Perspolis’ (perplexing) Persian protagonist

Modern Minorities

“The normalization of things being taken away. You see all the things going on in Tehran in 1979 — you see them here as well, which makes it a sad, scary, and timeless tale.”

PERSEPOLIS, by Marjane Satrapi is an award winning, now banned graphic autobiography from the early 2000s about a young girl growing up in Iran, and becoming a woman overseas, returning home, and dealing with everything in between.Originally published in French, Persepolis has sold millions of copies worldwide, and Satrapi also produced an award-winning film of the same name. In Persepolis, we meet young Marjane “Marji” Satrapi growing up in Tehran just before and during the Iranian Revolution of 1979, as well as thru the start of the Iran + Iraq War in the 1980s. Her parents are secular, upper-middle class activists, who worry for their precocious daughter's safety in the increasingly conservative and dangerous Iran, so send her off to Austria to become a teenager. Her teen years are fraught with all the drama you can expect from such an experience, but Marji - now becoming a young woman - always maintains the experience of an outsider looking in - with her feet in both worlds. Marji eventually returns to Iran to find that not only has her mother country changed, but she as well. This book was a surprise and illuminating for us in many ways, making us question - what would WE do in such a situation?

This conversation is originally from from Quarantined Comics, where Raman + friends read comics that are so much more than just superheroes. PERSEPOLIS is a very Modern Minorities appropriate work, especially for the times we’re living in, which you’ll get to here us reflect on. Longtime friend of THAT pod Joshua joins from his most excellent podcast RABBIT FIGHTERS, where they pretty much do the same thing, but about movies and music.

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