When a young Eva Kollisch arrives as a refugee in New York in 1940, she finds a community among socialists who share her values and idealism. She soon discovers ‘the cause’ isn’t as idyllic as it seems. Little does she know this is the beginning of a lifelong commitment to activism and her determination to create radical change in ways that include belonging, love and one's full self. In addition to Eva Kollisch’s memoirs Girl in Movement (2000) and The Ground Under My Feet (2014), LBI’s collections include an oral history interview with Eva conducted in 2014 and the papers of Eva’s mother, poet Margarete Kolllisch, which document Eva’s childhood experience on the Kindertransport. Learn more at www.lbi.org/kollisch . Exile is a production of the Leo Baeck Institute , New York | Berlin and Antica Productions . It’s narrated by Mandy Patinkin. Executive Producers include Katrina Onstad, Stuart Coxe, and Bernie Blum. Senior Producer is Debbie Pacheco. Associate Producers are Hailey Choi and Emily Morantz. Research and translation by Isabella Kempf. Sound design and audio mix by Philip Wilson, with help from Cameron McIver. Theme music by Oliver Wickham. Voice acting by Natalia Bushnik. Special thanks to the Kollisch family for the use of Eva’s two memoirs, “Girl in Movement” and “The Ground Under My Feet”, the Sophia Smith Collection at Smith College and their “Voices of Feminism Oral History Project”, and Soundtrack New York.…
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Contenuto fornito da Mia Funk, Creative Thinkers, Spiritual Leaders, and Bioethicists · Creative Process Original Series. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Mia Funk, Creative Thinkers, Spiritual Leaders, and Bioethicists · Creative Process Original Series o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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Philosophy, Ideas, Critical Thinking, Ethics & Morality: The Creative Process: Philosophers, Writers, Educators, Creative Thinkers, Spiritual Leaders, Environmentalists & Bioethicists
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PAY ATTENTION: A Call to Regulate the Attention Market & Prevent Algorithmic Emotional Governance
Manage episode 464724369 series 3334572
Contenuto fornito da Mia Funk, Creative Thinkers, Spiritual Leaders, and Bioethicists · Creative Process Original Series. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Mia Funk, Creative Thinkers, Spiritual Leaders, and Bioethicists · Creative Process Original Series o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
AI competes for our attention because our attention has been commodified. As our entire lives revolve more and more around the attention economy, what can we do to restore our autonomy, reclaim our privacy, and reconnect with the real world.
Computer scientist Fabien Gandon and research engineer Franck Michel are experts in AI, the Web, and knowledge systems. Fabien is a senior researcher at Inria (Institut national de recherche en sciences et technologies du numérique), specializing in the Semantic Web, while Franck focuses on integrating and sharing data through Linked Open Data technologies.
Together, they’ve written Pay Attention: A Call to Regulate the Attention Market and Prevent Algorithmic Emotional Governance. Their research unpacks how digital platforms are monetizing our attention at an unprecedented scale—fueling misinformation and division and even threatening democracy and affecting our emotions and well-being.
“The fact that technologies are being used and combined to capture our attention is concerning. This is currently being done with no limitations and no regulations. That's the main problem. Attention is a very private resource. No one should be allowed to extract it from us by exploiting what we know about the human mind and how it functions, including its weaknesses. We wrote this paper as a call to regulate the attention market and prevent algorithmic emotional governance.”
Instagram:@creativeprocesspodcast
300 episodi
CondividiManage episode 464724369 series 3334572
Contenuto fornito da Mia Funk, Creative Thinkers, Spiritual Leaders, and Bioethicists · Creative Process Original Series. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Mia Funk, Creative Thinkers, Spiritual Leaders, and Bioethicists · Creative Process Original Series o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
AI competes for our attention because our attention has been commodified. As our entire lives revolve more and more around the attention economy, what can we do to restore our autonomy, reclaim our privacy, and reconnect with the real world.
Computer scientist Fabien Gandon and research engineer Franck Michel are experts in AI, the Web, and knowledge systems. Fabien is a senior researcher at Inria (Institut national de recherche en sciences et technologies du numérique), specializing in the Semantic Web, while Franck focuses on integrating and sharing data through Linked Open Data technologies.
Together, they’ve written Pay Attention: A Call to Regulate the Attention Market and Prevent Algorithmic Emotional Governance. Their research unpacks how digital platforms are monetizing our attention at an unprecedented scale—fueling misinformation and division and even threatening democracy and affecting our emotions and well-being.
“The fact that technologies are being used and combined to capture our attention is concerning. This is currently being done with no limitations and no regulations. That's the main problem. Attention is a very private resource. No one should be allowed to extract it from us by exploiting what we know about the human mind and how it functions, including its weaknesses. We wrote this paper as a call to regulate the attention market and prevent algorithmic emotional governance.”
Instagram:@creativeprocesspodcast
300 episodi
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How has feminism changed in light of the way we live now? DEAN SPADE (Author of Love in a F*cked Up World: How to Build Relationships, Hook Up & Raise Hell Together ) on recognizing political conditions in personal relationships. MARILYN MINTER (Artist, Feminist) on sexual agency, beauty & her creative process. TEY MEADOW (Author of Trans Kids: Being Gendered in the Twenty-First Century ) on the necessity of creating an inclusive environment & argues that diverse storytelling is crucial for healthy development. ELLEN RAPOPORT (Creator, Exec. Producer of Minx ) on the evolution of feminism, the divides that emerged in the 70s over pornography & sex work. LAURA EASON (Emmy-nominated Producer, Screenwriter · Three Women, House of Cards ) on the significance of representing ordinary women’s experiences. SHARMEEN OBAID-CHINOY (Oscar & Emmy-winning Director of Diane von Furstenberg: Woman in Charge · Forthcoming Star Wars film) on the legacy of von Furstenberg. SARA AHMED (Author, The Feminist Killjoy Handbook ) reclaims the stereotypes, calling for solidarity among feminists. INTAN PARAMADITHA (Author, The Wandering ) reflects on the importance of intergenerational knowledge among women. DIAN HANSON (Editor) on participating in the sex-positive movements of the 1960s to creating niche fetish magazines. KATE MUETH (Neo-Political Cowgirls Founder) on the importance of finding meaning in creative work, community & storytelling in human experience. Listen to full interviews Episode Website www.creativeprocess.info/pod IG: @creativeprocesspodcast…
In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Sarah T. Roberts about the hidden humans behind Artificial Intelligence, which is reliant on executives and business managers to direct AI to promote their brand and low-level, out-sourced, and poorly paid content managers to slog through masses of images, words, and data before they get fed into the machine. They talk about the cultural, sociological, financial, and political aspects of AI. They end by taking on Elon Musk and the DOGE project, as an emblem of how Silicon Valley executives have embraced a brand of tech rapture that disdains and destroys democracy and attacks the idea that people can take care of each other, independent of sociopathic libertarianism. Sarah T. Roberts , Ph.D., is a full professor at UCLA (Gender Studies, Information Studies, Labor Studies), specializing in Internet and social media policy, infrastructure, politics and culture, and the intersection of media, technology, and society. She is the faculty director and co-founder of the UCLA Center for Critical Internet Inquiry (C2i2), co-director of the Minderoo Initiative on Technology & Power, and a research associate of the Oxford Internet Institute. Informed by feminist Science and Technology Studies perspectives, Roberts is keenly interested in the way power, geopolitics, and economics play out on and via the internet, reproducing, reifying, and exacerbating global inequities and social injustice. www.palumbo-liu.com https://speakingoutofplace.com Bluesky @ palumboliu.bsky.social Instagram @ speaking_out_of_place Photo of Elon Musk: Debbie Rowe Creative Commons Attribution-Share Alike 3.0 Unported…
1 "Carbon is really a flow that animates everything we love, everything that's alive on this planet." - PAUL HAWKEN - Highlights 14:52
“We've lost over 70 percent, 73 percent, I think the latest data indicates, of wildlife and mammals in the last 50 years. That’s just shocking when you get that data, but then you ask, what can I do? What can I do? I wanted to move away from any guilt or compulsion because it doesn't work to talk to people that way. After 50 years of climate being in the news, in science, and in our schools, less than a fraction of 1 percent of people in the world do anything about it on a daily basis. How could that be? This is a civilizational crisis. For less than 1 percent to be engaged and do something means that our communication is flawed. I’m not saying the people are wrong, or the science is wrong, or the facts are wrong, but the narrative as a whole is not one that truly entices people or draws them in with a shared understanding of what we face and what to do about it. “ Paul Hawken is a renowned environmentalist, entrepreneur, author, and activist committed to sustainability and transforming the business-environment relationship. He starts ecological businesses, writes about nature and commerce, and consults with heads of state and CEOs on climactic economic and ecological regeneration. He has appeared on the Today Show , Talk of the Nation, Real Time with Bill Maher, CBS This Morning , and his work has been profiled or featured in hundreds of articles, including The Wall Street Journal, New York Times, Newsweek, Washington Post, Forbes, and Businessweek. He has written nine books, including six national and New York Times bestsellers. He's published in 30 languages, and his books are available in over 90 countries. He is the founder of Project Drawdown and Project Regeneration , which is creating the world's largest, most complete listing and network of solutions to the climate crisis. His latest book is Carbon: The Book of Life . Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
“ We have 1.2 trillion carbon molecules in every cell. We have around 30 trillion cells, and that’s us. So carbon is really a flow that animates everything we love, enjoy, eat, and all plant life, all sea life—everything that's alive on this planet—is animated by the flow of carbon. “ Paul Hawken is a renowned environmentalist, entrepreneur, author, and activist committed to sustainability and transforming the business-environment relationship. He starts ecological businesses, writes about nature and commerce, and consults with heads of state and CEOs on climactic economic and ecological regeneration. He has appeared on the Today Show , Talk of the Nation, Real Time with Bill Maher, CBS This Morning , and his work has been profiled or featured in hundreds of articles, including The Wall Street Journal, New York Times, Newsweek, Washington Post, Forbes, and Businessweek. He has written nine books, including six national and New York Times bestsellers. He's published in 30 languages, and his books are available in over 90 countries. He is the founder of Project Drawdown and Project Regeneration , which is creating the world's largest, most complete listing and network of solutions to the climate crisis. His latest book is Carbon: The Book of Life . “We want to see the situation we're in as that, as a flow. Where are the flows coming from, and why are we interfering with them? Why are we crushing them? Why are we killing them? For sure. But also, we need to see the wonder, the awe, the astonishment of life itself and to have that sensibility as the overriding narrative of how we act in the world, how we live, and how we talk to each other. Unless we change the conversation about climate into something that's a conversation about more life—better conditions for people in terms of social justice, restoring so much of what we've lost—then we won’t get anywhere.” Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu t talks with Professor Adrian Daub about the recent elections in Germany, where we saw a surge in votes for the Far Right AfD party, which is now the second most powerful party in the country. They discuss the significance of this rise in popularity and the ways the elections reveal a number of shifts in German politics as the various parties stake out positions that align with not just a center-right orientation but, more dangerously, a far-right one. They speak of the parallels to the recent election of Donald Trump to the US presidency, and what it says about the entrenchment of both neoliberalism and a faux populism based on xenophobia and not serving the actual material interests of everyday people. Adrian Daub teaches German and Comparative Literature at Stanford, where he directs the Clayman Institute for Gender Research. He is the author most recently of The Cancel Culture Panic (2024), and co-hosts the podcast In Bed With the Right . www.palumbo-liu.com https://speakingoutofplace.com Bluesky @ palumboliu.bsky.social Instagram @ speaking_out_of_place…
1 Inside the Mind of PETER WELLER, Actor, Art Historian, Director, Musician, Author - Highlights 13:57
Peter Weller is a renowned theater and Hollywood actor. His performances in films such as RoboCop and Naked Lunch garnered him much critical and commercial success over the years. His television acting and directing credits include Sons of Anarchy, Dexter, and 24 . Unbeknownst to most, Weller has spent decades honing his appreciation for the visual and musical arts through his studies of the Renaissance era. Earning a Master's in Roman architecture from Syracuse University before moving on to a PhD in Renaissance Art from UCLA. Dr. Weller has just written a book , Leon Battista Alberti in Exile: Tracing the Path to the First Modern Book on Painting . “Art transcends time and culture—the beauty of it. People worry about the world now. I remind them to go live in 1968, a time of preparing to go to the moon while people died for their beliefs. This is a difficult time in a republic that’s supposed to be free, but music was leading the way. It’s actually harmonious, transcending culture and time. That might be the greatest gift of our transcendence.” Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
1 From RoboCop to the Renaissance w/ Actor, Art Historian, Director, Musician, Author PETER WELLER 1:11:27
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Riproduci in seguito Riproduci in seguito Liste Like Like aggiunto“I met Miles backstage at the Hollywood Bowl—the last gig he ever played. Miles asked, “Who’s that white boy?” I introduced him to Bob Thiele Jr., whose father produced Coltrane. When Miles discovered this, he said, “Well, you can hang,” following this friendly gesture with me walking Miles to his car. I did not know he was dying. I kissed him on both cheeks. And 18 days later, he was gone.” Peter Weller is a renowned theater and Hollywood actor. His performances in films such as RoboCop and Naked Lunch garnered him much critical and commercial success over the years. His television acting and directing credits include Sons of Anarchy, Dexter, and 24 . Unbeknownst to most, Weller has spent decades honing his appreciation for the visual and musical arts through his studies of the Renaissance era. Earning a Master's in Roman architecture from Syracuse University before moving on to a PhD in Renaissance Art from UCLA. Dr. Weller has just written a book , Leon Battista Alberti in Exile: Tracing the Path to the First Modern Book on Painting . Weller has also contributed an essay remembering his friend Miles Davis for Jazz and Literature . The book, co-edited by Mia Funk, features many of her interviews and artworks, as well as poetry, art, and essays by our contributors. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
How can we overcome our fears? How can we challenge ourselves, pushing our physical boundaries to achieve the impossible? Alain Robert is a renowned rock climber and urban climber. Known as "the French Spider-Man” or "the Human Spider," Robert is famous for his free solo climbing, scaling skyscrapers using no climbing equipment except for a small bag of chalk and a pair of climbing shoes. Some of his most notable ascents include the Burj Khalifa, the Eiffel Tower, and the Sydney Opera House, and over 200 of the world's tallest skyscrapers. He is also a motivational speaker and the author of The Spider-man: Free and Unattached , and With Bare Hands: The True Story of Alain Robert, the Real-life Spiderman . “You are fighting to stay alive. You are fully in the present moment. You don't have time to think about being afraid. You are focused on what you are doing. You struggle to pass another window. You don't have time to think about your problems. The only thing you are concerned about deep down in the back of your mind is that you need to stay alive, and for that, you need to remain calm and focused.” www.instagram.com/alainrobertofficial/?hl=fr Episode Website w ww.creativeproc ess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast Images courtesy of alainrobert.com…
1 Overcoming Your Fears to Achieve the Impossible w/ Free Solo Climber ALAIN ROBERT on Climbing 200+ World’s Tallest Skyscrapers 51:43
“You are fighting to stay alive. You are fully in the present moment. You don't have time to think about being afraid. You are focused on what you are doing. You struggle to pass another window. You don't have time to think about your problems. The only thing you are concerned about deep down in the back of your mind is that you need to stay alive, and for that, you need to remain calm and focused.” How can we overcome our fears? How can we challenge ourselves, pushing our physical boundaries to achieve the impossible? Alain Robert is a renowned rock climber and urban climber. Known as "the French Spider-Man” or "the Human Spider," Robert is famous for his free solo climbing, scaling skyscrapers using no climbing equipment except for a small bag of chalk and a pair of climbing shoes. Some of his most notable ascents include the Burj Khalifa, the Eiffel Tower, and the Sydney Opera House, and over 200 of the world's tallest skyscrapers. He is also a motivational speaker and the author of The Spider-man: Free and Unattached , and With Bare Hands: The True Story of Alain Robert, the Real-life Spiderman . www.instagram.com/alainrobertofficial/?hl=fr www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast Image courtesy of alainrobert.com…
In this episode on the Speaking Out of Place podcast, Professor David Palumbo-Liu talks with Tao Leigh Goffe about her new, magisterial Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis . Spanning many fields and disciplines in the natural sciences, social sciences, the humanities, and the arts, Professor Goffe weaves together a historically rich and geographically complex picture of how capitalism and racism undergird the climate crisis in ways made invisible or benign via the work of the west’s “dark laboratory.” Writing back through accounts of indigenous bird watching and Black provisional grounds, we talk about things as seemingly different as the massive guano industry built on Chinese and Indian labor in the 19th century to Malcolm X’s boyhood vegetable garden in Michigan. We talk in particular about one of the key passages of Dark Laboratory, where Tao writes: “Still, we manage to create a poetics out of that which wishes to destroy us and the planet. How else will we be able to live in ‘the after’? We must reassess what a problem is. Living is not a problem, as Audrey Lorde reminds us. I would add that dying is not a problem either. Decomposing is essential to the natural order and cycle of life. Living at the expense of others is a problem.” Tao Leigh Goffe is a writer, theorist, and interdisciplinary artist who grew up between the UK and New York City. For the past fifteen years she has specialized in colonial histories of race, geology, climate, and media technologies. Dr. Goffe lives and works in Manhattan where she is an Associate Professor at CUNY in Black Studies. She teaches classes on literary theory and cultural history. Dr. Goffe’s book on how the climate crisis is a racial crisis is called DARK LABORATORY (Doubleday and Hamish Hamilton (Penguin UK, 2025 ). Her second book BLACK CAPITAL, CHINESE DEBT, under contract with Duke University Press, presents a long history of racialization, modern finance, and indebtedness. It brings together subjects of the Atlantic and Pacific markets from 1806 to the present under European colonialism. Dr. Goffe is a fellow at the Harvard University Kennedy School in racial justice. Her research explores Black diasporic intellectual histories, political, and ecological life. She studied English literature at Princeton University before earning her PhD at Yale University. Dr. Goffe’s research and curatorial work is rooted in literatures and theories of labor that center Black feminist engagements with Indigeneity and Asian diasporic racial formations. Committed to building intellectual communities beyond institutions, she is the founder of the Dark Laboratory , an engine for the study of race, technology, and ecology through digital storytelling. Dr. Goffe is also the Executive Director of the Afro-Asia Group , an organization that centers the intersections of African and Asian diasporas, futurity, and radical coalition towards sovereignty. www.palumbo-liu.com https://speakingoutofplace.com Bluesky @ palumboliu.bsky.social Instagram @ speaking_out_of_place…
“What I have done in my career is just try to assess who we are, what we are, why we are here, and how come we, as animals, are able to walk around and wear pants and dresses and talk on the internet, while the other animals are not. It's been my obsession since I was young. I think if I hadn't become a novelist, I might have been happy to be a naturalist or a field biologist. There is some kind of magic in the creative process. I am reaching for things in my unconscious that surprise me. I don't know what it's going to be. I'd like to do many, many things. It's all my life's work. I don't want to just write the same book over and over again as some other authors do. I don't want to become formulaic.” T.C. Boyle is a novelist and short story writer based out of Santa Barbara, California. He has published 19 novels, such as The Road to Wellville and more than 150 short stories for publications like The New Yorker, as well as his many short story collections. His latest novel Blue Skies is a companion piece to A Friend of the Earth. His writing has earned numerous awards, including winning the PEN/Faulkner Award for Best Novel of the Year for World's End. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
Why are we filled with so many contradictions? How does writing help us make sense of the absurdity and of the absurdity and chaos of the world? T.C. Boyle is a novelist and short story writer based out of Santa Barbara, California. He has published 19 novels, such as The Road to Wellville and more than 150 short stories for publications like The New Yorker, as well as his many short story collections. His latest novel Blue Skies is a companion piece to A Friend of the Earth. His writing has earned numerous awards, including winning the PEN/Faulkner Award for Best Novel of the Year for World's End. “What I have done in my career is just try to assess who we are, what we are, why we are here, and how come we, as animals, are able to walk around and wear pants and dresses and talk on the internet, while the other animals are not. It's been my obsession since I was young. I think if I hadn't become a novelist, I might have been happy to be a naturalist or a field biologist. There is some kind of magic in the creative process. I am reaching for things in my unconscious that surprise me. I don't know what it's going to be. I'd like to do many, many things. It's all my life's work. I don't want to just write the same book over and over again as some other authors do. I don't want to become formulaic.” Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast Photo credit: Spencer Boyle in Santa Barbara, CA…
“You have all the different languages interplaying with each other. Little scraps of Irish languages and idioms have stories that have been told, but how Ireland actually comes about as an idea, as to where the Irish come from. A lot of these kinds of debates are just placed, you know, in day-to-day conversation, and then they trail off. People start something; they trail off and might come back to it later. That phenomenon of speaking over each other, tales that are known and not known, I always found very interesting. It was literally like a radio that was kept on all day in the kitchen. You would come in and out, and you would hear certain things, and you'd have to work out the context and the conversation and the speakers. In some way, one of the big personalities in the book is just a radio that’s playing, and some of these conversations are not actually taking place between characters in real-time. They're just snippets that have been overheard on radios.” Patrick Healy was born in Dublin in 1955. He studied philosophy and Semitic languages at St. Columbans Dalgan Park, Pontifical University Maynooth, and University College Dublin. He has published over 20 books on topics around artists, aesthetic theory, philosophy of science, architecture, art criticism and innumerable essays. He has been a Professor of Interdisciplinary Research at Free International University Amsterdam, 1997-present, and was a Senior Research Fellow at the Faculty of Architecture from 2020-2022. He is currently completing a new work of fiction entitled Fatal Fragments , a loose follow-up to his novel Beyond the Pale. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
Patrick Healy’s novel Beyond the Pale explores memory, time, childhood, and how language shapes our world. Set in rural Ireland, starting in the 1950s, the book follows a young boy’s early memories through a series of expressionistic soundscapes. The expression from which the book takes its name has come to mean beyond what is considered acceptable behavior, but the origins of the phrase referred to land within Ireland that was “beyond the control of the English government.” Healy’s book examines social class, stigma, village, family life, identity, and the nature of consciousness. Rooted in the oral tradition, the book is a celebration of place, the Irish idiom, music, and memory. Patrick Healy was born in Dublin in 1955. He studied philosophy and Semitic languages at St. Columbans Dalgan Park, Pontifical University Maynooth, and University College Dublin. He has published over 20 books on topics around artists, aesthetic theory, philosophy of science, architecture, art criticism and innumerable essays. He has been a Professor of Interdisciplinary Research at Free International University Amsterdam, 1997-present, and was a Senior Research Fellow at the Faculty of Architecture from 2020-2022. He is currently completing a new work of fiction entitled Fatal Fragments , a loose follow-up to his novel Beyond the Pale. “You have all the different languages interplaying with each other. Little scraps of Irish languages and idioms have stories that have been told, but how Ireland actually comes about as an idea, as to where the Irish come from. A lot of these kinds of debates are just placed, you know, in day-to-day conversation, and then they trail off. People start something; they trail off and might come back to it later. That phenomenon of speaking over each other, tales that are known and not known, I always found very interesting. It was literally like a radio that was kept on all day in the kitchen. You would come in and out, and you would hear certain things, and you'd have to work out the context and the conversation and the speakers. In some way, one of the big personalities in the book is just a radio that’s playing, and some of these conversations are not actually taking place between characters in real-time. They're just snippets that have been overheard on radios.” Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast Photo credit: Marc Damri…
1 On Regulating the Attention Market & Prevent Algorithmic Emotional Governance w/ FABIEN GANDON & FRANCK MICHEL 11:34
“The fact that technologies are being used and combined to capture our attention is concerning. This is currently being done with no limitations and no regulations. That's the main problem. Attention is a very private resource. No one should be allowed to extract it from us by exploiting what we know about the human mind and how it functions, including its weaknesses. We wrote this paper as a call to regulate the attention market and prevent algorithmic emotional governance.” Computer scientist Fabien Gandon and research engineer Franck Michel are experts in AI, the Web, and knowledge systems. Fabien is a senior researcher at Inria (Institut national de recherche en sciences et technologies du numérique), specializing in the Semantic Web, while Franck focuses on integrating and sharing data through Linked Open Data technologies. Together, they’ve written Pay Attention: A Call to Regulate the Attention Market and Prevent Algorithmic Emotional Governance . Their research unpacks how digital platforms are monetizing our attention at an unprecedented scale—fueling misinformation and division and even threatening democracy and affecting our emotions and well-being. Episode Website www.creativep rocess.info/pod Instagram: @creativeprocesspodcast…
1 PAY ATTENTION: A Call to Regulate the Attention Market & Prevent Algorithmic Emotional Governance 1:00:38
1:00:38 Riproduci in seguito Riproduci in seguito Liste Like Like aggiunto1:00:38
Riproduci in seguito Riproduci in seguito Liste Like Like aggiuntoAI competes for our attention because our attention has been commodified. As our entire lives revolve more and more around the attention economy, what can we do to restore our autonomy, reclaim our privacy, and reconnect with the real world. Computer scientist Fabien Gandon and research engineer Franck Michel are experts in AI, the Web, and knowledge systems. Fabien is a senior researcher at Inria (Institut national de recherche en sciences et technologies du numérique), specializing in the Semantic Web, while Franck focuses on integrating and sharing data through Linked Open Data technologies. Together, they’ve written Pay Attention: A Call to Regulate the Attention Market and Prevent Algorithmic Emotional Governance . Their research unpacks how digital platforms are monetizing our attention at an unprecedented scale—fueling misinformation and division and even threatening democracy and affecting our emotions and well-being. “The fact that technologies are being used and combined to capture our attention is concerning. This is currently being done with no limitations and no regulations. That's the main problem. Attention is a very private resource. No one should be allowed to extract it from us by exploiting what we know about the human mind and how it functions, including its weaknesses. We wrote this paper as a call to regulate the attention market and prevent algorithmic emotional governance.” Episode Website www.creativep rocess.info/pod Instagram: @creativeprocesspodcast…
"Hegel taught me that things can be true and false at the same time. In fact, to expect that, and therefore to understand something, you have to know the boundaries that separate it from what it isn’t. What it isn’t is part of understanding what it is. When you have that in your mind, then when you want to understand capitalism, you have to understand what separates it from everything else. The minute you have that, you have an 'else.' Now you can compare. That is what human beings do. When you see a cat and a dog, your brain begins to organize that these are different. Out of that might come a notion: I really like cats, or I really don’t care much for dogs, or vice versa. That is all bingo." Richard D. Wolff is the co-founder of Democracy at Work and host of their nationally syndicated show Economic Update. He was formerly professor of economics at the University of Massachusetts Amherst, Yale University, the City College of the City University of New York, and the University of Paris Sorbonne. Currently, Wolfe is a visiting professor in the Graduate Program in International Affairs of the New School University in New York City. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
When capitalism stops serving the needs of the people, what can we do to create a fairer more equitable society? What can we learn from China's success and economic growth? Are we witnessing the decline of the American Empire and what comes next? Richard D. Wolff is the co-founder of Democracy at Work and host of their nationally syndicated show Economic Update. He was formerly professor of economics at the University of Massachusetts Amherst, Yale University, the City College of the City University of New York, and the University of Paris Sorbonne. Currently, Wolfe is a visiting professor in the Graduate Program in International Affairs of the New School University in New York City. “The position of the United States in the world, economically and politically, is the weakest it has been in my lifetime. I was born in the middle of the 20th century, so I have watched the rise of the American empire and the success of American capitalism in the second half of the 20th century. However, over the last 20 years, I have watched that turn into its opposite—a decline. The decline is visible everywhere. Unless you live in the United States and consume mainstream media, there is a level of denial that will be recorded historically as one of the great examples, not just of a declining empire, which typically has people who cannot face it and who refuse to see it. You can go to Great Britain today and find quite a few people who think we still have the British Empire, even though everyone who isn't crazy knows that is silly. But we are earlier in the decline phase than the British are; they have had to endure it for a century while we have just had to do it for a couple of decades. It is fresh.” Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
How do our personal lives influence the art we make? JIM SHEPARD (Author of The Book of Aron, Project X, & The World to Come starring Casey Affleck, Vanessa Kirby, Katherine Waterston · Winner of the PEN New England Award, The Story Prize) explores historical human dilemmas, the emotional imagination and literature's role in extending empathetic understanding. He discusses the importance of self-education and curiosity. LAURA EASON (Emmy-nominated Producer, Screenwriter, Playwright · Three Women · House of Cards · The Loudest Voice ) on how we can live multiple lives through the arts. She highlights the significant role the arts have played in her upbringing and daily life, emphasizing the value of listening to others. As a showrunner, Laura discusses how her work in the theater, where she often adapted literary classics, prepared her for working in the writers’ room of House of Cards, adapting the creator’s vision. BENOIT DELHOMME (Award-winning Cinematographer · A rtist · Director · At Eternity’s Gate · The Theory of Everything ·The Scent of Green Papaya ) talks about the intrinsic pleasure found in art and cinematography. He likens operating a handheld camera to playing an instrument and emphasizes the importance of personalizing one's craft to imbue it with soul and freedom. JOHN PATRICK SHANLEY (Academy Award, Tony & Pulitzer Prize-winning Writer/Director · Doubt · Moonstruck · Danny and the Deep Blue Sea · Joe Versus the Volcano) recounts his personal journey from The Bronx to becoming a writer. He emphasizes the importance of embracing one's life experiences, even the seemingly ordinary ones, as gold for storytelling. Shanley reflects on his collaborations with actors Philip Seymour Hoffman and Meryl Streep and their dedication to their craft. MARK GOTTLIEB (Vice President & Literary Agent at Trident Media Group) explores storytelling as a timeless art form, comparing books to the oil paintings of new media. He comments on the transformative power of stories, which he believes can manifest in various forms—from books to movies and TV shows. ANTHONY WHITE (Artist) reflects on the role of visual arts in democracy and civil disobedience. Historical events like the Eureka Stockade, with its spirit of rebellion, have inspired his art. MICHAEL BEGLER (Showrunner · Writer & Executive Producer of Perry Mason and The Knick ) discusses the importance of storytelling in understanding our history and emotions. He stresses that the arts, drawing from personal experiences, help us connect on a deeper level beyond hard news. To hear more from each guest, listen to their full interviews . Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
“My mandate focuses on the protection of those trying to protect the planet. Protection of defenders is my main topic. When I'm speaking to states or companies, it's always related to cases of defenders facing threats, attacks, or penalization by companies or governments, like the recent case of Paul Watson (founder of Sea Shepherd) in Denmark… When I travel to places like Peru, Colombia, or Honduras and meet Indigenous people, I realize they have a relationship with nature that we don't have anymore. They express that the food they eat, the water they drink, and the air they breathe goes beyond just air and food; it represents what they call Pachamama or Mother Earth. This is a cosmovision shared across various communities, not only in Latin America but globally.” Michel Forst is a prominent human rights advocate and the UN Special Rapporteur on Environmental Defenders under the Aarhus Convention. He previously served as the Special Rapporteur on Human Rights Defenders (2014–2020) and has worked with Amnesty International, UNESCO, and the Global Alliance of National Human Rights Institutions, championing protections for activists worldwide. Forst’s career is marked by his unwavering commitment to defending those at risk for advancing justice, environmental protection, and human rights globally. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
Who Defends the Defenders? In many countries, the state response to peaceful environmental protest is increasingly to repress rather than to enable and protect those who wish to speak up for the environment. Michel Forst is a prominent human rights advocate and the UN Special Rapporteur on Environmental Defenders under the Aarhus Convention. He previously served as the Special Rapporteur on Human Rights Defenders (2014–2020) and has worked with Amnesty International, UNESCO, and the Global Alliance of National Human Rights Institutions, championing protections for activists worldwide. Forst’s career is marked by his unwavering commitment to defending those at risk for advancing justice, environmental protection, and human rights globally. “My mandate focuses on the protection of those trying to protect the planet. Protection of defenders is my main topic. When I'm speaking to states or companies, it's always related to cases of defenders facing threats, attacks, or penalization by companies or governments, like the recent case of Paul Watson (founder of Sea Shepherd) in Denmark… When I travel to places like Peru, Colombia, or Honduras and meet Indigenous people, I realize they have a relationship with nature that we don't have anymore. They express that the food they eat, the water they drink, and the air they breathe goes beyond just air and food; it represents what they call Pachamama or Mother Earth. This is a cosmovision shared across various communities, not only in Latin America but globally.” Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
1 Holistic Learning & Emotional Knowledge w/ Co-President of The Club of Rome PAUL SHRIVASTAVA 15:00
"I would love to have an educational system that allowed children to remain with that sense of wonder or retain that sense of wonder and the emotionality that makes them children. In our hurry to grow up and become rational—because rational gets rewarded by a rational economy—we have distorted many parts of being human. And not just distorted, we systematically keep on suppressing and distorting it. It might be that at some point, humans—at least some humans—will realize the power and the utility of being emotional and being more natural to who they are; being feral in some ways, and embracing wildlife and nature in more naturalistic ways than we currently do through our socialized ideas about what nature is and what we can do with it. Because the socialized ideas are the ones that are destroying nature. They are making nature into an asset. Then you put a price on it, and you forget that it’s also a tree. I feel that all this knowledge I’ve accumulated over 20 years in colleges and universities and working in those environments has diminished my own humanity. I think we are the final authors of our lives. If we look at ordinary things, we can make them extraordinary just by our sheer will and by experiencing them in a different way. Ultimately, it changes the big picture because I see people changing jobs, changing their livelihoods, and changing their communities in order to maintain the integrity of what they want to do in these small, ordinary things." Paul Shrivastava is Co-President of The Club of Rome and a Professor of Management and Organisations at Pennsylvania State University. He founded the UNESCO Chair for Arts and Sustainable Enterprise at ICN Business School, Nancy, France, and the ONE Division of the Academy of Management. He was the Executive Director of Future Earth, where he established its secretariat for global environmental change programs, and has published extensively on both sustainable management and crisis management. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
Less than two weeks into the new year and the world’s wealthiest 1% have already used their fair share of the global carbon budget allocated for 2025. 2024 was hottest year on record. How can we change our extractive mindset to a regenerative mindset? How can we evolve our systems from economic growth to a vision of regenerative living and eco-civilization? Paul Shrivastava is Co-President of The Club of Rome and a Professor of Management and Organisations at Pennsylvania State University. He founded the UNESCO Chair for Arts and Sustainable Enterprise at ICN Business School, Nancy, France, and the ONE Division of the Academy of Management. He was the Executive Director of Future Earth, where he established its secretariat for global environmental change programs, and has published extensively on both sustainable management and crisis management. “Climate change is here. It's already causing devastation to the most vulnerable populations. We are living with an extractive mindset, where we are extracting one way out of the life system of the Earth. We need to change from that extractive mindset to a regenerative mindset. And we need to change from the North Star of economic growth to a vision of eco civilizations. Those are the two main principles that I want to propose and that the Club of Rome suggests that we try to transform our current organization towards regenerative living and eco civilization.” Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast Photo credit: Penn State. Creative Commons…
1 How to Build Relationships, Hook Up & Raise Hell Together: Conversation w/ DEAN SPADE - Highlights 16:04
“This book has a lot of the wisdom of things that feminists and queers have learned in the community about sexuality, but the book is really for anybody who is political, even those just starting out and beginning to realize that there is something wrong with the systems they live under. I want to be in movements. Our movements are made of relationships. So, if you're just getting into our movements, or if you've been here for years and have been watching the ways we hurt each other and fall apart relationally, this book is about identifying these common patterns.” Dean Spade is an organizer, speaker, author, and professor at Seattle University's School of Law, where he teaches courses on policing, imprisonment, gender, race, and social movements. He is the author of Mutual Aid: Building Solidarity During this Crisis (and the next) and Normal Life: Administrative Violence, Critical Trans Politics and the Limits of Law . His latest book is Love in a F*cked-Up World: How to Build Relationships, Hook Up, and Raise Hell Together . Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
1 LOVE in a F*cked-Up World: DEAN SPADE on How to Build Relationships, Hook Up & Raise Hell Together 57:41
Why is it that we find the courage to boldly confront mainstream societal norms and structures, yet are so often unable to treat romantic partners with care and generosity? Why do we lose our principles when we become insecure, disappointed, or jealous? Why do we act our worst in sexual and romantic relationships? And why do we prioritize romantic connection above other types of relationships, like friendship? Dean Spade is an organizer, speaker, author, and professor at Seattle University's School of Law, where he teaches courses on policing, imprisonment, gender, race, and social movements. He is the author of Mutual Aid: Building Solidarity During this Crisis (and the next) and Normal Life: Administrative Violence, Critical Trans Politics and the Limits of Law . His latest book is Love in a F*cked-Up World: How to Build Relationships, Hook Up, and Raise Hell Together . “This book has a lot of the wisdom of things that feminists and queers have learned in the community about sexuality, but the book is really for anybody who is political, even those just starting out and beginning to realize that there is something wrong with the systems they live under. I want to be in movements. Our movements are made of relationships. So, if you're just getting into our movements, or if you've been here for years and have been watching the ways we hurt each other and fall apart relationally, this book is about identifying these common patterns.” Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
1 LOVE in a F*cked-Up World: DEAN SPADE on How to Build Relationships, Hook Up & Raise Hell Together 57:41
Why is it that we find the courage to boldly confront mainstream societal norms and structures, yet are so often unable to treat romantic partners with care and generosity? Why do we lose our principles when we become insecure, disappointed, or jealous? Why do we act our worst in sexual and romantic relationships? And why do we prioritize romantic connection above other types of relationships, like friendship? Dean Spade is an organizer, speaker, author, and professor at Seattle University's School of Law, where he teaches courses on policing, imprisonment, gender, race, and social movements. He is the author of Mutual Aid: Building Solidarity During this Crisis (and the next) and Normal Life: Administrative Violence, Critical Trans Politics and the Limits of Law . His latest book is Love in a F*cked-Up World: How to Build Relationships, Hook Up, and Raise Hell Together . “This book has a lot of the wisdom of things that feminists and queers have learned in the community about sexuality, but the book is really for anybody who is political, even those just starting out and beginning to realize that there is something wrong with the systems they live under. I want to be in movements. Our movements are made of relationships. So, if you're just getting into our movements, or if you've been here for years and have been watching the ways we hurt each other and fall apart relationally, this book is about identifying these common patterns.” Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
1 THREE WOMEN starring Shailene Woodley, DeWanda Wise, Betty Gilpin: Conversation w/ LAURA EASON - Highlights 12:43
“I think the show conveys to the women watching that their lives matter. They don't have to be some gorgeous aspirational person, although Sloane absolutely fits that mold. But for others living in the Midwest, struggling and feeling unseen, hopefully, the mirrors of Lina and Maggie will help them not feel so alone and remind them that their stories are important and matter.” Laura Eason is an Emmy-nominated producer, screenwriter, and playwright. Currently, she is the executive producer and showrunner of the Starz drama series Three Women . Based on a book by Lisa Taddeo, the series stars Shailene Woodley, DeWanda Wise, Betty Gilpin and Gabrielle Creevy. Laura’s writing and producing credits for television include The Loudest Voice and four seasons of House of Cards . Laura's many plays include the critically acclaimed Sex with Strangers . She has also adapted many classic novels for the stage, including a highly successful version of Around the World in 80 Days . She has served as Artistic Director of Lookingglass Theatre Company in Chicago, where she also acted, directed, and produced in upwards of 20 shows. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
1 Female Desire, Sex & Intimacy: Emmy-nominated Producer, Writer, Playwright LAURA EASON on THREE WOMEN 52:43
What is love? How do the narratives we internalize shape our understanding of relationships, intimacy, and family? Laura Eason is an Emmy-nominated producer, screenwriter, and playwright. Currently, she is the executive producer and showrunner of the Starz drama series Three Women . Based on a book by Lisa Taddeo, the series stars Shailene Woodley, DeWanda Wise, Betty Gilpin and Gabrielle Creevy. Laura’s writing and producing credits for television include The Loudest Voice and four seasons of House of Cards . Laura's many plays include the critically acclaimed Sex with Strangers . She has also adapted many classic novels for the stage, including a highly successful version of Around the World in 80 Days . She has served as Artistic Director of Lookingglass Theatre Company in Chicago, where she also acted, directed, and produced in upwards of 20 shows. “I think the show conveys to the women watching that their lives matter. They don't have to be some gorgeous aspirational person, although Sloane absolutely fits that mold. But for others living in the Midwest, struggling and feeling unseen, hopefully, the mirrors of Lina and Maggie will help them not feel so alone and remind them that their stories are important and matter.” Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
How do the arts help us find purpose and meaning? What role do stories play in helping us preserve memories, connect us to each other, and answer life’s big questions? MAX RICHTER (Award-winning Composer & Pianist · His album Sleep is the most streamed classical album of all time) reflects on the importance of creativity and how literature, music, and visual art offer windows into other people’s perceptions and experiences, fostering understanding and connection. ETGAR KERET (Cannes Film Festival Award-winning Director · Author of Fly Already · Suddenly a Knock on the Door · The Seven Good Years ) shares insights from his upbringing and how his mother's storytelling shaped his perception of creativity and authenticity. ANTHONY JOSEPH (T.S. Eliot Prize-winning Poet, Novelist & Singer-songwriter · Author of Sonnets for Albert ) discusses the fragmented documentation of Caribbean life and how his poetry attempts to piece together these fragments. CLAUDIA FORESTIERI (Emmy Award-winning Writer · Creator of HBOMax’s Gordita Chronicles ) talks about the crucial role of immigrants in building and revitalizing America, portraying them as "Born Again Americans." BRIGITTE MUNOZ-LIEBOWITZ (Showrunner Gordita Chronicles · One Day at a Time ) highlights the inevitability of adversity in life and its role in fostering growth. She underscores the importance of a positive outlook in overcoming the challenges of immigration. JOHNJOE McFADDEN (Author of Life is Simple: How Occam’s Razor Set Science Free and Shapes the Universe · Professor of Molecular Genetics at University of Surrey) explores the communicative power of art, detailing how complex ideas and feelings can be conveyed holistically. SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida ) discusses his choice of writing in the second person to explore the spiritual dimension. CATHERINE CURTIN (Actress · Stranger Things · Orange Is the New Black · Homeland ) reflects on creative freedom, experimental theater and her work in film and television. KATE MUETH (Founder/Artistic Director of the award-winning dance theater company The Neo-Political Cowgirls) emphasizes the importance of connecting stories to meaning and how her creative process prioritizes authenticity and personal fulfillment over industry expectations. To hear more from each guest, listen to their full interviews . Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast…
1 Can We Redefine Our Relationship with Nature? Scientists, Writers & Activists Share Solutions 14:13
What can we learn from whales, the ways they communicate, and how their life cycle affects whole ecosystems, absorbing carbon and helping cool the planet? How have we contributed to the ecological degradation of the environment? How does language influence perception and our relationship to the more than human world? NAN HAUSER (Whale Researcher; President, Center for Cetacean Research & Conservation; Director, Cook Islands Whale Research) describes how a whale protected her from a tiger shark during an underwater filming session and reflects on their emotional connection. DAVID FARRIER (Author of Footprints: In Search of Future Fossils · Professor of the University of Edinburgh) explores the long-term impacts humans have on the environment, emphasizing the material legacies we leave behind for future generations. DANA FISHER (Director of the Center for Environment, Community, & Equity; Author of Saving Ourselves: From Climate Shocks to Climate Action) discusses her "apocalyptic optimism," arguing that significant social and environmental change is likely to occur in response to extreme risk events, which will drive mass mobilization. SIR GEOFF MULGAN Author of Another World is Possible: How to Reignite Social & Political Imagination; Professor of Collective Intelligence, Public Policy & Social Innovation at University College London) on the evolution and potential of the circular economy. He elaborates on how adopting practices that promote reusing and recycling can drastically reduce waste and resource consumption. LEAH THOMAS (Author of The Intersectional Environmentalist: How to Dismantle Systems of Oppression to Protect People + Planet; Founder of @greengirlleah & The Intersectional Environmentalist platform) advocates for an inclusive approach that addresses the specific environmental injustices faced by marginalized communities and encourages incorporating social justice into environmental advocacy. MAYA VAN ROSSUM (Founder of Green Amendments For The Generations; Leader of Delaware Riverkeeper Network; Author of The Green Amendment: The People's Fight for a Clean, Safe, and Healthy Environment) underscores the profound impact of pollution and environmental degradation on human lives and stresses the significance of storytelling that address these deep-rooted issues. MICHAEL CRONIN (Author of Eco-Travel: Journeying in the Age of the Anthropocene; Senior Researcher at the Trinity Centre for Literary & Cultural Translation) argues for horizontal relationships with the environment, moving away from hierarchical views, and emphasizes the need to recognize the non-human world. To hear more from each guest, listen to their full interviews . Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
