often performed by women as well as men) was written around 1884-1885 in the wake of Mahler’s unhappy love for soprano Johanna Richter (1858-1943) , whom he met while conductor of the opera house in Kassel, Germany, and orchestrated and revised in the 1890s. --- A listening guide of Lieder Eines Fahrenden Gesellen – Intro with Lew Smoley.…
A listening guide of Lieder Und Gesänge Aus Dem Jugendzeit – Winterlied with Lew Smoley from ClassicalPodcasts.com .
A listening guide of Lieder Und Gesänge Aus Dem Jugendzeit – Im Lenz with Lew Smoley from ClassicalPodcasts.com .
A listening guide of Lieder Und Gesänge Aus Dem Jugendzeit – Maitanz Im Grünen with Lew Smoley from ClassicalPodcasts.com .
A listening guide of Lieder Und Gesänge Aus Dem Jugendzeit – Frühlingsmorgen with Lew Smoley from ClassicalPodcasts.com .
A listening guide of Lieder Und Gesänge Aus Dem Jugendzeit – Erinnerung with Lew Smoley from ClassicalPodcasts.com .
A listening guide of Lieder Und Gesänge Aus Dem Jugendzeit – Serenade Aus Don Juan with Lew Smoley from ClassicalPodcasts.com .
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