How can we be more engaged global citizens? How do we fight for truth and protect democracy in a post-truth world? What influence do billionaires have on politics, journalism, and the technology that shapes our lives? Lee McIntyre (Philosopher · Author of On Disinformation: How To Fight For Truth and Protect Democracy) examines democracy, and science denial. He delves into how continuous disinformation campaigns not only promote falsehoods but ultimately aim to demoralize the public by making them doubtful about the existence of truth. Darryl Cunningham (Cartoonist · Author of Elon Musk: Investigation into a New Master of the World ) on the problematic nature of extreme wealth concentration among billionaires and the political power they wield. Debora Cahn (Television creator, writer, and Emmy-nominated showrunner of Netflix’s The Diplomat ) on how being a child of Holocaust survivors sparked her interest in moral questions and complex characters. Julian Lennon (Singer-songwriter and documentary filmmaker, founder of The White Feather Foundation) on the need for supporting education and safety for girls in Kenya. Arash Abizadeh (Philosopher · Assoc. Editor of Free & Equal ) on wealth inequality and how economic disparities create social unrest and political manipulation, suggesting that tackling inequality is essential for the healthy functioning of democratic societies. Daniel Susskind (Economist · Author of Growth: A Reckoning ) explores how involving ordinary citizens in deliberation processes in mini-publics and citizen assemblies can help resolve complex political issues like nuclear policy and climate change. Carlos Moreno (Originator of the 15-Minute City concept) emphasizes the importance of proximity and social interaction in urban design, highlighting how it counteracts social isolation, reduces radicalization, and helps foster more inclusive, tolerant communities. To hear more from each guest, listen to their full interviews . Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
How can we learn to speak the language of the Earth and cultivate our intuitive intelligence? What lessons can we learn from non-human animals about living in greater harmony with nature? How have we contributed to making our planet a more dangerous place, and how can we work to save it? COLIN STEEN (CEO of Legacy Agripartners) reflects on his upbringing on a farm in Weldon, Saskatchewan. He highlights the rewarding yet challenging nature of farm life, emphasizing the importance of agriculture and its impact on shaping one's responsibilities and successes in life. JILL HEINERTH (Canadian cave diver, underwater explorer, writer, photographer, and filmmaker) discusses her experiences exploring underwater caves. She talks about the collaborative nature of her work and her reflections on our connected planet. NOAH WILSON-RICH (Co-Founder and CEO of The Best Bees Company, Author of The Bee: A Natural History ) explores his fascination with bees and their significance to human society. He shares the broader lessons humans can learn from these pollinators. INGRID NEWKIRK (Founder and President of PETA) discusses the fascinating world of animal communication. She explores the ways animals interact and communicate with each other, the complexity of animal languages and their significance in the animal kingdom. NEIL GRIMMER (Brand President of SOURCE Global, innovator of the SOURCE Hydropanel) highlights the critical issue of water insecurity and scarcity facing the global population. He underscores the urgent need for innovation and technology deployment to address the increasing water stress and ensure sustainable water resources. CARL SAFINA (Ecologist, Founding President of Safina Center) offers a critical perspective on human impact on the environment. He emphasizes that while humans are technologically advanced, we are often reckless in our use of these capabilities, leading to severe planetary problems that we struggle to solve. RICHARD VEVERS (Founder and CEO of The Ocean Agency) stresses the importance of coral reefs as foundational species that support diverse marine ecosystems. He warns of the dire consequences of coral reef destruction and advocates for the protection and conservation of these essential habitats. WALTER STAHEL (Founding Father of the Circular Economy, Founder-Director of the Product-Life Institute) discusses the necessity of adopting a circular economy to tackle environmental challenges. He argues that creating a low-waste, low-carbon, and low-anthropogenic mass society is essential for preserving natural resources and reducing environmental impacts. JOELLE GERGIS (IPCC Lead Author, Award-winning climate scientist and writer, Author of Humanity’s Moment: A Climate Scientist’s Case for Hope ) shares insights on coping with the emotional burden of climate change. She highlights the importance of maintaining hope, connecting with like-minded individuals, and finding meaning amidst the ongoing environmental crisis. JAMES BROWNING (Founder of advocacy group F Minus) explains the insidious nature of fossil fuel lobbying. He reveals how lobbyists representing both harmful industries and beneficial causes can complicate efforts to raise awareness and address the climate crisis effectively. PAULA PINHO (Director of the European Commission’s DG for Energy) encourages active participation in nurturing values such as peace, democracy, and sustainability. She advocates for using social media and other means to speak out and engage in meaningful discussions to promote these values. To hear more from each guest, listen to their full interviews . Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
1 Elon Musk, Putin's Russia, Murdoch's Fox News: How Billionaires Shape Our World with DARRYL CUNNINGHAM 42:02
What influence do billionaires have on politics, journalism, and the technology that shapes our lives? What drives people to seek absolute power, and how can we hold them accountable? Darryl Cunningham is a cartoonist and author of Science Tales, Psychiatric Tales, The Age of Selfishness, and Billionaires: The Lives of the Rich and Powerful. Cunningham is also well-known for his comic strips, which have been featured on the websites Forbidden Planet and Act-i-vate collective, among others. others. His more recent work includes a graphic novel on Elon Musk, titled Elon Musk: Investigation into a New Master of the World. “No one should be a billionaire because it's damaging. There's a certain level of wealth that's damaging to a country. Billionaires have so much wealth that they have enormous political power, which is undemocratic. There should be a ceiling on wealth. I have nothing against people becoming millionaires or even multi-millionaires. But multi-billionaires are incredibly bad for all of us. If you have so much money that you can buy an entire political party, that's a thing that shouldn't exist.” Episode Website with Feature Article www.creativeprocess.info/pod Insta gram: @creativeprocesspodcast…
1 Art as Learning Process - Filmmakers, Musicians & Artists discuss Creativity, Intuition & Collaboration 16:04
Where does our intuition come from? How are lifelong creative partnerships formed and what role do friendship and personal connection play? How do our personal lives influence the art we make? Erland Cooper (Scottish composer, producer, and multi-instrumentalist) explores the emotional and transformative effects of music and visual arts. He underscores how music can transport individuals to different places and evoke emotional responses and relates his personal experiences of homesickness for his native Orkney. Debora Cahn (television creator, writer, and Emmy-nominated showrunner and executive producer of Netflix’s The Diplomat ) discusses the craft of long-form storytelling in television. She highlights the process of building immersive worlds and the challenge of integrating ideas into narratives that resonate with audiences on a universal level. Julian Lennon (singer-songwriter and documentary filmmaker, founder of The White Feather Foundation, and photographer/author of Life’s Fragile Moments ) reflects on the influence of his heroes and teachers and remembers the thing his mother taught him. He speaks about the importance of empathy, respect, and positivity, and how these values shape his creative and humanitarian efforts. Ed Zwick (Academy-Award-winning writer, director, and producer, and author of Hits, Flops, and Other Illusions ) analyzes the elusive nature of talent and the magical moments in casting where undeniable potential shines through. Zwick shares insights into the subtle and unspoken aspects of directing that elevate a performance and bring a story to life. Chris Blackwell (Founder of Island Records and inductee of the Rock & Roll Hall of Fame) highlights the importance of instinct in recognizing and nurturing talent. He recounts his initial hesitation before signing Cat Stevens to Island Records. He shares how artistic partnerships grow out of personal connections and friendship. Joy Gorman Wettels (Executive producer of UnPrisoned and the founder of Joy Coalition) highlights stigmatized social issues through her storytelling. She emphasizes that humanizing these issues by creating relatable, empathetic characters can lead to real-world change and understanding. Rick Carnes (Songwriter and President of the Songwriters Guild of America) discusses the fundamental elements of songwriting and how music marks significant moments in people’s lives. He elaborates on his creative process and the importance of mindfulness and emotional awareness in writing meaningful songs. To hear more from each guest, listen to their full interviews . Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast…
1 AI, Technology, Art & Culture - Philosophers, Artists, Economists & Scientists discuss the Future 11:06
How can we shape technology’s impact on society? How do social media algorithms influence our democratic processes and personal well-being? Can AI truly emulate human creativity? And how will its pursuit of perfection change the art we create? Daniel Susskind (Economist · Oxford & King’s College London · Author of Growth: A Reckoning · A World Without Work ) shares insights on the nature of growth driven by technological progress. He contends that while technology can accelerate growth, its impacts can be consciously directed to reduce environmental damage and social inequalities. According to Susskind, the current trajectory of technological progress needs reevaluation to mitigate potential adverse effects on future working lives. Arash Abizadeh (Professor of Political Science · McGill University Author of Hobbes and the Two Faces of Ethics · Associate Editor · Free & Equal ) explores the ethical tensions between democratic needs and commercial imperatives of social media platforms. He highlights how algorithms designed to maximize engagement often foster outrage and fear, contrasting these commercial objectives with the requirements for a healthy democratic public sphere. Debora Cahn (Creator & Executive Producer of Netflix’s The Diplomat starring Keri Russell & Rufus Sewell · Exec. Producer Homeland · Grey’s Anatomy · Vinyl · Co-Producer The West Wing ) toggles between apprehension and optimism about emerging technologies like AI. She reflects on her father's experience with nuclear technology and ponders the unpredictable impacts of AI, drawing parallels with the unforeseen transformation of the internet. Julia F. Christensen (Neuroscientist - Author of The Pathway To Flow: The New Science of Harnessing Creativity to Heal and Unwind the Body & Mind) examines the rise of AI and its influence on aesthetics in the arts. She argues that technology drives creators towards superficial beauty conforming to popular standards, thereby cluttering the mind and fostering an obsession with perfection fueled by dopamine signals. Julian Lennon (Singer-songwriter · Documentary Filmmaker · Founder of The White Feather Foundation Photographer/Author of Life’s Fragile Moments) discusses AI's potential in the medical field, highlighting recent advancements that are paving the way for novel treatments and cures. While acknowledging the importance of copyright issues, he remains optimistic about AI’s positive impact on healthcare. Brian David Johnson (Author of The Future You: How to Create the Life You Always Wanted · Director of the Arizona State University’s Threatcasting Lab Futurist in Residence · ASU’s Center for Science & the Imagination) emphasizes the importance of maintaining a human-centric approach to technology. He questions the purpose behind technological advancements, urging developers to always consider the human impact and clarify their objectives. To hear more from each guest, listen to their full interviews . Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast…
How does art change the way we see and experience the world? Art has the power to offer transformative experiences, but what about the lives of artists who give so much of themselves? How can we balance creativity and personal well-being while still making work that is true and meaningful? David Rubin (President of the Academy of Motion Picture Arts & Sciences 2019-2022 · Casting Director) discusses the importance of fostering an international presence for the Motion Picture Academy. He highlights how inviting filmmakers from around the world has enriched the community and emphasizes the power of collaboration in the filmmaking industry. Later, he reflects on his journey in casting, the challenges younger people face in finding their niche, and the importance of patience and open-mindedness in discovering one's career path. Rubin highlights how negative experiences can also be valuable learning points. Jericho Brown (Pulitzer Prize-winning Poet: The Tradition · Editor of How We Do It: Black Writers on Craft, Practice, and Skill ) shares his process of writing poetry, emphasizing the element of discovery and the unexpected directions a poem can take. He shares his advice to young poets, how they should aim to create original works that could become lasting cultural touchstones. Julian Lennon (Singer-songwriter · Documentary Filmmaker · Founder of The White Feather Foundation · Photographer/Author of Life’s Fragile Moments ) reflects on the emotional highs and lows experienced by creatives. He discusses the significance of finding balance and happiness through artistic and charitable expression. Sam Levy (Award-winning Cinematographer of Lady Bird · Frances Ha · While We’re Young ) explores the art of cinematography. Levy underscores the importance of intention in every scene, whether it’s to highlight a character’s emotions or to convey the unspoken elements of the story. Julia F. Christensen (Neuroscientist - Author of The Pathway To Flow: The New Science of Harnessing Creativity to Heal and Unwind the Body & Mind ) discusses transformative experiences through art and literature. She explains how aesthetic emotions can lead to profound changes in perception and understanding, drawing from both personal and scientific insights. To hear more from each guest, listen to their full interviews . Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast…
1 The Art of Writing w/ Neil Gaiman, Ada Limón, Jericho Brown, E.J. Koh, Marge Piercy & Max Stossel 25:35
This episode explores the enduring power of storytelling to shape our world and illuminate the human experience. Writers Neil Gaiman, Ada Limón, Jericho Brown, E.J. Koh, Marge Piercy, and Max Stossel discuss creativity, resilience, and the power of words to heal and bring people together. Neil Gaiman (Writer, Producer, Showrunner · The Sandman , American Gods , Good Omens , Coraline ) explores the secret lives of writers, reflecting on the masks they wear in the pursuit of truth and beauty. Jericho Brown (Pulitzer Prize-winning Poet: The Tradition · Editor of How We Do It: Black Writers on Craft, Practice, and Skill ) shares “Foreday in the Morning”, highlighting the hard work and resilience in Black America. He examines the vernacular of his poetry and how it intertwines themes of race, nationality, and familial love. Ada Limón (U.S. Poet Laureate · The Hurting Kind , The Carrying ) presents an "apocalyptic love poem" that questions the intersection of despair and hope in today's changing world. She reflects deeply on the personal and universal struggles of finding beauty amidst environmental and existential crises. Marge Piercy (Award-winning Novelist, Poet & Activist) delves into the emotional weight of words and memories, the terror of child separation, and the impending doom facing our world due to environmental destruction and political negligence. E.J. Koh (Award-Winning Memoirist & Poet · The Magical Language of Others · A Lesser Love ) recounts a haunting family history from Jeju Island in Korea, emphasizing the lasting impacts of trauma and the collective memory of ancestral sufferings. Max Stossel (Award-winning Poet, Filmmaker, Speaker, Creator of Words That Move ) uses the metaphor of a boxing ring to discuss the complexities of human conflict and connection, encouraging a shift from adversarial relationships to collaborative problem-solving. To hear more from each guest, listen to their full interviews . Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast…
“I think a lot of joy comes from helping others. One of the things that I've been really focusing on is finding that balance in life, what’s real and what’s true and what makes you happy. How can you help other people feel the same and have a happier life? I think whatever that takes. So if that's charity, if that's photography, if that's documentary, if that's music, and I can do it, then I'm going to do it. From traveling, especially in Ethiopia, Kenya, and even South America, we just see these scenarios and situations where they don't have enough support or finances. Anything I’m involved in, a good percentage goes to The White Feather Foundation. From what I witnessed, I just wanted to be able to help. My best teacher ever was Mum because I watched her live through life with dignity, grace, respect, and empathy. To me, those are some of the key things that are most important in living life. I think you have to love everybody and yourself. Respect is a real key issue, not only for people but for this world that we live in, Mother Earth. It's of key importance that we honor and respect this beautiful little blue ball that we live on.” Julian Lennon is a Grammy-nominated singer-songwriter, photographer , documentary filmmaker, and NYTimes bestselling author of the Touch the Earth children’s book trilogy. This autumn, Whispers – A Julian Lennon Retrospective is being presented at Le Stanze della Fotografia, culminating in the publication of Life’s Fragile Moments , his first photography book. It features a compilation of images that span over two decades of Lennon's unique life, career, adventures, and philanthropy. He founded The White Feather Foundation in 2007, whose key initiatives are education, health, conservation, and the protection of indigenous cultures. He was the executive producer of Kiss the Ground and other environmental documentaries and was named a Peace Laureate by UNESCO in 2020. www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo credit: © 2024, Julian Lennon. All rights reserved. Life’s Fragile Moments, published by teNeues, www.teneues.com , August 2024. 27,5 x 34 cm |10 5/6 x 13 3/8 in., 240 pages, Hardcover, approx. 200 color photographs, texts English & German ISBN: 978-3-96171-614-2…
What is the power of photography? How do images and songs bookmark our lives, reminding us of what we care about, who we love, and what it means to be alive? Julian Lennon is a Grammy-nominated singer-songwriter, photographer , documentary filmmaker, and NYTimes bestselling author of the Touch the Earth children’s book trilogy. This autumn, Whispers – A Julian Lennon Retrospective is being presented at Le Stanze della Fotografia, culminating in the publication of Life’s Fragile Moments , his first photography book. It features a compilation of images that span over two decades of Lennon's unique life, career, adventures, and philanthropy. He founded The White Feather Foundation in 2007, whose key initiatives are education, health, conservation, and the protection of indigenous cultures. He was the executive producer of Kiss the Ground and other environmental documentaries and was named a Peace Laureate by UNESCO in 2020. “I think a lot of joy comes from helping others. One of the things that I've been really focusing on is finding that balance in life, what’s real and what’s true and what makes you happy. How can you help other people feel the same and have a happier life? I think whatever that takes. So if that's charity, if that's photography, if that's documentary, if that's music, and I can do it, then I'm going to do it. From traveling, especially in Ethiopia, Kenya, and even South America, we just see these scenarios and situations where they don't have enough support or finances. Anything I’m involved in, a good percentage goes to The White Feather Foundation. From what I witnessed, I just wanted to be able to help. My best teacher ever was Mum because I watched her live through life with dignity, grace, respect, and empathy. To me, those are some of the key things that are most important in living life. I think you have to love everybody and yourself. Respect is a real key issue, not only for people but for this world that we live in, Mother Earth. It's of key importance that we honor and respect this beautiful little blue ball that we live on.” www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo credit: © 2021 Marilyn Clark…
1 Connecting with the Earth: Changemakers, Philosophers, Writers & Scientists on Regenerating Earth’s Ecosystems 11:38
How and when will we transition to a clean energy future? How have wetlands become both crucial carbon sinks and colossal methane emitters in a warming world? What lessons can we learn from non-human animals about living in greater harmony with nature? Richard Black (Author of The Future of Energy · Fmr. BBC Environment Correspondent · Director of Policy & Strategy · Global Clean Energy Thinktank · Ember ) addresses the substantial economic impact of fossil fuel subsidies, noting that the actual costs, when including climate change damages, reach up to six or seven trillion dollars annually, overshadowing the relatively small climate finance provided by Western governments. Euan Nisbet (Earth Systems Scientist · Royal Holloway University of London) explores the role of methane in the atmosphere, its historical importance in maintaining the planet’s temperature, and its current contribution to global warming. He explains the sources of methane, including natural processes and human activities, and discusses recent trends and challenges tied to rising methane levels. Julie Pierce (Vice President of Strategy & Planning · Minnesota Power ) highlights her company's significant strides in sustainability. She outlines Minnesota Power's decade-long journey towards decarbonization, noting that they have transitioned from a 95% fossil-based portfolio to sourcing 50-60% of their energy from clean sources, including wind, solar, and hydropower. Arash Abizadeh (Professor of Political Science · McGill University Author of Hobbes and the Two Faces of Ethics · Associate Editor · Free & Equal) reflects on the future we are leaving for the next generations. He underscores the social and political challenges of ensuring that the technologies and resources needed to adapt to climate change are distributed equitably across all societies. Daniel Susskind (Economist · Oxford & King’s College London · Author of Growth: A Reckoning · A World Without Work) discusses the critical role of technological progress in driving economic growth. He advocates for a shift toward technologies that not only enhance prosperity but also protect the environment and promote social equity. Ian Robertson (Author of How Confidence Works: The New Science of Self-belief · Co-Director of the Global Brain Health Institute · Co-Leader of The BrainHealth Project) calls for young people to connect with nature and develop mastery over their minds. He envisions a future where individuals can access the joy of being conscious, embodied beings in a healthy, natural world. Ingrid Newkirk (Founder & President of PETA · People for the Ethical Treatment of Animals) emphasizes the shared traits between humans and other animals, advocating for a compassionate approach to all living beings. She urges listeners to recognize the personhood in animals and to treat them with respect and empathy. This episode brings together diverse voices discussing critical environmental and ethical issues. From the economic burden of fossil fuel subsidies to the equitable distribution of climate adaptation resources, the importance of technological progress, and the need for the ethical treatment of animals. To hear more from each guest, listen to their full interviews . www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Harnessing Creativity to Heal & Unwind the Body & Mind w/ DR. JULIA CHRISTENSEN - Highlights 16:52
"The state of being in flow and seeking out that state, sort of disappearing from the here and now... it must have been something that has been part of human cultures for many millennia. We know that, for example, dancing can bring you into these states. And we know from many anthropological works that people dance themselves into trance, a type of flow. So, there is that flow in this scientific sense of a state of well-being. And we will speak about what that does to our brain and our broader wellbeing, but also the flow in what cues enter into our senses. So that would be a scientific field that looks at brain synchrony, physiology synchrony, these waves that we see that sort of connect with us.” Dr. Julia F. Christensen is a Danish neuroscientist and former dancer currently working as a senior scientist at the Max Planck Institute for Empirical Aesthetics in Germany. She studied psychology, human evolution, and neuroscience in France, Spain and the UK. For her postdoctoral training, she worked in international, interdisciplinary research labs at University College London, City, University London and the Warburg Institute, London and was awarded a postdoctoral Newton International Fellowship by the British Academy. Her new book The Pathway to Flow is about the science of flow, why our brain needs it and how to create the right habits in our brain to get it. https://www.linkedin.com/in/dr-julia-f-christensen-36539a144https://www.instagram.com/dr.julia.f.christensen?igsh=cHZkODgxczJqZmxl www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 The Pathway to Flow with Neuroscientist, Fmr. Dancer DR. JULIA CHRISTENSEN 1:05:48
1:05:48 Riproduci in seguito Riproduci in seguito Liste Like Like aggiunto1:05:48
Riproduci in seguito Riproduci in seguito Liste Like Like aggiuntoHow can we unlock a state of flow in our daily lives? How does connecting with nature influence our mental and physical well-being? How do movement, dance and play help us feel more creative, connected, and content? Dr. Julia F. Christensen is a Danish neuroscientist and former dancer currently working as a senior scientist at the Max Planck Institute for Empirical Aesthetics in Germany. She studied psychology, human evolution, and neuroscience in France, Spain and the UK. For her postdoctoral training, she worked in international, interdisciplinary research labs at University College London, City, University London and the Warburg Institute, London and was awarded a postdoctoral Newton International Fellowship by the British Academy. Her new book The Pathway to Flow is about the science of flow, why our brain needs it and how to create the right habits in our brain to get it. "The state of being in flow and seeking out that state, sort of disappearing from the here and now... it must have been something that has been part of human cultures for many millennia. We know that, for example, dancing can bring you into these states. And we know from many anthropological works that people dance themselves into trance, a type of flow. So, there is that flow in this scientific sense of a state of well-being. And we will speak about what that does to our brain and our broader wellbeing, but also the flow in what cues enter into our senses. So that would be a scientific field that looks at brain synchrony, physiology synchrony, these waves that we see that sort of connect with us.” https://www.linkedin.com/in/dr-julia-f-christensen-36539a144https://www.instagram.com/dr.julia.f.christensen?igsh=cHZkODgxczJqZmxl www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo credit: Hans Scherhaufer…
1 What Does It Mean to Live a Good Life? Philosophers, Writers, Artists & Visionaries Share their Stories 15:11
What does it mean to live a good life? How can the arts help us learn to speak the language of the Earth and cultivate our intuitive intelligence? What is the power of mentorship for forging character and creative vision? How can we hold onto our cultural heritage and traditions, while preparing students for the needs of the 21st century? Alan Poul (Emmy & Golden Globe-winning Executive Producer · Director · Six Feet Under · Tales of the City · Tokyo Vice · My So-Called Life ) shares his personal journey and the importance of mentorship in shaping one's creative path. He discusses his experiences with influential figures such as Stephen Sondheim, Paul Schrader, and Robert Wilson, emphasizing the value of learning from those you admire. Rupert Sheldrake (Biologist · Author of The Science Delusion · The Presence of the Past · Ways to Go Beyond and Why They Wor k) explores the significance of cultural and religious traditions in education. He argues that knowing the open questions in science, integrating arts, and learning by heart are crucial for a well-rounded education. Jericho Brown (Pulitzer Prize-winning Poet · Director of Creative Writing Program at Emory University · Author of The Tradition · The New Testament ) emphasizes the power and agency that young writers have to create change. He encourages persistence and the importance of trying, despite the fear of failure. Sy Montgomery (Naturalist · Author of The Soul of an Octopus · The Hawk’s Way · Of Time and Turtles: Mending the World, Shell by Shattered Shell ) reflects on how animals have been her mentors and teachers. From her Scottish Terrier, Molly, to wild emus in Australia, she shares how her interactions with animals have guided her career and life choices. Manuela Lucá-Dazio (Exec. Director of the Pritzker Architecture Prize · Fmr. Exec. Director of Venice Biennale · Dept. of Visual Arts & Architecture) discusses the necessity of reconnecting with cultural heritage and expanding educational tools. She advocates for a more imaginative approach to integrating different fields of knowledge and teaching methods. Jeffrey D. Sachs (Economist · President of UN Sustainable Development Solutions Network · Director of Center for Sustainable Development · Columbia University) highlights the global consensus on Sustainable Development Goals (SDGs) and the critical importance of education. He specifically advocates for SDG 4, which focuses on inclusive and equitable quality education for all. Todd B. Kashdan (Psychologist · APA Award-winning Author of The Art of Insubordination: How to Dissent and Defy Effectively · Curious? · The Upside of Your Dark Side · Leading Authority on Well-being, Curiosity, Courage & Resilience) analyzes the shortcomings of the current education system. He stresses the need to teach critical thinking and develop superior information-gathering strategies. Tiokasin Ghosthorse (Founder · Host · Exec. Director of First Voices Radio · Founder of Akantu Intelligence · Master Musician of the Ancient Lakota Flute) offers a unique perspective on our connection to the Earth. He delves into Indigenous wisdom about living in harmony with nature, our ancestors, and recognizing the timeless energy around us. Erland Cooper (Songwriter · Producer · Multi-instrumentalist · Composer of Folded Landscapes ) reminisces about his upbringing surrounded by nature and traditional folk music. He shares how these elements have influenced his work and creative process. Peter Singer (Philosopher · Author of Animal Liberation · Founder of The Life You Can Save) examines the core philosophical questions about living a good life. He discusses the principles of Effective Altruism and the importance of using our resources wisely to make the world a better place. To hear more from each guest, listen to their full interviews . www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
Have we entered what Earth scientists call a “termination event,” and what can we do to avoid the worst outcomes? How can we look beyond GDP and develop new metrics that balance growth with human flourishing and environmental well-being? How can the 15-minute city model revolutionize urban living, enhance health, and reduce our carbon footprint? Euan Nisbet (Earth Systems Scientist - Royal Holloway University of London) analyzes historical patterns that point to a potential termination event and emphasizes the urgency of addressing abrupt climate changes. Daniel Susskind (Economist - Oxford & King’s College London - Author of Growth: A Reckoning - A World Without Work) discusses the economic trade-offs involved in pursuing net-zero emissions and the growing public discontent with the costs. Carlos Moreno (Originator of the 15-Minute City concept - Author of The 15-Minute City: A Solution to Saving Our Time & Our Planet) explores how the 15-minute city model can enhance urban living, promote local commerce, and reduce our carbon footprint. Richard Black (Author of The Future of Energy - Former BBC Environment Correspondent - Director of Policy & Strategy - Global Clean Energy Thinktank - Ember) explains the future energy landscape, critiques the contributions of oil and gas companies to the clean energy transition, and emphasizes the need for a realistic clean energy transition. Carissa Carter (Academic Director at Stanford's d.school - Co-author of Assembling Tomorrow: A Guide to Designing a Thriving Future ) highlights the importance of people critically interpreting climate data and understanding its emotional impact. Gordon Lambert (World Economic Forum Global Council - Energy and Sustainability - Former Member of Alberta’s Climate Change Advisory Panel) shares his personal reflections on the harmony of nature and the necessity of aligning business strategies with renewable energy goals. Dr. Ben Shofty (Functional Neurosurgeon - Professor - University of Utah) discusses the health benefits of exposure to nature and its positive impact on well-being and creativity. Julia F. Christensen (Neuroscientist - Author of The Pathway To Flow: The New Science of Harnessing Creativity to Heal and Unwind the Body & Mind) explores the neuroscience behind human interaction with nature and its restorative effects on the brain. The episode examines critical issues surrounding climate change, economic growth, and urban development. Euan Nisbet highlighted the urgency of addressing abrupt climate changes, while Daniel Susskind shed light on the economic complexities of achieving net-zero emissions. Carlos Moreno presented the revolutionary concept of the 15-minute city, and Richard Black emphasized the need for a realistic clean energy transition. Carissa Carter underscored the importance of understanding and visualizing climate data, while Gordon Lambert, Dr. Julia F. Christensen, and Dr. Ben Shofty provided personal and scientific insights into the benefits of integrating nature into our lives. These conversations give us a deeper look into the challenges and potential solutions for creating a sustainable future. To hear more from each guest, listen to their full interviews . www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
“There is a tremendous tension between healthy democracy and deep economic inequalities. I don't think that, in the long run, democracies can survive in a healthy way unless we address the problem of economic inequalities. If we have individuals who are living day to day, on the one hand, and we have other individuals who are billionaires in our societies, on the other hand, it will be very difficult for us to have a genuine democracy.” Arash Abizadeh is the R.B. Angus Professor of Political Science at McGill University . His research has focused on democratic theory, including topics such as immigration and border control. Abizadeh also specializes in 17th and 18th century philosophy and has recently published the book Hobbes and the Two Faces of Ethics . He is currently working on a book about social and political power and is the Associate Editor of Free & Equal: a Journal of Ethics and Public Affairs . https://abizadeh.wixsite.com/arash www.cambridge.org/core/books/hobbes-and-the-two-faces-of-ethics/B565348CE9B53945F4F962784A5842C2 https://freeandequaljournal.org www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Democracy at a Crossroads: Exploring Modern Political Challenges w/ Philosopher ARASH ABIZADEH 52:21
How is economic inequality undermining our democratic systems? In what ways is social media reshaping political landscapes and democracy? Can we design political institutions that adapt to rapid social and technological changes while remaining stable? How is journalism critical for the health of our democracies? Arash Abizadeh is the R.B. Angus Professor of Political Science at McGill University . His research has focused on democratic theory, including topics such as immigration and border control. Abizadeh also specializes in 17th and 18th century philosophy and has recently published the book Hobbes and the Two Faces of Ethics . He is currently working on a book about social and political power and is the Associate Editor of Free & Equal: a Journal of Ethics and Public Affairs . “There is a tremendous tension between healthy democracy and deep economic inequalities. I don't think that, in the long run, democracies can survive in a healthy way unless we address the problem of economic inequalities. If we have individuals who are living day to day, on the one hand, and we have other individuals who are billionaires in our societies, on the other hand, it will be very difficult for us to have a genuine democracy.” https://abizadeh.wixsite.com/arash www.cambridge.org/core/books/hobbes-and-the-two-faces-of-ethics/B565348CE9B53945F4F962784A5842C2 https://freeandequaljournal.org www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 The Growth Dilemma: Balancing Progress & Sustainability w/ Economist DANIEL SUSSKIND - Highlights 12:59
“ We have a choice to change the nature of growth. How we can have growth that is more respectful of place, doesn’t cause as much damage to the environment, doesn't lead to as large inequalities in society, doesn’t disrupt politics, doesn't undermine the availability of good work? We ought to pursue this morally enriched GDP measure which better reflects what we really value and care about as a society.” Daniel Susskind is a Research Professor in Economics at King's College London and a Senior Research Associate at the Institute for Ethics in AI at Oxford University. He is the author of A World without Work and co-author of the bestselling The Future of the Professions . Previously, he worked in various roles in the British Government - in the Prime Minister’s Strategy Unit, in the Policy Unit in 10 Downing Street, and in the Cabinet Office. His latest book is Growth: A Reckoning . www.danielsusskind.com www.penguin.co.uk/books/446381/growth-by-susskind-daniel/9780241542309 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
How can we look beyond GDP and develop new metrics that balance growth with human flourishing and environmental well-being? How can we be more engaged global citizens? In this age of AI, what does it really mean to be human? And how are our technologies transforming us? Daniel Susskind is a Research Professor in Economics at King's College London and a Senior Research Associate at the Institute for Ethics in AI at Oxford University. He is the author of A World without Work and co-author of the bestselling The Future of the Professions . Previously, he worked in various roles in the British Government - in the Prime Minister’s Strategy Unit, in the Policy Unit in 10 Downing Street, and in the Cabinet Office. His latest book is Growth: A Reckoning . “ We have a choice to change the nature of growth. How we can have growth that is more respectful of place, doesn’t cause as much damage to the environment, doesn't lead to as large inequalities in society, doesn’t disrupt politics, doesn't undermine the availability of good work? We ought to pursue this morally enriched GDP measure which better reflects what we really value and care about as a society.” www.danielsusskind.com www.penguin.co.uk/books/446381/growth-by-susskind-daniel/9780241542309 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
“Education is at the core of our transformations. Nelson Mandela in South Africa said, “We have three powerful weapons for transforming our life. Education, education, education.” I’ve been a university professor for more than 40 years, and I have observed the process of transformation through different generations. When we have these capabilities for transmitting more humanistic values and for discussing with the new generation, we need to find a sense of life. We need to find a sense of belonging to this humanity. But to have this sense of life, we need to find a sense of our local community, UN-Habitat and the United Nations in charge of cities, for the next World Urban Forum taking place in Cairo in November, has taken a motto: It All Starts at Home. It all starts in our local life. To be aware that all starts at home, all starts in our local community, is to be aware that we constantly need real-life contacts for dating and for this humanistic process. Education is not only about going to school. Education is to constantly have an open mindset, at home with my family, in my building, with the others in the street, in the squares, and in different activities. The otherness should be a permanent lifestyle for transforming our individual behavior and transforming our relationships. This is the sense of this proximity.” Carlos Moreno was born in Colombia in 1959 and moved to France at the age of 20. He is known for his influential "15-Minute City" concept, embraced by Paris Mayor Anne Hidalgo and leading cities around the world. Scientific Director of the "Entrepreneurship - Territory - Innovation" Chair at the Paris Sorbonne Business School, he is an international expert of the Human Smart City, and a Knight of the French Legion of Honour. He is recipient of the Obel Award and the UN-Habitat Scroll of Honour. His latest book is The 15-Minute City: A Solution to Saving Our Time and Our Planet. https://www.moreno-web.net/ https://www.wiley.com/en-us/The+15-Minute+City%3A+A+Solution+to+Saving+Our+Time+and+Our+Planet-p-9781394228140 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
How can the 15-minute city model revolutionize urban living, enhance wellbeing, and reduce our carbon footprint? Online shopping is turning cities into ghost towns. We can now buy anything anywhere anytime. How can we learn to stop scrolling and start strolling and create more livable, sustainable communities we are happy to call home. Carlos Moreno was born in Colombia in 1959 and moved to France at the age of 20. He is known for his influential "15-Minute City" concept, embraced by Paris Mayor Anne Hidalgo and leading cities around the world. Scientific Director of the "Entrepreneurship - Territory - Innovation" Chair at the Paris Sorbonne Business School, he is an international expert of the Human Smart City, and a Knight of the French Legion of Honour. He is recipient of the Obel Award and the UN-Habitat Scroll of Honour. His latest book is The 15-Minute City: A Solution to Saving Our Time and Our Planet. “Education is at the core of our transformations. Nelson Mandela in South Africa said, “We have three powerful weapons for transforming our life. Education, education, education.” I’ve been a university professor for more than 40 years, and I have observed the process of transformation through different generations. When we have these capabilities for transmitting more humanistic values and for discussing with the new generation, we need to find a sense of life. We need to find a sense of belonging to this humanity. But to have this sense of life, we need to find a sense of our local community, UN-Habitat and the United Nations in charge of cities, for the next World Urban Forum taking place in Cairo in November, has taken a motto: It All Starts at Home. It all starts in our local life. To be aware that all starts at home, all starts in our local community, is to be aware that we constantly need real-life contacts for dating and for this humanistic process. Education is not only about going to school. Education is to constantly have an open mindset, at home with my family, in my building, with the others in the street, in the squares, and in different activities. The otherness should be a permanent lifestyle for transforming our individual behavior and transforming our relationships. This is the sense of this proximity.” https://www.moreno-web.net/ https://www.wiley.com/en-us/The+15-Minute+City%3A+A+Solution+to+Saving+Our+Time+and+Our+Planet-p-9781394228140 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
“I think another thing that makes us human is our generational transfer of information. Our ability to distill the knowledge that was passed on to us and then pass it on and give it our unique stamp is again another one of these things that makes us human. The main thing that I've learned from my mentors and the main thing that I would like to pass on to my children is the notion that compassion is the most important thing that we have as human beings. And hopefully, I'll be able to teach myself and then them how to be also self-compassionate. I feel like this is a very good coping mechanism for this extremely violent and stimulating world that's happening out there. Whatever profession you choose, whatever you choose to study, just remember that there's a human being on the other side. This is something that social networks and online media are trying to make us forget: that there's actually a person on the other side of that video or text. I feel like this is the main thing that I would like to pass on to my children to help them remember that, eventually, we are all human.” Dr. Ben Shofty is a functional neurosurgeon affiliated with the University of Utah. He graduated from the Tel-Aviv University Faculty of Medicine, received his PhD in neurosurgical training from the Israeli Institute of Technology, and completed his training at the Tel Aviv Medical Center and Baylor University. He was also an Israeli national rugby player. His practice specializes in neuromodulation and exploring treatments for disorders such as OCD, depression, and epilepsy, among others, while also seeking to understand the science behind creativity , mind-wandering, and the many complexities of the brain. https://healthcare.utah.edu/find-a-doctor/ben-shofty https://academic.oup.com/brain/advance-article/doi/10.1093/brain/awae199/7695856 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
Where do creative thoughts come from? How can we harness our stream of consciousness and spontaneity to express ourselves? How are mind-wandering, meditation, and the arts good for our creativity and physical and mental well-being? Dr. Ben Shofty is a functional neurosurgeon affiliated with the University of Utah. He graduated from the Tel-Aviv University Faculty of Medicine, received his PhD in neurosurgical training from the Israeli Institute of Technology, and completed his training at the Tel Aviv Medical Center and Baylor University. He was also an Israeli national rugby player. His practice specializes in neuromodulation and exploring treatments for disorders such as OCD, depression, and epilepsy, among others, while also seeking to understand the science behind creativity , mind-wandering, and the many complexities of the brain. “I think another thing that makes us human is our generational transfer of information. Our ability to distill the knowledge that was passed on to us and then pass it on and give it our unique stamp is again another one of these things that makes us human. The main thing that I've learned from my mentors and the main thing that I would like to pass on to my children is the notion that compassion is the most important thing that we have as human beings. And hopefully, I'll be able to teach myself and then them how to be also self-compassionate. I feel like this is a very good coping mechanism for this extremely violent and stimulating world that's happening out there. Whatever profession you choose, whatever you choose to study, just remember that there's a human being on the other side. This is something that social networks and online media are trying to make us forget: that there's actually a person on the other side of that video or text. I feel like this is the main thing that I would like to pass on to my children to help them remember that, eventually, we are all human.” https://healthcare.utah.edu/find-a-doctor/ben-shofty https://academic.oup.com/brain/advance-article/doi/10.1093/brain/awae199/7695856 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Assembling Tomorrow: A Guide to Designing a Thriving Future - SCOTT DOORLEY & CARISSA CARTER - Highlights 21:08
“When you're thinking about a creative field or just bringing creativity to whatever field you have, creativity is often about finding the hidden thing, finding the thing that nobody else is seeing and taking it to reality. Don't think that make believe or imagination or weird ideas are not worth it. I had some mentors in my life that allowed me to understand how you should take make believe seriously, because if you go down this kind of wild path, you find something beyond what's going on, and eventually the world is going to normalize it and integrate it. Otherwise, it just won't work. So don't worry about being out there. We need people to be thinking beyond what is toward what could be. I think that's number one. The second thing is that the way you do things is as important as the things you do. It's not just about the product; it's about how you do it because how you do it actually has more repercussions sometimes than the product. You might create a great product, but if everyone working on it is angry and the people you're trying to serve aren't excited about it or they've been taken advantage of to make it come into the world, that leaves more bad stuff that's harder to see but has an equal or bigger impact. Just how you make it is as important as what you make.” Scott Doorley is the Creative Director at Stanford's d. school and co author of Make Space. He teaches design communication and his work has been featured in museums and architecture and urbanism and the New York Times. Carissa Carter is the Academic Director at Stanford's d. school and author of The Secret Language of Maps. She teaches courses on emerging technologies and data visualization and received Fast Company and Core 77 awards for her work on designing with machine learning and blockchain. Together, they co authored Assembling Tomorrow: A Guide to Designing a Thriving Future . www.scottdoorley.com www.snowflyzone.com https://dschool.stanford.edu/ www.penguinrandomhouse.com/books/623529/assembling-tomorrow-by-scott-doorley-carissa-carter-and-stanford-dschool-illustrations-by-armando-veve/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Can Design Save the World? - SCOTT DOORLEY & CARISSA CARTER - Co-authors of Assembling Tomorrow - Directors of Stanford’s d.School 57:06
How can we design and adapt for the uncertainties of the 21st century? How do emotions shape our decisions and the way we design the world around us? Scott Doorley is the Creative Director at Stanford's d. school and co author of Make Space. He teaches design communication and his work has been featured in museums and architecture and urbanism and the New York Times. Carissa Carter is the Academic Director at Stanford's d. school and author of The Secret Language of Maps. She teaches courses on emerging technologies and data visualization and received Fast Company and Core 77 awards for her work on designing with machine learning and blockchain. Together, they co authored Assembling Tomorrow: A Guide to Designing a Thriving Future . “When you're thinking about a creative field or just bringing creativity to whatever field you have, creativity is often about finding the hidden thing, finding the thing that nobody else is seeing and taking it to reality. Don't think that make believe or imagination or weird ideas are not worth it. I had some mentors in my life that allowed me to understand how you should take make believe seriously, because if you go down this kind of wild path, you find something beyond what's going on, and eventually the world is going to normalize it and integrate it. Otherwise, it just won't work. So don't worry about being out there. We need people to be thinking beyond what is toward what could be. I think that's number one. The second thing is that the way you do things is as important as the things you do. It's not just about the product; it's about how you do it because how you do it actually has more repercussions sometimes than the product. You might create a great product, but if everyone working on it is angry and the people you're trying to serve aren't excited about it or they've been taken advantage of to make it come into the world, that leaves more bad stuff that's harder to see but has an equal or bigger impact. Just how you make it is as important as what you make.” www.scottdoorley.com www.snowflyzone.com https://dschool.stanford.edu/ www.penguinrandomhouse.com/books/623529/assembling-tomorrow-by-scott-doorley-carissa-carter-and-stanford-dschool-illustrations-by-armando-veve/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Image credit: Patrick Beaudouin…
“The opportunity is that we have never had a public that is more passionate and obsessed with visual imagery. If the owners of the best original imagery in the world can't figure out how to take advantage of the fact that the world has now become obsessed with these treasures that we have to offer as museums, then shame on us. This is the opportunity to say, if you're spending all day scrolling on Instagram looking for amazing imagery, come and see the original source . Come and see the real work . Let us figure out how to make that connection.” Stephen Reily is the Founding Director of Remuseum , an independent research project housed at Crystal Bridges Museum of American Art in Bentonville, Arkansas. Funded by arts patron David Booth with additional support by the Ford Foundation, Remuseum focuses on advancing relevance and governance in museums across the U.S. He works with museums to create a financially sustainable strategy that is human-focused, centering on inclusion, diversity, and important causes like climate change. During his time as director of the Speed Art Museum in Louisville, KY, Reily presented Promise, Witness, Remembrance , an exhibition in response to the killing of Breonna Taylor and a year of protests in Louisville. In 2022, he co-wrote a book documenting the exhibition. As an active civic leader, Reily has been a part of numerous community organizations and boards, like the Reily Reentry Project, supporting expungement programs for Kentucky citizens, Creative Capital, offering grants for the arts, and founded Seed Capital Kentucky, a non-profit that aims to improve the food economy in the area.A Yale and Stanford Law graduate, Reily clerked for U.S. Supreme Court Justice John Paul Stevens before launching a successful entrepreneurial career, experiences he draws upon for public engagement initiatives. https://remuseum.org https://crystalbridges.org www.stephenreily.com www.kentuckypress.com/9781734248517/promise-witness-remembrance www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 The Future of Museums - STEPHEN REILY, Founding Director of Remuseum on Transforming Cultural Spaces 46:37
How can museums remain relevant in the digital age, where visual imagery is more accessible than ever? What role do museums play in fostering creativity and innovation in their communities? Stephen Reily is the Founding Director of Remuseum , an independent research project housed at Crystal Bridges Museum of American Art in Bentonville, Arkansas. Funded by arts patron David Booth with additional support by the Ford Foundation, Remuseum focuses on advancing relevance and governance in museums across the U.S. He works with museums to create a financially sustainable strategy that is human-focused, centering on inclusion, diversity, and important causes like climate change. During his time as director of the Speed Art Museum in Louisville, KY, Reily presented Promise, Witness, Remembrance , an exhibition in response to the killing of Breonna Taylor and a year of protests in Louisville. In 2022, he co-wrote a book documenting the exhibition. As an active civic leader, Reily has been a part of numerous community organizations and boards, like the Reily Reentry Project, supporting expungement programs for Kentucky citizens, Creative Capital, offering grants for the arts, and founded Seed Capital Kentucky, a non-profit that aims to improve the food economy in the area.A Yale and Stanford Law graduate, Reily clerked for U.S. Supreme Court Justice John Paul Stevens before launching a successful entrepreneurial career, experiences he draws upon for public engagement initiatives. “The opportunity is that we have never had a public that is more passionate and obsessed with visual imagery. If the owners of the best original imagery in the world can't figure out how to take advantage of the fact that the world has now become obsessed with these treasures that we have to offer as museums, then shame on us. This is the opportunity to say, if you're spending all day scrolling on Instagram looking for amazing imagery, come and see the original source . Come and see the real work . Let us figure out how to make that connection.” https://remuseum.org https://crystalbridges.org www.stephenreily.com www.kentuckypress.com/9781734248517/promise-witness-remembrance www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
Recently, twenty-three lecturers in the highly successful Creative Writing program at Stanford were summoned to a Zoom meeting where they were first praised, and then summarily fired. One of the most surprising aspects of this purge is the fact that it was carried out not by top-tier university administrators, but by tenure-track faculty in the program. It was they who decided to brutally terminate their colleagues. On this episode of the Speaking Out of Place podcast Professor David Palumbo-Liu speaks with two of the lecturers who have been told they will leave Stanford in nine months, and one of their students, a published novelist. They explain the devastating nature of this act and share statistics and histories that show this was not at all necessary. Expediency for senior faculty trumped the survival of a carefully developed and nurtured community of creative writers. Here is the link to a petition we urge our listeners to sign and share as widely as possible to support this program, and these talented and devoted teachers. Sarah Frisch is a former Wallace Stegner Fellow and current Lecturer in Stanford's Creative Writing Program. Her work has been published in The Paris Review, the VQR, and The New England Review. She’s won a Pushcart Prize and an Elizabeth George Foundation Grant for fiction and has been a finalist for the National Magazine Award. She holds an MFA in Fiction from Washington University in St. Louis. Malavika Kannan is a queer fiction writer who graduated from Stanford University in 2024 with a minor in Creative Writing, where she served as the Creative Writing peer advisor. Her work appears in Washington Post, Teen Vogue, and elsewhere and her YA novel was published by Little & Brown in 2023. From the Chappell-Lougee and Major Grants to the IDA fellowship and the Honors in the Arts program, Malavika feels thankful for the many opportunities at Stanford to nurture her craft and all the people who supported her. Malavika feels very grateful to her mentor Nina Schloesser Tarano, a Jones Lecturer, for all her support. Nina Schloesser Tárano was born and grew up in Guatemala City. She received her MFA from Columbia University. Her work has appeared in Fence and The New Inquiry Magazine. She was a Wallace Stegner Fellow in Fiction 2010-2012, and has been a lecturer in the Stanford Creative Writing Program since 2012. www.palumbo-liu.com https://speakingoutofplace.com https://twitter.com/palumboliu?s=20 www.instagram.com/speaking_out_of_place…
1 How Our Brains Choose What to Learn & Navigate Uncertainty - Highlights - JACQUELINE GOTTLIEB 16:00
“I came to neuroscience from a humanistic perspective. I was very interested to find out who we are. What do we know? What do we think we know? Why do we think we know certain things? How do we see things? How do we perceive them? Ultimately, the question behind curiosity is what things we find interesting in our environment. The way I think about eye movements is that they really are trained in some largely subconscious process.” Dr. Jacqueline Gottlieb is a Professor of Neuroscience and Principal Investigator at Columbia University’s Zuckerman Mind Brain Behavior Institute. Dr. Gottlieb studies the mechanisms that underlie the brain's higher cognitive functions, including decision making, memory, and attention. Her interest is in how the brain gathers the evidence it needs—and ignores what it doesn’t—during everyday tasks and during special states such as curiosity. www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Curiosity, Cognition & Creativity with Neuroscientist DR. JACQUELINE GOTTLIEB 1:03:07
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Riproduci in seguito Riproduci in seguito Liste Like Like aggiuntoWhat ignites curiosity in humans? How does our brain select things we need to know and ignore what isn’t essential? How does our perception shape what we know about the world? Dr. Jacqueline Gottlieb is a Professor of Neuroscience and Principal Investigator at Columbia University’s Zuckerman Mind Brain Behavior Institute. Dr. Gottlieb studies the mechanisms that underlie the brain's higher cognitive functions, including decision making, memory, and attention. Her interest is in how the brain gathers the evidence it needs—and ignores what it doesn’t—during everyday tasks and during special states such as curiosity. “I came to neuroscience from a humanistic perspective. I was very interested to find out who we are. What do we know? What do we think we know? Why do we think we know certain things? How do we see things? How do we perceive them? Ultimately, the question behind curiosity is what things we find interesting in our environment. The way I think about eye movements is that they really are trained in some largely subconscious process.” www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 How can journalism make people care about crises & create solutions? - Highlights - NICHOLAS KRISTOF 16:26
“"I'm trying to get people to care about a crisis in ways that may bring solutions to it. And that's also how I deal with the terror and the fear to find a sense of purpose in what I do. It's incredibly heartbreaking to see some of the things and hear some of the stories, but at the end of the day, it feels like–inconsistently here and there–you can shine a light on problems, and by shining that light, you actually make a difference. If you look over the last 500 years or so, the best metric to predict where society will be in 30 or 50 years, the best metric is simply education today. One reason I think the U.S. is the world's largest and most successful economy today is that, beginning in the 19th century and through about 1970, the U.S. led the world in mass education. And what matters is not so much elite education. Britain had Eton, Oxford, and Cambridge, and it had better elite education, but it wasn't great at mass education. And the U.S. really was. We were the first country to have almost universal literacy, male and female. We were the first country to have widespread high school attendance and the first country to have significant college attendance. And then, beginning in about the 1970s, we lost that lead. And now, there are many countries that are way ahead of us. I think back to my old classmates who are now dead, and I think: What were adults thinking in the 1970s that they let them drop out? And yet, I think today: What are adults thinking in 2024 when they let one in seven American kids today drop out of high school and let so many emerge from the school system not literate, not numerate, completely unprepared for the 21st century?” Nicholas D. Kristof is a two-time Pulitzer-winning journalist and Op-ed columnist for The New York Times , where he was previously bureau chief in Hong Kong, Beijing, and Tokyo. Kristof is a regular CNN contributor and has covered, among many other events and crises, the Tiananmen Square protests, the Darfur genocide, the Yemeni civil war, and the U.S. opioid crisis. He is the author of the memoir Chasing Hope, A Reporter's Life , and coauthor, with his wife, Sheryl WuDunn, of five previous books: Tightrope , A Path Appears , Half the Sky , Thunder from the East , and China Wakes . www.nytimes.com/column/nicholas-kristof www.penguinrandomhouse.com/books/720814/chasing-hope-by-nicholas-d-kristof Family vineyard & apple orchard in Yamhill, Oregon: www.kristoffarms.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
How can journalism make people care and bring about solutions? What role does storytelling play in shining a light on injustice and crises and creating a catalyst for change? Nicholas D. Kristof is a two-time Pulitzer-winning journalist and Op-ed columnist for The New York Times , where he was previously bureau chief in Hong Kong, Beijing, and Tokyo. Kristof is a regular CNN contributor and has covered, among many other events and crises, the Tiananmen Square protests, the Darfur genocide, the Yemeni civil war, and the U.S. opioid crisis. He is the author of the memoir Chasing Hope, A Reporter's Life , and coauthor, with his wife, Sheryl WuDunn, of five previous books: Tightrope , A Path Appears , Half the Sky , Thunder from the East , and China Wakes . “If you look over the last 500 years or so, the best metric to predict where society will be in 30 or 50 years, the best metric is simply education today. One reason I think the U.S. is the world's largest and most successful economy today is that, beginning in the 19th century and through about 1970, the U.S. led the world in mass education. And what matters is not so much elite education. Britain had Eton, Oxford, and Cambridge, and it had better elite education, but it wasn't great at mass education. And the U.S. really was. We were the first country to have almost universal literacy, male and female. We were the first country to have widespread high school attendance and the first country to have significant college attendance. And then, beginning in about the 1970s, we lost that lead. And now, there are many countries that are way ahead of us. I think back to my old classmates who are now dead, and I think: What were adults thinking in the 1970s that they let them drop out? And yet, I think today: What are adults thinking in 2024 when they let one in seven American kids today drop out of high school and let so many emerge from the school system not literate, not numerate, completely unprepared for the 21st century?” www.nytimes.com/column/nicholas-kristof www.penguinrandomhouse.com/books/720814/chasing-hope-by-nicholas-d-kristof Family vineyard & apple orchard in Yamhill, Oregon: www.kristoffarms.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo credit: David Hume Kennerly…
Have we entered what Earth scientists call a “termination event,” and what can we do to avoid the worst outcomes? How can a spiritual connection to nature guide us toward better environmental stewardship? What can ancient wisdom teach us about living harmoniously with the Earth? How have wetlands become both crucial carbon sinks and colossal methane emitters in a warming world? Euan Nisbet is an Emeritus Professor of Earth Sciences at the Royal Holloway University of London. Specializing in methane and its impact on climate change, his research spans Arctic and Tropical Atmospheric Methane budgets. Nisbet led the MOYA project, focusing on global methane emissions using aircraft and ground-based field campaigns in Africa and South America. Born in Germany and raised in Africa, his field work has taken him around the world. He is the author of The Young Earth and Leaving Eden: To Protect and Manage the Earth . “I am a Christian and I have strong Muslim and Jewish friends as well as great respect for Hindu beliefs. I grew up in Southern Africa and I am well aware of the depth of some Indigenous beliefs. I think that having belief systems does give you a very different perspective sometimes. Now, in Christianity, the concept of the shepherd, human beings are here and this is our garden, our garden of Eden, but we have a responsibility. And if we choose to kick ourselves out of the garden, there are consequences. And that's precisely what we are doing. The garden is there, it's lovely, and we can manage it, and it's our job to manage it. We can manage it properly. We can respect it. It's for all creation, and it's very explicit that it involves all Creation. And that's a very fundamental biblical law that you have to respect all Creation. And if you don't do that, then the consequences—you’re basically throwing yourself out of the Garden of Eden." https://pure.royalholloway.ac.uk/en/persons/euan-nisbet www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Natural Magic: Emily Dickinson, Charles Darwin, and the Dawn of Modern Science with RENÉE BERGLAND 1:00:31
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Riproduci in seguito Riproduci in seguito Liste Like Like aggiuntoHow do the works of Emily Dickinson and Charles Darwin continue to influence our understanding of nature, ecological interdependence, and the human experience? How does understanding history help us address current social and environmental issues. How can dialogues between the arts and sciences foster holistic, sustainable solutions to global crises? Renée Bergland is a literary critic, historian of science, and educator. As a storyteller, Bergland connects the lives of historical figures to the problems of the present day. As an educator, she emphasizes the interdisciplinary connections between the sciences and humanities. A longtime professor at Simmons University, where she is the Program director of Literature and writing, Bergland has also researched and taught at institutions such as Dartmouth College, Harvard University, and MIT. Bergland’s past published titles include Maria Mitchell and the Sexing of Science: An Astronomer Among the American Romantics and The National Uncanny: Indian Ghosts and American Subjects . Her most recent book, Natural Magic: Emily Dickinson, Charles Darwin, and the Dawn of Modern Science , was published in April of 2024. It explores Dickinson and Darwin’s shared enchanted view of the natural world in a time when poetry and natural philosophy, once freely intertwined, began to grow apart. “There is a stronger connection between Dickinson and Darwin than the proximity of history. Or the universality of literature. They both understood natural science and the natural world in ways that seem strange and somewhat surprising in the 21st century. Their 19th century attitudes to nature and the study of it are so different from ours that when we trace their stories, a vanished world begins to emerge. The more I consider these figures together, the more I feel their world and my world. come alive. Darwin and Dickinson illuminate each other. By reading them together, we can start to understand the interconnected relationships that animated 19th century poetry and science.” – Natural Magic: Emily Dickinson, Charles Darwin, and the Dawn of Modern Science, Preface, pp. xiv–xvi. www.reneebergland.com https://press.princeton.edu/books/hardcover/9780691235288/natural-magic www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
“I think history is tremendously important. The environmental crisis, Gaza, the war in Ukraine—all of those don't make sense if you don't have a sense of history. History and the humanities have come under huge pressure. We've seen falling student numbers, and that's a real shame because history continues to be a source of intellectual inspiration and curiosity that not only makes us wiser and more reflective but also creates the dynamism and creativity we need to confront our present and future challenges. I hope that among the young generations, there will be people inspired by history, people that have the ambition to research and write about the past.” What can we learn from Germany's postwar transformation to help us address today's environmental and humanitarian crises? With the rise of populism, authoritarianism, and digital propaganda, how can history provide insights into the challenges of modern democracy? Frank Trentmann is a Professor of History at Birkbeck, University of London, and at the University of Helsinki. He is a prize-winning historian, having received awards such as the Whitfield Prize, Austrian Wissenschaftsbuch/Science Book Prize, Humboldt Prize for Research, and the 2023 Bochum Historians' Award. He has also been named a Moore Scholar at Caltech. He is the author of Empire of Things and Free Trade Nation. His latest book is Out of the Darkness: The Germans 1942 to 2022 , which explores Germany's transformation after the Second World War. www.bbk.ac.uk/our-staff/profile/8009279/frank-trentmann www.penguin.co.uk/authors/32274/frank-trentmann?tab=penguin-books www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
What can we learn from Germany's postwar transformation to help us address today's environmental and humanitarian crises? With the rise of populism, authoritarianism, and digital propaganda, how can history provide insights into the challenges of modern democracy? Frank Trentmann is a Professor of History at Birkbeck, University of London, and at the University of Helsinki. He is a prize-winning historian, having received awards such as the Whitfield Prize, Austrian Wissenschaftsbuch/Science Book Prize, Humboldt Prize for Research, and the 2023 Bochum Historians' Award. He has also been named a Moore Scholar at Caltech. He is the author of Empire of Things and Free Trade Nation. His latest book is Out of the Darkness: The Germans 1942 to 2022 , which explores Germany's transformation after the Second World War. “I think history is tremendously important. The environmental crisis, Gaza, the war in Ukraine—all of those don't make sense if you don't have a sense of history. History and the humanities have come under huge pressure. We've seen falling student numbers, and that's a real shame because history continues to be a source of intellectual inspiration and curiosity that not only makes us wiser and more reflective but also creates the dynamism and creativity we need to confront our present and future challenges. I hope that among the young generations, there will be people inspired by history, people that have the ambition to research and write about the past.” www.bbk.ac.uk/our-staff/profile/8009279/frank-trentmann www.penguin.co.uk/authors/32274/frank-trentmann?tab=penguin-books www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo credit: Jon Wilson…
“The SDSN has been set up to mobilize research and science for the Sustainable Development Goals. Each year, we aim to provide a fair and accurate assessment of countries' progress on the 17 Sustainable Development Goals. The development goals were adopted back in 2015 by all UN member states, marking the first time in human history that we have a common goal for the entire world. Our goal each year with the SDG index is to have sound methodologies and translate these into actionable insights that can generate impactful results at the end of the day. Out of all the targets that we track, only 16 percent are estimated to be on track. This agenda not only combines environmental development but also social development, economic development, and good governance. Currently, none of the SDGs are on track to be achieved at the global level.” In today's podcast, we talk with Guillaume Lafortune , Vice President and Head of the Paris Office of the UN Sustainable Development Solutions Network (SDSN), the largest global network of scientists and practitioners dedicated to implementing the Sustainable Development Goals (SDGs). We discuss the intersections of sustainability, global progress, the UN Summit of the Future , and the daunting challenges we face. From the impact of war on climate initiatives to transforming data into narratives that drive change, we explore how global cooperation, education, and technology pave the way for a sustainable future and look at the lessons of history and the power of diplomacy in shaping our path forward. Guillaume Lafortune joined SDSN in 2017 to lead work on SDG data, policies, and financing including the preparation of the annual Sustainable Development Report (which includes the SDG Index and Dashboards ). Between 2020 and 2022 Guillaume was a member of The Lancet Commission on COVID-19, where he coordinated the taskforces on “Fiscal Policy and Financial Markets” and “Green Recovery”, and co-authored the final report of the Commission. Guillaume is also a member of the Grenoble Center for Economic Research (CREG) at the Grenoble Alpes University. Previously, he served as an economist at the OECD in Paris and at the Ministry of Economic Development in the Government of Quebec (Canada). Guillaume is the author of 50+ scientific publications, book chapters, policy briefs and international reports on sustainable development, economic policy and good governance. SDSN's Summit of the Future Recommendations SDG Transformation Center SDSN Global Commission for Urban SDG Finance www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 How Can We Unite 193 Countries for a Sustainable Future? - GUILLAUME LAFORTUNE - VP, UN SDSN, Paris 1:12:09
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Riproduci in seguito Riproduci in seguito Liste Like Like aggiuntoHow can we get 193 countries to move in the same direction for a better tomorrow? In today's podcast, we talk with Guillaume Lafortune , Vice President and Head of the Paris Office of the UN Sustainable Development Solutions Network (SDSN), the largest global network of scientists and practitioners dedicated to implementing the Sustainable Development Goals (SDGs). We discuss the intersections of sustainability, global progress, the UN Summit of the Future , and the daunting challenges we face. From the impact of war on climate initiatives to transforming data into narratives that drive change, we explore how global cooperation, education, and technology pave the way for a sustainable future and look at the lessons of history and the power of diplomacy in shaping our path forward. Guillaume Lafortune joined SDSN in 2017 to lead work on SDG data, policies, and financing including the preparation of the annual Sustainable Development Report (which includes the SDG Index and Dashboards ). Between 2020 and 2022 Guillaume was a member of The Lancet Commission on COVID-19, where he coordinated the taskforces on “Fiscal Policy and Financial Markets” and “Green Recovery”, and co-authored the final report of the Commission. Guillaume is also a member of the Grenoble Center for Economic Research (CREG) at the Grenoble Alpes University. Previously, he served as an economist at the OECD in Paris and at the Ministry of Economic Development in the Government of Quebec (Canada). Guillaume is the author of 50+ scientific publications, book chapters, policy briefs and international reports on sustainable development, economic policy and good governance. “The SDSN has been set up to mobilize research and science for the Sustainable Development Goals. Each year, we aim to provide a fair and accurate assessment of countries' progress on the 17 Sustainable Development Goals. The development goals were adopted back in 2015 by all UN member states, marking the first time in human history that we have a common goal for the entire world. Our goal each year with the SDG index is to have sound methodologies and translate these into actionable insights that can generate impactful results at the end of the day. Out of all the targets that we track, only 16 percent are estimated to be on track. This agenda not only combines environmental development but also social development, economic development, and good governance. Currently, none of the SDGs are on track to be achieved at the global level.” SDSN's Summit of the Future Recommendations SDG Transformation Center SDSN Global Commission for Urban SDG Finance www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 How can music disrupt oppression & bring about social change? - Highlights - JAKE FERGUSON, ANTHONY JOSEPH & JERMAIN JACKMAN 14:58
“I think as humans, we forget. We are often limited by our own stereotypes, and we don't see that in everyone there's the potential for beauty and love and all these things. And I think The Architecture of Oppression, both parts one and two, are really a reflection of all the community and civil rights work that I've been doing for the same amount of time, really - 25 years. And I wanted to try and mix my day job and my music side, so bringing those two sides of my life together. I wanted to create a platform for black artists, black singers, and poets who I really admire. Jermain is somebody I've worked with for probably about six, seven years now. He's also in the trenches of the black civil rights struggle. We worked together on a number of projects, but it was very interesting to then work with Jemain in a purely artistic capacity. And it was a no-brainer to give Anthony a call for this second album because I know of his pedigree, and he's much more able to put ideas and thoughts on paper than I would be able to.” Jake Ferguson is an award-winning musician known for his work with The Heliocentrics and as a solo artist under the name The Brkn Record. Alongside legendary drummer Malcolm Catto, Ferguson has composed two film scores and over 10 albums, collaborating with icons like Archie Shepp, Mulatu Astatke, and Melvin Van Peebles. His latest album is The Architecture of Oppression Part 2 . The album also features singer and political activist Jermain Jackman , a former winner of The Voice (2014) and the T.S. Eliot Prize winning poet and musician, Anthony Joseph . www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 The Architecture of Oppression with JAKE FERGUSON, ANTHONY JOSEPH & JERMAIN JACKMAN 1:01:23
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Riproduci in seguito Riproduci in seguito Liste Like Like aggiuntoHow can music challenge systemic oppression and bring about social change? How can we envision alternative paths while avoiding the pitfalls of past paradigms? Jake Ferguson is an award-winning musician known for his work with The Heliocentrics and as a solo artist under the name The Brkn Record. Alongside legendary drummer Malcolm Catto, Ferguson has composed two film scores and over 10 albums, collaborating with icons like Archie Shepp, Mulatu Astatke, and Melvin Van Peebles. His latest album is The Architecture of Oppression Part 2 . The album also features singer and political activist Jermain Jackman , a former winner of The Voice (2014) and the T.S. Eliot Prize winning poet and musician, Anthony Joseph . “I think as humans, we forget. We are often limited by our own stereotypes, and we don't see that in everyone there's the potential for beauty and love and all these things. And I think The Architecture of Oppression, both parts one and two, are really a reflection of all the community and civil rights work that I've been doing for the same amount of time, really - 25 years. And I wanted to try and mix my day job and my music side, so bringing those two sides of my life together. I wanted to create a platform for black artists, black singers, and poets who I really admire. Jermain is somebody I've worked with for probably about six, seven years now. He's also in the trenches of the black civil rights struggle. We worked together on a number of projects, but it was very interesting to then work with Jemain in a purely artistic capacity. And it was a no-brainer to give Anthony a call for this second album because I know of his pedigree, and he's much more able to put ideas and thoughts on paper than I would be able to.” www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 PRIYAMVADA GOPAL & FRANÇOISE VERGÈS on the Recent Elections in Britain & France 1:06:53
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Riproduci in seguito Riproduci in seguito Liste Like Like aggiunto"I would say what we can celebrate is the incredible mobilization of the young people. They went everywhere, they knocked on the door, they mobilized. This was an incredible, incredible mobilization. So that was extraordinary because it showed real mobilization and an understanding that the National Rally was a real threat. We knew that if they came to power, the first people who would be targeted would be people of color, and that was absolutely clear." For our snap episode on the snap elections in the UK and France, Professor David Palumbo-Liu and Azeezah Kanji talk with eminent decolonial scholar activists, Françoise Vergès in France and Priyamvala Gopal in the UK. Following the defeat of right wing parties in both countries in the polls, we discuss what's changed with the elections, what hasn't changed, and what should movements, activists, and organizers be focusing on. Priyamvada Gopal is Professor of Postcolonial Studies at the Faculty of English, University of Cambridge and Professorial Fellow, Churchill College. Her present interests are in the literatures, politics, and cultures of empire, colonialism and decolonisation. She has related interests in the novel, South Asian literature, and postcolonial cultures. Her published work includes Literary Radicalism in India: Gender, Nation and the Transition to Independence (Routledge, 2005), After Iraq: Reframing Postcolonial Studies (Special issue of New Formations co-edited with Neil Lazarus), The IndianEnglish Novel: Nation, History and Narration (Oxford University Press, 2009) and, most recently, I nsurgent Empire: Anticolonial Resistance and British Dissent (Verso, 2019) which was shortlisted for the British Academy Prize for Global Cultural Understanding and the Bread and Roses Prize. Her writing has also appeared in The Hindu, Outlook India, India Today, The Independent, Prospect Magazine, The New Statesman, The Guardian, Al-Jazeera English (AJE) and The Nation (USA). She is working on a new project called Decolonization: the Life and Times of an Idea which examines a range of thinkers, contexts and struggles across the Global South. Françoise Vergès is a writer and decolonial antiracist feminist activist. A Reunionnese, she received an education that ran counter to the French hegemonic school from her anticolonial communist and feminist parents and the members of their organisations. She received her Ph.D in Political Theory from Berkeley University in 1995. She remained an activist during these years, collaborated on Isaac Julien’s film "Black Skin, White Masks » and published in feminist and theory journals. She has taught at Sussex University and Goldsmiths College and has been a visiting professor at different universities. She has never held a teaching position in France but created the Chair Global South(s) at Collège d’études mondiales where she held workshops on different topics (2014-2018). She was president of the National Committee for the History and Remembrance of Slavery (2009-2012), was a co-founder of Decolonize the Arts (2015-2020), the director of the scientific and cultural programme for a museum project in Reunion Island (2004-2010, a project killed by the State and the local conservatives). She is the convener and curator of L’Atelier a collective and collaborative seminar/public performance with activist and artists of color. Recent publications include: Programme de désordre absolu. Décoloniser le musée (2023), A Feminist Theory of Violence (2021), De la violence coloniale dans l’espace public (2021), T he Wombs of Women. Capital, Race, Feminism (2021), A Decolonial Feminism (2020). www.palumbo-liu.com https://speakingoutofplace.com https://twitter.com/palumboliu?s=20 www.instagram.com/speaking_out_of_place…
“I'd like young people not to limit their world to content they can find on the internet. I think that's a real danger. Many of my students say, “well, I haven't thought about this,” “I haven't read this because I didn't find it online for free.” I want them to remember that not all knowledge is digitized, that much remains elusive to the nets of the internet even in its effort to make knowledge accessible on one platform, to create this kind of enormous encyclopedia. And in this quest, we also reduce the past to the present. The past is more virtually present in our lives than for any other generation, because it's available online in the form of textual and audiovisual archives. This proximity actually affects the past's past ness. The appearance of distance is lost in the digital reproduction, whether it's paintings, or archival documents, or photographs. I think it's erroneous to think that everything that is extant from the past is at our fingertips and that we don't have to go out and look for it. So what I would like to pass on is curiosity; curiosity about the past shouldn't stop at the digital. It's tempting to think that all the answers are already there online because it's so vast, this web we are spinning, but that’s not the case.” S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission , The Eyelid , A Cage for Every Child , and, most recently, Utopia in the Age of Survival: Between Myth and Politics . Her essays have appeared in such venues as Public Culture , Telos , Boundary 2 , and The Hedgehog Review . She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia , which runs from July to September 2024 in Saint-Cirq-Lapopie, France. https://profiles.laps.yorku.ca/profiles/sylwiac/ www.sup.org/books/title/?id=33445 https://chbooks.com/Books/T/The-Eyelid https://ciscm.fr/en/merveilleuse-utopie www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
As Surrealism turns 100, what can it teach us about the importance of dreaming and creating a better society? Will we wake up from the consumerist dream sold to us by capitalism and how would that change our ideas of utopia? S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission , The Eyelid , A Cage for Every Child , and, most recently, Utopia in the Age of Survival: Between Myth and Politics . Her essays have appeared in such venues as Public Culture , Telos , Boundary 2 , and The Hedgehog Review . She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia , which runs from July to September 2024 in Saint-Cirq-Lapopie, France. “I'd like young people not to limit their world to content they can find on the internet. I think that's a real danger. Many of my students say, “well, I haven't thought about this,” “I haven't read this because I didn't find it online for free.” I want them to remember that not all knowledge is digitized, that much remains elusive to the nets of the internet even in its effort to make knowledge accessible on one platform, to create this kind of enormous encyclopedia. And in this quest, we also reduce the past to the present. The past is more virtually present in our lives than for any other generation, because it's available online in the form of textual and audiovisual archives. This proximity actually affects the past's past ness. The appearance of distance is lost in the digital reproduction, whether it's paintings, or archival documents, or photographs. I think it's erroneous to think that everything that is extant from the past is at our fingertips and that we don't have to go out and look for it. So what I would like to pass on is curiosity; curiosity about the past shouldn't stop at the digital. It's tempting to think that all the answers are already there online because it's so vast, this web we are spinning, but that’s not the case.” https://profiles.laps.yorku.ca/profiles/sylwiac/ www.sup.org/books/title/?id=33445 https://chbooks.com/Books/T/The-Eyelid https://ciscm.fr/en/merveilleuse-utopie www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Climate Change, Mental Health & Fighting for a Better Future - Highlights - CHARLIE HERTZOG YOUNG 17:28
“There's a whole section in my book about tips and advice. One of the ways that I try to maintain a feeling of safety while also not collapsing into a state of passivity, and it's taken a very long time for me to learn this, but it’s being forgiving with myself. One of the people who I write about a lot in the book is Jennifer Uchandu, a Nigerian climate activist and mental health activist who sets up an organization called The Eco-Anxiety in Africa Project. She talks about needing to remind herself constantly. Her test is not whether she's doing enough, it's whether she's doing her best. And doing her best doesn't mean doing as much as she possibly can, it means having the right balance of self care and action. Recently I've been really struggling with insomnia because I've still got quite bad nerve pain from my surgeries. And it sounds so simple and I used to get annoyed at these things, but just breathing. You know, deep breathing and kind of breathing into my back. Spending time in nature is also helpful. It can be quite hard for me because my mobility isn't always great on my prosthetics or if I'm in a wheelchair, but I swim a lot. And I draw a lot. One of the things that's been really amazing is that over the last few years, me and my friends have gotten into the habit of calling one another as first points of contact, not just in crisis, but if we've had a tricky day.” Charlie Hertzog Young is a researcher, writer and award-winning activist. He identifies as a “proudly mad bipolar double amputee” and has worked for the New Economics Foundation, the Royal Society of Arts, the Good Law Project, the Four Day Week Campaign and the Centre for Progressive Change, as well as the UK Labour Party under three consecutive leaders. Charlie has spoken at the LSE, the UN and the World Economic Forum. He studied at Harvard, SOAS and Schumacher College and has written for The Ecologist, The Independent, Novara Media, Open Democracy and The Guardian. He is the author of Spinning Out: Climate Change, Mental Health and Fighting for a Better Future . https://charliehertzogyoung.me https://footnotepress.com/books/spinning-out/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
The planet’s well-being unites us all, from ecosystems to societies, global systems to individual health. How is planetary health linked to mental health? Charlie Hertzog Young is a researcher, writer and award-winning activist. He identifies as a “proudly mad bipolar double amputee” and has worked for the New Economics Foundation, the Royal Society of Arts, the Good Law Project, the Four Day Week Campaign and the Centre for Progressive Change, as well as the UK Labour Party under three consecutive leaders. Charlie has spoken at the LSE, the UN and the World Economic Forum. He studied at Harvard, SOAS and Schumacher College and has written for The Ecologist, The Independent, Novara Media, Open Democracy and The Guardian. He is the author of Spinning Out: Climate Change, Mental Health and Fighting for a Better Future . “There's a whole section in my book about tips and advice. One of the ways that I try to maintain a feeling of safety while also not collapsing into a state of passivity, and it's taken a very long time for me to learn this, but it’s being forgiving with myself. One of the people who I write about a lot in the book is Jennifer Uchandu, a Nigerian climate activist and mental health activist who sets up an organization called The Eco-Anxiety in Africa Project. She talks about needing to remind herself constantly. Her test is not whether she's doing enough, it's whether she's doing her best. And doing her best doesn't mean doing as much as she possibly can, it means having the right balance of self care and action. Recently I've been really struggling with insomnia because I've still got quite bad nerve pain from my surgeries. And it sounds so simple and I used to get annoyed at these things, but just breathing. You know, deep breathing and kind of breathing into my back. Spending time in nature is also helpful. It can be quite hard for me because my mobility isn't always great on my prosthetics or if I'm in a wheelchair, but I swim a lot. And I draw a lot. One of the things that's been really amazing is that over the last few years, me and my friends have gotten into the habit of calling one another as first points of contact, not just in crisis, but if we've had a tricky day.” https://charliehertzogyoung.me https://footnotepress.com/books/spinning-out/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
Richard Black spent 15 years as a science and environment correspondent for the BBC World Service and BBC News, before setting up the Energy & Climate Intelligence Unit. He now lives in Berlin and is the Director of Policy and Strategy at the global clean energy think tank Ember , which aims to accelerate the clean energy transition with data and policy. He is the author of The Future of Energy ; Denied:The Rise and Fall of Climate Contrarianism , and is an Honorary Research Fellow at Imperial College London. https://mhpbooks.com/books/the-future-of-energy https://ember-climate.org/about/people/richard-black https://ember-climate.org www.therealpress.co.uk/?s=Richard+black www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 The Future of Energy - RICHARD BLACK - Director, Policy & Strategy, Ember - Fmr. BBC Environment Correspondent 56:02
How and when will we transition to a clean energy future? How will the transition empower individuals and transform global power dynamics? How did China become the world’s first electrostate, leading the drive for renewable energy, and what can we learn from this? Richard Black spent 15 years as a science and environment correspondent for the BBC World Service and BBC News, before setting up the Energy & Climate Intelligence Unit. He now lives in Berlin and is the Director of Policy and Strategy at the global clean energy think tank Ember , which aims to accelerate the clean energy transition with data and policy. He is the author of The Future of Energy ; Denied:The Rise and Fall of Climate Contrarianism , and is an Honorary Research Fellow at Imperial College London. “So I rest on the contention that in a world that had already gone through the clean energy transition, Vladimir Putin could not have nurtured Europe’s dependence on Russia; could not have filled his war chests; could not have attempted to blackmail the EU into submission; and would not have been able, therefore, to attempt the invasion of Ukraine. –The Future of Energy, p.76 “ Environment of Peace: Security in a New Era of Risk is a report that I was fortunate enough to take part in writing a couple of years ago, courtesy of the Stockholm International Peace Research Institute. The report is out there, available for download. It's a landmark report linking environmental destruction to conflict risk through all kinds of mechanisms and linking peace building and environmental restoration. The links, some of them are quite obvious, and others are a little bit more subtle. There are short-term things, and there are long-term things, and there's a role for international institutions, as well as national governments. So, in the short term, let's put a sticking plaster on the issue. The main recommendations that come out of the report, for example, environmental peace building, where you try and tackle an environmental issue alongside conflict resolution and so on, is something that could be used a lot more and United Nations agencies and other organizations can really take this on board and build this into all of their operations. But the longer-term stuff, the number one thing is to just get off fossil fuels. Because all the while we're using fossil fuels, we're going to be emitting carbon dioxide into the air and causing climate change to progress further.” https://mhpbooks.com/books/the-future-of-energy https://ember-climate.org/about/people/richard-black https://ember-climate.org www.therealpress.co.uk/?s=Richard+black www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Resisting Fascism & Ecological Collapse with Writer-Organizer-Activist CHRIS CARLSSON 1:06:34
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Riproduci in seguito Riproduci in seguito Liste Like Like aggiuntoIn this episode of the Speaking Out of Place podcast Professor David Palumbo-Liu talks with acclaimed author and activist, and San Francisco legend, Chris Carlsson about his new novel, When Shells Crumble . It begins in December 2024, when the US Supreme Court nullifies the popular vote in the Presidential election and awards the presidency to an authoritarian Republican, who proceeds to demolish democracy and install a fascistic state that hastens ecological havoc. The novel is much more than your usual dystopian tale—it focuses on how to resist political cynicism and defeatism, and rebuild on planetary wreckage. It is a world-building project filled with wisdom, sadness, and joy. We specifically put this fictional text in conservation with his brilliant non-fiction work, Nowtopia, which offers a radical redefinition of “work” that restores dignity and value to their proper places. Chris Carlsson, co-director of the “history from below” project Shaping San Francisco , is a writer, publisher, editor, photographer, public speaker, and occasional professor. He was one of the founders in 1981 of the seminal and infamous underground San Francisco magazine Processed World . In 1992 Carlsson co-founded Critical Mass in San Francisco, which both led to a local bicycling boom and helped to incubate transformative urban movements in hundreds of cities, large and small, worldwide. In 1995 work began on “Shaping San Francisco;” since then the project has morphed into an incomparable archive of San Francisco history at Foundsf.org , award-winning bicycle and walking tours, and almost two decades of Public Talks covering history, politics, ecology, art, and more (see shapingsf.org ). Beginning in Spring 2020, Carlsson has hosted Bay Cruises along the San Francisco shoreline. His latest novel, When Shells Crumble was published by Spuyten Duyvil in Brooklyn, NY at the end of 2023. At the dawn of the pandemic, he published a detailed historical guidebook of the city, Hidden San Francisco: A Guide to Lost Landscapes, Unsung Heroes, and Radical Histories (Pluto Press: 2020). His full-length nonfiction work N owtopia (AK Press: 2008), offers a groundbreaking look at class and work while uniquely examining how hard and pleasantly we work when we’re not at our official jobs. He published his first novel, After The Deluge , in 2004, a story of post-economic utopian San Francisco in the year 2157. He has edited six books, including three “Reclaiming San Francisco” collections with the venerable City Lights Books. He redesigned and co-authored an expanded Vanished Waters: A History of San Francisco’s Mission Bay after which he joined the board of the Mission Creek Conservancy. He has given hundreds of public presentations based on Shaping San Francisco, Critical Mass, Nowtopia , Vanished Waters , and his “Reclaiming San Francisco” history anthologies since the late 1990s, and has appeared dozens of times in radio, television and on the internet. www.palumbo-liu.com https://speakingoutofplace.com https://twitter.com/palumboliu?s=20 www.instagram.com/speaking_out_of_place…
1 Making Impactful Films with Oscar & Emmy-winning Director SHARMEEN OBAID-CHINOY - Highlights 10:29
“I realized very young and very early on in my career that film does more than just inform and inspire and entertain. It can move people into action, whether it's personal or collective action. As a filmmaker, I've always made films about extraordinary women whose lives are faced with extenuating circumstances who've had adversity thrown at them and who've risen to the occasion. And when I began to look at Diane's story, for me, Diane is a fashion designer, but she's so much more. Her central ethos is woman before fashion, and we felt it was very important to take that ethos and weave it into the spine of our film, and make it about the woman. In 2015, with A Girl in the River, I created a film that was about a young girl who had been shot by her father and her uncle because she had decided to get married on her own free will. They left her to die in a gunny sack in the river, and she survived. Sabah's story was deeply inspiring, because she wanted to send her father and uncle to jail, but in the end, she forgave them using a lacuna in the law. And when it was nominated for an Academy Award, we wrote a letter to the prime minister of Pakistan, and we used the film to educate and inform the government about the impact of the lacuna in that law, and how it was being misused. The film played a role in closing that and changing the law, which ensured that men who killed women in the name of honor would go to prison.” Sharmeen Obaid-Chinoy is an Oscar and Emmy award-winning Canadian-Pakistani filmmaker whose work highlights extraordinary women and their stories. She earned her first Academy Award in 2012 for her documentary Saving Face, about the Pakistani women targeted by brutal acid attacks. Today, Obaid-Chinoy is the first female film director to have won two Oscars by the age of 37. In 2023, it was announced that Obaid-Chinoy will direct the next Star Wars film starring Daisy Ridley. Her most recent project, co-directed alongside Trish Dalton, is the new documentary Diane von Fürstenberg: Woman in Charge, about the trailblazing Belgian fashion designer who invented the wrap dress 50 years ago. The film had its world premiere as the opening night selection at the 2024 Tribeca Festival on June 5th and premiered on June 25th on Hulu in the U.S. and Disney+ internationally. A product of Obaid-Chinoy's incredibly talented female filmmaking team, Woman in Charge provides an intimate look into Diane von Fürstenberg’s life and accomplishments and chronicles the trajectory of her signature dress from an innovative fashion statement to a powerful symbol of feminism. www.hulu.com/movie/diane-von-furstenberg-woman-in-charge-95fb421e-b7b1-4bfc-9bbf-ea666dba0b02 https://www.disneyplus.com/movies/diane-von-furstenberg-woman-in-charge/1jrpX9AhsaJ6 https://socfilms.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
How can we free ourselves from fear and social barriers to live more fulfilling and meaningful lives? What does it take to overcome trauma and turn it into triumph, and failure into reinvention? How can we shine a light on the marginalized and misunderstood to create social change that transforms the lives of women? Sharmeen Obaid-Chinoy is an Oscar and Emmy award-winning Canadian-Pakistani filmmaker whose work highlights extraordinary women and their stories. She earned her first Academy Award in 2012 for her documentary Saving Face, about the Pakistani women targeted by brutal acid attacks. Today, Obaid-Chinoy is the first female film director to have won two Oscars by the age of 37. In 2023, it was announced that Obaid-Chinoy will direct the next Star Wars film starring Daisy Ridley. Her most recent project, co-directed alongside Trish Dalton, is the new documentary Diane von Fürstenberg: Woman in Charge, about the trailblazing Belgian fashion designer who invented the wrap dress 50 years ago. The film had its world premiere as the opening night selection at the 2024 Tribeca Festival on June 5th and premiered on June 25th on Hulu in the U.S. and Disney+ internationally. A product of Obaid-Chinoy's incredibly talented female filmmaking team, Woman in Charge provides an intimate look into Diane von Fürstenberg’s life and accomplishments and chronicles the trajectory of her signature dress from an innovative fashion statement to a powerful symbol of feminism. www.hulu.com/movie/diane-von-furstenberg-woman-in-charge-95fb421e-b7b1-4bfc-9bbf-ea666dba0b02 https://www.disneyplus.com/movies/diane-von-furstenberg-woman-in-charge/1jrpX9AhsaJ6 https://socfilms.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Does AI-generated Perfection Detach Us from Reality, Life & Human Connection? - Highlights - HENRY AJDER 12:09
“When I was producing that documentary with my producer at the BBC, I don't think I was expecting us to have accelerated so quickly into that future. The world has been quite synthetic for some time. I just don't think we've necessarily been aware of it, but whether it's computational photography in every single smartphone, even when you think you're taking a photo, no filter, there's still quite a lot of shaping of the reality that you're presented with at the end by these phones. Movie magic and entertainment, recommendation algorithms for your Facebook feed or Grammarly are all AI-powered. But we're now interfacing with AI in a much more intimate and personal way. When you were taking a photo or scrolling through your Twitter feed, AI was working behind the scenes, but you weren't necessarily aware of that. Whereas in the age of generative AI, we are becoming almost kind of synthetic conductors of the reality that we're creating. That could be via a large language model or through one of these companion based apps. We're starting to see some really powerful tools like Suno coming out which can generate AI-generated music. We are starting to see AI-generated content seep into areas of our lives, particularly around what we traditionally see as human-to-human communication or human creativity, that I think does fundamentally change the way that we kind of almost evaluate the value of human creative endeavors, but also the way that we think about interacting with each other in the digital world. How is that going to shape expectations of what normal messy human relationships look like? There's a huge swathe of gray. There's a big question of are we feeling uncomfortable about these use cases because they're new, they're unfamiliar? Or are we feeling uncomfortable because a deeper ethical intuition is being disturbed?” Henry Ajder is an advisor, speaker, and broadcaster working at the frontier of the generative AI and the synthetic media revolution. He advises organizations on the opportunities and challenges these technologies present, including Adobe, Meta, The European Commission, BBC, The Partnership on AI, and The House of Lords. Previously, Henry led Synthetic Futures, the first initiative dedicated to ethical generative AI and metaverse technologies, bringing together over 50 industry-leading organizations. Henry presented the BBC documentary series, The Future Will be Synthesised. www.henryajder.com www.bbc.co.uk/programmes/m0017cgr www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 How is AI Changing Our Perception of Reality, Creativity & Human Connection? w/ HENRY AJDER - AI Advisor 53:09
How is artificial intelligence redefining our perception of reality and truth? Can AI be creative? And how is it changing art and innovation? Does AI-generated perfection detach us from reality and genuine human connection? Henry Ajder is an advisor, speaker, and broadcaster working at the frontier of the generative AI and the synthetic media revolution. He advises organizations on the opportunities and challenges these technologies present, including Adobe, Meta, The European Commission, BBC, The Partnership on AI, and The House of Lords. Previously, Henry led Synthetic Futures, the first initiative dedicated to ethical generative AI and metaverse technologies, bringing together over 50 industry-leading organizations. Henry presented the BBC documentary series, The Future Will be Synthesised. “When I was producing that documentary with my producer at the BBC, I don't think I was expecting us to have accelerated so quickly into that future. The world has been quite synthetic for some time. I just don't think we've necessarily been aware of it, but whether it's computational photography in every single smartphone, even when you think you're taking a photo, no filter, there's still quite a lot of shaping of the reality that you're presented with at the end by these phones. Movie magic and entertainment, recommendation algorithms for your Facebook feed or Grammarly are all AI-powered. But we're now interfacing with AI in a much more intimate and personal way. When you were taking a photo or scrolling through your Twitter feed, AI was working behind the scenes, but you weren't necessarily aware of that. Whereas in the age of generative AI, we are becoming almost kind of synthetic conductors of the reality that we're creating. That could be via a large language model or through one of these companion based apps. We're starting to see some really powerful tools like Suno coming out which can generate AI-generated music. We are starting to see AI-generated content seep into areas of our lives, particularly around what we traditionally see as human-to-human communication or human creativity, that I think does fundamentally change the way that we kind of almost evaluate the value of human creative endeavors, but also the way that we think about interacting with each other in the digital world. How is that going to shape expectations of what normal messy human relationships look like? There's a huge swathe of gray. There's a big question of are we feeling uncomfortable about these use cases because they're new, they're unfamiliar? Or are we feeling uncomfortable because a deeper ethical intuition is being disturbed?” www.henryajder.com www.bbc.co.uk/programmes/m0017cgr www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
How can we show more kindness, respect, and love to the animals we share this planet with? What lessons can we learn from non-human animals about living in greater harmony with nature? Ingrid Newkirk is the Founder and President of PETA, actively leading the organization and advocating for animal rights. PETA is the largest animal rights organization in the world with more than 9 million members and supporters globally. Under her leadership, PETA has achieved significant victories, such as ending car-crash tests on animals, pushing major fashion brands to go fur-free, influencing Ringling Bros. to become an animal-free circus, and helping pass a law that allows the U.S. Food and Drug Administration to approve new medications without conducting cruel tests on animals. Ingrid has written 14 books and has been featured in major publications like The New Yorker and The Guardian, and was the subject of HBO's documentary I Am an Animal and was named one of Forbes’ “100 Most Powerful Women.” She joined One Planet Podcast to reflect on her 75 years as animal rights advocate. “They’re not human traits. They’re all shared traits because, of course, we all love. We all love our families, or not. We all grieve if somebody we love disappears or dies. A family dog, perhaps. A grandfather. We all feel loneliness, we all feel joy. We all really value our freedom. And so I think, if anything, looking into the eyes of the animal, even online, you see a person in there. There’s a someone in whatever the shape or the physical properties of that individual are. And that lesson is that I am you. You are me, only different. We are all the same in all the ways that count…Any living being teaches you– Look into my eyes. And there you are, the reflection of yourself. So we need to learn from the animals how to live more gently and consume less and be more thoughtful and look out for each other in this great circle of life. I think things do change because of agitation. So agitation is vital. I mean, nobody who is in a cause should be there to win a popularity contest, whether you're working for children or the elderly or working for peace animals, it's all against nonviolence, aggression, domination, and needless cruelty and suffering. It's all for respect. So you have to be vigorous. You have to use your voice. You can use it politely, but if people don't listen, at PETA, we escalate. So we always start off with a polite letter, a polite entreaty. We always try to, as I say, do the homework. So we have the options that we put out on the table to say, look, instead of doing this, you could do that, and we will help you transition to that.” www.peta.org www.ingridnewkirk.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 How to Fight for Truth & Protect Democracy in A Post-Truth World? - Highlights - LEE McINTYRE 12:11
“My dad fought in World War II in France, and my mom was an electrician building warships in the United States. They were both war workers very proud to be Americans and instilled in me from an early age that the wonderful thing about America is that anybody could be an American, that you didn't have to be born here, that you didn't have to be a particular ethnicity or speak a certain language or be a certain religion. The wonderful thing about America was that you just had to believe, and that meant it was open for everyone. I find great hope in that because despite all the horrible rhetoric about people seeking asylum and immigrants, I'm cheered by just the casual conversations I have with people who have just come to this country. Despite all of our flaws in the United States, I really believe we have great diversity, and that sustains me. I think deep down, some Americans have been poisoned into thinking immigrants are a threat, and I think that's wrong. And so in my work, I'm trying to fight that by fighting for the idea of truth. As a philosopher, I don't ever get burned out. I mean, what do philosophers believe in more strongly than the concept of truth?” Lee McIntyre is a Research Fellow at the Center for Philosophy and History of Science at Boston University and a Senior Advisor for Public Trust in Science at the Aspen Institute. He holds a B.A. from Wesleyan University and a Ph.D. in Philosophy from the University of Michigan. He has taught philosophy at Colgate University, Boston University, Tufts Experimental College, Simmons College, and Harvard Extension School (where he received the Dean’s Letter of Commendation for Distinguished Teaching). Formerly Executive Director of the Institute for Quantitative Social Science at Harvard University, he has also served as a policy advisor to the Executive Dean of the Faculty of Arts and Sciences at Harvard and as Associate Editor in the Research Department of the Federal Reserve Bank of Boston. His books include On Disinformation and How to Talk to a Science Denier and the novels The Art of Good and Evil and The Sin Eater. https://leemcintyrebooks.com www.penguinrandomhouse.com/books/730833/on-disinformation-by-lee-mcintyre https://mitpress.mit.edu/9780262545051/ https://leemcintyrebooks.com/books/the-art-of-good-and-evil/ https://leemcintyrebooks.com/books/the-sin-eater/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
How do we fight for truth and protect democracy in a post-truth world? How does bias affect our understanding of facts? Lee McIntyre is a Research Fellow at the Center for Philosophy and History of Science at Boston University and a Senior Advisor for Public Trust in Science at the Aspen Institute. He holds a B.A. from Wesleyan University and a Ph.D. in Philosophy from the University of Michigan. He has taught philosophy at Colgate University, Boston University, Tufts Experimental College, Simmons College, and Harvard Extension School (where he received the Dean’s Letter of Commendation for Distinguished Teaching). Formerly Executive Director of the Institute for Quantitative Social Science at Harvard University, he has also served as a policy advisor to the Executive Dean of the Faculty of Arts and Sciences at Harvard and as Associate Editor in the Research Department of the Federal Reserve Bank of Boston. His books include On Disinformation and How to Talk to a Science Denier and the novels The Art of Good and Evil and The Sin Eater. “My dad fought in World War II in France, and my mom was an electrician building warships in the United States. They were both war workers very proud to be Americans and instilled in me from an early age that the wonderful thing about America is that anybody could be an American, that you didn't have to be born here, that you didn't have to be a particular ethnicity or speak a certain language or be a certain religion. The wonderful thing about America was that you just had to believe, and that meant it was open for everyone. I find great hope in that because despite all the horrible rhetoric about people seeking asylum and immigrants, I'm cheered by just the casual conversations I have with people who have just come to this country. Despite all of our flaws in the United States, I really believe we have great diversity, and that sustains me. I think deep down, some Americans have been poisoned into thinking immigrants are a threat, and I think that's wrong. And so in my work, I'm trying to fight that by fighting for the idea of truth. As a philosopher, I don't ever get burned out. I mean, what do philosophers believe in more strongly than the concept of truth?” https://leemcintyrebooks.com www.penguinrandomhouse.com/books/730833/on-disinformation-by-lee-mcintyre https://mitpress.mit.edu/9780262545051/ https://leemcintyrebooks.com/books/the-art-of-good-and-evil/ https://leemcintyrebooks.com/books/the-sin-eater/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
“I think as there is more automation, there is more kind of emphasis on this question of our choice. The story of the development of things tends to be what do humans decide that they care about? In what direction do they want to go? What kind of art do they want to make? What kinds of things do they want to think about? There is in the computational universe of all possibilities, there is sort of infinite creativity. There's an infinite collection of possibilities, but it's something that's a matter of human choice, which of these infinite things do we actually choose to pursue? There's all these different possibilities out there. But our kind of challenge is to decide in which direction we want to go and then to let our automated systems pursue those particular directions.” Stephen Wolfram is a computer scientist, mathematician, and theoretical physicist. He is the founder and CEO of Wolfram Research, the creator of Mathematica, Wolfram|Alpha, and the Wolfram Language. He received his PhD in theoretical physics at Caltech by the age of 20 and in 1981, became the youngest recipient of a MacArthur Fellowship. Wolfram authored A New Kind of Science and launched the Wolfram Physics Project. He has pioneered computational thinking and has been responsible for many discoveries, inventions and innovations in science, technology and business. www.stephenwolfram.com www.wolfram.com www.wolframalpha.com www.wolframscience.com/nks/ www.amazon.com/dp/1579550088/ref=nosim?tag=turingmachi08-20 www.wolframphysics.org www.wolfram-media.com/products/what-is-chatgpt-doing-and-why-does-it-work/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
How can computational language help decode the mysteries of nature and the universe? What is ChatGPT doing and why does it work? How will AI affect education, the arts and society? Stephen Wolfram is a computer scientist, mathematician, and theoretical physicist. He is the founder and CEO of Wolfram Research, the creator of Mathematica, Wolfram|Alpha, and the Wolfram Language. He received his PhD in theoretical physics at Caltech by the age of 20 and in 1981, became the youngest recipient of a MacArthur Fellowship. Wolfram authored A New Kind of Science and launched the Wolfram Physics Project. He has pioneered computational thinking and has been responsible for many discoveries, inventions and innovations in science, technology and business. “I think as there is more automation, there is more kind of emphasis on this question of our choice. The story of the development of things tends to be what do humans decide that they care about? In what direction do they want to go? What kind of art do they want to make? What kinds of things do they want to think about? There is in the computational universe of all possibilities, there is sort of infinite creativity. There's an infinite collection of possibilities, but it's something that's a matter of human choice, which of these infinite things do we actually choose to pursue? There's all these different possibilities out there. But our kind of challenge is to decide in which direction we want to go and then to let our automated systems pursue those particular directions.” www.stephenwolfram.com www.wolfram.com www.wolframalpha.com www.wolframscience.com/nks/ www.amazon.com/dp/1579550088/ref=nosim?tag=turingmachi08-20 www.wolframphysics.org www.wolfram-media.com/products/what-is-chatgpt-doing-and-why-does-it-work/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Can we have real conversations with AI? How do illusions help us make sense of the world? - Highlights - KEITH FRANKISH 11:11
“There is magic everywhere. There's wonder everywhere. There's wondrous complexity that is so complex, so difficult to conceptualize, to grasp, to articulate that it might as well be magic for all intents and purposes, but we can gradually start to unpick how the tricks are done, how nature learned to do these wonderful tricks. And that's the wonder of science, gradually learning what's happening behind the scenes and how these marvelous effects are produced. I'm probably best known for my work on consciousness. My view about this is often caricatured, I think, as a kind of heartless, materialist one, because I'm resistant to all forms of dualism about the mind. I think that's a very unhelpful way of thinking. Some people think that I do that because I have a sort of crass materialist attitude to the world, that there's only things you can measure and weigh and bump into and everything else is just nonsense and fancy and different. What I like about the sort of view I have is that it represents us as fully part of the world, fully part of the same world. We're not sealed off into little private mental bubbles, Cartesian theaters, where all the real action is happening in here, not out there. No, I think we're much more engaged with the world… Another one of my heroes is Daniel Dennett's great friend, Nicholas Humphrey, who has a wonderfully rich range of experience. He's been described as a scientific humanist. What he does is he knows his science, including cognitive neuroscience and psychology, but he's also steeped in literature, art, music, and painting, and he brings all this together in his wonderful book on consciousness Soul Dust, published in 2011, suggests the idea that the soul is actually made of dust, which is a fantastic concept.” Keith Frankish is an Honorary Professor of Philosophy at the University of Sheffield, a Visiting Research Fellow with The Open University, and an Adjunct Professor with the Brain and Mind Programme in Neurosciences at the University of Crete. Frankish mainly works in the philosophy of mind and has published widely about topics such as human consciousness and cognition. Profoundly inspired by Daniel Dennett, Frankish is best known for defending an “illusionist” view of consciousness. He is also editor of Illusionism as a Theory of Consciousness and co-edits, in addition to others, The Cambridge Handbook of Cognitive Science. www.keithfrankish.com www.cambridge.org/core/books/cambridge-handbook-of-cognitive-science/F9996E61AF5E8C0B096EBFED57596B42 www.imprint.co.uk/product/illusionism www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
Is consciousness an illusion? Is it just a complex set of cognitive processes without a central, subjective experience? How can we better integrate philosophy with everyday life and the arts? Keith Frankish is an Honorary Professor of Philosophy at the University of Sheffield, a Visiting Research Fellow with The Open University, and an Adjunct Professor with the Brain and Mind Programme in Neurosciences at the University of Crete. Frankish mainly works in the philosophy of mind and has published widely about topics such as human consciousness and cognition. Profoundly inspired by Daniel Dennett, Frankish is best known for defending an “illusionist” view of consciousness. He is also editor of Illusionism as a Theory of Consciousness and co-edits, in addition to others, The Cambridge Handbook of Cognitive Science. “There is magic everywhere. There's wonder everywhere. There's wondrous complexity that is so complex, so difficult to conceptualize, to grasp, to articulate that it might as well be magic for all intents and purposes, but we can gradually start to unpick how the tricks are done, how nature learned to do these wonderful tricks. And that's the wonder of science, gradually learning what's happening behind the scenes and how these marvelous effects are produced. I'm probably best known for my work on consciousness. My view about this is often caricatured, I think, as a kind of heartless, materialist one, because I'm resistant to all forms of dualism about the mind. I think that's a very unhelpful way of thinking. Some people think that I do that because I have a sort of crass materialist attitude to the world, that there's only things you can measure and weigh and bump into and everything else is just nonsense and fancy and different. What I like about the sort of view I have is that it represents us as fully part of the world, fully part of the same world. We're not sealed off into little private mental bubbles, Cartesian theaters, where all the real action is happening in here, not out there. No, I think we're much more engaged with the world… Another one of my heroes is Daniel Dennett's great friend, Nicholas Humphrey, who has a wonderfully rich range of experience. He's been described as a scientific humanist. What he does is he knows his science, including cognitive neuroscience and psychology, but he's also steeped in literature, art, music, and painting, and he brings all this together in his wonderful book on consciousness Soul Dust, published in 2011, suggests the idea that the soul is actually made of dust, which is a fantastic concept.” www.keithfrankish.com www.cambridge.org/core/books/cambridge-handbook-of-cognitive-science/F9996E61AF5E8C0B096EBFED57596B42 www.imprint.co.uk/product/illusionism www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
“We and all living beings thrive by being actors in the planet’s regeneration, a civilizational goal that should commence and never cease. We practiced degeneration as a species and it brought us to the threshold of an unimaginable crisis. To reverse global warming, we need to reverse global degeneration.” Can we really end the climate crisis in one generation? What kind of bold collective action, technologies, and nature-based solutions would it take to do it? Paul Hawken is a renowned environmentalist, entrepreneur, author, and activist committed to sustainability and transforming the business-environment relationship. A leading voice in the environmental movement, he has founded successful eco-friendly businesses, authored influential works on commerce and ecology, and advised global leaders on economic and environmental policies. As the founder of Project Regeneration and Project Drawdown, Paul leads efforts to identify and model solutions to reverse global warming, showcasing actionable strategies. His pioneering work in corporate ecological reform continues to shape a sustainable future. He is the author of eight books, including Regeneration: Ending the Climate Crisis in One Generation. https://regeneration.org https://paulhawken.com https://drawdown.org https://regeneration.org/nexus www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
Can we really end the climate crisis in one generation? What kind of bold collective action, technologies, and nature-based solutions would it take to do it? Paul Hawken is a renowned environmentalist, entrepreneur, author, and activist committed to sustainability and transforming the business-environment relationship. A leading voice in the environmental movement, he has founded successful eco-friendly businesses, authored influential works on commerce and ecology, and advised global leaders on economic and environmental policies. As the founder of Project Regeneration and Project Drawdown, Paul leads efforts to identify and model solutions to reverse global warming, showcasing actionable strategies. His pioneering work in corporate ecological reform continues to shape a sustainable future. He is the author of eight books, including Regeneration: Ending the Climate Crisis in One Generation. “We and all living beings thrive by being actors in the planet’s regeneration, a civilizational goal that should commence and never cease. We practiced degeneration as a species and it brought us to the threshold of an unimaginable crisis. To reverse global warming, we need to reverse global degeneration.” https://regeneration.org https://paulhawken.com https://drawdown.org https://regeneration.org/nexus www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 How Will Our Cities, Communities & Country Cope with Climate Migration - Highlights - ABRAHM LUSTGARTEN 15:41
“What we do still really, really matters in terms of defining what the future looks like. I don't think that climate change in an apocalyptic sense is a foregone conclusion. Our efforts to change that trajectory to lower emissions will change how severe the impacts are in the future. So I really want people to understand that. And I really want my kids to understand that. I also trust that I want people to understand that we might be entering an era of unprecedented change and disruption. This is the life that we've got and I feel great sadness for the things that I know that we've lost, but younger people don't have that perspective, which in this particular context is maybe a relief, and all there is, is what's in front of them. And, there is an ample supply of natural beauty of rejuvenating resources and inspiring resources in our natural environment and in the people around us. I would just say, as we all settle into a less predictable future with all sorts of bumpy roads and rollercoaster rides, that we also stay focused on experiencing what's in the moment, in that beauty and in that community.” Abrahm Lustgarten is an investigative reporter, author, and filmmaker whose work focuses on human adaptation to climate change. His 2010 Frontline documentary The Spill, which investigated BP’s company culture, was nominated for an Emmy. His 2015 longform series Killing the Colorado, about the draining of the Colorado river, was nominated for a Pulitzer Prize. Lustgarten is a senior reporter at ProPublica, and contributes to publications like The New York Times Magazine and The Atlantic. His research on climate migration influenced President Biden’s creation of a climate migration study group. This is also the topic of his newly published book, On The Move: The Overheating Earth and the Uprooting of America in which he explores how climate change is uprooting American lives. https://abrahm.com https://us.macmillan.com/books/9780374171735/onthemove www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
An estimated one in two people will experience degrading environmental conditions this century and will be faced with the difficult question of whether to leave their homes. Will you be among those who migrate in response to climate change? If so, where will you go? Abrahm Lustgarten is an investigative reporter, author, and filmmaker whose work focuses on human adaptation to climate change. His 2010 Frontline documentary The Spill, which investigated BP’s company culture, was nominated for an Emmy. His 2015 longform series Killing the Colorado, about the draining of the Colorado river, was nominated for a Pulitzer Prize. Lustgarten is a senior reporter at ProPublica, and contributes to publications like The New York Times Magazine and The Atlantic. His research on climate migration influenced President Biden’s creation of a climate migration study group. This is also the topic of his newly published book, On The Move: The Overheating Earth and the Uprooting of America in which he explores how climate change is uprooting American lives. “What we do still really, really matters in terms of defining what the future looks like. I don't think that climate change in an apocalyptic sense is a foregone conclusion. Our efforts to change that trajectory to lower emissions will change how severe the impacts are in the future. So I really want people to understand that. And I really want my kids to understand that. I also trust that I want people to understand that we might be entering an era of unprecedented change and disruption. This is the life that we've got and I feel great sadness for the things that I know that we've lost, but younger people don't have that perspective, which in this particular context is maybe a relief, and all there is, is what's in front of them. And, there is an ample supply of natural beauty of rejuvenating resources and inspiring resources in our natural environment and in the people around us. I would just say, as we all settle into a less predictable future with all sorts of bumpy roads and rollercoaster rides, that we also stay focused on experiencing what's in the moment, in that beauty and in that community.” https://abrahm.com https://us.macmillan.com/books/9780374171735/onthemove www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
“So for me, it just kind of removing a lot of the shame and then a lot of the energy that I was wasting trying to fit myself into a neurotypical process or framework or way of thinking or being. So, you know, some people call that unmasking, just kind of removing. I was wasting a lot of energy, basically trying to be someone else and function in a different way. And then just beating myself up internally for not being able to do that. And throughout my healing journey, as I really realized, Oh, that's actually what's happening. Like there's not actually anything wrong with me being able to...That's why it's called Love Your Brain. It's not just, you know, tolerate your brain. Or, fine, you can work with this brain that you have. It's like, no, I genuinely love the weird experiences that my brain can give me and the incredibly rich, deep experience I have of the world. Like I experience nature so deeply and so intensely. I have really strong connections with animals. I have really great intuition, which I think is just from picking up all this sensory data and putting it together. All these experiences that I get to have, but I don't get to have those experiences if I'm just trying to make myself be something else, which I think is most people who are late diagnosed, I feel like that's their experience. It's just like I've been trying to be someone else for so long. It's exhausting. And then you don't have the energy then to be creative, the carving out the time, making the time to actually create.” Mattia Maurée is an interdisciplinary composer whose work centers around themes of perception, body, sensation, trauma, and resilience. Their scores for critically acclaimed films have been played in 13 countries. Their poems have been featured in Boston City Hall as part of the Mayor's Poetry Program, Guerrilla Opera, and Arc Poetry Magazine. Mattia composes and performs on violin, voice, and piano, and has taught music for over 20 years. They have received a Master's of Music in Composition at New England Conservatory and a Bachelor's of Music from St. Olaf College. They also are an AUDHD coach, host the AuDHD Flourishing podcast and help other neurodivergent folks heal and find their creative flow in their course Love Your Brain. http://mattiamauree.com https://studio.com/mattia https://mattiamauree.com/love-your-brain https://www.audhdflourishing.com/hello www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
How can we learn to flourish because of who we are, not in spite of it? What is the sensory experience of the world for people with autism and ADHD? How can music help heal trauma and foster identity? Mattia Maurée is an interdisciplinary composer whose work centers around themes of perception, body, sensation, trauma, and resilience. Their scores for critically acclaimed films have been played in 13 countries. Their poems have been featured in Boston City Hall as part of the Mayor's Poetry Program, Guerrilla Opera, and Arc Poetry Magazine. Mattia composes and performs on violin, voice, and piano, and has taught music for over 20 years. They have received a Master's of Music in Composition at New England Conservatory and a Bachelor's of Music from St. Olaf College. They also are an AUDHD coach, host the AuDHD Flourishing podcast and help other neurodivergent folks heal and find their creative flow in their course Love Your Brain. “So for me, it just kind of removing a lot of the shame and then a lot of the energy that I was wasting trying to fit myself into a neurotypical process or framework or way of thinking or being. So, you know, some people call that unmasking, just kind of removing. I was wasting a lot of energy, basically trying to be someone else and function in a different way. And then just beating myself up internally for not being able to do that. And throughout my healing journey, as I really realized, Oh, that's actually what's happening. Like there's not actually anything wrong with me being able to...That's why it's called Love Your Brain. It's not just, you know, tolerate your brain. Or, fine, you can work with this brain that you have. It's like, no, I genuinely love the weird experiences that my brain can give me and the incredibly rich, deep experience I have of the world. Like I experience nature so deeply and so intensely. I have really strong connections with animals. I have really great intuition, which I think is just from picking up all this sensory data and putting it together. All these experiences that I get to have, but I don't get to have those experiences if I'm just trying to make myself be something else, which I think is most people who are late diagnosed, I feel like that's their experience. It's just like I've been trying to be someone else for so long. It's exhausting. And then you don't have the energy then to be creative, the carving out the time, making the time to actually create.” http://mattiamauree.com https://studio.com/mattia https://mattiamauree.com/love-your-brain https://www.audhdflourishing.com/hello www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Apocalyptic Optimism: How We Can We Save Ourselves from the Climate Crisis? - Highlights - DANA FISHER 14:44
“There's been some interesting research recently about the fact that we don't really know how many people are losing lives because of extreme heat, right? Extreme events are climate change-exacerbated events, which I call climate shocks in the book. We haven't been counting that. I think we will start counting it and we'll get a better sense of the trends, but there's no doubt that the numbers are going up, even though we aren't sure about the exact numbers globally. We need a lot more people pushing back against power, particularly given the way that fossil fuel interests are continuing to push greenwash to try to continue to affect decision-making. The Trump administration is trying very hard to attract funds from oil companies with the promise that all regulations will be gone. And fossil fuel interests are supporting elected officials and pushing for decision-making that reflects their interests, which is not in the interest of the planet and certainly not in the interest of the general public. I know at the most recent COP, OPEC had its own pavilion. You would have never seen that back in the 1990s, but nowadays, they are trying to present themselves as a pathway towards the other side of the climate crisis, which is just absolutely not true.” Dana R. Fisher is the Director of the Center for Environment, Community, & Equity and Professor in the School of International Service at American University. Fisher’s research focuses on questions related to democracy, civic engagement, activism, and climate politics. Current projects include studying political elites’ responses to climate change, and the ways federal service corps programs in the US are integrating climate into their work. She is a self-described climate-apocalyptic optimist and co-developed the framework of AnthroShift to explain how social actors are reconfigured in the aftermath of widespread perceptions and experiences of risk. Her seventh book is Saving Ourselves: From Climate Shocks to Climate Action. https://danarfisher.com https://cece.american.edu www.acc.gov www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
How can we make the radical social changes needed to address the climate crisis? What kind of large ecological disaster or mass mobilization in the streets needs to take place before we take meaningful climate action? Dana R. Fisher is the Director of the Center for Environment, Community, & Equity and Professor in the School of International Service at American University. Fisher’s research focuses on questions related to democracy, civic engagement, activism, and climate politics. Current projects include studying political elites’ responses to climate change, and the ways federal service corps programs in the US are integrating climate into their work. She is a self-described climate-apocalyptic optimist and co-developed the framework of AnthroShift to explain how social actors are reconfigured in the aftermath of widespread perceptions and experiences of risk. Her seventh book is Saving Ourselves: From Climate Shocks to Climate Action. “There's been some interesting research recently about the fact that we don't really know how many people are losing lives because of extreme heat, right? Extreme events are climate change-exacerbated events, which I call climate shocks in the book. We haven't been counting that. I think we will start counting it and we'll get a better sense of the trends, but there's no doubt that the numbers are going up, even though we aren't sure about the exact numbers globally. We need a lot more people pushing back against power, particularly given the way that fossil fuel interests are continuing to push greenwash to try to continue to affect decision-making. The Trump administration is trying very hard to attract funds from oil companies with the promise that all regulations will be gone. And fossil fuel interests are supporting elected officials and pushing for decision-making that reflects their interests, which is not in the interest of the planet and certainly not in the interest of the general public. I know at the most recent COP, OPEC had its own pavilion. You would have never seen that back in the 1990s, but nowadays, they are trying to present themselves as a pathway towards the other side of the climate crisis, which is just absolutely not true.” https://danarfisher.com https://cece.american.edu www.acc.gov www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Credit Sarah Fillman from FillmanFoto, 2023…
1 Working to Restore: Harnessing the Power of Business to Heal the Earth - Highlights - ESHA CHHABRA 14:26
“There’s a lot of greenwashing that's going on these days. It is great marketing. And that was really the reason why I wrote this book. I had started to see the patterns. You can start to tell them the companies that are genuinely doing it versus the companies that are just talking about it. So that was one indicator, you know, a company that would send out a press release about their goals and what they anticipated to do in the next 5 to 10 years was very different from companies who had said, you know what, this is what we've achieved. Regenerative started coming into the lexicon, the term in 2017, 2018. And regenerative means to regenerate, means to bring life into something. To sustain means to keep the status quo. And regenerative looks at things from a very holistic lens. You know, it's like if you're going to run a regenerative farm, it's all the different components of the farm and the ecosystem ideally come within the ecosystem.” Esha Chhabra has written for national and international publications over the last 15 years, focusing on global development, the environment, and the intersection of business and impact. Her work has been featured in The New York Times, The Economist, The Guardian, and other publications. She is the author of Working to Restore: Harnessing the Power of Business to Heal the Earth. www.eshachhabra.com www.beacon.org/Working-to-Restore-P2081.aspx www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
What is regenerative business? How can we create a business mindset that addresses social, economic and environmental issues? Esha Chhabra has written for national and international publications over the last 15 years, focusing on global development, the environment, and the intersection of business and impact. Her work has been featured in The New York Times, The Economist, The Guardian, and other publications. She is the author of Working to Restore: Harnessing the Power of Business to Heal the Earth. “There’s a lot of greenwashing that's going on these days. It is great marketing. And that was really the reason why I wrote this book. I had started to see the patterns. You can start to tell them the companies that are genuinely doing it versus the companies that are just talking about it. So that was one indicator, you know, a company that would send out a press release about their goals and what they anticipated to do in the next 5 to 10 years was very different from companies who had said, you know what, this is what we've achieved. Regenerative started coming into the lexicon, the term in 2017, 2018. And regenerative means to regenerate, means to bring life into something. To sustain means to keep the status quo. And regenerative looks at things from a very holistic lens. You know, it's like if you're going to run a regenerative farm, it's all the different components of the farm and the ecosystem ideally come within the ecosystem.” www.eshachhabra.com www.beacon.org/Working-to-Restore-P2081.aspx www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
“One very interesting question is what might we learn from recent developments in AI about how humans learn and process language. The full story is a little bit more complicated because, of course, humans don't learn from the same kind of data as language models. Language models learn from this internet-scraped data that includes New York Times articles, blog posts, thousands of books, a bunch of programming code, and so on. That's very different from the kind of linguistic input that children learn from, which is child-directed speech from parents and relatives that’s much simpler linguistically. That said, there is a lot of interesting research trying to train smaller language models on data that is similar to the kind of input that a child might receive when they are learning language. You can, for example, strap a head mounted camera on a young child's head for a few hours every day and record whatever auditory information the child has access to, which would include any language spoken around or directed at the child. You can then transcribe that, and use that data set to train a language model on the child-directed speech that a real human would have received during their development. So some artificial models are learning from child-directed speech, and that might eventually go some way towards advancing debates about what scientists and philosophers call “nativism versus empiricism” with respect to language acquisition—the nature/nurture debate: Are we born with a universal innate grammar that enables us to learn the rules of language, as linguists like Noam Chomsky have argued, or can we learn language and its grammatical rules just from raw data, just from hearing and being exposed to language as children?If these language models that are trained from this kind of realistic datasets of child-directed speech manage to learn grammar, to learn how to use language in the way children do, then that might put some pressure on the nativist claim that there is this innate component to language learning that is part of our DNA, as opposed to just learning from exposure to language itself.” Dr. Raphaël Millière is Assistant Professor in Philosophy of AI at Macquarie University in Sydney, Australia. His research primarily explores the theoretical foundations and inner workings of AI systems based on deep learning, such as large language models. He investigates whether these systems can exhibit human-like cognitive capacities, drawing on theories and methods from cognitive science. He is also interested in how insights from studying AI might shed new light on human cognition. Ultimately, his work aims to advance our understanding of both artificial and natural intelligence. https://raphaelmilliere.com https://researchers.mq.edu.au/en/persons/raphael-milliere www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 How can we ensure that AI is aligned with human values? - RAPHAËL MILLIÈRE 1:01:14
1:01:14 Riproduci in seguito Riproduci in seguito Liste Like Like aggiunto1:01:14
Riproduci in seguito Riproduci in seguito Liste Like Like aggiuntoHow can we ensure that AI is aligned with human values? What can AI teach us about human cognition and creativity? Dr. Raphaël Millière is Assistant Professor in Philosophy of AI at Macquarie University in Sydney, Australia. His research primarily explores the theoretical foundations and inner workings of AI systems based on deep learning, such as large language models. He investigates whether these systems can exhibit human-like cognitive capacities, drawing on theories and methods from cognitive science. He is also interested in how insights from studying AI might shed new light on human cognition. Ultimately, his work aims to advance our understanding of both artificial and natural intelligence. “One very interesting question is what might we learn from recent developments in AI about how humans learn and process language. The full story is a little bit more complicated because, of course, humans don't learn from the same kind of data as language models. Language models learn from this internet-scraped data that includes New York Times articles, blog posts, thousands of books, a bunch of programming code, and so on. That's very different from the kind of linguistic input that children learn from, which is child-directed speech from parents and relatives that’s much simpler linguistically. That said, there is a lot of interesting research trying to train smaller language models on data that is similar to the kind of input that a child might receive when they are learning language. You can, for example, strap a head mounted camera on a young child's head for a few hours every day and record whatever auditory information the child has access to, which would include any language spoken around or directed at the child. You can then transcribe that, and use that data set to train a language model on the child-directed speech that a real human would have received during their development. So some artificial models are learning from child-directed speech, and that might eventually go some way towards advancing debates about what scientists and philosophers call “nativism versus empiricism” with respect to language acquisition—the nature/nurture debate: Are we born with a universal innate grammar that enables us to learn the rules of language, as linguists like Noam Chomsky have argued, or can we learn language and its grammatical rules just from raw data, just from hearing and being exposed to language as children?If these language models that are trained from this kind of realistic datasets of child-directed speech manage to learn grammar, to learn how to use language in the way children do, then that might put some pressure on the nativist claim that there is this innate component to language learning that is part of our DNA, as opposed to just learning from exposure to language itself.” https://raphaelmilliere.com https://researchers.mq.edu.au/en/persons/raphael-milliere www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Is understanding AI a bigger question than understanding the origin of the universe? - Highlights, NEIL JOHNSON 15:38
“It gets back to this core question. I just wish I was a young scientist going into this because that's the question to answer: Why AI comes out with what it does. That's the burning question. It's like it's bigger than the origin of the universe to me as a scientist, and here's the reason why. The origin of the universe, it happened. That's why we're here. It's almost like a historical question asking why it happened. The AI future is not a historical question. It's a now and future question. I'm a huge optimist for AI, actually. I see it as part of that process of climbing its own mountain. It could do wonders for so many areas of science, medicine. When the car came out, the car initially is a disaster. But you fast forward, and it was the key to so many advances in society. I think it's exactly the same as AI. The big challenge is to understand why it works. AI existed for years, but it was useless. Nothing useful, nothing useful, nothing useful. And then maybe last year or something, now it's really useful. There seemed to be some kind of jump in its ability, almost like a shock wave. We're trying to develop an understanding of how AI operates in terms of these shockwave jumps. Revealing how AI works will help society understand what it can and can't do and therefore remove some of this dark fear of being taken over. If you don't understand how AI works, how can you govern it? To get effective governance, you need to understand how AI works because otherwise you don't know what you're going to regulate.” How can physics help solve messy, real world problems? How can we embrace the possibilities of AI while limiting existential risk and abuse by bad actors? Neil Johnson is a physics professor at George Washington University. His new initiative in Complexity and Data Science at the Dynamic Online Networks Lab combines cross-disciplinary fundamental research with data science to attack complex real-world problems. His research interests lie in the broad area of Complex Systems and ‘many-body’ out-of-equilibrium systems of collections of objects, ranging from crowds of particles to crowds of people and from environments as distinct as quantum information processing in nanostructures to the online world of collective behavior on social media. https://physics.columbian.gwu.edu/neil-johnson https://donlab.columbian.gwu.edu www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 How can physics help solve real world problems? - NEIL JOHNSON, Head of Dynamic Online Networks Lab 50:41
How can physics help solve messy, real world problems? How can we embrace the possibilities of AI while limiting existential risk and abuse by bad actors? Neil Johnson is a physics professor at George Washington University. His new initiative in Complexity and Data Science at the Dynamic Online Networks Lab combines cross-disciplinary fundamental research with data science to attack complex real-world problems. His research interests lie in the broad area of Complex Systems and ‘many-body’ out-of-equilibrium systems of collections of objects, ranging from crowds of particles to crowds of people and from environments as distinct as quantum information processing in nanostructures to the online world of collective behavior on social media. “It gets back to this core question. I just wish I was a young scientist going into this because that's the question to answer: Why AI comes out with what it does. That's the burning question. It's like it's bigger than the origin of the universe to me as a scientist, and here's the reason why. The origin of the universe, it happened. That's why we're here. It's almost like a historical question asking why it happened. The AI future is not a historical question. It's a now and future question. I'm a huge optimist for AI, actually. I see it as part of that process of climbing its own mountain. It could do wonders for so many areas of science, medicine. When the car came out, the car initially is a disaster. But you fast forward, and it was the key to so many advances in society. I think it's exactly the same as AI. The big challenge is to understand why it works. AI existed for years, but it was useless. Nothing useful, nothing useful, nothing useful. And then maybe last year or something, now it's really useful. There seemed to be some kind of jump in its ability, almost like a shock wave. We're trying to develop an understanding of how AI operates in terms of these shockwave jumps. Revealing how AI works will help society understand what it can and can't do and therefore remove some of this dark fear of being taken over. If you don't understand how AI works, how can you govern it? To get effective governance, you need to understand how AI works because otherwise you don't know what you're going to regulate.” https://physics.columbian.gwu.edu/neil-johnson https://donlab.columbian.gwu.edu www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
“We actually do need these animals on the landscape, and we're going to protect them and restore them and help their populations increase. And so, to me, beavers are proof that what we're doing as conservationists is not futile, right? That there really is reason for hope and optimism, which beavers demonstrate. I think that's a really important lesson for young people to hear is that you're not just entering this world of eco-anxiety and climate change and depression. There are some really hopeful wildlife stories out there, and you can be part of that future.” Ben Goldfarb is a conservation journalist. He is the author of Crossings: How Road Ecology Is Shaping The Future of Our Planet, named one of the best books of 2023 by the New York Times, and Eager: The Surprising, Secret Life of Beavers and Why They Matter, winner of the 2019 PEN/E.O. Wilson Literary Science Writing Award. www.bengoldfarb.com https://wwnorton.com/books/9781324005896 www.chelseagreen.com/product/eager-paperback www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
Every year, humanity's footprint casts a deadly shadow over our skies and landscapes, claiming the lives of billions of birds and other wildlife. What is road ecology? How are our roads driving certain species towards extinction? And what can we do about it? Ben Goldfarb is a conservation journalist. He is the author of Crossings: How Road Ecology Is Shaping The Future of Our Planet, named one of the best books of 2023 by the New York Times, and Eager: The Surprising, Secret Life of Beavers and Why They Matter, winner of the 2019 PEN/E.O. Wilson Literary Science Writing Award. “We actually do need these animals on the landscape, and we're going to protect them and restore them and help their populations increase. And so, to me, beavers are proof that what we're doing as conservationists is not futile, right? That there really is reason for hope and optimism, which beavers demonstrate. I think that's a really important lesson for young people to hear is that you're not just entering this world of eco-anxiety and climate change and depression. There are some really hopeful wildlife stories out there, and you can be part of that future.” www.bengoldfarb.com https://wwnorton.com/books/9781324005896 www.chelseagreen.com/product/eager-paperback www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
“The Greek Enlightenment introduced the idea of centrality and the priority of rationality in understanding ourselves and our relation to the world. Heidegger wants to move us away from what he thinks has culminated in a kind of dead end. We appear in this world without any instruction manual, we have these finite, corporeal lives that begin in ways- we have no control over and end in ways we often have no control over. The classical conception was that the cosmos was good, because it was open to human interrogation. It allowed itself to be interrogated, so the thing that mattered most of all was knowing, because knowing was the way in which we became at home in the world. Heidegger thought we had prioritized the question of knowledge to such a degree as the primordial relationship to all of reality. He connected this to the kind of predatory stance of contemporary technology, which is essentially destroying the world because it considers the world as just material stuff, which we can understand and manipulate for our own ends. He thinks there's a huge influence in the original understanding of being as intelligibility that eventually has cut us off from all sources of meaning in a possible life other than this successful control of the environment for our own satisfaction.” What is the importance of philosophy in the 21st century as we enter a post-truth world? How can we reintroduce meaning and uphold moral principles in our world shaken by crises? And what does philosophy teach us about living in harmony with the natural world? Robert Pippin is the Evelyn Stefansson Nef Distinguished Service Professor at the University of Chicago where he teaches in the College, Committee on Social Thought, and Department of Philosophy. Pippin is widely acclaimed for his scholarship in German idealism as well as later German philosophy, including publications such as Modernism as a Philosophical Problem, and Hegel’s Idealism. In keeping with his interdisciplinary interests, Pippin’s book Henry James and Modern Moral Life explores the intersections between philosophy and literature. Pippin’s most recent published book is The Culmination: Heidegger, German Idealism, and the Fate of Philosophy. https://socialsciences.uchicago.edu/directory/Robert-Pippin https://press.uchicago.edu/ucp/books/book/chicago/C/bo208042246.html www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
What is the importance of philosophy in the 21st century as we enter a post-truth world? How can we reintroduce meaning and uphold moral principles in our world shaken by crises? And what does philosophy teach us about living in harmony with the natural world? Robert Pippin is the Evelyn Stefansson Nef Distinguished Service Professor at the University of Chicago where he teaches in the College, Committee on Social Thought, and Department of Philosophy. Pippin is widely acclaimed for his scholarship in German idealism as well as later German philosophy, including publications such as Modernism as a Philosophical Problem, and Hegel’s Idealism. In keeping with his interdisciplinary interests, Pippin’s book Henry James and Modern Moral Life explores the intersections between philosophy and literature. Pippin’s most recent published book is The Culmination: Heidegger, German Idealism, and the Fate of Philosophy. “The Greek Enlightenment introduced the idea of centrality and the priority of rationality in understanding ourselves and our relation to the world. Heidegger wants to move us away from what he thinks has culminated in a kind of dead end. We appear in this world without any instruction manual, we have these finite, corporeal lives that begin in ways- we have no control over and end in ways we often have no control over. The classical conception was that the cosmos was good, because it was open to human interrogation. It allowed itself to be interrogated, so the thing that mattered most of all was knowing, because knowing was the way in which we became at home in the world. Heidegger thought we had prioritized the question of knowledge to such a degree as the primordial relationship to all of reality. He connected this to the kind of predatory stance of contemporary technology, which is essentially destroying the world because it considers the world as just material stuff, which we can understand and manipulate for our own ends. He thinks there's a huge influence in the original understanding of being as intelligibility that eventually has cut us off from all sources of meaning in a possible life other than this successful control of the environment for our own satisfaction.” https://socialsciences.uchicago.edu/directory/Robert-Pippin https://press.uchicago.edu/ucp/books/book/chicago/C/bo208042246.html www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
“We've got four billion years of biological accidents that created all of the intricate aspects of everything about life, including consciousness. And it's about what's going on in each of those cells at the time that allows it to be connected to everything else and for the information to be understood as it's being exchanged between those things with their multifaceted, deep, complex processing.” Joseph LeDoux is a Professor of Neural Science at New York University at NYU and was Director of the Emotional Brain Institute. His research primarily focuses on survival circuits, including their impacts on emotions, such as fear and anxiety. He has written a number of books in this field, including The Four Realms of Existence: A New Theory of Being Human, The Emotional Brain, Synaptic Self, Anxious, and The Deep History of Ourselves. LeDoux is also the lead singer and songwriter of the band The Amygdaloids. www.joseph-ledoux.com www.cns.nyu.edu/ebi https://amygdaloids.net www.hup.harvard.edu/books/9780674261259 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 How does the brain process emotions and music? JOSEPH LEDOUX - Neuroscientist, Author, Musician 1:00:41
1:00:41 Riproduci in seguito Riproduci in seguito Liste Like Like aggiunto1:00:41
Riproduci in seguito Riproduci in seguito Liste Like Like aggiuntoHow does the brain process emotions? How are emotional memories formed and stored in the brain, and how do they influence behavior, perception, and decision-making? How does music help us understand our emotions, memories, and the nature of consciousness? Joseph LeDoux is a Professor of Neural Science at New York University at NYU and was Director of the Emotional Brain Institute. His research primarily focuses on survival circuits, including their impacts on emotions, such as fear and anxiety. He has written a number of books in this field, including The Four Realms of Existence: A New Theory of Being Human, The Emotional Brain, Synaptic Self, Anxious, and The Deep History of Ourselves. LeDoux is also the lead singer and songwriter of the band The Amygdaloids. “We've got four billion years of biological accidents that created all of the intricate aspects of everything about life, including consciousness. And it's about what's going on in each of those cells at the time that allows it to be connected to everything else and for the information to be understood as it's being exchanged between those things with their multifaceted, deep, complex processing.” www.joseph-ledoux.com www.cns.nyu.edu/ebi https://amygdaloids.net www.hup.harvard.edu/books/9780674261259 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Music courtesy of Joseph LeDoux…
It is said that people never die until the last person says their name. In memory of the writer and director Paul Auster, who passed away this week, we're sharing this conversation we had back in 2017 after the publication of his novel 4 3 2 1. Auster reflects on his body of work, life, and creative process. Paul Auster was the bestselling author of Winter Journal, Sunset Park, Invisible, The Book of Illusions, and The New York Trilogy , among many other works. He has been awarded the Prince of Asturias Award for Literature, the Prix Médicis étranger, an Independent Spirit Award, and the Premio Napoli. He is a member of the American Academy of Arts and Letters, the American Academy of Arts and Sciences, and is a Commandeur de l'Ordre des Arts et des Lettres. He has also penned several screenplays for films such as Smoke (1995), as well as Lulu on the Bridge (1998) and The Inner Life of Martin Frost (2007), which he also directed. “But what happens is a space is created. And maybe it’s the only space of its kind in the world in which two absolute strangers can meet each other on terms of absolute intimacy. I think this is what is at the heart of the experience and why once you become a reader that you want to repeat that experience, that very deep total communication with that invisible stranger who has written the book that you’re holding in your hands. And that’s why I think, in spite of everything, novels are not going to stop being written, no matter what the circumstances. We need stories. We’re all human beings, and it’s stories from the moment we’re able to talk.” We apologize for the quality of the recording since it was not originally meant to be aired as a podcast. Portrait of Paul Auster by Mia Funk, inspired by his novel 4 3 2 1. www.penguinrandomhouse.com/authors/1045/paul-auster www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
“If you look at meditation, and you strip away the belief system, you find that essentially every meditation is attention training. It might be bringing your mind back to a mantra; some sound, or to your breath, or to a particular attentional stance. I like mindfulness of breathing, where you pay full attention to your in-breath, and to your out-breath, and then the next breath, the in-breath, and the out-breath. At some point, your mind is going to wander off. That's the way our minds are wired. But here's the key: When you notice your mind has wandered and you bring it back to the point of focus—to the next breath, for example—that's the moment of mindfulness. Attention training of this kind is really a beautiful avenue into the optimal state, where you're fully focused on what you're doing. And in this state, which is one of high creativity, people experience themselves as part of a web of connection. The connection may be to the artists who have gone before you, whose work you imbibe and build on, or the writers whose thoughts you're building on, or the people who are doing this with you, in whatever context that might be. Thich Nhat Hanh calls this interbeing; being fully connected and interdependent. I remember a dialogue from years ago, in the 80s, with the Dalai Lama and a group of psychologists, where he said: In my languages, Tibetan and Sanskrit, the word for compassion implies for yourself as well as for others. In English, it only focuses on others. He said, you need a new word in the English language—self compassion. Today, there's a rather robust field of research on that, but the Dalai Lama saw that gap way before, because he realized that our view of compassion didn't include first taking care of ourselves.” Daniel Goleman is an American psychologist, author, and science journalist. Before becoming an author, Goleman was a science reporter for the New York Times for 12 years, covering psychology and the human brain. In 1995, Goleman published Emotional Intelligence, a New York Times bestseller. In his newly published book Optimal, Daniel Goleman discusses how people can enter an optimal state of high performance without facing symptoms of burnout in the workplace. www.danielgoleman.info www.harpercollins.com/products/optimal-daniel-golemancary-cherniss?variant=41046795288610 www.penguinrandomhouse.com/books/69105/emotional-intelligence-by-daniel-goleman/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
How can we enhance our emotional intelligence and avoid burnout in a changing world? How can we regain focus and perform in an optimal state? What do we mean by ecological intelligence? Daniel Goleman is an American psychologist, author, and science journalist. Before becoming an author, Goleman was a science reporter for the New York Times for 12 years, covering psychology and the human brain. In 1995, Goleman published Emotional Intelligence, a New York Times bestseller. In his newly published book Optimal, Daniel Goleman discusses how people can enter an optimal state of high performance without facing symptoms of burnout in the workplace. “If you look at meditation, and you strip away the belief system, you find that essentially every meditation is attention training. It might be bringing your mind back to a mantra; some sound, or to your breath, or to a particular attentional stance. I like mindfulness of breathing, where you pay full attention to your in-breath, and to your out-breath, and then the next breath, the in-breath, and the out-breath. At some point, your mind is going to wander off. That's the way our minds are wired. But here's the key: When you notice your mind has wandered and you bring it back to the point of focus—to the next breath, for example—that's the moment of mindfulness. Attention training of this kind is really a beautiful avenue into the optimal state, where you're fully focused on what you're doing. And in this state, which is one of high creativity, people experience themselves as part of a web of connection. The connection may be to the artists who have gone before you, whose work you imbibe and build on, or the writers whose thoughts you're building on, or the people who are doing this with you, in whatever context that might be. Thich Nhat Hanh calls this interbeing; being fully connected and interdependent. I remember a dialogue from years ago, in the 80s, with the Dalai Lama and a group of psychologists, where he said: In my languages, Tibetan and Sanskrit, the word for compassion implies for yourself as well as for others. In English, it only focuses on others. He said, you need a new word in the English language—self compassion. Today, there's a rather robust field of research on that, but the Dalai Lama saw that gap way before, because he realized that our view of compassion didn't include first taking care of ourselves.” www.danielgoleman.info www.harpercollins.com/products/optimal-daniel-golemancary-cherniss?variant=41046795288610 www.penguinrandomhouse.com/books/69105/emotional-intelligence-by-daniel-goleman/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
“It's important to imagine, to keep imagining, a world that is free from colonialism, from oppression, from exploitation, also expropriation of nature. And unfortunately this world is not sustainable—we are not living in that kind of world today. But if we want to see the world for our next generation for the future, we need to pass the torch and ask them to imagine, and then perhaps that way the struggle will continue.” Intan Paramaditha is a writer and an academic. Her novel The Wandering (Harvill Secker/ Penguin Random House UK), translated from the Indonesian language by Stephen J. Epstein, was nominated for the Stella Prize in Australia and awarded the Tempo Best Literary Fiction in Indonesia, English PEN Translates Award, and PEN/ Heim Translation Fund Grant from PEN America. She is the author of the short story collection Apple and Knife, the editor of Deviant Disciples: Indonesian Women Poets, part of the Translating Feminisms series of Tilted Axis Press and the co-editor of The Routledge Companion to Asian Cinemas (forthcoming 2024). Her essay, “On the Complicated Questions Around Writing About Travel,” was selected for The Best American Travel Writing 2021. She holds a Ph.D. from New York University and teaches media and film studies at Macquarie University, Sydney. https://intanparamaditha.com www.penguinrandomhouse.ca/books/626055/the-wandering-by-intan-paramaditha/9781787301184 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
How are writing and travel vehicles for understanding? How can we expand the literary canon to include other voices, other cultures, other experiences of the world? Intan Paramaditha is a writer and an academic. Her novel The Wandering (Harvill Secker/ Penguin Random House UK), translated from the Indonesian language by Stephen J. Epstein, was nominated for the Stella Prize in Australia and awarded the Tempo Best Literary Fiction in Indonesia, English PEN Translates Award, and PEN/ Heim Translation Fund Grant from PEN America. She is the author of the short story collection Apple and Knife, the editor of Deviant Disciples: Indonesian Women Poets, part of the Translating Feminisms series of Tilted Axis Press and the co-editor of The Routledge Companion to Asian Cinemas (forthcoming 2024). Her essay, “On the Complicated Questions Around Writing About Travel,” was selected for The Best American Travel Writing 2021. She holds a Ph.D. from New York University and teaches media and film studies at Macquarie University, Sydney. “It's important to imagine, to keep imagining, a world that is free from colonialism, from oppression, from exploitation, also expropriation of nature. And unfortunately this world is not sustainable—we are not living in that kind of world today. But if we want to see the world for our next generation for the future, we need to pass the torch and ask them to imagine, and then perhaps that way the struggle will continue.” https://intanparamaditha.com www.penguinrandomhouse.ca/books/626055/the-wandering-by-intan-paramaditha/9781787301184 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
Environmentalists, writers, artists, activists, and public policy makers explore the interconnectedness of living beings and ecosystems. They highlight the importance of conservation, promote climate education, advocate for sustainable development, and underscore the vital role of creative and educational communities in driving positive change. 00:00 "The Conditional" by U.S. Poet Laureate Ada Limón 01:27 The Secret Language of Animals: Ingrid Newkirk, President of PETA 03:03 A Love Letter to the Living World: Carl Safina, Ecologist & Author 04:11 Exploring the Mysteries of Soil and Coral Reefs: Merlin Sheldrake, Biologist, Author of Entangled Life 04:47 Exploring Coral Reefs: Richard Vevers, Founder of The Ocean Agency 05:56 The Importance of Climate Education: Kathleen Rogers, President of EarthDay.org 07:02 The Timeless Wisdom of Turtles: Sy Montomery, Naturalist & Author 07:38 Optimism in the Face of Environmental Challenges: Richard Vevers 08:32 Urban Solutions for a Sustainable Future: Paula Pinho, Director, Just Transition, Consumers, Energy Efficiency & Innovation, European Commission 08:57 The Circular Economy: Walter Stahel, Founder & Director of the Product-Life Institute 09:39 The Power of Speaking Out for Sustainability: Paula Pinho 10:16 Empowering the Next Generation Through Education: Jeffrey Sachs, President of the UN Sustainable Development Solutions Network www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast www.maxrichtermusic.com https://studiorichtermahr.com Max Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep. Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.…
“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.” How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness. Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26. In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st. https://maxcooper.net https://osterfestspiele.at/en/programme/2024/electro-2024 https://meshmeshmesh.net www.kingscross.co.uk/event/the-observatory The music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper. www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 What can music teach us that science can’t? - MAX COOPER - Musician, Fmr. Computational Biologist 50:10
How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness. Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26. In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st. “As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.” https://maxcooper.net https://osterfestspiele.at/en/programme/2024/electro-2024 https://meshmeshmesh.net www.kingscross.co.uk/event/the-observatory The music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper. www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 How does a changing climate affect our minds, brains & bodies? - Highlights - CLAYTON ALDERN 13:28
"Our brain is the organ from which our rich experience of the world arises. Brains are responsible for love, for sadness, and these profound experiences are those in which I sought to investigate." Clayton Page Aldern is an award winning neuroscientist turned environmental journalist whose work has appeared in The Atlantic, The Guardian, The Economist, and Grist, where he is a senior data reporter. A Rhodes Scholar, he holds a Master's in Neuroscience and a Master's in Public Policy from the University of Oxford. He is also a research affiliate at the Center for Studies in Demography and Ecology at the University of Washington. He is the author of The Weight of Nature: How a Changing Climate Changes Our Minds, Brains, and Bodies, which explores the neurobiological impacts of rapid environmental change. https://claytonaldern.com www.penguinrandomhouse.com/books/717097/the-weight-of-nature-by-clayton-page-aldern https://csde.washington.edu www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 How climate change is making us sick, angry & anxious - CLAYTON ALDERN - Neuroscientist turned Eco-Journalist 53:01
How does a changing climate affect our minds, brains and bodies? Clayton Page Aldern is an award winning neuroscientist turned environmental journalist whose work has appeared in The Atlantic, The Guardian, The Economist, and Grist, where he is a senior data reporter. A Rhodes Scholar, he holds a Master's in Neuroscience and a Master's in Public Policy from the University of Oxford. He is also a research affiliate at the Center for Studies in Demography and Ecology at the University of Washington. He is the author of The Weight of Nature: How a Changing Climate Changes Our Minds, Brains, and Bodies, which explores the neurobiological impacts of rapid environmental change. "Our brain is the organ from which our rich experience of the world arises. Brains are responsible for love, for sadness, and these profound experiences are those in which I sought to investigate." https://claytonaldern.com www.penguinrandomhouse.com/books/717097/the-weight-of-nature-by-clayton-page-aldern https://csde.washington.edu www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 There’s another side to every war. Satire, War & Hollywood - Co-creator DON McKELLAR on The Sympathizer 9:44
“Doubling is kind of a big theme, and maybe it always is in spy literature, but maybe I think that that's why Viet chose to write a spy novel in a way and play with those sort of tropes because it's central and I think it's central to the message of the show and of the book. This idea that there's another side to every question. I mean, that's the central quandary. There's this problem with the whole Vietnam War. It's saying to Americans, at least put yourself on the other side, the Vietnamese side, and then recognize that that side also has two sides and then within that, there are further divisions. And if you do that, I think what it's proposing is that you have to step back. It forces a sort of objectivity and humility, and it asks you to step back and allow the bigger human questions to resonate." Don McKellar is a highly accomplished writer, director, and actor. He has written films including Roadkill, Highway 61, Dance Me Outside, The Red Violin, and Blindness. He won the Prix de la Jeunesse at the 1988 Cannes Film Festival for his directorial debut, Last Night, which he also wrote and starred in. He is an eight-time Genie Award nominee and a two-time winner. He wrote the book for the acclaimed musical The Drowsy Chaperone, for which he received a Tony Award. Most recently, Don served as writer, executive producer, and co-showrunner on The Sympathizer, a television adaptation of Viet Thanh Nguyen's Pulitzer Prize-winning novel of the same name. The series was co-created with Park Chan-wook. www.imdb.com/name/nm0001528/mediaviewer/rm2411273728/?ref_=nm_ov_ph www.imdb.com/title/tt14404618/?ref_=nv_sr_srsg_0_tt_8_nm_0_q_the%20sympa www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo courtesy of HBO…
What are the stories we tell ourselves to justify our actions in times of war? How can the arts convey complexity and foster understanding? Don McKellar is a highly accomplished writer, director, and actor. He has written films including Roadkill, Highway 61, Dance Me Outside, The Red Violin, and Blindness. He won the Prix de la Jeunesse at the 1988 Cannes Film Festival for his directorial debut, Last Night, which he also wrote and starred in. He is an eight-time Genie Award nominee and a two-time winner. He wrote the book for the acclaimed musical The Drowsy Chaperone, for which he received a Tony Award. Most recently, Don served as writer, executive producer, and co-showrunner on The Sympathizer, a television adaptation of Viet Thanh Nguyen's Pulitzer Prize-winning novel of the same name. The series was co-created with Park Chan-wook. “Doubling is kind of a big theme, and maybe it always is in spy literature, but maybe I think that that's why Viet chose to write a spy novel in a way and play with those sort of tropes because it's central and I think it's central to the message of the show and of the book. This idea that there's another side to every question. I mean, that's the central quandary. There's this problem with the whole Vietnam War. It's saying to Americans, at least put yourself on the other side, the Vietnamese side, and then recognize that that side also has two sides and then within that, there are further divisions. And if you do that, I think what it's proposing is that you have to step back. It forces a sort of objectivity and humility, and it asks you to step back and allow the bigger human questions to resonate." www.imdb.com/name/nm0001528/mediaviewer/rm2411273728/?ref_=nm_ov_ph www.imdb.com/title/tt14404618/?ref_=nv_sr_srsg_0_tt_8_nm_0_q_the%20sympa www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photos courtesy of HBO Susan Downey, Robert Downey Jr., Don McKellar Robert Downey Jr. in The Sympathizer, photo by Beth Dubber/HBO Hoa Xuande in The Sympathizer, photo by Hopper Stone/HBO…
1 Do good deeds offset bad deeds? How do our families shape who we become?- Highlights - DAN FUTTERMAN & ADAM RAPP 11:07
"You can't choose your family. You know, I hear that all the time. I'm always amazed when I see families that stick together and wind up being friends at the second, third, fourth decades of their lives. I didn't grow up with that. I didn't see that. I've only seen it as an adult, and it's remarkable when I see it. So I think viewers will relate to this nature versus nurture versus DNA, raising all the questions of psychological and biological inheritance." "Philipp Meyer wrote a very, very beautiful book and it was the reason that made me want to do it. Jeff Daniels gave me the book. He'd been having trouble getting it made, getting a script that he liked. And he said to me, "Will you read this and just remind me what I love about it? And if you feel that way?" And I read it very quickly and felt that it was terrific. And there were a lot of possibilities in making it. So just kudos to Philipp Meyer. He wrote a beautiful novel. And if anybody's listening is looking for a great novel to read, there's that and there's Adam Rapp's novel Wolf at the Table." Dan Futterman is creator, executive producer, and writer of Amazon Prime's American Rust, the acclaimed crime drama starring Jeff Daniels, Maura Tierney, and David Alvarez. Previously, Dan has written screenplays for Capote, Foxcatcher, In Treatment, and Gracepoint. He served as executive producer on The Looming Tower. Dan is also an actor, director, and two-time Oscar nominee. Adam Rapp is the executive producer and writer of American Rust. He has written plays, films, and series, including Red Light Winter, The Sound Inside, In Treatment, Blackbird, The Looming Tower, and Dexter: New Blood. His latest novel is Wolf at the Table. He recently wrote the book for the new Broadway musical, The Outsiders. www.imdb.com/name/nm0001246 www.imdb.com/name/nm1452688/?ref_=fn_al_nm_1 www.imdb.com/title/tt1532495/ https://outsidersmusical.com/ www.hachettebookgroup.com/titles/adam-rapp/wolf-at-the-table/9780316434164/?lens=little-brown www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Exploring American Rust: Broken Justice w/ DAN FUTTERMAN & ADAM RAPP - Award-winning Screenwriters/EPs 39:11
What role do the families we’re born into or the traumas we experience shape the people we become? Do good deeds offset bad deeds? How can the arts increase our capacity for empathy, understanding, and kindness? Dan Futterman is creator, executive producer, and writer of Amazon Prime's American Rust, the acclaimed crime drama starring Jeff Daniels, Maura Tierney, and David Alvarez. Previously, Dan has written screenplays for Capote, Foxcatcher, In Treatment, and Gracepoint. He served as executive producer on The Looming Tower. Dan is also an actor, director, and two-time Oscar nominee. Adam Rapp is the executive producer and writer of American Rust. He has written plays, films, and series, including Red Light Winter, The Sound Inside, In Treatment, Blackbird, The Looming Tower, and Dexter: New Blood. His latest novel is Wolf at the Table. He recently wrote the book for the new Broadway musical, The Outsiders. "You can't choose your family. You know, I hear that all the time. I'm always amazed when I see families that stick together and wind up being friends at the second, third, fourth decades of their lives. I didn't grow up with that. I didn't see that. I've only seen it as an adult, and it's remarkable when I see it. So I think viewers will relate to this nature versus nurture versus DNA, raising all the questions of psychological and biological inheritance." "Philipp Meyer wrote a very, very beautiful book and it was the reason that made me want to do it. Jeff Daniels gave me the book. He'd been having trouble getting it made, getting a script that he liked. And he said to me, "Will you read this and just remind me what I love about it? And if you feel that way?" And I read it very quickly and felt that it was terrific. And there were a lot of possibilities in making it. So just kudos to Philipp Meyer. He wrote a beautiful novel. And if anybody's listening is looking for a great novel to read, there's that and there's Adam Rapp's novel Wolf at the Table." www.imdb.com/name/nm0001246 www.imdb.com/name/nm1452688/?ref_=fn_al_nm_1 www.imdb.com/title/tt1532495/ https://outsidersmusical.com/ www.hachettebookgroup.com/titles/adam-rapp/wolf-at-the-table/9780316434164/?lens=little-brown www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 How has travel contributed to the ecological degradation of the planet? - Highlights - MICHAEL CRONIN 12:29
"The Judeo-Christian idea is of Adam in the Garden of Eden, where he's given dominion over all things on the Earth, including plants and animals, and he is in a superior position, and the living world is subordinate to him. And you have this idea of a kind of divine approval for this hierarchy. Then, in the 17th century, Descartes comes along, and he takes the idea from Aristotle that what humans have is the capacity to reason, and they have the capacity to speak. And that is what fundamentally distinguishes humans from other animals is they have the capacity to speak, and they have capacity to speak a particular kind of language that allows us to express the results of a rational thinking, and all of that's very much concentrated in the mind. So, what's happening, of course, is that alongside this, we find that the idea of a kind of inert world that is simply there for our pleasure, enjoyment, and exploitation has proved to be catastrophically mistaken because we see it with flooding, we see it with forest fires. We see it with acidification of the oceans. We see it with the continuing rise in temperatures that the world itself, the more-than-human world is fighting back. It has taken on its own agency. And therefore, the idea of a pyramid, a hierarchy, is no longer operative." Michael Cronin is an Irish academic specialist in culture, travel literature, translation studies, and the Irish language. He has taught in universities in France and Ireland and has held visiting research fellowships to universities in Canada, Belgium, Peru, France, and Egypt. He's a fellow of Trinity College Dublin, an elected member of the Royal Irish Academy, and a senior researcher in the Trinity Centre for Literary and Cultural Translation. He is the current holder of the Chair of French (est. 1776) at TCD. He is the author of Eco-Travel: Journeying in the Age of the Anthropocene, Eco-Translation: Translation and Ecology in the Age of the Anthropocene, and other books. www.tcd.ie/French/people/michaelcronin.php www.cambridge.org/core/books/ecotravel/24263DF8E2E021915FEF4F937F146D25 www.routledge.com/Eco-Translation-Translation-and-Ecology-in-the-Age-of-the-Anthropocene/Cronin/p/book/9781138916845 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Eco-Travel: Journeying in the Age of the Anthropocene w/ MICHAEL CRONIN - Author, Prof. of Culture, Literature & Translation 59:42
How has tourism and writing about travel contributed to the ecological degradation of the planet?How does language influence perception and our relationship to the more-than-human world? Michael Cronin is an Irish academic specialist in culture, travel literature, translation studies, and the Irish language. He has taught in universities in France and Ireland and has held visiting research fellowships to universities in Canada, Belgium, Peru, France, and Egypt. He's a fellow of Trinity College Dublin, an elected member of the Royal Irish Academy, and a senior researcher in the Trinity Centre for Literary and Cultural Translation. He is the current holder of the Chair of French (est. 1776) at TCD. He is the author of Eco-Travel: Journeying in the Age of the Anthropocene, Eco-Translation: Translation and Ecology in the Age of the Anthropocene, and other books. "The Judeo-Christian idea is of Adam in the Garden of Eden, where he's given dominion over all things on the Earth, including plants and animals, and he is in a superior position, and the living world is subordinate to him. And you have this idea of a kind of divine approval for this hierarchy. Then, in the 17th century, Descartes comes along, and he takes the idea from Aristotle that what humans have is the capacity to reason, and they have the capacity to speak. And that is what fundamentally distinguishes humans from other animals is they have the capacity to speak, and they have capacity to speak a particular kind of language that allows us to express the results of a rational thinking, and all of that's very much concentrated in the mind. So, what's happening, of course, is that alongside this, we find that the idea of a kind of inert world that is simply there for our pleasure, enjoyment, and exploitation has proved to be catastrophically mistaken because we see it with flooding, we see it with forest fires. We see it with acidification of the oceans. We see it with the continuing rise in temperatures that the world itself, the more-than-human world is fighting back. It has taken on its own agency. And therefore, the idea of a pyramid, a hierarchy, is no longer operative." www.tcd.ie/French/people/michaelcronin.php www.cambridge.org/core/books/ecotravel/24263DF8E2E021915FEF4F937F146D25 www.routledge.com/Eco-Translation-Translation-and-Ecology-in-the-Age-of-the-Anthropocene/Cronin/p/book/9781138916845 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 How can music help us expand our understanding of consciousness & AI? - Highlights - DUSTIN O’HALLORAN 10:16
"I think it's really a crossroads between knowledge and wisdom. And I think that wisdom for me is so connected to nature and the information that we get from nature. We ultimately are part of the natural world. And the knowledge of knowing things and facts and these kinds of bits of information doesn't necessarily mean that we are going in the right direction that we know things. In this space, a lot of wisdom is being lost... About being connected to an earlier time. I feel that that's true. Language is being diminished. There's so many things that are being diminished in this moment. And yet, we're creating something that is going to have vastly more knowledge. But this is where it splits. And what is the idea of consciousness? Is wisdom something that's external? Is it something that is more related to quantum physics and the quantum world, more than just the physical body and the physical brain?" Dustin O’Halloran is a pianist and composer and member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, and a BAFTA for his score for Lion, written in collaboration with Volker Bertelmann (aka Hauschka). He has composed for Wayne McGregor (The Royal Ballet, London), Sofia Coppola’s Marie Antoinette, Ammonite starring Kate Winslet, and The Essex Serpent starring Claire Danes. He produced Katy Perry’s “Into Me You See” from her album Witness and appears on Leonard Cohen’s 2019 posthumous album Thanks For The Dance. With six solo albums under his name, his latest album 1 0 0 1, which explores ideas of technology, humanity and mind-body dualism, is available on Deutsche Grammophon. https://dustinohalloran.com/ www.deutschegrammophon.com/en/artists/dustin-o-halloran www.imdb.com/name/nm0641169/bio/?ref_=nm_ov_bio_sm Music courtesy of Dustin O’Halloran and Deutsche Grammophon www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
What will happen when Artificial General Intelligence arrives? What is the nature of consciousness? How are music and creativity pathways for reconnecting us to our humanity and the natural world? Dustin O’Halloran is a pianist and composer and member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, and a BAFTA for his score for Lion, written in collaboration with Volker Bertelmann (aka Hauschka). He has composed for Wayne McGregor (The Royal Ballet, London), Sofia Coppola’s Marie Antoinette, Ammonite starring Kate Winslet, and The Essex Serpent starring Claire Danes. He produced Katy Perry’s “Into Me You See” from her album Witness and appears on Leonard Cohen’s 2019 posthumous album Thanks For The Dance. With six solo albums under his name, his latest album 1 0 0 1, which explores ideas of technology, humanity and mind-body dualism, is available on Deutsche Grammophon. "I think it's really a crossroads between knowledge and wisdom. And I think that wisdom for me is so connected to nature and the information that we get from nature. We ultimately are part of the natural world. And the knowledge of knowing things and facts and these kinds of bits of information doesn't necessarily mean that we are going in the right direction that we know things. In this space, a lot of wisdom is being lost... About being connected to an earlier time. I feel that that's true. Language is being diminished. There's so many things that are being diminished in this moment. And yet, we're creating something that is going to have vastly more knowledge. But this is where it splits. And what is the idea of consciousness? Is wisdom something that's external? Is it something that is more related to quantum physics and the quantum world, more than just the physical body and the physical brain?" https://dustinohalloran.com/ www.deutschegrammophon.com/en/artists/dustin-o-halloran www.imdb.com/name/nm0641169/bio/?ref_=nm_ov_bio_sm Music courtesy of Dustin O’Halloran and Deutsche Grammophon www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 How to Live a Good a Life - Stoic Wisdom & the Founding Fathers - Highlights - JEFFREY ROSEN 12:27
" " That idea of planting seeds for future generations came from the Tusculan Disputations . There’s something especially empowering about Cicero. And it's very striking that Thomas Jefferson and John Adams and so many in the Founding Era viewed this manual about overcoming grief as the definition for achieving happiness. And I think it's because it's a philosophy of self-mastery, self-improvement, and self-empowerment. The habits of deep reading are themselves the most tangible expression of the virtues. In that sense, the virtue of industry is the one that I still take with me. So many of the Founders did, too. They fell short of so many virtues, as we all do every day. But it was the habits of deep reading and writing, keeping up a consistent daily schedule, and setting aside time for deep reading and writing that they maintained until the end of their lives." Jeffrey Rosen is President and CEO of the National Constitution Center, where he hosts We the People, a weekly podcast of constitutional debate. He is also a professor of law at the George Washington University Law School and a contributing editor at The Atlantic. Rosen is a graduate of Harvard College, Oxford University, and Yale Law School. He is the author of seven previous books, including the New York Times bestseller Conversations with RBG: Justice Ruth Bader Ginsburg on Life, Love, Liberty, and Law. His essays and commentaries have appeared in The New York Times Magazine; on NPR; in The New Republic, where he was the legal affairs editor; and in The New Yorker, where he has been a staff writer. His latest book is The Pursuit of Happiness: How Classical Writers on Virtue Inspired the Lives of the Founders and Defined America. https://constitutioncenter.org/about/board-of-trustees/jeffrey-rosen www.simonandschuster.com/books/The-Pursuit-of-Happiness/Jeffrey-Rosen/9781668002476 https://constitutioncenter.org/news-debate/podcasts www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 The Pursuit of Happiness - JEFFREY ROSEN - President & CEO of the National Constitution Center 42:38
What is the true meaning of the pursuit of happiness? What can we learn from the Founding Fathers about achieving harmony, balance, tranquility, self-mastery, and pursuing the public good? Jeffrey Rosen is President and CEO of the National Constitution Center, where he hosts We the People, a weekly podcast of constitutional debate. He is also a professor of law at the George Washington University Law School and a contributing editor at The Atlantic. Rosen is a graduate of Harvard College, Oxford University, and Yale Law School. He is the author of seven previous books, including the New York Times bestseller Conversations with RBG: Justice Ruth Bader Ginsburg on Life, Love, Liberty, and Law. His essays and commentaries have appeared in The New York Times Magazine; on NPR; in The New Republic, where he was the legal affairs editor; and in The New Yorker, where he has been a staff writer. His latest book is The Pursuit of Happiness: How Classical Writers on Virtue Inspired the Lives of the Founders and Defined America. " " That idea of planting seeds for future generations came from the Tusculan Disputations . There’s something especially empowering about Cicero. And it's very striking that Thomas Jefferson and John Adams and so many in the Founding Era viewed this manual about overcoming grief as the definition for achieving happiness. And I think it's because it's a philosophy of self-mastery, self-improvement, and self-empowerment. The habits of deep reading are themselves the most tangible expression of the virtues. In that sense, the virtue of industry is the one that I still take with me. So many of the Founders did, too. They fell short of so many virtues, as we all do every day. But it was the habits of deep reading and writing, keeping up a consistent daily schedule, and setting aside time for deep reading and writing that they maintained until the end of their lives." https://constitutioncenter.org/about/board-of-trustees/jeffrey-rosen www.simonandschuster.com/books/The-Pursuit-of-Happiness/Jeffrey-Rosen/9781668002476 https://constitutioncenter.org/news-debate/podcasts www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 What can turtles teach us about time, patience & wisdom? - Highlights - SY MONTGOMERY & MATT PATTERSON 14:51
"The other big hard problem in philosophy is time. And I felt, you know, who better to lead me in this exploration than turtles, who live in some cases for centuries, who've been around...they arose with dinosaurs, yet they survived the asteroid impact. They are the embodiment of patience and wisdom. It's wonderful having an animal recognize you and be interested in you really acknowledges the animal in me. And that's the oldest, most sacred part of me, as far as I'm concerned." Author Sy Montgomery and illustrator Matt Patterson are naturalists, adventurers, and creative collaborators. Montgomery has published over thirty acclaimed nonfiction books for adults and children and received numerous honors, including lifetime achievement awards from the Humane Society and the New England Booksellers Association. Patterson’s illustrations have been featured in several books and magazines, such as Yankee Magazine and Fine Art Connoisseur. He is the recipient of Roger Tory Peterson Wild American Art Award, National Outdoor Book Award for Nature and the Environment, and other honors. Most recently, Patterson provided illustrations for Freshwater Fish of the Northeast. Their joint books are Of Time and Turtles: Mending the World, Shell by Shattered Shell and The Book of the Turtle. Montgomery’s other books include The Soul of an Octopus, The Hawk’s Way and The Secrets of the Octopus (published in conjunction with a National Geographic TV series). www.mpattersonart.com https://symontgomery.com www.harpercollins.com/products/of-time-and-turtles-sy-montgomery?variant=41003864817698 www.harpercollins.com/products/the-book-of-turtles-sy-montgomery?variant=40695888609314 https://press.uchicago.edu/ucp/books/book/distributed/F/bo215806915.html www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
What can turtles teach us about time, patience, and wisdom? What can we learn about the mysteries of consciousness by observing animals? How can we open our senses and embrace the interconnectedness of all life on Earth? Author Sy Montgomery and illustrator Matt Patterson are naturalists, adventurers, and creative collaborators. Montgomery has published over thirty acclaimed nonfiction books for adults and children and received numerous honors, including lifetime achievement awards from the Humane Society and the New England Booksellers Association. Patterson’s illustrations have been featured in several books and magazines, such as Yankee Magazine and Fine Art Connoisseur. He is the recipient of Roger Tory Peterson Wild American Art Award, National Outdoor Book Award for Nature and the Environment, and other honors. Most recently, Patterson provided illustrations for Freshwater Fish of the Northeast. Their joint books are Of Time and Turtles: Mending the World, Shell by Shattered Shell and The Book of the Turtle. Montgomery’s other books include The Soul of an Octopus, The Hawk’s Way and The Secrets of the Octopus (published in conjunction with a National Geographic TV series). "The other big hard problem in philosophy is time. And I felt, you know, who better to lead me in this exploration than turtles, who live in some cases for centuries, who've been around...they arose with dinosaurs, yet they survived the asteroid impact. They are the embodiment of patience and wisdom. It's wonderful having an animal recognize you and be interested in you really acknowledges the animal in me. And that's the oldest, most sacred part of me, as far as I'm concerned." www.mpattersonart.com https://symontgomery.com www.harpercollins.com/products/of-time-and-turtles-sy-montgomery?variant=41003864817698 www.harpercollins.com/products/the-book-of-turtles-sy-montgomery?variant=40695888609314 https://press.uchicago.edu/ucp/books/book/distributed/F/bo215806915.html www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
"The point of life is to be happy, and the way to be happy is to be a success. – It's horseshit. This is not the point of life. It's a lie. The second part is, you must be willing to fail. Not, oh, I'm going to tolerate a little bit of it. I am going to totally fail at this, but I'm still going to do it anyway." Andre Dubus III’s nine books include the New York Times’ bestsellers House of Sand and Fog, The Garden of Last Days, and his memoir, Townie. His work has been included in The Best American Essays and The Best Spiritual Writing anthologies. His novel, House of Sand and Fog was a finalist for the National Book Award and was made into an Academy Award-nominated film starring Ben Kingsley and Jennifer Connelly. His most recent books are the novel, Such Kindness and a collection of personal essays, Ghost Dogs: On Killers and Kin. Dubus has been a finalist for the National Book Award, and has been awarded a Guggenheim Fellowship, The National Magazine Award for Fiction, two Pushcart Prizes, and is a recipient of an American Academy of Arts and Letters Award in Literature. His books are published in over twenty-five languages, and he teaches at the University of Massachusetts Lowell. www.andredubus.com www.andredubus.com/ghost-dogs www.andredubus.com/house-of-sand-and-fog www.andredubus.com/such-kindness www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
What can reading teach us about loss, healing, and survival? How can we transform anger into empathy? What can we learn from the creative act about turning personal setbacks into opportunities for self-discovery and growth? Andre Dubus III’s nine books include the New York Times’ bestsellers House of Sand and Fog, The Garden of Last Days, and his memoir, Townie. His work has been included in The Best American Essays and The Best Spiritual Writing anthologies. His novel, House of Sand and Fog was a finalist for the National Book Award and was made into an Academy Award-nominated film starring Ben Kingsley and Jennifer Connelly. His most recent books are the novel, Such Kindness and a collection of personal essays, Ghost Dogs: On Killers and Kin. Dubus has been a finalist for the National Book Award, and has been awarded a Guggenheim Fellowship, The National Magazine Award for Fiction, two Pushcart Prizes, and is a recipient of an American Academy of Arts and Letters Award in Literature. His books are published in over twenty-five languages, and he teaches at the University of Massachusetts Lowell. "There's a wonderful essay by the American poet William Stafford, where he says the poet, before writing, must put herself into a place of openness or receptivity. And he said, you're being receptive when you are. And this is really hard, I think, especially for Americans who still eat a steady diet of the following: The point of life is to be happy, and the way to be happy is to be a success. – It's horseshit. This is not the point of life. It's a lie. And the second part is, you must be willing to fail. Not, oh, I'm going to tolerate a little bit of it. I am going to totally fail at this, but I'm still going to do it anyway." www.andredubus.com www.andredubus.com/ghost-dogs www.andredubus.com/house-of-sand-and-fog www.andredubus.com/such-kindness www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
"You have the brain, and you have the heart, and you cannot feed only the brain without feeding the heart. So feeding the heart means creating authentic relations between people and educating children to have compassion, empathy, and respect for others, nature, animals, and other human beings. I'm a bit afraid that today we feed only the brain and not the heart. And when we want to put these Neuralink implants in the brain, we forget that there is the heart where maybe we should also work a little bit more." Bertrand Piccard is a notable Swiss environmentalist, explorer, author, and psychiatrist. His ventures include being the first to travel around the world in a non-stop balloon flight and years later in a solar-powered airplane. He is regarded as a pioneer in clean technology. Piccard is also the founder of the Solar Impulse Foundation, which has identified over 1500 actionable and profitable climate solutions and connects them with investors. As a UN Ambassador for the Environment, his goal is to convince leaders of the viability of a zero-carbon economy, which he will demonstrate via his next emission-free project Climate Impulse, a green hydrogen-powered airplane that can fly nonstop around the earth. http://www.solarimpulse.com https://climateimpulse.org/ https://bertrandpiccard.com/ Photos: Bertrand Piccard with Ilham Kadri, CEO Syensqo (main technological partner of Climate Impulse) Bertrand Piccard @ Solar Impulse, Jean Revillard…
1 Beyond the Horizon: Pioneering Green Aviation with BERTRAND PICCARD - Aviator, Explorer, Environmentalist 55:23
What is the future of green aviation? How do we share environmental solutions to unite people and change the climate narrative from sacrifice and fear to enthusiasm and hope? Bertrand Piccard is a notable Swiss environmentalist, explorer, author, and psychiatrist. His ventures include being the first to travel around the world in a non-stop balloon flight and years later in a solar-powered airplane. He is regarded as a pioneer in clean technology. Piccard is also the founder of the Solar Impulse Foundation, which has identified over 1500 actionable and profitable climate solutions and connects them with investors. As a UN Ambassador for the Environment, his goal is to convince leaders of the viability of a zero-carbon economy, which he will demonstrate via his next emission-free project Climate Impulse, a green hydrogen-powered airplane that can fly nonstop around the earth. "You have the brain, and you have the heart, and you cannot feed only the brain without feeding the heart. So feeding the heart means creating authentic relations between people and educating children to have compassion, empathy, and respect for others, nature, animals, and other human beings. I'm a bit afraid that today we feed only the brain and not the heart. And when we want to put these Neuralink implants in the brain, we forget that there is the heart where maybe we should also work a little bit more." http://www.solarimpulse.com https://climateimpulse.org/ https://bertrandpiccard.com/ Photos: COPSummit Bertrand Piccard with Simon Stiell, Executive Secretary of the UNFCCC Ville de Demain exhibition, Cité des sciences et de l'industrie, Paris…
"As long as your children believe your traditions are a good way to be human on Earth, they will continue to be like you. And your society and your civilization will continue. But the moment they see a better and more efficient way to do things, they will no longer believe in your ways, and your traditions will collapse in a whisper. I think what is very, very important for the young generations - because they hear every day and everywhere that this is the end of our world because of many things, particularly about the question of climate change - and we must tell young generations, first of all, we don't know anything about the future. Maybe the future is incredibly nice. Incredibly nice, because we are going to have at a certain moment absolute energy, the ability to travel anywhere in space, the ability to colonize any satellite in our solar system, and maybe with no more any kind of fitness, no more cancer, nothing else. So the future can be bright and incredible. And the young generations should keep in mind that they are on a magical planet which is full of beauty and they must love it and preserve it as best as they can with hope." Ludovic Slimak is a paleoanthropologist at the University of Toulouse in France and Director of the Grotte Mandrin research project. His work focuses on the last Neanderthal societies, and he is the author of several hundred scientific studies on these populations. His research has been featured in Nature, Science, the New York Times, and other publications. He is the author of The Naked Neanderthal: A New Understanding of the Human Creature. http://ww5.pegasusbooks.com/books/the-naked-neanderthal-9781639366163-hardcover https://lampea.cnrs.fr/spip.php?article3767 www.odilejacob.fr/catalogue/sciences-humaines/archeologie-paleontologie-prehistoire/dernier-neandertalien_9782415004927.php www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Will human efficiency destroy the planet and us? - DR. LUDOVIC SLIMAK - Author of The Naked Neanderthal 56:51
Who were the Neanderthals? And what can our discoveries about them teach us about intelligence, our extractivist relationship to the planet, and what it means to be human? Ludovic Slimak is a paleoanthropologist at the University of Toulouse in France and Director of the Grotte Mandrin research project. His work focuses on the last Neanderthal societies, and he is the author of several hundred scientific studies on these populations. His research has been featured in Nature, Science, the New York Times, and other publications. He is the author of The Naked Neanderthal: A New Understanding of the Human Creature. "As long as your children believe your traditions are a good way to be human on Earth, they will continue to be like you. And your society and your civilization will continue. But the moment they see a better and more efficient way to do things, they will no longer believe in your ways, and your traditions will collapse in a whisper. I think what is very, very important for the young generations - because they hear every day and everywhere that this is the end of our world because of many things, particularly about the question of climate change - and we must tell young generations, first of all, we don't know anything about the future. Maybe the future is incredibly nice. Incredibly nice, because we are going to have at a certain moment absolute energy, the ability to travel anywhere in space, the ability to colonize any satellite in our solar system, and maybe with no more any kind of fitness, no more cancer, nothing else. So the future can be bright and incredible. And the young generations should keep in mind that they are on a magical planet which is full of beauty and they must love it and preserve it as best as they can with hope." http://ww5.pegasusbooks.com/books/the-naked-neanderthal-9781639366163-hardcover https://lampea.cnrs.fr/spip.php?article3767 www.odilejacob.fr/catalogue/sciences-humaines/archeologie-paleontologie-prehistoire/dernier-neandertalien_9782415004927.php www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
"I started as a scholar of English literature in particular. And then I realized I didn't like boundaries. I've always tried to explore other domains and areas of knowledge. So I moved on to the relationship between literature and science because what has always fascinated me is how science is written, circulated, and understood and how science is popularized and narrativized. The Role of Utopian Studies in Sustainability led me straight to sustainability and to envision possible future societies. For example, the sciences and the humanities coexist and thrive on and sustain each other. And if you think about the best or the worst possible futures, then after a while, you come to think about whether futures may be sustainable or not. More importantly, we should try to envision ways of living in the future that may be acceptable and, above all, enjoyable for everyone." Paola Spinozzi is Professor of English Literature at the University of Ferrara and currently serves as Pro-Vice-Chancellor for Internationalisation. She is the coordinator of the PhD Programme in Environmental Sustainability and Wellbeing and the co-coordinator of Routes towards Sustainability. Her research encompasses the ecological humanities and ecocriticism, utopia and sustainability; literature and the visual arts; literature and science; cultural memory. She has co-edited Cultures of Sustainability and Wellbeing: Theories, Histories and Policies and published on post/apocalyptic and climate fiction, nature poetry, eco-theatre; art and aesthetics, imperialism and evolutionism in utopia as a genre; the writing of science; interart creativity. https://docente.unife.it/paola.spinozzi https://www.unife.it/studenti/dottorato/it/corsi/riforma/environmental-sustainability-and-wellbeing https://www.routesnetwork.net https://www.routledge.com/Cultures-of-Sustainability-and-Wellbeing-Theories-Histories-and-Policies/Spinozzi-Mazzanti/p/book/9780367271190 . www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Literature, Humanities & Sustainability: PAOLA SPINOZZI - Coordinator, Phd Programme, Environmental Sustainability & Wellbeing, UNIFE 41:36
How can we create positive change? What does it mean to have an ecological mind? How can interdisciplinary collaborations help us move beyond educational silos and create sustainable futures? Paola Spinozzi is Professor of English Literature at the University of Ferrara and currently serves as Pro-Vice-Chancellor for Internationalisation. She is the coordinator of the PhD Programme in Environmental Sustainability and Wellbeing and the co-coordinator of Routes towards Sustainability. Her research encompasses the ecological humanities and ecocriticism, utopia and sustainability; literature and the visual arts; literature and science; cultural memory. She has co-edited Cultures of Sustainability and Wellbeing: Theories, Histories and Policies and published on post/apocalyptic and climate fiction, nature poetry, eco-theatre; art and aesthetics, imperialism and evolutionism in utopia as a genre; the writing of science; interart creativity. "I started as a scholar of English literature in particular. And then I realized I didn't like boundaries. I've always tried to explore other domains and areas of knowledge. So I moved on to the relationship between literature and science because what has always fascinated me is how science is written, circulated, and understood and how science is popularized and narrativized. The Role of Utopian Studies in Sustainability led me straight to sustainability and to envision possible future societies. For example, the sciences and the humanities coexist and thrive on and sustain each other. And if you think about the best or the worst possible futures, then after a while, you come to think about whether futures may be sustainable or not. More importantly, we should try to envision ways of living in the future that may be acceptable and, above all, enjoyable for everyone." https://docente.unife.it/paola.spinozzi https://www.unife.it/studenti/dottorato/it/corsi/riforma/environmental-sustainability-and-wellbeing https://www.routesnetwork.net https://www.routledge.com/Cultures-of-Sustainability-and-Wellbeing-Theories-Histories-and-Policies/Spinozzi-Mazzanti/p/book/9780367271190 . www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Seeing the Life of Jesus through the eyes of his Mother: MACIEJ HEN - Award-winning Author & Filmmaker 37:43
How would the life of Jesus be told through the eyes of his mother? How can literature help us understand history and the nature of identity? Maciej Hen was born in 1955 in Warsaw. He graduated from the Cinematography Department at the Film School in Łódź. For years he has been trying his hand at diverse activities, from music to all fields of journalism and television lighting design. As a prose writer, Hen has published four novels so far: Według niej (2004, DUE; the English translation, According to Her, published in 2022 by Holland House Books, was shortlisted to the EBRD Literary Prize in 2023), Solfatara (2015, W.A.B., 2016 Gombrowicz Prize and shortlisted for the Norwid Prize and the Angelus Prize), Deutsch dla średnio zaawansowanych, Segretario and one non-fiction book, Beatlesi w Polsce (The Beatles in Poland). "Polish intellectuals, artists, and writers are still in that never-ending argument on Polish history in terms of why Poland lost its independence after being some kind of empire and what the injustices and historical harms were. The traumas of World War II and the period before WWII, the Communist period, and everything of that nature are topics of argument that are really present in Polish culture, creativity, and literature. On the other hand, contemporary Polish literature is very much form-oriented, not so much content-oriented, except for some topics focusing on the peasant background of the society or discussing injustices the peasant class suffered, and that's it. But generally, contemporary Polish literature is very much language-oriented. There is a race towards experimentalism to be observed. And I, quite frankly, try to be beyond all of that because I'm a content-oriented type of writer. Of course, the language issues are important for me, too, but not dominant." https://en.wikipedia.org/wiki/Maciej_Hen www.hhousebooks.com/shortlisted-ebrd-according-to-her www.wydawnictwoliterackie.pl/autor/1271/maciej-hen https://www.instagram.com/maciej.hen/ www.facebook.com/profile.php?id=100064871385361 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
"My favorite teacher was in second grade. I had a teacher named Mrs. Abo who let me write all my homework assignments in rhyme. And it was like such a simple thing. I asked her if I could write all my homework assignments in rhyme. And she said, "Absolutely!" And she gave me permission to be wildly creative while still doing my work. And little moments like that can really change a kid's life. And I lobbied with this group called the Creative Coalition. We went and lobbied in DC to really fight for the arts being added to the STEM programs to make them STEAM programs because they're so interconnected. It's creative imagination that got us to the moon. It's science fiction stories that are getting us to Mars. It's like that. You know, playing the piano helps you in math. It's all part of the beautiful development of the brain, and it helps so much for learning other things." From her role as Dr. Lisa Cuddy on the hit Fox series House M.D, to her starring role as Abby McCarthy in Bravo's first scripted series Girlfriend's Guide to Divorce, Lisa Edelstein's range of roles are as diverse talent. Some of Edelstein's feature credits include Keeping the Faith, What Women Want, Daddy Daycare, As Good as It Gets, and Fathers and Sons. She played a Holocaust survivor and adopted mother in the drama television series Little Bird. The story centres on a First Nations woman who was adopted into a Jewish family during the Sixties Scoop, as she attempts to reconnect with her birth family and heritage. Lisa’s career began by writing, composing, and performing an original AIDS awareness musical Positive Me at the renowned La Mama Experimental Theater Club in New York City. In the wake of COVID, Lisa began to paint using old family photographs as starting points. Her incredibly detailed paintings capture intimate relationships and spontaneous moments with honesty and compassion. https://lisaedelstein.komi.io/ www.lisaedelsteinpaintings.com/ www.imdb.com/name/nm0249046 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Artworks: “Beach Day”, “Marsha”, “Karen” Courtesy of the Artist Lisa Edelstein in the Studio Photo credit: Holland Clement, Courtesy of the artist…
How can the arts help us examine and engage with social issues? How do our families shape our views, memories, and experience of the world? From her role as Dr. Lisa Cuddy on the hit Fox series House, to her starring role as Abby McCarthy in Bravo's first scripted series Girlfriend's Guide to Divorce, Lisa Edelstein's range of roles are as diverse talent. Some of Edelstein's feature credits include Keeping the Faith, What Women Want, Daddy Daycare, As Good as It Gets, and Fathers and Sons. She played a Holocaust survivor and adopted mother in the drama television series Little Bird. The story centres on a First Nations woman who was adopted into a Jewish family during the Sixties Scoop, as she attempts to reconnect with her birth family and heritage. Lisa’s career began by writing, composing, and performing an original AIDS awareness musical Positive Me at the renowned La Mama Experimental Theater Club in New York City. In the wake of COVID, Lisa began to paint using old family photographs as starting points. Her incredibly detailed paintings capture intimate relationships and spontaneous moments with honesty and compassion. "My favorite teacher was in second grade. I had a teacher named Mrs. Abo who let me write all my homework assignments in rhyme. And it was like such a simple thing. I asked her if I could write all my homework assignments in rhyme. And she said, "Absolutely!" And she gave me permission to be wildly creative while still doing my work. And little moments like that can really change a kid's life. And I lobbied with this group called the Creative Coalition. We went and lobbied in DC to really fight for the arts being added to the STEM programs to make them STEAM programs because they're so interconnected. It's creative imagination that got us to the moon. It's science fiction stories that are getting us to Mars. It's like that. You know, playing the piano helps you in math. It's all part of the beautiful development of the brain, and it helps so much for learning other things." https://lisaedelstein.komi.io/ www.lisaedelsteinpaintings.com/ www.imdb.com/name/nm0249046 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo credit: Mitch Stone Courtesy of the artist…
1 What does the future hold for our late-stage capitalist society with mega-corps controlling everything? - Highlights - KYLE HIGGINS, KARINA MANASHIL & KID CUDI 14:22
“So the feeling that we've essentially been priced out of the life that we were supposed to lead. So, we were all taught to put our heads down, go to school, and get a job. You're going to afford a family, a house, kids, all the things that your parents had, you're going to have if you just follow the same path. But none of the things that were promised has a path. So the collective majority who grew up on technology and have no problem living inside of it are saying [of AI]: Hey, can this thing save me? Can I find my out?” Karina Manashil is the President of MAD SOLAR. After graduating from Chapman University with a BFA in Film Production, she began her career in the mailroom at WME where she became a Talent Agent. In 2020, she partnered with Scott Mescudi and Dennis Cummings to found MAD SOLAR. Its first release was the documentary “A Man Named Scott” (Amazon), and she then went on to Executive Produce Ti West trilogy “X,” “Pearl” and “MaXXXine” (A24). Manashil received an Emmy nomination as an Executive Producer on the Netflix animated event “Entergalactic." She also produced the Mescudi/Kyle Higgins comic book “Moon Man” which launched through Image Comics. She is next producing the upcoming Mescudi/Sam Levinson/The Lucas Bros film “HELL NAW” (Sony) and the animated feature “Slime” from auteur animator Jeron Braxton. Kyle Higgins is an Eisner award-nominated #1 New York Times best-selling comic book author and award-winning filmmaker known for his work on DC Comics’ Batman titles as well as his critically-acclaimed reinventions of Mighty Morphin Power Rangers for Boom! Studios/Hasbro, Ultraman for Marvel Comics, and his creator-owned series Radiant Black, NO/ONE and Deep Cuts for Image Comics. Kyle is the founder and creative director of Black Market Narrative and The Massive-Verse. moonmancomics.com https://imagecomics.com https://www.imdb.com/name/nm3556462/?ref_=fn_al_nm_1 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Audio of Scott Mescudi courtesy of Mad Solar and Moon Man Comic Book Release and Revenge Of (Eagle Rock, CA, Jan 31, 2024)…
1 Comics, Music, Ethics & AI: KYLE HIGGINS, KARINA MANASHIL & KID CUDI on the Making of Moon Man 1:07:18
1:07:18 Riproduci in seguito Riproduci in seguito Liste Like Like aggiunto1:07:18
Riproduci in seguito Riproduci in seguito Liste Like Like aggiuntoWhat does the future hold for our late-stage capitalist society with mega-corporations owning and controlling everything? How can the world-building skills of the makers of films and comics help us imagine a better future? Kyle Higgins is an Eisner award-nominated #1 New York Times best-selling comic book author and award-winning filmmaker known for his work on DC Comics’ Batman titles as well as his critically-acclaimed reinventions of Mighty Morphin Power Rangers for Boom! Studios/Hasbro, Ultraman for Marvel Comics, and his creator-owned series Radiant Black, NO/ONE and Deep Cuts for Image Comics. Kyle is the founder and creative director of Black Market Narrative and The Massive-Verse. Karina Manashil is the President of MAD SOLAR. After graduating from Chapman University with a BFA in Film Production, she began her career in the mailroom at WME where she became a Talent Agent. In 2020, she partnered with Scott Mescudi and Dennis Cummings to found MAD SOLAR. Its first release was the documentary “A Man Named Scott” (Amazon), and she then went on to Executive Produce Ti West trilogy “X,” “Pearl” and “MaXXXine” (A24). Manashil received an Emmy nomination as an Executive Producer on the Netflix animated event “Entergalactic." She also produced the Mescudi/Kyle Higgins comic book “Moon Man” which launched through Image Comics. She is next producing the upcoming Mescudi/Sam Levinson/The Lucas Bros film “HELL NAW” (Sony) and the animated feature “Slime” from auteur animator Jeron Braxton. “So the feeling that we've essentially been priced out of the life that we were supposed to lead. So, we were all taught to put our heads down, go to school, and get a job. You're going to afford a family, a house, kids, all the things that your parents had, you're going to have if you just follow the same path. But none of the things that were promised has a path. So the collective majority who grew up on technology and have no problem living inside of it are saying [of AI]: Hey, can this thing save me? Can I find my out?” -Karina Manashil moonmancomics.com https://imagecomics.com https://www.imdb.com/name/nm3556462/?ref_=fn_al_nm_1 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Audio of Scott Mescudi courtesy of Mad Solar and Moon Man Comic Book Release and Revenge Of (Eagle Rock, CA, Jan 31, 2024)…
"Climate change gives us a chance to re-imagine the world in a way that every single human being can participate in. And so whether you're in a remote part of the United States or some other country, when you learn about climate change, it shouldn't just be the science. It should be the opportunity." –Kathleen Rogers Excerpts of interviews from One Planet Podcast & The Creative Process. Voices on this episode are: KATHLEEN ROGERS President of EarthDay.ORG POORVA JOSHIPURA Senior VP, PETA UK - Author of Survival at Stake: How Our Treatment of Animals is Key to Human Existence DAVID FENTON Founder of Fenton Communications - Author of The Activist’s Media Handbook: Lessons From 50 Years as a Progressive Agitator BRITT WRAY Author of Generation Dread: Finding Purpose in an Age of Climate Crisis Researcher Working on Climate Change & Mental Health, Stanford University DR. FARHANA SULTANA Co-author: Water Politics: Governance, Justice & the Right to Water Fmr. UNDP Programme Officer, United Nations Development Programme ANDRI SNÆR MAGNASON Icelandic Writer & Documentary Filmmaker Author of On Time and Water, The Casket of Time, LoveStar, Not Ok THOMAS CROWTHER Ecologist - Co-chair of the Board for UN Decade on Ecosystem Restoration - Founder of Restor DR. SHIV SOMESHWAR Fmr. European Chair for Sustainable Development & Climate Transition - Sciences Po PAULA PINHO Director of Just Transition at the European Commission Directorate-General for Energy ARMOND COHEN Executive Director of Clean Air Task Force MAYA K. VAN ROSSUM Founder of Green Amendments For The Generations - Delaware Riverkeeper Author of The Green Amendment: The People's Fight for a Clean, Safe, and Healthy Environment Max Richter’s music featured in this episode: “Spring 1” from The New Four Seasons – Vivaldi Recomposed “Vladimir’s Blues” from The Blue NotebooksMusic is courtesy of Max Richter, Universal Music Enterprises, and Mute Song. www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo courtesy of Unsplash Photo credit: Valdemaras D.…
1 Songs of Nature - Musicians, Writers, Ecologists, Philosophers on the Mysteries of the Natural World 9:25
“The natural world has its own sonic language. Its own fingerprints. And that's one of the beautiful things about being out here. There is another acoustic environment, another sort of sonic fingerprint, and it is always changing. Every day is a sort of a different sound picture. I walk out the door and you do hear it changing over time. The leaves are coming in now, different kinds of bird song. The wind sounds different. It's a wonderful thing to be around and experience.” —Max Richter Excerpts of interviews from One Planet Podcast & The Creative Process SY MONTGOMERY NYTimes Bestselling Author of Of Time and Turtles: Mending the World, Shell by Shattered Shell, Secrets of the Octopus, The Hawk’s Way: Encounters with Fierce Beauty, and other books MAX RICHTER Award-winning Composer, Pianist & Environmentalist (The Blue Notebooks, Waltz with Bashir, Arrival, Ad Astra) His album SLEEP is the most streamed classical record of all time. Cofounder of Studio Richter Mahr MERLIN SHELDRAKE Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021 THOMAS CROWTHER Ecologist - Co-chair of the Board for UN Decade on Ecosystem Restoration - Founder of Restor TIOKASIN GHOSTHORSE Founder/Host of First Voices Radio - Master Musician of the Ancient Lakota Flute ERLAND COOPER Nature’s Songwriter - Composer of “Folded Landscapes” RICK BASS Environmentalist & Story Prize Award-winning Author of “Why I Came West”, “For a Little While” - Fmr. Geologist - Organizer of Climate Aid: The Voice of the Forest PETER SINGER “Most Influential Living Philosopher” - Author, Founder of The Life You Can Save KATHLEEN ROGERS President of EarthDay.ORG www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast www.maxrichtermusic.com https://studiorichtermahr.com Max Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep. Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song. Photos courtesy of Unsplash Photo credit: Kyle Johnson, Sebastian Unrau, Abner abiu Castillo diaz, Deepak Nautiyal…
1 What are we willing to give up to find meaning & a sense of belonging? - Highlights - TARA ISABELLA BURTON 9:20
"So everyone should probably throw their smartphones in a river, myself included. And I think that it is hard. There's never going to be a version where you get the right answer, and suddenly your life falls into place, and everything's perfect. And that's not what it's supposed to be for anyway. And I think there is a tendency in self-care circles that once we solve our demons and figure out our path in life, we are in touch with the vibes of the universe. Like suddenly, we're going to be wealthy and healthy and happy and have the perfect marriage. And I think the questions of philosophical inquiry are about how to live a good life, but that's not the same thing as assuming, as so much of contemporary wellness culture assumes, that a normatively successful life will come to us by virtue of doing the right things." Tara Isabella Burton is the author of the novels Social Creature, The World Cannot Give, and Here in Avalon, as well as the nonfiction books Strange Rites: New Religions for a Godless World and Self-Made: Curating Our Image from Da Vinci to the Kardashians. She is currently working on a history of magic and modernity, to be published by Convergent in late 2025. Her fiction and nonfiction have appeared in The New York Times, National Geographic, Granta, The Washington Post, The Wall Street Journal, and other publications. www.taraisabellaburton.com www.simonandschuster.com/books/Here-in-Avalon/Tara-Isabella-Burton/9781982170097?fbclid=IwAR30lnvlXMrDJtCq_568jUM3hvzr6yUz_GUUZSkbR2RarreOF6PMcvhabBg www.amazon.com/dp/B07W56MQLJ/ref=sr_1_fkmr0_1?keywords=strange+rites+tara+isabella+burton&qid=1565365017&s=gateway&sr=8-1-fkmr0 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Spirituality & Selfhood: TARA ISABELLA BURTON - Author of Here in Avalon, Strange Rites: New Religions for a Godless World 46:18
What are we willing to give up to find meaning, connection, and a sense of belonging? What happens if we don't self-promote, self-create, and self-brand on social media? Will we find the right partner? Will we get into the right college? Or find the best job? "So everyone should probably throw their smartphones in a river, myself included. And I think that it is hard. There's never going to be a version where you get the right answer, and suddenly your life falls into place, and everything's perfect. And that's not what it's supposed to be for anyway. And I think there is a tendency in self-care circles that once we solve our demons and figure out our path in life, we are in touch with the vibes of the universe. Like suddenly, we're going to be wealthy and healthy and happy and have the perfect marriage. And I think the questions of philosophical inquiry are about how to live a good life, but that's not the same thing as assuming, as so much of contemporary wellness culture assumes, that a normatively successful life will come to us by virtue of doing the right things." www.taraisabellaburton.com www.simonandschuster.com/books/Here-in-Avalon/Tara-Isabella-Burton/9781982170097?fbclid=IwAR30lnvlXMrDJtCq_568jUM3hvzr6yUz_GUUZSkbR2RarreOF6PMcvhabBg www.amazon.com/dp/B07W56MQLJ/ref=sr_1_fkmr0_1?keywords=strange+rites+tara+isabella+burton&qid=1565365017&s=gateway&sr=8-1-fkmr0 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Climate Education: Does Healing the Planet Begin in the Classroom? - BRYCE COON - Director of Education - EarthDay.ORG 36:00
How can we better educate young people about the future & the planet? How can we address eco-anxiety while providing students with climate optimism, hope, and solutions? Bryce Coon is the Director of Education at EarthDay.ORG, a nonprofit that champions climate education for all students and is the global driving force behind Earth Day. Previously, Coon was a high school teacher for 11 years in Montgomery County, teaching economics and leading a variety of projects for students, such as a school-wide tutoring program. Throughout his teaching career, Bryce participated in international fellowships where he studied climate education and policy in Asia, Europe, and Oceania. https://www.earthday.org/campaign/climate-environmental-literacy/ Planet vs. Plastics www.earthday.org Sign The Global Plastic Treaty Petition https://action.earthday.org/global-plastics-treaty Toolkits: https://www.earthday.org/our-toolkits NDC Guide for Climate Education https://www.earthday.org/wp-content/uploads/2023/11/NDC-GUIDE-Final.pdf www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photos courtesy of EARTHDAY.ORG…
How can we reimagine a world without plastic? How can we push governments and companies to admit what they know about the health impacts of plastics and change public policy? Kathleen Rogers is the President of EARTHDAY.ORG. Under her leadership, it has grown into a global year-round policy and activist organization with an international staff. She has been at the vanguard of developing campaigns and programs focused on diversifying the environmental movement, highlighted by Campaign for Communities and Billion Acts of Green. Prior to her work at EARTHDAY.ORG, Kathleen held senior positions with the National Audubon Society, the Environmental Law Institute, and two U.S. Olympic Organizing Committees. She’s a graduate of the University of California at Davis School of Law, where she served as editor-in-chief of the law review and clerked in the United States District Court for the District of Columbia. EARTHDAY.ORG’s 2024 theme, Planet vs. Plastics, calls to advocate for widespread awareness of the health risks of plastics, rapidly phase out all single-use plastics, urgently push for a strong UN Treaty on Plastic Pollution, and demand to end fast fashion. Let's build a plastic-free planet for generations to come. "The world recognizes that plastics have imperiled our future. Many environmentalists, myself included, view plastics as on par with, if not worse than, climate change because we do see a little light at the end of the tunnel on climate change. Babies vs. Plastics is a collection of studies, and we particularly focused on children and babies because their bodies and brains are more impacted than adults by the 30, 000 chemicals that assault us every day. We have histories littered with dozens of stories and court cases of malfeasance where companies knew for years before we, the public, did about the impacts. Climate change is a perfect example because we know Exxon scientists knew in 1957 that burning fossil fuels was creating climate change and that eventually, the temperature of the planet would heat up, and they hid it from us for 50-plus years. And more and more reports are coming out every day about what companies and some governments know. Tobacco companies knew tobacco caused cancer for decades before our scientists did. And so we have the same problem with plastics.” Planet vs. Plastics www.earthday.org Sign The Global Plastic Treaty Petition https://action.earthday.org/global-plastics-treaty Toolkits: https://www.earthday.org/our-toolkits NDC Guide for Climate Education https://www.earthday.org/wp-content/uploads/2023/11/NDC-GUIDE-Final.pdf www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photos courtesy of EARTHDAY.ORG…
1 The Unseen Invasion of Microplastics in Our Lives - KATHLEEN ROGERS - President of EarthDay.ORG 12:51
Microplastics and nanoplastic pollution are currently blanketing the planet. They are in the air we breathe, the food we eat, and the water we drink, infiltrating our bodies and even brains and human embryos. Coca-Cola alone sells 100 billion+ single-use plastic bottles each year, ending up in landfills and the ocean. Earth’s population will reach 9.8 billion people by 2050. Two-thirds of humans will become city dwellers. Our waste will drive a mounting worldwide crisis. Highlights from our interview with Kathleen Rogers, the President of EarthDay.org . The full episode will be published next week. Planet vs. Plastics Sign The Global Plastic Treaty Petition www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 How does knowing a second language increase your creativity & humanity? - Highlights - ALAN POUL 12:55
"I feel like I'm always telling young people, I know you want to make your own films, and I know you think you know everything. And that's one way to do it is to take an iPhone and just make a terrible first feature and then learn as you go. But I'm such a believer in mentorship. And when you have the time when you're young, find people that you admire and put yourselves in their orbit and just absorb and it will serve you so well later in life. I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from." Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain. https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 ALAN POUL - Emmy & Golden Globe-winning Producer/Director - Tokyo Vice - Six Feet Under - Tales of the City - My So-Called Life 1:09:55
1:09:55 Riproduci in seguito Riproduci in seguito Liste Like Like aggiunto1:09:55
Riproduci in seguito Riproduci in seguito Liste Like Like aggiuntoWhat does learning another language and living in another culture do for your humanity and creative process? Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain. "I feel like I'm always telling young people, I know you want to make your own films, and I know you think you know everything. And that's one way to do it is to take an iPhone and just make a terrible first feature and then learn as you go. But I'm such a believer in mentorship. And when you have the time when you're young, find people that you admire and put yourselves in their orbit and just absorb and it will serve you so well later in life. I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from." https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
"I went to film school, But at the end of two years, I think you've only begun the learning. I think it's very hard in school, and particularly in graduate school, to take in all that's coming at you because you're being barraged with information, and you're trying to listen, and you're trying to internalize. At the same time, you're very anxious, and you're very fervent, but you're also furtive about what can I do and how do I get ahead and how do I do this? And I think those things are in contradiction, and what happens After you get out of school, as you begin to try to put into practice some of those things that they've been talking about, especially as you try and fail, unbelievably important to have somebody there with you or on off whom you can bounce ideas. And notions or with whom you can analyze the thing that someone else has done, or you can analyze your own failures. It's a kind of continuing education that happens with a collaborator that as you grow, he grows. You grow together, and you have an observation about something, or he does, and you begin to work, and then you. It was never our intention to work. Our intention was just as friends. It never became about my idea or his idea, but it was the creation of a third idea that somehow evolved." Ed Zwick is a writer, director, and producer who's been active in the film industry for over 40 years. He has been nominated for two Golden Globes for directing the films Glory and Legends of the Fall and received an Academy Award as one of the producers of Shakespeare in Love. Zwick continues to work with his longtime friend and partner, Marshall Herskovitz, at their company Bedford Falls, where they created the widely loved TV show Thirtysomething. His memoir Hits, Flops, and Other Illusions details many of his greatest experiences in the film industry. www.simonandschuster.com/authors/Ed-Zwick/212290077 https://www.imdb.com/name/nm0001880/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 ED ZWICK - Academy Award-winning Writer, Director & Producer - Glory, The Last Samurai, Shakespeare in Love, Thirtysomething 49:07
Ed Zwick is a writer, director, and producer who's been active in the film industry for over 40 years. He has been nominated for two Golden Globes for directing the films Glory and Legends of the Fall and received an Academy Award as one of the producers of Shakespeare in Love. Zwick continues to work with his longtime friend and partner, Marshall Herskovitz, at their company Bedford Falls, where they created the widely loved TV show Thirtysomething. His memoir Hits, Flops, and Other Illusions details many of his greatest experiences in the film industry. "I went to film school, But at the end of two years, I think you've only begun the learning. I think it's very hard in school, and particularly in graduate school, to take in all that's coming at you because you're being barraged with information, and you're trying to listen, and you're trying to internalize. At the same time, you're very anxious, and you're very fervent, but you're also furtive about what can I do and how do I get ahead and how do I do this? And I think those things are in contradiction, and what happens After you get out of school, as you begin to try to put into practice some of those things that they've been talking about, especially as you try and fail, unbelievably important to have somebody there with you or on off whom you can bounce ideas. And notions or with whom you can analyze the thing that someone else has done, or you can analyze your own failures. It's a kind of continuing education that happens with a collaborator that as you grow, he grows. You grow together, and you have an observation about something, or he does, and you begin to work, and then you. It was never our intention to work. Our intention was just as friends. It never became about my idea or his idea, but it was the creation of a third idea that somehow evolved." www.simonandschuster.com/authors/Ed-Zwick/212290077 https://www.imdb.com/name/nm0001880/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Image Courtesy of Dick Thomas Johnson Creative Commons 2.0…
“I would go back to that very simple thing of treating animals the way that you would like to be treated. And I know that humane education is becoming a more welcome subject or way of teaching in schools. And I definitely think we need more of that where it's not just you go to school and learn about maths and science and history and so on, but you learn about those subjects within the realm of real-life issues and real-life problems. I wrote Survival at Stake because I've been working in animal rights for nearly the past 25 years. Throughout that time, one common question has been asked: Well, shouldn't we deal with human issues first. But animal rights are human rights. Animal rights is environmentalism. These things are not distinct. And that's the point I was really trying to make in my book. I was inspired to write it because of the COVID-19 crisis. It just brings us back to the point of why it is so important to teach people, young people, and young men the importance of being kind to everyone, animals included. If you teach them that, I think the other lessons start to much more automatically transfer over.” Poorva Joshipura is PETA U.K. Senior Vice President. She is the Author of Survival at Stake: How Our Treatment of Animals is Key to Human Existence and For a Moment of Taste: How What You Eat Impacts Animals, the Planet and Your Health. https://usw2.nyl.as/t1/24/2jdwp5ogezjqb5wxg76eqfqeq/0/14474d94f4e832cd573ffc39be471e57616314b12314a26ca7dd9c2bbf559ac0 www.harpercollins.com/products/for-a-moment-of-taste-poorva-joshipura?variant=39399505592354 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 POORVA JOSHIPURA - Senior VP, PETA UK - Author of Survival at Stake: How Our Treatment of Animals is Key to Human Existence 36:01
How can we improve animal-human relationships? How can we increase our sensitivity to the other animals who share this planet with us? Poorva Joshipura is PETA U.K. Senior Vice President. She is the Author of Survival at Stake: How Our Treatment of Animals is Key to Human Existence and For a Moment of Taste: How What You Eat Impacts Animals, the Planet and Your Health. “I would go back to that very simple thing of treating animals the way that you would like to be treated. And I know that humane education is becoming a more welcome subject or way of teaching in schools. And I definitely think we need more of that where it's not just you go to school and learn about maths and science and history and so on, but you learn about those subjects within the realm of real-life issues and real-life problems. I wrote Survival at Stake because I've been working in animal rights for nearly the past 25 years. Throughout that time, one common question has been asked: Well, shouldn't we deal with human issues first. But animal rights are human rights. Animal rights is environmentalism. These things are not distinct. And that's the point I was really trying to make in my book. I was inspired to write it because of the COVID-19 crisis. It just brings us back to the point of why it is so important to teach people, young people, and young men the importance of being kind to everyone, animals included. If you teach them that, I think the other lessons start to much more automatically transfer over.” https://usw2.nyl.as/t1/24/2jdwp5ogezjqb5wxg76eqfqeq/0/14474d94f4e832cd573ffc39be471e57616314b12314a26ca7dd9c2bbf559ac0 www.harpercollins.com/products/for-a-moment-of-taste-poorva-joshipura?variant=39399505592354 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
"I'm optimistic about education. There will likely be more traffic between technology and the arts. The tech world needs more creative-minded people and less literal people who have some understanding of how things work. With Jony Ive, you've got someone who designed the iPhone and was very interested in photography himself. We were talking about doing a portrait. He mentioned that he'd been fascinated by self-portraiture as a kid, so much so that when he was doing his industrial design degree, he wrote his thesis on artists' self-portraits. Fast forward a few years, and we are all taking photos every day and learning really fast how to compose images and read images and why they've been cropped in a certain way. All these things, which were probably the preserve of artists and art historians in the past, are suddenly things that kids are thinking about because it's the way they communicate with each other. So I think that that shift is interesting." Jonathan Yeo is one of the world’s leading figurative artists and portrait painters. From celebrated figures such as Sir David Attenborough, peace activist Malala Yousafzai, the Duke of Edinburgh, Nicole Kidman, and Tony Blair, sitting for a portrait with Yeo is a provisional necessity for any 21st century icon. His work, which has been exhibited in museums and galleries around the world, is the subject of several major mid-career retrospectives in the UK and internationally. Yeo’s course on portrait painting is available now on BBC Maestro. www.jonathanyeo.com www.bbcmaestro.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Images courtesy of Jonathan Yeo…
1 JONATHAN YEO - Celebrated Portrait Artist on the Importance of Connection & Intuitive Intelligence 47:28
How can the arts help cultivate our intuitive intelligence? What does visual art teach us about consciousness and the human condition? Jonathan Yeo is one of the world’s leading figurative artists and portrait painters. From celebrated figures such as Sir David Attenborough, peace activist Malala Yousafzai, the Duke of Edinburgh, Nicole Kidman, and Tony Blair, sitting for a portrait with Yeo is a provisional necessity for any 21st century icon. His work, which has been exhibited in museums and galleries around the world, is the subject of several major mid-career retrospectives in the UK and internationally. Yeo’s course on portrait painting is available now on BBC Maestro. "I'm optimistic about education. There will likely be more traffic between technology and the arts. The tech world needs more creative-minded people and less literal people who have some understanding of how things work. With Jony Ive, you've got someone who designed the iPhone and was very interested in photography himself. We were talking about doing a portrait. He mentioned that he'd been fascinated by self-portraiture as a kid, so much so that when he was doing his industrial design degree, he wrote his thesis on artists' self-portraits. Fast forward a few years, and we are all taking photos every day and learning really fast how to compose images and read images and why they've been cropped in a certain way. All these things, which were probably the preserve of artists and art historians in the past, are suddenly things that kids are thinking about because it's the way they communicate with each other. So I think that that shift is interesting." www.jonathanyeo.com www.bbcmaestro.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Images courtesy of Jonathan Yeo…
"It seems that a lot of education is a little bit obsessed with training students to remember facts and figures. In the modern world, when every one of us has got the total of human knowledge in our pockets, it's much less important what you can hold in your head and what you can remember because you can just look it up whenever it becomes important, and it's now how you interpret or analyze or synthesize that information and developing skills and techniques in rapidly understanding and interpreting and analyzing information and making decisions based on information. The internet has changed a huge amount about what is important to our lives and simplified many things that would have been examined on otherwise. It's in finding things out for yourself that is that deep spark of human creativity, which gives us the innovation and all the sort of creativity and designs that we can come up with. So, I think that is something that you would absolutely want to try to continue nurturing yourself." How have our psychology and cognitive biases altered the course of human history? What would you do if you had to rebuild our world from scratch? Lewis Dartnell is an author, researcher, and holds the Professorship in Science Communication at the University of Westminster. He researches astrobiology and the search for microbial life on Mars. He also works as a scientific consultant for the media and has appeared in numerous TV documentaries and radio shows. Dr. Dartnell has won several awards for his science writing and outreach work. He has published five books, including The Knowledge: How to Rebuild our World from Scratch; Origins: How the Earth Made Us; and Being Human: How Our Biology Shaped World History. http://www.lewisdartnell.com http://lewisdartnell.com/en-gb/2013/11/the-knowledge-how-to-rebuild-our-world-from-scratch www.penguin.co.uk/books/433955/origins-by-lewis-dartnell/9781784705435 www.penguin.co.uk/books/442759/being-human-by-dartnell-lewis/9781847926708 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo credit: Shortlist/Paul Stuart…
1 LEWIS DARTNELL - Author of Origins: How the Earth Made Us & Being Human: How Our Biology Shaped World History 46:09
How have our psychology and cognitive biases altered the course of human history? What would you do if you had to rebuild our world from scratch? Lewis Dartnell is an author, researcher, and holds the Professorship in Science Communication at the University of Westminster. He researches astrobiology and the search for microbial life on Mars. He also works as a scientific consultant for the media and has appeared in numerous TV documentaries and radio shows. Dr. Dartnell has won several awards for his science writing and outreach work. He has published five books, including The Knowledge: How to Rebuild our World from Scratch; Origins: How the Earth Made Us; and Being Human: How Our Biology Shaped World History. "It seems that a lot of education is a little bit obsessed with training students to remember facts and figures. In the modern world, when every one of us has got the total of human knowledge in our pockets, it's much less important what you can hold in your head and what you can remember because you can just look it up whenever it becomes important, and it's now how you interpret or analyze or synthesize that information and developing skills and techniques in rapidly understanding and interpreting and analyzing information and making decisions based on information. The internet has changed a huge amount about what is important to our lives and simplified many things that would have been examined on otherwise. It's in finding things out for yourself that is that deep spark of human creativity, which gives us the innovation and all the sort of creativity and designs that we can come up with. So, I think that is something that you would absolutely want to try to continue nurturing yourself." http://www.lewisdartnell.com http://lewisdartnell.com/en-gb/2013/11/the-knowledge-how-to-rebuild-our-world-from-scratch www.penguin.co.uk/books/433955/origins-by-lewis-dartnell/9781784705435 www.penguin.co.uk/books/442759/being-human-by-dartnell-lewis/9781847926708 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo credit: Shortlist/Paul Stuart…
1 How can we develop AI systems that are more respectful, ethical, and sustainable? - Highlights - DR. SASHA LUCCIONI 12:25
“I think it's kind of important to think about the fact that originally, neural networks were inspired by neurons, really by our brains, but fundamentally, brains are really different than AI models, currently. Brains are quite efficient. For example, we won't be using all of our neurons all the time. If we're recognizing a face, or if we're speaking, or if we're drawing, or if we're watching a movie, or reading a book, there are different zones. And I think that that's kind of the core of the issue because whereas we can kind of use a portion of our brain, depending on the activity, neural networks don't have that built-in efficiency.” What are the pros and cons of AI’s integration into our institutions, political systems, culture, and society? How can we develop AI systems that are more respectful, ethical, and sustainable? Dr. Sasha Luccioni is a leading scientist at the nexus of artificial intelligence, ethics, and sustainability, with a Ph.D. in AI and a decade of research and industry expertise. She spearheads research, consults, and utilizes capacity-building to elevate the sustainability of AI systems. As a founding member of Climate Change AI (CCAI) and a board member of Women in Machine Learning (WiML), Sasha is passionate about catalyzing impactful change, organizing events, and serving as a mentor to under-represented minorities within the AI community. She is an AI Researcher & Climate Lead at Hugging Face, an open-source hub for machine learning and natural language processing. https://www.sashaluccioni.com https://huggingface.co/ http://www.climatechange.ai https://wimlworkshop.org…
1 DR. SASHA LUCCIONI - Founding Member Climate Change AI - Climate Lead & AI Researcher - Hugging Face 31:25
What are the pros and cons of AI’s integration into our institutions, political systems, culture, and society? How can we develop AI systems that are more respectful, ethical, and sustainable? Dr. Sasha Luccioni is a leading scientist at the nexus of artificial intelligence, ethics, and sustainability, with a Ph.D. in AI and a decade of research and industry expertise. She spearheads research, consults, and utilizes capacity-building to elevate the sustainability of AI systems. As a founding member of Climate Change AI (CCAI) and a board member of Women in Machine Learning (WiML), Sasha is passionate about catalyzing impactful change, organizing events, and serving as a mentor to under-represented minorities within the AI community. She is an AI Researcher & Climate Lead at Hugging Face, an open-source hub for machine learning and natural language processing. “I think it's kind of important to think about the fact that originally, neural networks were inspired by neurons, really by our brains, but fundamentally, brains are really different than AI models, currently. Brains are quite efficient. For example, we won't be using all of our neurons all the time. If we're recognizing a face, or if we're speaking, or if we're drawing, or if we're watching a movie, or reading a book, there are different zones. And I think that that's kind of the core of the issue because whereas we can kind of use a portion of our brain, depending on the activity, neural networks don't have that built-in efficiency.” https://www.sashaluccioni.com https://huggingface.co/ http://www.climatechange.ai https://wimlworkshop.org…
1 How can enlightened self-interest advance social equity & climate action? - Highlights - DR. SHIV SOMESHWAR 13:14
"Re-living the Memories of an Indian Forester was really a neat way of trying to tell you, the current generation, especially the youngsters, how managing forests is not just black-and-white. It's not that the governments and the state are this kind of 'evil', and then you have NGOs and communities, who are this kind of 'goody two shoes'. And how it's in the gray areas that you can actually make the most effective forest management. How do you actually bring the best of both? Because now we are so careless in the way we approach things we think we understand. And we're dismissive. We are quick to judgment. And that's one thing that I hope that in my class and the current generation really needs to be far more reflective. And not just because something doesn't gel with what they think is the right thing, is the just thing. They can't just dismiss it out of hand." How do urbanization and rural development impact communities differently? How can we make public policy and enlightened self-interest advance climate action? Dr. Shiv Someshwar is a Development Clinician, diagnosing development of cities and nation states. A Visiting Professor at Columbia University, New York and at Sciences Po, Paris, he was the founder chair-holder of the European Chair for Sustainable Development and Climate Transition at Sciences Po. He helped set up the initial national and regional networks of the global Sustainable Development Solutions Network. His publications cover a range of issues: planning, institutions and governance of sustainable development; climate change mitigation, adaptation, risks and offsets; and ecosystem management. He edited Re-living the Memories of an Indian Forester: Memoirs of S. Shyam Sunder and is presently writing The Fallacy of Evidence-Based Policy Making. He convened and chaired the Independent Task Force on Creative Climate Action. Dr. Someshwar received a Ph.D. in urban planning from the University of California, Los Angeles, and he was a Bell-MacArthur fellow at Harvard University. He has two masters’ degrees, on housing and on environmental planning, and is also trained as a professional architect. He has previously worked at the Earth Institute, Columbia University, the Rockefeller Foundation in New York, and the World Bank in Washington D.C. https://www.sciencespo.fr/psia/sites/sciencespo.fr.psia/files/ITFClimateReport_Web.pdf www.amazon.com/Reliving-Memories-Indian-Forester-Memoir/dp/9388337131 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 DR. SHIV SOMESHWAR - Fmr. European Chair for Sustainable Development & Climate Transition - Sciences Po 41:15
How do urbanization and rural development impact communities differently? How can we make public policy and enlightened self-interest advance climate action? Dr. Shiv Someshwar is a Development Clinician, diagnosing development of cities and nation states. A Visiting Professor at Columbia University, New York and at Sciences Po, Paris, he was the founder chair-holder of the European Chair for Sustainable Development and Climate Transition at Sciences Po. He helped set up the initial national and regional networks of the global Sustainable Development Solutions Network. His publications cover a range of issues: planning, institutions and governance of sustainable development; climate change mitigation, adaptation, risks and offsets; and ecosystem management. He edited Re-living the Memories of an Indian Forester: Memoirs of S. Shyam Sunder and is presently writing The Fallacy of Evidence-Based Policy Making. He convened and chaired the Independent Task Force on Creative Climate Action. Dr. Someshwar received a Ph.D. in urban planning from the University of California, Los Angeles, and he was a Bell-MacArthur fellow at Harvard University. He has two masters’ degrees, on housing and on environmental planning, and is also trained as a professional architect. He has previously worked at the Earth Institute, Columbia University, the Rockefeller Foundation in New York, and the World Bank in Washington D.C. "Re-living the Memories of an Indian Forester was really a neat way of trying to tell you, the current generation, especially the youngsters, how managing forests is not just black-and-white. It's not that the governments and the state are this kind of 'evil', and then you have NGOs and communities, who are this kind of 'goody two shoes'. And how it's in the gray areas that you can actually make the most effective forest management. How do you actually bring the best of both? Because now we are so careless in the way we approach things we think we understand. And we're dismissive. We are quick to judgment. And that's one thing that I hope that in my class and the current generation really needs to be far more reflective. And not just because something doesn't gel with what they think is the right thing, is the just thing. They can't just dismiss it out of hand." https://www.sciencespo.fr/psia/sites/sciencespo.fr.psia/files/ITFClimateReport_Web.pdf www.amazon.com/Reliving-Memories-Indian-Forester-Memoir/dp/9388337131 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
Scientists, artists, psychologists, conservationists, and spiritual leaders share their stories and insights on the importance of connecting with nature, preserving the environment, embracing diversity, and finding harmony in the world. Music courtesy of composer Max Richter . All voices in this episode are from our interviews for The Creative Process & One Planet Podcast. 00:05 Adapting to Earth: Indigenous Perspectives TIOKASIN GHOSTHORSE - Founder/Host of First Voices Radio - Founder of Akantu Intelligence https://firstvoicesindigenousradio.org https://akantuintelligence.org 01:06 The Beauty and Fragility of the Natural World APRIL GORNIK - Artist, Environmentalist, Co-founder of The Church: Arts & Creativity Center www.aprilgornik.com www.thechurchsagharbor.org 02:01 The Importance of Whales in Ecosystems NAN HAUSER - Whale Researcher - President, Center for Cetacean Research & Conservation - Director, Cook Islands Whale Research https://whaleresearch.org 03:27 The Importance of Community and Collective Well-being ROBERT WALDINGER - Co-Author of The Good Life: Lessons from the World's Longest Scientific Study of Happiness https://www.robertwaldinger.com 04:19 The Power of Love, Respect, and Unity JULIAN LENNON - Singer-songwriter, Photographer, Doc Filmmaker, Exec. Producer of the films Common Ground & Kiss the Ground https://julianlennon.com https://commongroundfilm.org 05:05 The Importance of Cultural and Scientific Knowledge RUPERT SHELDRAKE - Biologist & Author of The Science Delusion, The Presence of the Past www.sheldrake.org 0:6:18 Mastering Confidence & Human Potential IAN ROBERTSON - Author of How Confidence Works: The New Science of Self-belief - Co-Director of the Global Brain Health Institute https://ianrobertson.org 07:01 The Magic of Coral Reefs GATOR HALPERN - Co-Founder & President of Coral Vita - UN Young Champion of the Earth - Forbes 30 Under 30 Social Entrepreneur https://coralvita.co 08:06 Lessons from Ancient Trees and Tundra DOUG LARSON - Biologist - Expert on Deforestation - Author of Cliff Ecology - The The Dogma Ate My Homework https://experts.uoguelph.ca/doug-larson 09:36 Understanding the Flow of Life MASTER SHI HENG YI - 35th Generation of Shaolin Masters Headmaster of the Shaolin Temple Europe www.shihengyi.online www.shaolintemple.eu Max Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep. Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song. www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 What can thousand-year-old trees teach us about living sustainably on this planet? - Highlights - DOUG LARSON 7:56
“The first guitar I built, I took it to a friend who has a guitar business. And he looked at it and he said this instrument has the approximate shape of a guitar, but it's not a guitar. It's a piece of junk. And he was right. So, what I found is that it's thrilling, as an artist or as a scientist, to pursue something, even if you don't achieve the thing that you're pursuing but it's the attempt that expresses the humanity.” What can thousand-year-old trees teach us about living sustainably? If we want to be sustained by this planet indefinitely, we need to stop trying to suck it dry. Doug Larson is an award winning scientist, author, and Professor Emeritus of Biology at the University of Guelph. He is an expert on deforestation and regularly contributes to The Guardian and other publications. His books include Cliff Ecology: Pattern and Process in Cliff Ecosystems, The Urban Cliff Revolution: New Findings on the Origins and Evolution of Human Habitats, Storyteller Guitar, and The Dogma At My Homework. https://experts.uoguelph.ca/doug-larson https://volumesdirect.com/products/the-dogma-ate-my-homework https://www.cambridge.org/core/books/cliff-ecology/7502E52B487789BEA2CACC4553AA663B https://www.amazon.com/Urban-Cliff-Revolution-Evolution-Habitats/dp/1550419927 https://www.amazon.com/Storyteller-Guitar-Doug-Larson-ebook/dp/B00B9VZQXU www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Image courtesy of Doug Larson…
1 DOUG LARSON - Biologist - Expert on Deforestation - Author of Cliff Ecology - The The Dogma Ate My Homework 42:04
What can thousand-year-old trees teach us about living sustainably? If we want to be sustained by this planet indefinitely, we need to stop trying to suck it dry. Doug Larson is an award winning scientist, author, and Professor Emeritus of Biology at the University of Guelph. He is an expert on deforestation and regularly contributes to The Guardian and other publications. His books include Cliff Ecology: Pattern and Process in Cliff Ecosystems, The Urban Cliff Revolution: New Findings on the Origins and Evolution of Human Habitats, Storyteller Guitar, and The Dogma At My Homework. “The first guitar I built, I took it to a friend who has a guitar business. And he looked at it and he said this instrument has the approximate shape of a guitar, but it's not a guitar. It's a piece of junk. And he was right. So, what I found is that it's thrilling, as an artist or as a scientist, to pursue something, even if you don't achieve the thing that you're pursuing but it's the attempt that expresses the humanity.” https://experts.uoguelph.ca/doug-larson https://volumesdirect.com/products/the-dogma-ate-my-homework https://www.cambridge.org/core/books/cliff-ecology/7502E52B487789BEA2CACC4553AA663B https://www.amazon.com/Urban-Cliff-Revolution-Evolution-Habitats/dp/1550419927 https://www.amazon.com/Storyteller-Guitar-Doug-Larson-ebook/dp/B00B9VZQXU www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Image courtesy of Doug Larson…
1 How can we reverse biodiversity loss and restore our ecosystems? - Highlights - THOMAS
CROWTHER 13:18
“I had a very tangible interaction with a teacher that shaped everything in my life. I'm dyslexic, but I managed to get into a good university in the UK, and I was messing around in a class with 300 students, and the teacher sent me out of the class. But he met me after that class, and he essentially said, ‘What are you doing? Why are you here?’ And I was like, ‘I like ecology, but I just can't keep up. There's too much reading. There's too much statistics.’ And he said, ‘If you like ecology, just find the bits that you like.’ And I just needed to look at the fungi and find them fascinating. And then that gives you positive endorphins when you have a successful experiment. So I just immersed myself in the parts that I enjoyed and through that process, things started to go really well and my degree went really well. And then after that, my career sort of exploded. And genuinely, I know if I had not encountered that professor, there's no way my career would have gone in the direction it has done. And I just think teachers are unbelievable inspirers, not necessarily for the knowledge they give you, but more for just inspiring you to follow your own your own path, your own trajectory.” Although they comprise less than 5% of the world population, Indigenous peoples protect 80% of the Earth’s biodiversity. How can we support farmers, reverse biodiversity loss, and restore our ecosystems? Thomas Crowther is an ecologist studying the connections between biodiversity and climate change. He is a professor in the Department of Environmental Systems Science at ETH Zurich, chair of the advisory council for the United Nations Decade on Ecosystem Restoration, and founder of Restor, an online platform for the global restoration movement, which was a finalist for the Royal Foundation’s Earthshot Prize. In 2021, the World Economic Forum named him a Young Global Leader for his work on the protection and restoration of biodiversity. Crowther’s post-doctoral research transformed the understanding of the world’s tree cover, and the study also inspired the World Economic Forum to announce its Trillion Trees initiative, which aims to conserve and restore one trillion trees globally within the decade. https://crowtherlab.com/about-tom-crowther https://restor.eco/?lat=26&lng=14.23&zoom=3 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 THOMAS CROWTHER - Ecologist - Co-chair of the Board for UN Decade on Ecosystem Restoration - Founder of Restor 43:33
Although they comprise less than 5% of the world population, Indigenous peoples protect 80% of the Earth’s biodiversity. How can we support farmers, reverse biodiversity loss, and restore our ecosystems? Thomas Crowther is an ecologist studying the connections between biodiversity and climate change. He is a professor in the Department of Environmental Systems Science at ETH Zurich, chair of the advisory council for the United Nations Decade on Ecosystem Restoration, and founder of Restor, an online platform for the global restoration movement, which was a finalist for the Royal Foundation’s Earthshot Prize. In 2021, the World Economic Forum named him a Young Global Leader for his work on the protection and restoration of biodiversity. Crowther’s post-doctoral research transformed the understanding of the world’s tree cover, and the study also inspired the World Economic Forum to announce its Trillion Trees initiative, which aims to conserve and restore one trillion trees globally within the decade. “I had a very tangible interaction with a teacher that shaped everything in my life. I'm dyslexic, but I managed to get into a good university in the UK, and I was messing around in a class with 300 students, and the teacher sent me out of the class. But he met me after that class, and he essentially said, ‘What are you doing? Why are you here?’ And I was like, ‘I like ecology, but I just can't keep up. There's too much reading. There's too much statistics.’ And he said, ‘If you like ecology, just find the bits that you like.’ And I just needed to look at the fungi and find them fascinating. And then that gives you positive endorphins when you have a successful experiment. So I just immersed myself in the parts that I enjoyed and through that process, things started to go really well and my degree went really well. And then after that, my career sort of exploded. And genuinely, I know if I had not encountered that professor, there's no way my career would have gone in the direction it has done. And I just think teachers are unbelievable inspirers, not necessarily for the knowledge they give you, but more for just inspiring you to follow your own your own path, your own trajectory.” https://crowtherlab.com/about-tom-crowther https://restor.eco/?lat=26&lng=14.23&zoom=3 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
As we reach the tipping points of climate change, how will our world change? Greenland has already lost 4,700 billion metric tons of ice, an amount that is enough to flood the entire United States in 1.5 feet of water. Peter D. Ditlevsen is an Associate Professor at the Niels Bohr Institute at Copenhagen University. The institute was founded in 1921 as the Institute for Theoretical Physics. Ditlevsen is a Professor in Physics of Ice, Climate, and Earth. His fields of interest include climate research, turbulence, meteorology, complex systems, time series analysis, and statistical physics. "The big problem we have with climate change is that this is not like any other crisis because it influences all parts of life. I'm a physicist. I like doing experiments. I thought, you know, how terrible would it be for me not eat meat, right? You know, I was used to going home on Friday night, putting on a steak, and a bottle of red wine. That was sort of the easy thing, right? So now, I don't buy an expensive steak. I buy some vegetables that are cheaper, okay? So I have money left over. If I spend that money on an airplane ticket somewhere, then it doesn't really matter. That's the spillover effect. I think, in our part of the world, and if we are to be frontrunners, we have to crack that nut. We do like to think that our children should have a better world than we grew up in, and they should be better off and so on. So it should be a different kind of wealth, right? The wealth should not be having a large car and a big house and a lot of goods." https://nbi.ku.dk/english/staff/?pure=en/persons/peter-ditlevsen(77e9801a-6b31-4488-a282-6c99a406a5f1)/cv.html www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
"Clifford Geertz said that human beings uniquely are unfinished animals. And what he meant by that is that we come into the world with some structure, some constraints, some essential knowledge, but very incomplete. And society completes us. And that is not true of most of the other species in the world. They come into the world a lot closer to being complete than we do." Does having too many choices make us unhappy? How can we learn practical wisdom? Dr. Barry Schwartz is the Dorwin P. Cartwright Professor Emeritus of Social Theory and Social Action in the psychology department at Swarthmore College. He is the author of many books, including Why We Work, The Paradox of Choice: Why More Is Less, and co-author of Practical Wisdom: The Right Way to Do the Right Thing. www.swarthmore.edu/profile/barry-schwartz www.simonandschuster.com/books/Why-We-Work/Barry-Schwartz/TED-Books/9781476784861 https://www.harpercollins.com/products/the-paradox-of-choice-barry-schwartz?variant=32207920234530 https://www.penguinrandomhouse.com/books/307231/practical-wisdom-by-barry-schwartz-and-kenneth-sharpe www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo credit: Bill Holsinger-Robinson - CC BY 2.0…
Does having too many choices make us unhappy? How can we learn practical wisdom? Dr. Barry Schwartz is the Dorwin P. Cartwright Professor Emeritus of Social Theory and Social Action in the psychology department at Swarthmore College. He is the author of many books, including Why We Work, The Paradox of Choice: Why More Is Less, and co-author of Practical Wisdom: The Right Way to Do the Right Thing. "Clifford Geertz said that human beings uniquely are unfinished animals. And what he meant by that is that we come into the world with some structure, some constraints, some essential knowledge, but very incomplete. And society completes us. And that is not true of most of the other species in the world. They come into the world a lot closer to being complete than we do." www.swarthmore.edu/profile/barry-schwartz www.simonandschuster.com/books/Why-We-Work/Barry-Schwartz/TED-Books/9781476784861 https://www.harpercollins.com/products/the-paradox-of-choice-barry-schwartz?variant=32207920234530 https://www.penguinrandomhouse.com/books/307231/practical-wisdom-by-barry-schwartz-and-kenneth-sharpe www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo credit: Bill Holsinger-Robinson - CC BY 2.0…
Can we stop talking about growth and mediate an environmental crisis through the structures of capitalism? In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu speaks with Japanese scholar Kohei Saito, whose book, Marx in the Anthropocene sold over half a million copies. In it, Saito shows how late in life Marx came to a richer sense of production when he released that there was a law above the economic as he had conceived it—it was the law of Nature. Marx saw how disturbing Nature’s metabolism could bring about a “rift” that sent destructive ripples across human life. Today we make the connection between that scholarly book and Kohei’s new book, Slow Down!!, which has just come out in English translation. Here he offers a sharp critique of liberal and socialist attempts to “sustain”—like the Green New Deal, and argues for a radical form of degrowth communism that de-celerates our compulsion to add more stuff into the world, in whatever form, and derails our compulsion to sustain, rather than revolutionize. Saito argues that we can lead much happier, and more healthy lives, if we emphasize use value, and revitalize democracy so we all have a hand in deciding what is valuable. “The Green New Deal presents itself as a kind of radical policy. If you look at the content, it's just simply the continuation of what capitalism wants to do. It's a massive investment in new, allegedly green industries, with the creation of more jobs with higher wages, but these are not the things that socialists or any environmentalists should be actually seeking because we recognize that capitalism is basically the root cause of the climate crisis and the misery of the workers. If so, I think it is high time to imagine something radically very different from business-as-usual capitalism.” Kohei Saito as an Associate Professor at the University of Tokyo. He completed his doctorate at the Humboldt University in Berlin. In 2018 he won the prestigious Deutscher Memorial Prize for Marxist research—becoming the first Japanese, and the youngest person, ever to win that prize. His books include: Slow Down! How Degrowth Communism Can Save the World (2023); Marx in the Anthropocene: Towards the Idea of Degrowth Communism (2022), Karl Marx’s Ecosocialism: Capital, Nature, and the Unfinished Critique of Political Economy (2017). https://researchmap.jp/7000022985?lang=en https://www.hachette.com.au/kohei-saito/slow-down-how-degrowth-communism-can-save-the-earth www.palumbo-liu.com https://speakingoutofplace.com https://twitter.com/palumboliu?s=20…
1 SPEAKING OUT OF PLACE: BEN FRANTA on Weaponizing Economics - Big Oil, Economic Consultants & Climate Policy Delay 32:29
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu speaks with noted researcher and scholar Ben Franta about two new articles he has written that add to his growing archive of seminal work on climate change. Ben tells us now the fossil fuel industry paid economists to join scientists in denying the true nature of the fossil fuel industry’s destruction of the environment. Economists argued that even if some science were correct, implementing change would be too costly. This became a powerful tool to stall and kill climate change legislation. Ben also talks about how communities have tried to sue fossil fuel companies for damages incurred by such misinformation and disinformation. In sum, we learn about what the industry has done, and how ordinary people and municipalities can fight back. Benjamin Franta is the founding head of the Climate Litigation Lab and a Senior Research Fellow at the University of Oxford Sustainable Law Programme. The Climate Litigation Lab is a multidisciplinary research initiative to inform, enable, and accelerate climate change litigation globally. Ben is also an Associate at the Institute for New Economic Thinking at the Oxford Martin School and an Associate Member of Nuffield College, Oxford, and a former research fellow at the Belfer Center for Science and International Affairs at the Harvard Kennedy School of Government. He is the recipient of numerous academic and research fellowships including the Stanford Interdisciplinary Graduate Fellowship and the National Science Foundation Graduate Research Fellowship. His research and writing have appeared in 10 languages, been featured in the Paramount+ documentary Black Gold, been cited in the U.S. Congressional Record, and been published in numerous scholarly and popular venues including Nature Climate Change, Global Environmental Change, The Guardian, Project Syndicate, and more. “For 40 years, the American Petroleum Institute has hired economists to argue it would be too expensive to try and control fossil fuels and that climate change wasn't that bad. The same go-to consultancy firm has been involved in every major climate policy fight from the very beginning and hired by the fossil fuel industry, but what are the courts going to do? It's not just the historical deception. It's an ongoing deception.” www.inet.ox.ac.uk/people/benjamin-franta www.smithschool.ox.ac.uk/oxford-sustainable-law-programme/research/climate-litigation-lab www.palumbo-liu.com https://speakingoutofplace.com https://twitter.com/palumboliu?s=20…
1 Highlights - How do we navigate ambiguity, uncertainty & move beyond linear thinking? - RUPERT SHELDRAKE 15:35
"The idea that the laws of nature are fixed is taken for granted by almost all scientists and within physics, within cosmology, it leads to an enormous realm of speculation, which I think is totally unnecessary. We're assuming the laws of nature are fixed. Most of science assumes this, but is it really so in an evolving universe? Why shouldn't the laws evolve? And if we think about that, then we realize that actually, the whole idea of a law of nature is a metaphor. It's based on human laws. I mean, after all, dogs and cats don't obey laws. And in tribes, they don't even have laws. They have customs. So it's only in civilized societies that you have laws. And then if we think through that metaphor, then actually the laws do change. All artists are influenced by other artists and by things in the collective culture, and I think that morphic resonance as collective memory would say that all of us draw unconsciously as well as consciously on a collective memory and all animals draw on a collective memory of their kind as well. We don't know where it comes from, but there's true creativity involved in evolution, both human and natural." How do we navigate ambiguity and uncertainty? Moving beyond linear thinking into instinct and intuition, we might discover other sources within ourselves that lie beyond the boundaries of science and reason. Rupert Sheldrake is a biologist and author best known for his hypothesis of morphic resonance. His many books include The Science Delusion, The Presence of the Past, and Ways to Go Beyond and Why They Work. At Cambridge University, Dr. Sheldrake worked in developmental biology as a fellow of Clare College. From 2005 to 2010, he was director of the Perrott Warrick Project for research on unexplained human and animal abilities, funded by Trinity College Cambridge. He was among the top 100 global thought leaders for 2013, as ranked by the Duttweiler Institute. www.sheldrake.org www.amazon.com/Science-Delusion/dp/1529393221/?tag=sheldrake-20 www.amazon.com/Science-Set-Free-Paths-Discovery/dp/0770436722/?tag=sheldrake-20…
How do we navigate ambiguity and uncertainty? Moving beyond linear thinking into instinct and intuition, we might discover other sources within ourselves that lie beyond the boundaries of science and reason. Rupert Sheldrake is a biologist and author best known for his hypothesis of morphic resonance. His many books include The Science Delusion, The Presence of the Past, and Ways to Go Beyond and Why They Work. At Cambridge University, Dr. Sheldrake worked in developmental biology as a fellow of Clare College. From 2005 to 2010, he was director of the Perrott Warrick Project for research on unexplained human and animal abilities, funded by Trinity College Cambridge. He was among the top 100 global thought leaders for 2013, as ranked by the Duttweiler Institute. "The idea that the laws of nature are fixed is taken for granted by almost all scientists and within physics, within cosmology, it leads to an enormous realm of speculation, which I think is totally unnecessary. We're assuming the laws of nature are fixed. Most of science assumes this, but is it really so in an evolving universe? Why shouldn't the laws evolve? And if we think about that, then we realize that actually, the whole idea of a law of nature is a metaphor. It's based on human laws. I mean, after all, dogs and cats don't obey laws. And in tribes, they don't even have laws. They have customs. So it's only in civilized societies that you have laws. And then if we think through that metaphor, then actually the laws do change. All artists are influenced by other artists and by things in the collective culture, and I think that morphic resonance as collective memory would say that all of us draw unconsciously as well as consciously on a collective memory and all animals draw on a collective memory of their kind as well. We don't know where it comes from, but there's true creativity involved in evolution, both human and natural." www.sheldrake.org www.amazon.com/Science-Delusion/dp/1529393221/?tag=sheldrake-20 www.amazon.com/Science-Set-Free-Paths-Discovery/dp/0770436722/?tag=sheldrake-20…
1 What’s it like to film a supernatural thriller in darkness at minus 17 degrees? - Highlights - FLORIAN HOFFMEISTER 15:35
“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.” How does the place we’re born influence our beliefs? What would it be like to live in a world run by women, where it’s perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO’s True Detective: Night Country with award-winning cinematographer Florian Hoffmeister. Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár. http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo: Jodie Foster, Kali Reis · Photograph by Michele K. Short/HBO…
1 FLORIAN HOFFMEISTER - Cinematographer - True Detective: Night Country starring Jodie Foster & Kali Reis 43:57
How does the place we’re born influence our beliefs? What would it be like to live in a world run by women, where it’s perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO’s True Detective: Night Country with award-winning cinematographer Florian Hoffmeister. Known for his work on Tár, Pachinko, Great Expectations , and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion . His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár. “I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.” http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo credits: Michele K. Short / HBO…
1 SPEAKING OUT OF PLACE: Exploring Plant Intelligence with John Burrows & Paco Calvo 1:22:01
1:22:01 Riproduci in seguito Riproduci in seguito Liste Like Like aggiunto1:22:01
Riproduci in seguito Riproduci in seguito Liste Like Like aggiuntoIn this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu and Azeezah Kanji talk with eminent Anishinaabe legal theorist John Borrows and philosopher Paco Calvo about how we might learn about, learn with, and learn from our plant companions on this earth. Plants show signs of communication and of learning. They produce and respond to many of the same neurochemicals as humans, including anesthetics. They share resources with one another, and when under threat, emit signals of warning and of pain. While Barrows and Calvo both urge us to listen to the Earth, during this conversation we discover that these two thinkers are often listening for different things. The discussion reveals fascinating points of difference and commonality. And in terms of the latter, the point both John and Paco insist upon is that we maintain our separation from other beings at our peril and at a loss. Dr. John Borrows, BA, MA, JD, LLM, PhD, LLD, FRSC, is Canada's pre-eminent legal scholar and a global leader in the field of Indigenous legal traditions and Aboriginal rights. John holds the Canada Research Chair in Indigenous Law at the University of Victoria as well as the Law Foundation Chair in Aboriginal Justice and Governance. Paco Calvo is a renowned cognitive scientist and philosopher of biology, known for his groundbreaking research in the field of plant cognition and intelligence. He is a professor at the University of Murcia in Spain, where he leads the Minimal Intelligence Lab (MINT Lab), focusing on the study of minimal cognition in plants. Calvo’s interdisciplinary work combines insights from biology, philosophy, and cognitive science to explore the fascinating world of plant behavior, decision-making, and problem-solving. https://www.uvic.ca/law/facultystaff/facultydirectory/borrows.php https://www.um.es/mintlab/index.php/about/people/paco-calvo/ 00:02 Introduction to Plant Communication 00:21 Conversation with John Burrows and Paco Calvo 01:11 Challenging Pre-existing Concepts about Intelligence 01:37 Exploring Plant Intelligence 02:32 Understanding Human Intelligence 04:47 Challenging Orthodox Cognitive Psychology 05:34 Ecological Approach to Intelligence 07:26 The Role of Indigenous Knowledge in Understanding Intelligence 09:11 Understanding Anishinaabe Law and Ethical Traditions 12:09 The Role of Treaties in Indigenous Peoples' Relationships with Nature 38:51 The Role of Education in Understanding Ecological Cognition 45:28 The Importance of Experiential Learning and Literacy Beyond Books 46:24 The Power of Ignorance and Openness to Knowledge 50:00 The Ethical Obligations to the More Than Human World 01:07:43 The Role of Religion in Understanding Our Relationship with the More Than Human World 01:16:16 The Importance of Slowing Down to Appreciate Plant Behavior 01:17:39 The Co-Evolutionary Perspective of Life www.palumbo-liu.com https://speakingoutofplace.com https://twitter.com/palumboliu?s=20…
“I tried to go through the history that I know of and the studies that I have researched from where educational processes started. And usually, when I say young, we're talking college age or more. And so I find I just finished a semester at Union Theological Seminary in New York and graduate and postgrad students, they either were angry or sad or just, you know, in shock that they have never heard through the whole semester, after years of study, that they've never heard the Native history as we know it. We've always been overrun with Western historical domination as they see it, that they came here for benevolence, they were brought a civilization, they brought us cars and tech, you know, all these things. It was the ships that came while we stood on the shore, watching the ships come, welcoming, abundance, giving. And then they came and they took what we offered, but they took more . And that's where we're at. And now we're seeing a whole abandonment of spirit and put into the ideas of a dogmatic soul. Where in Native is that we are shown the possibilities, and we're able to choose freely about what we're shown. We're never told to do this or say that or we were shown because it was a living and is a living language. Learning is a living, it's not a stagnant informational data bank. So this is how education is to me.” How can we learn to speak the language of the Earth and cultivate our intuitive intelligence? Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence. https://firstvoicesindigenousradio.org/ https://akantuintelligence.org www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Songs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.…
How can we learn to speak the language of the Earth and cultivate our intuitive intelligence? Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence. “I tried to go through the history that I know of and the studies that I have researched from where educational processes started. And usually, when I say young, we're talking college age or more. And so I find I just finished a semester at Union Theological Seminary in New York and graduate and postgrad students, they either were angry or sad or just, you know, in shock that they have never heard through the whole semester, after years of study, that they've never heard the Native history as we know it. We've always been overrun with Western historical domination as they see it, that they came here for benevolence, they were brought a civilization, they brought us cars and tech, you know, all these things. It was the ships that came while we stood on the shore, watching the ships come, welcoming, abundance, giving. And then they came and they took what we offered, but they took more . And that's where we're at. And now we're seeing a whole abandonment of spirit and put into the ideas of a dogmatic soul. Where in Native is that we are shown the possibilities, and we're able to choose freely about what we're shown. We're never told to do this or say that or we were shown because it was a living and is a living language. Learning is a living, it's not a stagnant informational data bank. So this is how education is to me.” https://firstvoicesindigenousradio.org/ https://akantuintelligence.org www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Songs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.…
"With the speed and the precision of the AI, make no mistake, we are becoming creators of something that is far more advanced than humans. Is this a bad thing? I see it as a very bad thing, but I also see it as a natural evolution. We are becoming creators and in our evolution process, we are evolving ourselves to something much more advanced. It's what the world, what the universe, what nature wants us to become: stronger so we reach our limit in terms of biological capacity. So this is the fascinating thing, the creation and evolution go hand in hand. It's a circle that feeds into each other." Dr. Melvin M. Vopson is Associate Professor of Physics at the University of Portsmouth, Fellow of the Higher Education Academy, Chartered Physicist and Fellow of the Institute of Physics. He is the co-founder and CEO of the Information Physics Institute, editor-in-chief of the IPI Letters and Emerging Minds Journal for Student Research. He is the author of Reality Reloaded: The Scientific Case for a Simulated Universe. Dr. Vopson has a wide-ranging scientific expertise in experimental, applied and theoretical physics that is internationally recognized. He has published over 100 research articles, achieving over 2500 citations. https://www.port.ac.uk/about-us/structure-and-governance/our-people/our-staff/melvin-vopson https://ipipublishing.org/index.php/ipil/RR www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 MELVIN VOPSON - Physicist - Author of Reality Reloaded: The Scientific Case for a Simulated Universe 42:24
Are we living in a Simulated Universe? How will AI impact the future of work, society & education? Dr. Melvin M. Vopson is Associate Professor of Physics at the University of Portsmouth, Fellow of the Higher Education Academy, Chartered Physicist and Fellow of the Institute of Physics. He is the co-founder and CEO of the Information Physics Institute, editor-in-chief of the IPI Letters and Emerging Minds Journal for Student Research. He is the author of Reality Reloaded: The Scientific Case for a Simulated Universe. Dr. Vopson has a wide-ranging scientific expertise in experimental, applied and theoretical physics that is internationally recognized. He has published over 100 research articles, achieving over 2500 citations. "With the speed and the precision of the AI, make no mistake, we are becoming creators of something that is far more advanced than humans. Is this a bad thing? I see it as a very bad thing, but I also see it as a natural evolution. We are becoming creators and in our evolution process, we are evolving ourselves to something much more advanced. It's what the world, what the universe, what nature wants us to become: stronger so we reach our limit in terms of biological capacity. So this is the fascinating thing, the creation and evolution go hand in hand. It's a circle that feeds into each other." https://www.port.ac.uk/about-us/structure-and-governance/our-people/our-staff/melvin-vopson https://ipipublishing.org/index.php/ipil/RR www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
"One of the big differences I've noticed talking with people from more communally oriented cultures is that American culture has a strong emphasis on the individual on individual happiness, individual achievement on individual self-expression. And there are other cultures where the community, the family, and the neighborhood where they live and the well-being of others are paramount and are the first thing they think about. The most exemplary instance of that is in Bhutan, where they can't even propose a law for the legislature to consider unless they have a full section describing the effect on the community of any given law, the effect on the well-being of the whole population. So nothing is about the individual. It's all about the collective." What makes a good life? How important are relationships in helping us lead happy and meaningful lives? Dr. Robert Waldinger is a professor of psychiatry at Harvard Medical School, director of the Harvard Study of Adult Development at Massachusetts General Hospital, and cofounder of the Lifespan Research Foundation. Dr. Waldinger received his AB from Harvard College and his MD from Harvard Medical School. He is a practicing psychiatrist and psychoanalyst, and he directs a psychotherapy teaching program for Harvard psychiatry residents. He is also a Zen master (Roshi) and teaches meditation in New England and around the world. His TED Talk about the Harvard study “What makes a good life?” has been viewed more than 42 million times and is one of the 10 most watched TED Talks ever. He is co-author of The Good Life: Lessons from the World's Longest Scientific Study of Happiness. https://www.robertwaldinger.com/ https://www.simonandschuster.com/books/The-Good-Life/Robert-Waldinger/9781982166694 https://www.adultdevelopmentstudy.org/ https://www.lifespanresearch.org www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 ROBERT WALDINGER - Co-Author of The Good Life: Lessons from the World's Longest Scientific Study of Happiness 38:22
What makes a good life? How important are relationships in helping us lead happy and meaningful lives? Dr. Robert Waldinger is a professor of psychiatry at Harvard Medical School, director of the Harvard Study of Adult Development at Massachusetts General Hospital, and cofounder of the Lifespan Research Foundation. Dr. Waldinger received his AB from Harvard College and his MD from Harvard Medical School. He is a practicing psychiatrist and psychoanalyst, and he directs a psychotherapy teaching program for Harvard psychiatry residents. He is also a Zen master (Roshi) and teaches meditation in New England and around the world. His TED Talk about the Harvard study “What makes a good life?” has been viewed more than 42 million times and is one of the 10 most watched TED Talks ever. He is co-author of The Good Life: Lessons from the World's Longest Scientific Study of Happiness. "One of the big differences I've noticed talking with people from more communally oriented cultures is that American culture has a strong emphasis on the individual on individual happiness, individual achievement on individual self-expression. And there are other cultures where the community, the family, and the neighborhood where they live and the well-being of others are paramount and are the first thing they think about. The most exemplary instance of that is in Bhutan, where they can't even propose a law for the legislature to consider unless they have a full section describing the effect on the community of any given law, the effect on the well-being of the whole population. So nothing is about the individual. It's all about the collective." https://www.robertwaldinger.com/ https://www.simonandschuster.com/books/The-Good-Life/Robert-Waldinger/9781982166694 https://www.adultdevelopmentstudy.org/ https://www.lifespanresearch.org www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Does privacy exist anymore? Or are humans just sets of data to be traded and sold? - Highlights - WENDY WONG 11:43
"Meta reaches between three and four billion people every day through their platforms, right? That's way more people than any government legitimately can claim to govern. And yet this one company with four major platforms that many of us use is able to reach so many people and make decisions about content and access that have real consequences. It's been shown they fueled genocide in multiple places like in Ethiopia and Myanmar. And I think that's exactly why human rights matter because human rights are obligations that states have signed on for, and they're supposed to protect human values. And I think from a human rights perspective, it's important to argue that we shouldn't be collecting certain types of data because it's excessive. It's violating autonomy. It starts violating dignity. And when you start violating autonomy and dignity through the collection of data, you can't just go back and fix that by making it private.” Does privacy exist anymore? Or are humans just sets of data to be traded and sold? Wendy H. Wong is Professor of Political Science and Principal's Research Chair at the University of British Columbia, Okanagan. She is the author of two award-winning books: Internal Affairs: How the Structure of NGOs Transforms Human Rights and (with Sarah S. Stroup) The Authority Trap: Strategic Choices of International NGOs. Her latest book is We, the Data: Human Rights in the Digital Age. www.wendyhwong.com https://mitpress.mit.edu/author/wendy-h-wong-38397 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
Does privacy exist anymore? Or are humans just sets of data to be traded and sold? Wendy H. Wong is Professor of Political Science and Principal's Research Chair at the University of British Columbia, Okanagan. She is the author of two award-winning books: Internal Affairs: How the Structure of NGOs Transforms Human Rights and (with Sarah S. Stroup) The Authority Trap: Strategic Choices of International NGOs. Her latest book is We, the Data: Human Rights in the Digital Age. "Meta reaches between three and four billion people every day through their platforms, right? That's way more people than any government legitimately can claim to govern. And yet this one company with four major platforms that many of us use is able to reach so many people and make decisions about content and access that have real consequences. It's been shown they fueled genocide in multiple places like in Ethiopia and Myanmar. And I think that's exactly why human rights matter because human rights are obligations that states have signed on for, and they're supposed to protect human values. And I think from a human rights perspective, it's important to argue that we shouldn't be collecting certain types of data because it's excessive. It's violating autonomy. It starts violating dignity. And when you start violating autonomy and dignity through the collection of data, you can't just go back and fix that by making it private.” www.wendyhwong.com https://mitpress.mit.edu/author/wendy-h-wong-38397 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 MAX BENNETT - Author of A Brief History of Intelligence: Evolution, AI, and the Five Breakthroughs That Made Our Brains - CEO of Alby 55:39
The more the science of intelligence (both human and artificial) advances, the more it holds the potential for great benefits and dangers to society. Max Bennett is the cofounder and CEO of Alby, a start-up that helps companies integrate large language models into their websites to create guided shopping and search experiences. Previously, Bennett was the cofounder and chief product officer of Bluecore, one of the fastest growing companies in the U.S., providing AI technologies to some of the largest companies in the world. Bluecore has been featured in the annual Inc. 500 fastest growing companies, as well as Glassdoor’s 50 best places to work in the U.S. Bluecore was recently valued at over $1 billion. Bennett holds several patents for AI technologies and has published numerous scientific papers in peer-reviewed journals on the topics of evolutionary neuroscience and the neocortex. He has been featured on the Forbes 30 Under 30 list as well as the Built In NYC’s 30 Tech Leaders Under 30. He is the author of A Brief History of Intelligence: Evolution, AI, and the Five Breakthroughs That Made Our Brains. "I do think there's a very real possibility that we will find that in order to have super-intelligent systems that are energy efficient, we need wetware. I mean, the difference in the energy cost of running ChatGPT versus a human brain is astronomical. A human brain runs on the amount of energy of about a light bulb, which is a crazy thing to realize how energy efficient the thing in our head is that creates all of the amazing intelligence we have, all of the common sense, sentience itself. And ChatGPT, which captures only a small fraction of that is consuming way more energy." www.abriefhistoryofintelligence.com/ www.alby.com www.bluecore.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - JULIAN LENNON - Singer-songwriter, Photographer, Doc Filmmaker, Exec. Producer of Common Ground 17:11
"This is why protecting the indigenous around the world has been an important cause for me because of that history, because of their knowledge, and the potential of losing it forever. I know that around the world that there are groups that are striving and doing the best that they can to maintain and hold onto those languages, doing as much research and capturing as much of that knowledge as possible. You know, fortunately, there are some incredible, dare I say, youngsters these days who are learning, who have such respect for their elders and their history and their past. They are learning the language and holding onto it as best as they can. As I said, I think the fact that it's all being recorded now and put down, and hopefully nothing further bad happens. I think it's key because we've learned so much from the Indigenous. You know, we're part of that history. It's just we've lost our way. They still know where they're going. It's just the rest of us that have been misguided, I would say, in the bigger scheme of things. The other thing was we, you know, for many, I mean we didn't know any better. That's no excuse, but, you know, we all rode on that bandwagon too of enjoying life to the extremes before we knew, really what that meant, how that abused not only people but the Earth. And the situation that we live in, as you see in the film also, I think we're only just seeing the tip of the surface really about the quantity of illness that is coming from the past 50 years of the way things have been done. I mean, the general public didn't know about so, so many of the bad things that were happening. The poisoning, the chemicals in our food, in all of our products, whether it's from, deodorants to hairsprays to makeup. It's really only in the past few years that there's been a decent should I say shift in that world and that finally some companies are taking responsibility for their actions and their positions, and they're trying to change things too. So little by little, little by little, but it's working." How can the arts inspire us to lead lives of greater meaning and connection? What kind of world are we leaving for future generations? Julian Lennon is a Grammy-nominated singer-songwriter, photographer, documentary filmmaker, and NYTimes bestselling author of children's books. Executive Producer of Common Ground and its predecessor Kiss the Ground, which reached over 1 billion people and inspired the US Department of Agriculture (USDA) to put $20 billion toward soil health. The natural world and indigenous people are also the focus of Lennon’s other documentaries Whaledreamers, and Women of the White Buffalo. In 2007, Julian founded the global environmental and humanitarian organization The White Feather Foundation, whose key initiatives are education, health, conservation, and the protection of indigenous culture, causes he also advances through his photography, exhibited across the US and Europe. His latest album Jude spans a body of work created over the last 30 years. Julian was named a Peace Laureate by UNESCO in 2020. https://julianlennon.com https://commongroundfilm.org https://kissthegroundmovie.com https://whitefeatherfoundation.com https://julianlennon.lnk.to/JudeWE https://julianlennon-photography.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 JULIAN LENNON - Singer-songwriter, Photographer, Doc Filmmaker, Exec. Producer of Common Ground 41:31
How can the arts inspire us to lead lives of greater meaning and connection? What kind of world are we leaving for future generations? Julian Lennon is a Grammy-nominated singer-songwriter, photographer, documentary filmmaker, and NYTimes bestselling author of children's books. Executive Producer of Common Ground and its predecessor Kiss the Ground, which reached over 1 billion people and inspired the US Department of Agriculture (USDA) to put $20 billion toward soil health. The natural world and indigenous people are also the focus of Lennon’s other documentaries Whaledreamers, and Women of the White Buffalo. In 2007, Julian founded the global environmental and humanitarian organization The White Feather Foundation, whose key initiatives are education, health, conservation, and the protection of indigenous culture, causes he also advances through his photography, exhibited across the US and Europe. His latest album Jude spans a body of work created over the last 30 years. Julian was named a Peace Laureate by UNESCO in 2020. "This is why protecting the indigenous around the world has been an important cause for me because of that history, because of their knowledge, and the potential of losing it forever. I know that around the world that there are groups that are striving and doing the best that they can to maintain and hold onto those languages, doing as much research and capturing as much of that knowledge as possible. You know, fortunately, there are some incredible, dare I say, youngsters these days who are learning, who have such respect for their elders and their history and their past. They are learning the language and holding onto it as best as they can. As I said, I think the fact that it's all being recorded now and put down, and hopefully nothing further bad happens. I think it's key because we've learned so much from the Indigenous. You know, we're part of that history. It's just we've lost our way. They still know where they're going. It's just the rest of us that have been misguided, I would say, in the bigger scheme of things. The other thing was we, you know, for many, I mean we didn't know any better. That's no excuse, but, you know, we all rode on that bandwagon too of enjoying life to the extremes before we knew, really what that meant, how that abused not only people but the Earth. And the situation that we live in, as you see in the film also, I think we're only just seeing the tip of the surface really about the quantity of illness that is coming from the past 50 years of the way things have been done. I mean, the general public didn't know about so, so many of the bad things that were happening. The poisoning, the chemicals in our food, in all of our products, whether it's from, deodorants to hairsprays to makeup. It's really only in the past few years that there's been a decent should I say shift in that world and that finally some companies are taking responsibility for their actions and their positions, and they're trying to change things too. So little by little, little by little, but it's working." https://julianlennon.com https://commongroundfilm.org https://kissthegroundmovie.com https://whitefeatherfoundation.com https://julianlennon.lnk.to/JudeWE https://julianlennon-photography.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 DUANE L. CADY - Philosopher, Author of Moral Vision: How Everyday Life Shapes Ethical Thinking & From Warism to Pacifism 47:32
How can we resolve conflicts without compromising our ethics and moral vision? Each year, wars are being fought in our name or with our support that citizens never get an opportunity to vote on. How can we make our voices heard? “Warism, taking war for granted as morally acceptable, even morally required, is the primary obstacle to peace.” Duane L. Cady is a philosopher and Professor Emeritus at Hamline University. He was nominated for the 1991 Grawemeyer World Order Award, was named Outstanding Educator of the Year by the United Methodist Foundation for Higher Education, and a festschiff in his honor was published in 2012. Cady is best known for his works on pacifism, including Moral Vision: How Everyday Life Shapes Ethical Thinking, and From Warism to Pacifism: A Moral Continuum. "So we can think about life as an organism or a market, as many do. Or a gift, a machine. And then when you raise other societies, the range gets even bigger. Well, reason can calculate options and guides decisions consistent with these frameworks, but reason cannot tell us which framework to be in. It doesn't prove or provide our conceptual framework. So what I'm saying is that morality is rational, but that it's not something that we could call scientific or mathematical. And in my view, in the last hundred years, philosophy has more and more modeled itself after science and mathematics. So it's gotten more technical and more narrow, very different than it had been for its first couple of millennia. If ethics is to be meaningful in a pluralistic world, we need ways of thinking that can take us beyond both relativism, regarding all moral visions as equal, choice is arbitrary, and dogmatism, regarding one's own moral view as superior to all others and as justifiably imposed on them." https://duanelcady.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 HOWARD GARDNER - Author of A Synthesizing Mind & Frames of Mind: The Theory of Multiple Intelligences - Co-director of The Good Project 50:09
How do we define intelligence? What is the point of creativity and intelligence if we are not creating good in the world? In this age of AI, what is the importance of a synthesizing mind? Howard Gardner, Research Professor of Cognition and Education at the Harvard Graduate School of Education, an author of over 30 books, translated into 32 languages, and several hundred articles, is best known for his theory of multiple intelligences, a critique of the notion that there exists but a single human intelligence that can be assessed by standard psychometric instruments. He has twice been selected by Foreign Policy and Prospect magazines as one of the 100 most influential public intellectuals in the world. In the last few years, Gardner has been studying the nature of human synthesizing, a topic introduced in his 2020 memoir, A Synthesizing Mind. For 28 years, with David Perkins, he was Co-Director of Harvard Project Zero, and in more recent years has served in a variety of leadership positions. Since the middle 1990s, Gardner has directed The Good Project, a group of initiatives, founded in collaboration with psychologists Mihaly Csikszentmihalyi and William Damon. The project promotes excellence, engagement, and ethics in education, preparing students to become good workers and good citizens who contribute to the overall well-being of society. Through research-based concepts, frameworks, and resources, The Good Project seeks to help students reflect upon the ethical dilemmas that arise in everyday life and give them the tools to make thoughtful decisions. “The word engagement doesn't mean anything when you're talking about computational systems. they aren't asked whether they like what they're doing or not, they just do it. But the issue of ethics is very difficult and very complicated. I touched on it earlier. If you're trying to decide what to do in a complicated economics matter, in a complicated military matter, do you leave the decision to the computational system? Or do you have human beings make it alone or in groups? My guess would be you should find out what would various computational systems recommend that the final decisions shouldn't be a majority vote among ChatGPTs. It should be human beings evaluating with these different systems. Recommend and then living with the consequences of human-made decisions. I don't want a decision about whether to have a nuclear weapon shot off to be made by ChatGPT. I would like to think that rational leaders consulting with one another and being very cautious about life-and-death decisions. There are things which large language instruments could recommend which would destroy the planet, but they don't care. It's not their planet.” www.howardgardner.com http://thegoodproject.org https://mitpress.mit.edu/9780262542838/a-synthesizing-mind www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Speaking Out of Place: BILL McKIBBEN, Co-Founder of 350.org, Founder Third Act & CAROLINE LEVINE, Author of The Activist Humanist 36:06
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu talks with legendary climate activist Bill McKibben and scholar Caroline Levine. McKibben relates his long struggle to get companies to divest from fossil fuels and for the world in general to act immediately to seriously and substantially address this existential crisis. Levine tells of her efforts to get the giant pension fund, TIAA-CREF, to divest. She also talks about her new book, The Activist Humanist, and its relation to both her teaching and her activism. Bill McKibben is founder of Third Act, which organizes people over the age of 60 for action on climate and justice. His 1989 book The End of Nature is regarded as the first book for a general audience about climate change, and has appeared in 24 languages. He’s gone on to write 20 books, and his work appears regularly in periodicals from the New Yorker to Rolling Stone. He serves as the Schumann Distinguished Scholar in Environmental Studies at Middlebury College, as a fellow of the American Academy of Arts and Sciences, and he has won the Gandhi Peace Prize as well as honorary degrees from 20 colleges and universities. He was awarded the Right Livelihood Award, sometimes called the alternative Nobel, in the Swedish Parliament. Foreign Policy named him to its inaugural list of the world’s 100 most important global thinkers. McKibben helped found 350.org, the first global grassroots climate campaign, which has organized protests on every continent, including Antarctica, for climate action. He played a leading role in launching the opposition to big oil pipeline projects like Keystone XL, and the fossil fuel divestment campaign, which has become the biggest anti-corporate campaign in history, with endowments worth more than $40 trillion stepping back from oil, gas and coal. He stepped down as board chair of 350 in 2015, and left the board and stepped down from his volunteer role as senior adviser in 2020, accepting emeritus status. He lives in the mountains above Lake Champlain with his wife, the writer Sue Halpern, where he spends as much time as possible outdoors. In 2014, biologists credited his career by naming a new species of woodland gnat—Megophthalmidia mckibbeni–in his honor. Caroline Levine has spent her career asking how and why the humanities and the arts matter, especially in democratic societies. She argues for an understanding of forms and structures as essential both to understanding links between art and society and to the challenge of taking meaningful political action. She is the author of four books. The most recent, The Activist Humanist: Form and Method in the Climate Crisis (Princeton University Press 2023), grows out of the theoretical work of Forms: Whole, Rhythm, Hierarchy, Network (2015, winner of the James Russell Lowell Prize from the MLA, and named one of Flavorwire’s “10 Must-Read Academic Books of 2015”). Levine has also published The Serious Pleasures of Suspense: Victorian Realism and Narrative Doubt (2003, winner of the Perkins Prize for the best book in narrative studies) and Provoking Democracy: Why We Need the Arts (2007). "Viewed one way, we live in a very hopeful moment. Thanks to in large part the work of university scientists and engineers, we now live on a planet where the cheapest way to produce power is to point a sheet of glass at the sun. That is to say, we could run our Earth on energy from heaven instead of hell, and we could do it fast. The fast is the hard part here. The only difference between all the examples of the long victories of social justice activism that we're in now is that this one is a time-limited problem. If we don't solve it fast, then no one's got a plan for how you refreeze the Arctic once you've melted it. And so we have to move very quickly. Our systems are not designed to move quickly. It's the easiest thing in the world to slow down and delay change, which is all that the fossil fuel industry at this point is trying to do, and that means that it's time for maximum effort from all of us. The story to tell is that the planet is outside its comfort zone, so we need to be outside ours." https://billmckibben.com https://350.org https://thirdact.org https://english.cornell.edu/caroline-levine https://press.princeton.edu/books/paperback/9780691250588/the-activist-humanist https://tiaa-divest.org www.palumbo-liu.com https://speakingoutofplace.com https://twitter.com/palumboliu?s=20…
1 GLADYS KALEMA-ZIKUSOKA - Founder/CEO, Conservation Through Public Health - UN Champion of the Earth for Science & Innovation 51:25
How do some people face incredible tragedies and find within these experiences inspiration to improve the lives of others? Our guest today lost her grandfather, who was the assassinated Prime Minister of the Buganda Kingdom, and her father, who was disappeared by Idi Amin, and yet she went on to become a leading conservationist. Dr. Gladys Kalema-Zikusoka is Uganda's first full-time wildlife veterinarian and the Founder and CEO of Conservation Through Public Health. Interested in animals from a young age, she pursued her studies at the Royal Veterinary College at the University of London before returning to Uganda. In the time since, she's worked tirelessly to preserve the animals of Uganda, being awarded the Whitley Gold Award, Sierra Club Earth Care Award, Edinburgh Medal, National Geographic Explorer, and most recently an appointment to become a United Nations Champion of the Earth for Science and Innovation. She is author of Walking with Gorillas: The Journey of an African Wildlife Vet. "When I arrived in the forest, I got sick, I couldn't visit the gorillas for a whole week, and I felt so upset. I was like, 'Oh no, I may never get to see them after wanting to study them for all these years.' But fortunately, I got better. I stopped coughing and sneezing, and then I finally had a chance to see them. And when I got to see them, and I saw how closely connected we are, I could see how it's so easy for us to make them sick. And I felt, why don't I become a full-time wildlife vet? Because up to that point, I thought I wanted to be a vet who also works with wildlife, making sure the gorillas are not getting diseases from tourists, and they're safe. And also bringing the other wildlife back, through translocations moving animals. I did manage to write a letter to the executive director of the National Parks, and I said to him, 'This is what a vet does in wildlife conservation. You need to have a wildlife vet, and I want to be your first wildlife vet in Uganda.' And this was snail mail because there was no email at the time. And a few weeks later, I was pleasantly shocked to get a letter from him saying, 'Come back.' He said, 'Your job is waiting for you. We look forward to seeing you after you finish your studies!' I was like, wow, he's convinced by what I wrote. And in January, I started as Uganda's first wildlife vet, which is a very exciting first job." www.ctph.org https://www.skyhorsepublishing.com/9781950994267/walking-with-gorillas/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
A recent UN report shows that women are underrepresented at all levels of decision-making worldwide. They say that women in executive government positions and gender equality in the highest positions of power will not be reached for another 130 years. How can we close the gender gap and achieve true representation? With a distinguished career in public service, Mary Hayashi has spearheaded substantial reforms in mental health services, championed gender equality, and forged powerful, unprecedented partnerships for social causes that previously had no financial or public backing. Recognized as “Legislator of the Year” by the American Red Cross and the California Medical Association, Mary has also been featured on Redbook’s “Mothers and Shakers” list and Ladies’ Home Journal ’s “Women to Watch.” Mary remains a steadfast proponent of social justice expansion and the rights of underrepresented communities. She is author of Far From Home: Shattering the Myth of the Model Minority, and Women in Politics: Breaking Down the Barriers to Achieve True Representation. "One of the studies I mentioned in the book is people don't see women as leaders and the barriers you experience as a candidate during a campaign. And even after you win and you're serving inside the government, there are still challenges to overcome. Last year, we had a record number of women elected and becoming leaders in government positions, but it doesn't mean their path is easy or it's set. Because of gender bias, women are supposed to be coalition builders and not supposed to be ambitious. One of the things that I talk a lot about is the ambition gap. When women show ambition, we're penalized. People are often suspicious of our motivation. It's like, why is she running? What is she about? And being an Asian American woman, I was perceived by my colleagues after I won and chaired one of the most powerful policy committees in the legislature, I often felt like people didn't know how to engage with me as a peer. They'd never seen an Asian American woman in that role before and so they would criticize me for being too ambitious or too aggressive, or too opinionated. And that really takes a toll on you just emotionally. I wasn't raised that way, but when you have an opinion, people are just not used to seeing Asian women as peers in that role and that really needs to change. And I think it will over time as they see more people like us serving in leadership roles." www.maryhayashi.com https://womeninpoliticsbook.org www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 What distinguishes our consciousness from AI & machine learning? Highlights: LIAD MUDRIK - Neuroscientist, Tel Aviv University 14:57
"I don't think that there is any experience experiment that could tell you if there is a soul that is nonphysical. I think that at the end of the day, this is for a philosophical and metaphysical discussion that could be determined by arguments and not experiments. I am a physicalist. So I think that our mind is magnificent, amazing, and physical. And I agree with you, we can change by changing the way we think. We can influence our body. Let's just think about the placebo. It's probably one of the most robust phenomena we know in medicine, right? They give you a fake pill, and you start to feel better. Why? Because of the way we perceive ourselves. That doesn't mean that we can counteract every disease by thinking positively, but there is a very strong bond between mind and body and brain. And I would argue that everything in that bond happens within the physical domain." How we think, feel, and experience the world is a mystery. What distinguishes our consciousness from AI and machine learning? Liad Mudrik studies high level cognition and its neural substrates, focusing on conscious experience. She teaches at the School of Psychological Sciences at Tel Aviv University. At her research lab, her team is currently investigating the functionality of consciousness, trying to unravel the depth and limits of unconscious processing, and also researching the ways semantic relations between concepts and objects are formed and detected. https://people.socsci.tau.ac.il/mu/mudriklab https://people.socsci.tau.ac.il/mu/mudriklab/people/#gkit-popup www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
How we think, feel, and experience the world is a mystery. What distinguishes our consciousness from AI and machine learning? Liad Mudrik studies high level cognition and its neural substrates, focusing on conscious experience. She teaches at the School of Psychological Sciences at Tel Aviv University. At her research lab, her team is currently investigating the functionality of consciousness, trying to unravel the depth and limits of unconscious processing, and also researching the ways semantic relations between concepts and objects are formed and detected. "I don't think that there is any experience experiment that could tell you if there is a soul that is nonphysical. I think that at the end of the day, this is for a philosophical and metaphysical discussion that could be determined by arguments and not experiments. I am a physicalist. So I think that our mind is magnificent, amazing, and physical. And I agree with you, we can change by changing the way we think. We can influence our body. Let's just think about the placebo. It's probably one of the most robust phenomena we know in medicine, right? They give you a fake pill, and you start to feel better. Why? Because of the way we perceive ourselves. That doesn't mean that we can counteract every disease by thinking positively, but there is a very strong bond between mind and body and brain. And I would argue that everything in that bond happens within the physical domain." https://people.socsci.tau.ac.il/mu/mudriklab https://people.socsci.tau.ac.il/mu/mudriklab/people/#gkit-popup www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - UN Young Champion of the Earth GATOR HALPERN - Co-Founder & President of Coral Vita - Forbes 30 Under 30 Social Entrepreneur 12:03
“Coral reefs are the most biodiverse habitat on the planet, despite covering less than 1 percent of the ocean area, over a quarter of all marine life exists in these rainforests of the sea. And if you think of a coral reef as a rainforest, the trees are the coral themselves. Which are incredible organisms, so, magic is really the right word to describe them. They're these animals that are one of the original forms of animal life, the second branch of the animal kingdom is actually Cnidaria, which includes coral and jellyfish. So, an ancient animal, but they have a symbiotic relationship with algae, and so inside the animal tissue are these zooxanthellae, these algae that do photosynthesis, like algae do, like plants do. It's able to capture sunlight and convert it into sugars and energy. And so, it's an animal, but it's got plants that live inside it, this algae, and then even more wild - it grows a skeleton that is rock! So coral skeleton is actually calcium carbonate, which is limestone. And most of the limestone that exists on the earth was grown by these organisms. And so they're animals with plants inside of them that grow rock as skeleton. And the rock skeletons form these incredibly intricate structures that are coral reefs that can grow for thousands of miles and the corals can live for thousands of years to be seen from space and to create these essential ecosystems that are really the cornerstone of all of life in the ocean and, and therefore much of life on Earth.” Coral reefs are the most biodiverse habitat on the planet, despite covering less than 1 percent of the ocean. Over a quarter of all marine life exists in these rain forests of the sea. Gator Halpern is the Co-founder and President of Coral Vita, a mission-driven company working to restore our world’s dying coral reefs. He is a lifelong entrepreneur who is passionate about starting projects that can help create a better harmony between society and nature. His work has earned him a number of awards including being named a United Nation’s Young Champion of the Earth, a Forbes 30 Under 30 social entrepreneur, and an Echoing Green fellow. Before founding Coral Vita, he worked on development projects in Brazil, Peru, and South Africa. During his career, he has helped distribute millions of baby fish for aquaculture to remote villages in the Amazon, he’s analyzed the environmental effects of land-use change projects on three different continents, and worked for the World Wildlife Fund Global Marine Program. Gator founded Coral Vita during his graduate studies at the Yale School of Forestry and Environmental Studies, and he lives and works in the Bahamas where Coral Vita operates the world’s first commercial land-based coral farm for reef restoration. https://coralvita.co www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 GATOR HALPERN - Co-Founder & President of Coral Vita - UN Young Champion of the Earth - Forbes 30 Under 30 Social Entrepreneur 46:41
Coral reefs are the most biodiverse habitat on the planet, despite covering less than 1 percent of the ocean. Over a quarter of all marine life exists in these rain forests of the sea. Gator Halpern is the Co-founder and President of Coral Vita, a mission-driven company working to restore our world’s dying coral reefs. He is a lifelong entrepreneur who is passionate about starting projects that can help create a better harmony between society and nature. His work has earned him a number of awards including being named a United Nation’s Young Champion of the Earth, a Forbes 30 Under 30 social entrepreneur, and an Echoing Green fellow. Before founding Coral Vita, he worked on development projects in Brazil, Peru, and South Africa. During his career, he has helped distribute millions of baby fish for aquaculture to remote villages in the Amazon, he’s analyzed the environmental effects of land-use change projects on three different continents, and worked for the World Wildlife Fund Global Marine Program. Gator founded Coral Vita during his graduate studies at the Yale School of Forestry and Environmental Studies, and he lives and works in the Bahamas where Coral Vita operates the world’s first commercial land-based coral farm for reef restoration. “Coral reefs are the most biodiverse habitat on the planet, despite covering less than 1 percent of the ocean area, over a quarter of all marine life exists in these rainforests of the sea. And if you think of a coral reef as a rainforest, the trees are the coral themselves. Which are incredible organisms, so, magic is really the right word to describe them. They're these animals that are one of the original forms of animal life, the second branch of the animal kingdom is actually Cnidaria, which includes coral and jellyfish. So, an ancient animal, but they have a symbiotic relationship with algae, and so inside the animal tissue are these zooxanthellae, these algae that do photosynthesis, like algae do, like plants do. It's able to capture sunlight and convert it into sugars and energy. And so, it's an animal, but it's got plants that live inside it, this algae, and then even more wild - it grows a skeleton that is rock! So coral skeleton is actually calcium carbonate, which is limestone. And most of the limestone that exists on the earth was grown by these organisms. And so they're animals with plants inside of them that grow rock as skeleton. And the rock skeletons form these incredibly intricate structures that are coral reefs that can grow for thousands of miles and the corals can live for thousands of years to be seen from space and to create these essential ecosystems that are really the cornerstone of all of life in the ocean and, and therefore much of life on Earth.” https://coralvita.co www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - LEAH THOMAS - Author of The Intersectional Environmentalist: How to Dismantle Systems of Oppression to Protect People + Planet 10:34
"Learning about environmentalism in school, you look at specific figures like John Muir, etc. And I wanted people to also have that association when it came to the environmental justice movement because I think sometimes that really is a helpful learning tool for students. So in particular, Hazel M. Johnson, I'm so fascinated by her because she's often not really written about in environmental textbooks at all. She was just a woman in Chicago who had no environmental experience, but she started realizing that a lot of people in her community, including her husband, were getting all sorts of forms of cancers and other heart diseases and things like that at what she suspected were alarming rates. So when she investigated, she found that her neighborhood was built on top of toxic waste and other things, and she defined this term called a toxic doughnut that her community and so many other communities that were similar to hers that were lower income and primarily Black neighborhoods that were formerly redlined were surrounded by a toxic doughnut of waste, of landfills, highways running through their neighborhoods, and sometimes even buried radioactive waste, etc. So she was one of the first people who really made a stir about this, and I think something that's really cool in her work, and then also Dr. Robert Bullard, to formalize that research or that hunch that she had and produced the first study on toxic waste and race and really made the field of environmental justice is that they also were really just faith-based people that spoke about this amongst their churches. And I think again, that's something that's really cool because in the environmental or scientific community, sometimes people do try to separate faith advocacy from science. However, these are people who were mobilizing in their churches and talking about it in their sermons and seeing how they could transform their communities to be better for people and the planet. So I think it's just a great story, and I really want people to know the names of people like Hazel Johnson and Dr. Robert Bullard just like they know the names of people like John Muir because they've done such a beautiful job, and I want their legacies to be remembered." Leah Thomas is an intersectional environmental activist and eco-communicator based in Southern California. She’s passionate about advocating for and exploring the relationship between social justice and environmentalism and was the first to define the term “Intersectional Environmentalism.” She is the founder of @greengirlleah and The Intersectional Environmentalist platform. Her articles on this topic have appeared in Vogue, Elle, The Good Trade, and Youth to the People and she has been featured in Harper’s Bazaar, W Magazine, Domino, GOOP, Fashionista, BuzzFeed, and numerous podcasts. She has a B.S. in Environmental Science and Policy from Chapman University and worked for the National Park Service and Patagonia headquarters before pursuing activism full time. She lives in Carpinteria, California. She is the author of The Intersectional Environmentalist: How to Dismantle Systems of Oppression to Protect People + Planet, and Winner of the Creative Force Foundation Award 2023. www.intersectionalenvironmentalist.com www.instagram.com/greengirlleah www.hachettebookgroup.com/titles/leah-thomas/the-intersectional-environmentalist/9780316281935/?lens=voracious Season 2 of Business & Society focuses on CEOs , Sustainability & Environmental Solutions Business & Society is a limited series co-hosted by Bruce Piasecki & Mia Funk www.oneplanetpodcast.org…
1 LEAH THOMAS - Author of The Intersectional Environmentalist - Founder of IE Platform & @GreenGirlLeah 36:35
Leah Thomas is an intersectional environmental activist and eco-communicator based in Southern California. She’s passionate about advocating for and exploring the relationship between social justice and environmentalism and was the first to define the term “Intersectional Environmentalism.” She is the founder of @greengirlleah and The Intersectional Environmentalist platform. Her articles on this topic have appeared in Vogue, Elle, The Good Trade, and Youth to the People and she has been featured in Harper’s Bazaar, W Magazine, Domino, GOOP, Fashionista, BuzzFeed, and numerous podcasts. She has a B.S. in Environmental Science and Policy from Chapman University and worked for the National Park Service and Patagonia headquarters before pursuing activism full time. She lives in Carpinteria, California. She is the author of The Intersectional Environmentalist: How to Dismantle Systems of Oppression to Protect People + Planet, and Winner of the Creative Force Foundation Award 2023. "Learning about environmentalism in school, you look at specific figures like John Muir, etc. And I wanted people to also have that association when it came to the environmental justice movement because I think sometimes that really is a helpful learning tool for students. So in particular, Hazel M. Johnson, I'm so fascinated by her because she's often not really written about in environmental textbooks at all. She was just a woman in Chicago who had no environmental experience, but she started realizing that a lot of people in her community, including her husband, were getting all sorts of forms of cancers and other heart diseases and things like that at what she suspected were alarming rates. So when she investigated, she found that her neighborhood was built on top of toxic waste and other things, and she defined this term called a toxic doughnut that her community and so many other communities that were similar to hers that were lower income and primarily Black neighborhoods that were formerly redlined were surrounded by a toxic doughnut of waste, of landfills, highways running through their neighborhoods, and sometimes even buried radioactive waste, etc. So she was one of the first people who really made a stir about this, and I think something that's really cool in her work, and then also Dr. Robert Bullard, to formalize that research or that hunch that she had and produced the first study on toxic waste and race and really made the field of environmental justice is that they also were really just faith-based people that spoke about this amongst their churches. And I think again, that's something that's really cool because in the environmental or scientific community, sometimes people do try to separate faith advocacy from science. However, these are people who were mobilizing in their churches and talking about it in their sermons and seeing how they could transform their communities to be better for people and the planet. So I think it's just a great story, and I really want people to know the names of people like Hazel Johnson and Dr. Robert Bullard just like they know the names of people like John Muir because they've done such a beautiful job, and I want their legacies to be remembered." www.intersectionalenvironmentalist.com www.instagram.com/greengirlleah www.hachettebookgroup.com/titles/leah-thomas/the-intersectional-environmentalist/9780316281935/?lens=voracious Season 2 of Business & Society focuses on CEOs , Sustainability & Environmental Solutions Business & Society is a limited series co-hosted by Bruce Piasecki & Mia Funk www.oneplanetpodcast.org…
1 Highlights - ANDREW KLAVAN - Journalist, Podcast Host, Author of True Crime - The House of Love and Death - Don’t Say a Word 9:48
"I'm not against AI. I'm not against technology. I'm not against enhancements. You wear glasses. I wear glasses. That enhances your body, but you want to enhance yourself in such a way that you are following your humanity to the next step? There's no reason that tools can't improve your humanity, but to go beyond your humanity or away from your humanity is a mistake. And so, until we ask ourselves these central basic questions. What am I? What am I doing here? How can we know whether we should use a machine or not? Because there's always going to be some billionaire idiot who thinks he's the smartest person on earth telling us we've got to implant this thing in our brain, or we're going to be less than the guy next to us." What makes a good drama? What advantages do human storytellers have over their AI counterparts? Where do ideas come from? And what do spiritual beliefs share with artists' faith in the creative process? Andrew Klavan is the author of such internationally bestselling crime novels as True Crime, filmed by Clint Eastwood, Don’t Say A Word, filmed starring Michael Douglas, Empire of Lies and When Christmas Comes. He has been nominated for the Mystery Writers of America’s Edgar Award five times and has won twice. He wrote the screenplays to A Shock to The System starring Michael Caine, One Missed Call starring Edward Burns, and Gosnell: The Trial of America’s Biggest Serial Killer starring Dean Cain. His essays have appeared in the Wall Street Journal, The New York Times, and the Los Angeles Times, his political satire videos have been viewed by tens of millions of people, and he hosts a popular podcast The Andrew Klavan Show at the Daily Wire. He is also the author of a memoir about his religious journey The Great Good Thing: A Secular Jew Comes to Faith in Christ and the USA Today bestseller The Truth and Beauty: How the Lives and Works of England's Greatest Poets Point the Way to a Deeper Understanding of the Words of Jesus. His latest crime novel is The House of Love and Death, the third book in the Cameron Winter series. www.andrewklavan.com www.amazon.com/House-Death-Cameron-Winter-Mysteries/dp/1613164467 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 ANDREW KLAVAN - Edgar Award-winning Author of The House of Love and Death - True Crime - Don’t Say a Word 52:39
What makes a good drama? What advantages do human storytellers have over their AI counterparts? Where do ideas come from? And what do spiritual beliefs share with artists' faith in the creative process? Andrew Klavan is the author of such internationally bestselling crime novels as True Crime, filmed by Clint Eastwood, Don’t Say A Word, filmed starring Michael Douglas, Empire of Lies and When Christmas Comes. He has been nominated for the Mystery Writers of America’s Edgar Award five times and has won twice. He wrote the screenplays to A Shock to The System starring Michael Caine, One Missed Call starring Edward Burns, and Gosnell: The Trial of America’s Biggest Serial Killer starring Dean Cain. His essays have appeared in the Wall Street Journal, The New York Times, and the Los Angeles Times, his political satire videos have been viewed by tens of millions of people, and he hosts a popular podcast The Andrew Klavan Show at the Daily Wire. He is also the author of a memoir about his religious journey The Great Good Thing: A Secular Jew Comes to Faith in Christ and the USA Today bestseller The Truth and Beauty: How the Lives and Works of England's Greatest Poets Point the Way to a Deeper Understanding of the Words of Jesus. His latest crime novel is The House of Love and Death, the third book in the Cameron Winter series. "I'm not against AI. I'm not against technology. I'm not against enhancements. You wear glasses. I wear glasses. That enhances your body, but you want to enhance yourself in such a way that you are following your humanity to the next step? There's no reason that tools can't improve your humanity, but to go beyond your humanity or away from your humanity is a mistake. And so, until we ask ourselves these central basic questions. What am I? What am I doing here? How can we know whether we should use a machine or not? Because there's always going to be some billionaire idiot who thinks he's the smartest person on earth telling us we've got to implant this thing in our brain, or we're going to be less than the guy next to us." www.andrewklavan.com www.amazon.com/House-Death-Cameron-Winter-Mysteries/dp/1613164467 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - MICHAEL S. ROTH - President of Wesleyan University - Author of The Student: A Short History 12:42
“So I wrote this book and it was a lot of fun because I had to learn so much. The book examines three iconic teachers: Confucius, Socrates, and Jesus. And I look at how each of those teachers encourage a certain kind of student. The student as follower, someone who will take on the path that you've developed. In the case of Socrates, the student as critical interlocutor or critical conversation partner, someone who will, in dialogue with you, learn what they don't know, how to take things apart. And in the case of Jesus and the apostles, I look at trying to imitate a way of life to transform themselves to strive towards being the kind of person that Jesus incarnated. And so that's the beginning of the book, these models of studenthood, if I could use that word, and being a teacher. And then I look at the way in which these ideas reverberate in the West across a long period of time. So I'm interested in the idea of the student before there were schools. What did we expect young people to learn even when they weren't going to school?” What is the purpose of education? How are we educating students for the future? What is the importance of the humanities in this age of AI and the rapidly changing workplace? Michael S. Roth is President of Wesleyan University. His books include Beyond the University: Why Liberal Education Matters and Safe Enough Spaces: A Pragmatist’s Approach to Inclusion, Free Speech, and Political Correctness on College Campuses. He's been a Professor of History and the Humanities since 1983, was the Founding Director of the Scripps College Humanities Institute, and was the Associate Director of the Getty Research Institute. His scholarly interests center on how people make sense of the past, and he has authored eight books around this topic, including his latest, The Student: A Short History. https://www.wesleyan.edu/academics/faculty/mroth/profile.html https://yalebooks.yale.edu/book/9780300250039/the-student/ www.wesleyan.edu https://twitter.com/mroth78 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
What is the purpose of education? How are we educating students for the future? What is the importance of the humanities in this age of AI and the rapidly changing workplace? Michael S. Roth is President of Wesleyan University. His books include Beyond the University: Why Liberal Education Matters and Safe Enough Spaces: A Pragmatist’s Approach to Inclusion, Free Speech, and Political Correctness on College Campuses. He's been a Professor of History and the Humanities since 1983, was the Founding Director of the Scripps College Humanities Institute, and was the Associate Director of the Getty Research Institute. His scholarly interests center on how people make sense of the past, and he has authored eight books around this topic, including his latest, The Student: A Short History. “There's definitely a shift that occurs in the West from education is really giving you the ability to take your place in society, to education as being able to create your space in society. And so for most of human history in the West, education was to show you where you would fit in, and you may have had a couple of options or not, but you were going to fit in, and you were educated in such a way as to enable that fitting. In the modern period that changes. It's less about fitting in than it is about opening a space for flourishing or for creativity or freedom. And I spend a fair amount of time in the book on college students and those privileged folks who get to extend their formal education in ways that are supposed to open themselves up to creativity, transformation, and eventually participation in the system. That creates their schools in the first place.” https://www.wesleyan.edu/academics/faculty/mroth/profile.html https://yalebooks.yale.edu/book/9780300250039/the-student/ www.wesleyan.edu https://twitter.com/mroth78 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - BRIAN DAVID JOHNSON - Director of the ASU Threatcasting Lab - Author of The Future You 11:00
"Being worried about the future is just that, it's worrying. Think about how much time and energy you spend worrying about stuff that hasn't happened, and maybe even never will. But what if you instead put all of your energy towards the creation of a positive and lasting future? I think the most important thing that I would like young people to know is that they can build their future. That they have the power and they have the agency to shape their future and they have the ability and the power when working with others to have an even broader impact. The thing that scares me the most about the future is when people give up that agency and they let other people design their futures for them. For me, I think it's incredibly powerful to go to young people and say you can do it. But also you need to tell me what you want. And I think empowering them to have a vision for the future, that's why I spend so much time in schools and talking to young people because it's those visions that I think are incredibly important." Brian David Johnson is Futurist in Residence at Arizona State University’s Center for Science and the Imagination, a professor in the School for the Future of Innovation in Society, and the Director of the ASU Threatcasting Lab. He is Author of The Future You: How to Create the Life You Always Wanted, Science Fiction Prototyping: Designing the Future with Science Fiction, 21st Century Robot: The Dr. Simon Egerton Stories, Humanity in the Machine: What Comes After Greed?, Screen Future: The Future of Entertainment, Computing, and the Devices We Love. https://csi.asu.edu/people/brian-david-johnson/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 BRIAN DAVID JOHNSON - Author of The Future You: How to Create the Life You Always Wanted - Futurist in Residence, ASU’s Center for Science & the Imagination 47:16
Brian David Johnson is Futurist in Residence at Arizona State University’s Center for Science and the Imagination, a professor in the School for the Future of Innovation in Society, and the Director of the ASU Threatcasting Lab. He is Author of The Future You: How to Create the Life You Always Wanted, Science Fiction Prototyping: Designing the Future with Science Fiction, 21st Century Robot: The Dr. Simon Egerton Stories, Humanity in the Machine: What Comes After Greed?, Screen Future: The Future of Entertainment, Computing, and the Devices We Love. "Being worried about the future is just that, it's worrying. Think about how much time and energy you spend worrying about stuff that hasn't happened, and maybe even never will. But what if you instead put all of your energy towards the creation of a positive and lasting future? I think the most important thing that I would like young people to know is that they can build their future. That they have the power and they have the agency to shape their future and they have the ability and the power when working with others to have an even broader impact. The thing that scares me the most about the future is when people give up that agency and they let other people design their futures for them. For me, I think it's incredibly powerful to go to young people and say you can do it. But also you need to tell me what you want. And I think empowering them to have a vision for the future, that's why I spend so much time in schools and talking to young people because it's those visions that I think are incredibly important." https://csi.asu.edu/people/brian-david-johnson/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - SUSAN SCHNEIDER - Author of Artificial You: AI and the Future of Your Mind, Fmr. Distinguished Scholar, US Library of Congress 13:08
"I think people need to remember consciousness. I think it's the most central aspect of our existence. And I think we need to remember to appreciate that felt quality of experience and know what it is and know what it is not. So as we move forward and deliberate over the human future and grasp machine intelligence and see it increasing and improving, we need to understand what's distinctive about us. And I think having a better scientific and philosophical understanding of these questions is very important." Will AI become conscious? President Biden has just unveiled a new executive order on AI — the U.S. government’s first action of its kind — requiring new safety assessments, equity and civil rights guidance, and research on AI’s impact on the labor market. With this governance in place, can tech companies be counted on to do the right thing for humanity? Susan Schneider is a philosopher, artificial intelligence expert, and founding director of the Center for the Future Mind at Florida Atlantic University. She is author of Artificial You: AI and the Future of Your Mind, Science Fiction and Philosophy: From Time Travel to Superintelligence, and The Blackwell Companion to Consciousness. She held the NASA Chair with NASA and the Distinguished Scholar Chair at the Library of Congress. She is now working on projects related to advancements in AI policy and technology, drawing from neuroscience research and philosophical developments and writing a new book on the shape of intelligent systems. www.fau.edu/artsandletters/philosophy/susan-schneider/index www.fau.edu/future-mind/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
Will AI become conscious? President Biden has just unveiled a new executive order on AI — the U.S. government’s first action of its kind — requiring new safety assessments, equity and civil rights guidance, and research on AI’s impact on the labor market. With this governance in place, can tech companies be counted on to do the right thing for humanity? Susan Schneider is a philosopher, artificial intelligence expert, and founding director of the Center for the Future Mind at Florida Atlantic University. She is author of Artificial You: AI and the Future of Your Mind, Science Fiction and Philosophy: From Time Travel to Superintelligence, and The Blackwell Companion to Consciousness. She held the NASA Chair with NASA and the Distinguished Scholar Chair at the Library of Congress. She is now working on projects related to advancements in AI policy and technology, drawing from neuroscience research and philosophical developments and writing a new book on the shape of intelligent systems. "I think people need to remember consciousness. I think it's the most central aspect of our existence. And I think we need to remember to appreciate that felt quality of experience and know what it is and know what it is not. So as we move forward and deliberate over the human future and grasp machine intelligence and see it increasing and improving, we need to understand what's distinctive about us. And I think having a better scientific and philosophical understanding of these questions is very important." www.fau.edu/artsandletters/philosophy/susan-schneider/index www.fau.edu/future-mind/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
What will the future look like? What are the risks and opportunities of AI? What role can we play in designing the future we want to live in? Voices of philosophers, futurists, AI experts, science fiction authors, activists, and lawyers reflecting on AI, technology, and the Future of Humanity. All voices in this episode are from our interviews for The Creative Process & One Planet Podcast. Voices on this episode are: DR. SUSAN SCHNEIDER American philosopher and artificial intelligence expert. She is the founding director of the Center for the Future Mind at Florida Atlantic University. Author of Artificial You: AI and the Future of Your Mind, Science Fiction and Philosophy: From Time Travel to Superintelligence, and The Blackwell Companion to Consciousness. www.fau.edu/artsandletters/philosophy/susan-schneider/index NICK BOSTROM Founder and Director of the Future of Humanity Institute, University of Oxford, Philosopher, Author of NYTimes Bestseller Superintelligence: Paths, Dangers, Strategies. Bostrom’s academic work has been translated into more than 30 languages. He is a repeat main TED speaker and has been on Foreign Policy’s Top 100 Global Thinkers list twice and was included in Prospect’s World Thinkers list, the youngest person in the top 15. https://nickbostrom.com https://www.fhi.ox.ac.uk BRIAN DAVID JOHNSON Futurist in residence at Arizona State University’s Center for Science and the Imagination, a professor in the School for the Future of Innovation in Society and the Director of the ASU Threatcasting Lab. He is Author of The Future You: How to Create the Life You Always Wanted, Science Fiction Prototyping: Designing the Future with Science Fiction, 21st Century Robot: The Dr. Simon Egerton Stories, Humanity in the Machine: What Comes After Greed?, Screen Future: The Future of Entertainment, Computing, and the Devices We Love. https://csi.asu.edu/people/brian-david-johnson DEAN SPADE Professor at SeattleU’s School of Law, Author of Mutual Aid, Building Solidarity During This Crisis (and the Next), and Normal Life: Administrative Violence, Critical Trans Politics, and the Limits of Law. www.deanspade.net ALLEN STEELE Science Fiction Author. He has been awarded a number of Hugos, Asimov's Readers, and Locus Awards. of the Coyote Trilogy, Arkwright, and other books. His books include Coyote Trilogy and Arkwright. He is a former member of the Board of Directors and Board of Advisors for the Science Fiction and Fantasy Writers of America. He has also served as an advisor for the Space Frontier Foundation. In 2001, he testified before the Subcommittee on Space and Aeronautics of the U.S. House of Representatives in hearings regarding space exploration in the 21st century. www.allensteele.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - DAVID BYRNE'S THEATER OF THE MIND - Stories of Impact - Nicholas Bruckman, John Tracey, Ian Moubayed 13:28
"You start the film with: Who is David Byrne? And he's a little taken aback by the question." "So who are you? What is your sense of self and consciousness?" Ian Moubayed: I think, as David Byrne said, "People are not static. We're ever-evolving." And so I'm not the same person that I was when I was a kid. And so, right now, I'm a filmmaker, I'm a New Yorker, but we're constantly changing, and I'm sure I'll be different in five years from now. John Tracey: To me, it evokes this question: Is who you are communicable? And whether it is possible for other people, beyond maybe one or two or none, to know that? And it's funny because the Theater of Mind show plays with that and, without giving too much away, each time you go through the show, it's not going to be the same experience as you had maybe the last time. Nicholas Bruckman: Yeah, it's an uncomfortable question to be confronted with. And I think there's the me that's on this podcast right now. That's maybe more presentational than me over a beer with Ian or with my family or partner. And going back to the meta-storytelling themes, there's a big question about documentary truth when doing portraits of characters. And is this the real version of that person? And I think when you do these kinds of films, you're only able to capture one of those selves. Nicholas Bruckman is founder and CEO of People's Television, a production studio and creative agency that produces independent films, and video storytelling for brands. Collaborating with the The Simons Foundation through their 'Science Sandbox' Initiative, he directed Theater of the Mind, which takes audiences into the creative inner workings of Musician and Artist David Byrne’s brain, showcasing Byrne’s immersive theater performance, which attempts to conceptualize the idea of our sense of self and how malleable the mind truly is. He directed the award-winning healthcare justice documentary Not Going Quietly, executive produced by Mark and Jay Duplass. John Tracey is Program Director of Science, Society and Culture projects at the Simons Foundation whose mission is to advance the frontiers of research in mathematics and the basic sciences to unravel the mysteries of the universe. The foundation champions basic science through grant funding, support for research and public engagement. Ian Moubayed started his career as a cinematographer, collaborating with Emmy, Peabody, and Oscar-winning filmmakers. His work includes Netflix’s The Great Hack, NBC Peacock’s The Sit-In: Harry Belafonte Hosts the Tonight Show, and HBO’s The Vow. www.youtube.com/@sciencesandbox www.davidbyrne.com https://nickny.com/bio https://www.simonsfoundation.org/people/john-tracey/ https://peoples.tv/director/ian-moubayed/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 DAVID BYRNE'S THEATER OF THE MIND - Stories of Impact produced by Simons Foundation & People’s TV 46:07
What is consciousness? The mind produces thoughts, sensations, perception, emotions. How can these inner felt experiences be produced within the darkness of the human skull? Nicholas Bruckman is founder and CEO of People's Television, a production studio and creative agency that produces independent films, and video storytelling for brands. Collaborating with the The Simons Foundation through their 'Science Sandbox' Initiative, he directed Theater of the Mind, which takes audiences into the creative inner workings of Musician and Artist David Byrne’s brain, showcasing Byrne’s immersive theater performance, which attempts to conceptualize the idea of our sense of self and how malleable the mind truly is. He directed the award-winning healthcare justice documentary Not Going Quietly, executive produced by Mark and Jay Duplass. John Tracey is Program Director of Science, Society and Culture projects at the Simons Foundation whose mission is to advance the frontiers of research in mathematics and the basic sciences to unravel the mysteries of the universe. The foundation champions basic science through grant funding, support for research and public engagement. Ian Moubayed started his career as a cinematographer, collaborating with Emmy, Peabody, and Oscar-winning filmmakers. His work includes Netflix’s The Great Hack, NBC Peacock’s The Sit-In: Harry Belafonte Hosts the Tonight Show, and HBO’s The Vow. "You start the film with: Who is David Byrne? And he's a little taken aback by the question." "So who are you? What is your sense of self and consciousness?" Ian Moubayed: I think, as David Byrne said, "People are not static. We're ever-evolving." And so I'm not the same person that I was when I was a kid. And so, right now, I'm a filmmaker, I'm a New Yorker, but we're constantly changing, and I'm sure I'll be different in five years from now. John Tracey: To me, it evokes this question: Is who you are communicable? And whether it is possible for other people, beyond maybe one or two or none, to know that? And it's funny because the Theater of Mind show plays with that and, without giving too much away, each time you go through the show, it's not going to be the same experience as you had maybe the last time. Nicholas Bruckman: Yeah, it's an uncomfortable question to be confronted with. And I think there's the me that's on this podcast right now. That's maybe more presentational than me over a beer with Ian or with my family or partner. And going back to the meta-storytelling themes, there's a big question about documentary truth when doing portraits of characters. And is this the real version of that person? And I think when you do these kinds of films, you're only able to capture one of those selves. www.youtube.com/@sciencesandbox www.davidbyrne.com https://nickny.com/bio https://www.simonsfoundation.org/people/john-tracey/ https://peoples.tv/director/ian-moubayed/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Speaking Out of Place: LIZA BLACK & JOSEPH PIERCE discuss When “Natives” Aren’t: The Epistemic & Communal Violence & Re-storying 42:12
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu and Azeezah Kanji talk with Joseph M. Pierce and Liza Black about the vast number of questions that are opened up when people pretend to be Native when they in fact are not. These cases take on a specific significance when such false identifications allow these people access to privilege and positions of authority. When these falsehoods are found out, they place scholars and activists who have allied themselves with these people in extremely difficult positions, and unfortunately make institutions like colleges and universities the final arbiters of how “justice” is to be served. Finally, these cases put even more pressure on Native peoples to imagine and practice inventing identities that are both rooted and at the same time open to a broader set of possibilities. Liza Black is a citizen of Cherokee Nation. Recently on fellowship at UCLA, Black is currently completing her book manuscript: How to Get Away with Murder: A Transnational History of Missing and Murdered Indigenous Women, contracted with Johns Hopkins University Press for an anticipated publication date of 2026. How to Get Away with Murder provides six case studies of women, girls, and two spirits disappeared or murdered over the course of the 20th century. Black is an Associate Professor of History and Native American and Indigenous Studies. In 2020, Black published Picturing Indians: Native Americans in Film, a deeply archival book making the argument that mid-century Native people navigated the complexities of inhabiting filmic representations of themselves as a means of survivance. Black has received several research grants including the Ford pre-, doc and post-doc fellowships; the Institute of American Cultures at UCLA fellowship; and the Cherokee Nation Higher Education Grant. Joseph M. Pierce is Associate Professor in the Department of Hispanic Languages and Literature at Stony Brook University. His research focuses on the intersections of kinship, gender, sexuality, and race in Latin America, 19th century literature and culture, queer studies, Indigenous studies, and hemispheric approaches to citizenship and belonging. He is the author of Argentine Intimacies: Queer Kinship in an Age of Splendor, 1890-1910 (SUNY Press, 2019) and co-editor of Políticas del amor: Derechos sexuales y escrituras disidentes en el Cono Sur (Cuarto Propio, 2018) as well as the 2021 special issue of GLQ, “Queer/Cuir Américas: Translation, Decoloniality, and the Incommensurable.” His work has been published recently in Revista Hispánica Moderna, Critical Ethnic Studies, Latin American Research Review, and has also been featured in Indian Country Today. Along with S.J. Norman (Koori of Wiradjuri descent) he is co-curator of the performance series Knowledge of Wounds. He is a citizen of the Cherokee Nation. www.lizablack.com www.josephmpierce.com www.palumbo-liu.com https://speakingoutofplace.com https://twitter.com/palumboliu?s=20…
1 Highlights - APRIL GORNIK - Artist, Environmentalist, Co-founder of The Church: Arts & Creativity Center 14:18
"I just started reading Emerson, and I'm glad that I've gotten to it because he talks about history and says that folded into every person, if you think of this as a fractal situation, I was just reading about this and it blew my mind. There is the understanding and the containment of all of history, of all dreams, of all desires of all the furthest reaches of our minds and our accomplishments are folded into every person. And how astonishing is that? I mean, I'm so mad at people all the time about what a mess everything is. On the other hand, we are just astonishing. And we have so much potential. But we're also so misdirected by advertising, by product placement, by false desires - say, to get everybody addicted to corn syrup and then have them develop diabetes is really evil, in my opinion. So I'm just always swinging wildly between an appreciation at the amazement of the human spirit and humanity and its accomplishments and then frustration at the bad uses to which that's put." In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world? April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour’s arts district, and in this episode, we’ll also hear from some of the talented artists they’ve brought to their stages. www.aprilgornik.com www.thechurchsagharbor.org www.milesmcenery.com/exhibitions/april-gornik2 https://sagharborcinema.org/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846 Creative Commons CC0 1.0 Universal Public Domain…
In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world? April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour’s arts district, and in this episode, we’ll also hear from some of the talented artists they’ve brought to their stages. "I just started reading Emerson, and I'm glad that I've gotten to it because he talks about history and says that folded into every person, if you think of this as a fractal situation, I was just reading about this and it blew my mind. There is the understanding and the containment of all of history, of all dreams, of all desires of all the furthest reaches of our minds and our accomplishments are folded into every person. And how astonishing is that? I mean, I'm so mad at people all the time about what a mess everything is. On the other hand, we are just astonishing. And we have so much potential. But we're also so misdirected by advertising, by product placement, by false desires - say, to get everybody addicted to corn syrup and then have them develop diabetes is really evil, in my opinion. So I'm just always swinging wildly between an appreciation at the amazement of the human spirit and humanity and its accomplishments and then frustration at the bad uses to which that's put." www.aprilgornik.com www.thechurchsagharbor.org www.milesmcenery.com/exhibitions/april-gornik2 https://sagharborcinema.org/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846 Creative Commons CC0 1.0 Universal Public Domain Additional audio courtesy of Sag Harbor Cinema Arts Center.…
1 Highlights - LINDSEY ANDERSON BEER - Writer, Director - Pet Sematary: Bloodlines - Sleepy Hollow 11:39
"I think that the confidence that I'm talking about, in terms of allowing yourself to turn out something that isn't perfect and to still believe in yourself, I think that comes from my love of science and my understanding of the scientific process. So many experiments fail the first time or the second time or the third time. Also, so many startup companies in Silicon Valley fail and then they innovate and they innovate and they innovate and they become big hits. And I think it's the difference between what's called a fixed mindset versus a growth mindset where people think that they either have a fixed amount of talent or they believe that they have a growing amount of talent where more practice and more input can affect the outcome. And I don't believe that human beings have fixed talent. I believe that human beings have growing talent and that they shouldn't be so fearful of just trying and learning and growing." Lindsey Anderson Beer wrote and executive produced the hit Netflix original dramedy Sierra Burgess is a Loser before making the jump to direct the horror genre with Pet Sematary: Bloodlines, starring Jackson White and Natalie Alyn Lind. The story is based on an untold chapter of Stephen King's self-proclaimed, scariest property of all time. Up next, she will helm Paramount’s Sleepy Hollow reboot as the writer, director, and producer. She also has several projects in various phases of development and production, including Disney's live action remake of Bambi, New Line's Hello Kitty, and Universal's Fast and Furious spinoff, which she wrote with Geneva Robertson-Dworet. Under her production banner Lab Brew, Lord of the Flies will be directed by Luca Guadagnino and written by Patrick Ness for Warner Bros. www.imdb.com/name/nm5170222/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 LINDSEY ANDERSON BEER - Writer, Director, Producer - Pet Sematary: Bloodlines - Sleepy Hollow - Bambi 42:38
Lindsey Anderson Beer wrote and executive produced the hit Netflix original dramedy Sierra Burgess is a Loser before making the jump to direct the horror genre with Pet Sematary: Bloodlines, starring Jackson White and Natalie Alyn Lind. The story is based on an untold chapter of Stephen King's self-proclaimed, scariest property of all time. Up next, she will helm Paramount’s Sleepy Hollow reboot as the writer, director, and producer. She also has several projects in various phases of development and production, including Disney's live action remake of Bambi, New Line's Hello Kitty, and Universal's Fast and Furious spinoff, which she wrote with Geneva Robertson-Dworet. Under her production banner Lab Brew, Lord of the Flies will be directed by Luca Guadagnino and written by Patrick Ness for Warner Bros. "I think that the confidence that I'm talking about, in terms of allowing yourself to turn out something that isn't perfect and to still believe in yourself, I think that comes from my love of science and my understanding of the scientific process. So many experiments fail the first time or the second time or the third time. Also, so many startup companies in Silicon Valley fail and then they innovate and they innovate and they innovate and they become big hits. And I think it's the difference between what's called a fixed mindset versus a growth mindset where people think that they either have a fixed amount of talent or they believe that they have a growing amount of talent where more practice and more input can affect the outcome. And I don't believe that human beings have fixed talent. I believe that human beings have growing talent and that they shouldn't be so fearful of just trying and learning and growing." www.imdb.com/name/nm5170222/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - DEAN SPADE - Professor at SeattleU’s School of Law - Author of Mutual Aid, Building Solidarity During This Crisis (and the Next) 18:01
“The legal system is a colonial legal system that is designed to preserve capitalist extraction and all the racial dynamics required to produce racial capitalism. The system is already completely captured by our opponents. And anything that looks like it's good for us is probably actually not. People don't get what they're supposed to get. It's undermined in several ways, or it can get flipped all the time. Like the law in the books is not happening on the streets. The police are not supposed to kill people all the time, and they just do. There is no rule of law. We live in lawless, brutal domination under a set of systems that are incredibly resilient and can reframe and sometimes be extra-legal, and that works out fine for them.” Dean Spade is an organizer, speaker, author, and professor at Seattle University's School of Law, where he teaches courses on policing, imprisonment, gender, race, and social movements. Spade has been organizing racial and economic movements for queer and trans liberation for the past 20 years. Spade's books include Normal Life: Administrative Violence, Critical Trans Politics, and the Limits of Law and Mutual Aid, Building Solidarity During This Crisis (and the Next). In 2002, Dean founded the Sylvia Rivera Law Project, a non-profit law collective that provides free legal services to transgender, intersex and gender non-conforming people who are low-income and/or people of color, and which operates on a collective governance model. His writing has appeared in The Chronicle of Higher Education, Out, In These Times, Social Text, and Signs. www.deanspade.net www.southendpress.org/2010/items/87965 www.deanspade.net/mutual-aid-building-solidarity-during-this-crisis-and-the-next/ https://srlp.org www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 DEAN SPADE - Author of Normal Life: Administrative Violence, Critical Trans Politics, and the Limits of Law 48:23
Dean Spade is an organizer, speaker, author, and professor at Seattle University's School of Law, where he teaches courses on policing, imprisonment, gender, race, and social movements. Spade has been organizing racial and economic movements for queer and trans liberation for the past 20 years. Spade's books include Normal Life: Administrative Violence, Critical Trans Politics, and the Limits of Law and Mutual Aid, Building Solidarity During This Crisis (and the Next). In 2002, Dean founded the Sylvia Rivera Law Project, a non-profit law collective that provides free legal services to transgender, intersex and gender non-conforming people who are low-income and/or people of color, and which operates on a collective governance model. His writing has appeared in The Chronicle of Higher Education, Out, In These Times, Social Text, and Signs. “The legal system is a colonial legal system that is designed to preserve capitalist extraction and all the racial dynamics required to produce racial capitalism. The system is already completely captured by our opponents. And anything that looks like it's good for us is probably actually not. People don't get what they're supposed to get. It's undermined in several ways, or it can get flipped all the time. Like the law in the books is not happening on the streets. The police are not supposed to kill people all the time, and they just do. There is no rule of law. We live in lawless, brutal domination under a set of systems that are incredibly resilient and can reframe and sometimes be extra-legal, and that works out fine for them.” www.deanspade.net www.southendpress.org/2010/items/87965 www.deanspade.net/mutual-aid-building-solidarity-during-this-crisis-and-the-next/ https://srlp.org www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - ANTHONY LEISEROWITZ - Host of Climate Connections - Senior Research Scientist, Yale School of the Environment 15:02
"So the why really depends on where you are. People are not all the same. There is no such thing as the public. There are many, many, many different publics within a state, within a country, within the world, right? So one of the first cardinal rules of effective communication is know your audience. Who are they? What do they know? What do they think they know? Who do they trust? Where do they get their information? What are their underlying values? And it's only once you know who they are that you as a communicator can go more than halfway to try to meet them where they are not where you are. Where they are. That's so easy to say, but it's actually so hard for so many of us within the climate community to do because we're steeped in this issue. We want to talk about things." Anthony Leiserowitz, Ph.D. is the founder and Director of the Yale Program on Climate Change Communication and a Senior Research Scientist at the Yale School of the Environment. He is an internationally recognized expert on public climate change beliefs, attitudes, policy support, and behavior, and the psychological, cultural, and political factors that shape them and conducts research globally, including in the United States, China, India, and Brazil. He has published more than 250 scientific articles, chapters, and reports and has worked with the Intergovernmental Panel on Climate Change, the National Academy of Sciences, the Smithsonian Museum of Natural History, the Harvard Kennedy School, the United Nations Development Program, the Gallup World Poll, and the World Economic Forum, among others. He is a recipient of the Friend of the Planet Award from the National Center for Science Education, the Mitofsky Innovator Award from the American Association of Public Opinion Research, the Stephen H. Schneider Award for Outstanding Climate Science Communication from Climate One, and an Environmental Innovator award from the Environmental Protection Agency. In 2020, he was named the second-most influential climate scientist in the world (of 1,000) by Reuters. He is also the host of Climate Connections, a radio program broadcast each day on more than 700 stations nationwide. https://environment.yale.edu/profile/leiserowitz https://climatecommunication.yale.edu www.yaleclimateconnections.org www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 ANTHONY LEISEROWITZ - Founding Director of Yale Program on Climate Change Communication - Host of Climate Connections 43:26
Anthony Leiserowitz, Ph.D. is the founder and Director of the Yale Program on Climate Change Communication and a Senior Research Scientist at the Yale School of the Environment. He is an internationally recognized expert on public climate change beliefs, attitudes, policy support, and behavior, and the psychological, cultural, and political factors that shape them and conducts research globally, including in the United States, China, India, and Brazil. He has published more than 250 scientific articles, chapters, and reports and has worked with the Intergovernmental Panel on Climate Change, the National Academy of Sciences, the Smithsonian Museum of Natural History, the Harvard Kennedy School, the United Nations Development Program, the Gallup World Poll, and the World Economic Forum, among others. He is a recipient of the Friend of the Planet Award from the National Center for Science Education, the Mitofsky Innovator Award from the American Association of Public Opinion Research, the Stephen H. Schneider Award for Outstanding Climate Science Communication from Climate One, and an Environmental Innovator award from the Environmental Protection Agency. In 2020, he was named the second-most influential climate scientist in the world (of 1,000) by Reuters. He is also the host of Climate Connections, a radio program broadcast each day on more than 700 stations nationwide. "So the why really depends on where you are. People are not all the same. There is no such thing as the public. There are many, many, many different publics within a state, within a country, within the world, right? So one of the first cardinal rules of effective communication is know your audience. Who are they? What do they know? What do they think they know? Who do they trust? Where do they get their information? What are their underlying values? And it's only once you know who they are that you as a communicator can go more than halfway to try to meet them where they are not where you are. Where they are. That's so easy to say, but it's actually so hard for so many of us within the climate community to do because we're steeped in this issue. We want to talk about things." https://environment.yale.edu/profile/leiserowitz https://climatecommunication.yale.edu www.yaleclimateconnections.org www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - ALLEN STEELE - Hugo Award-winning Science Fiction Author of the Coyote Trilogy, Arkwright 10:33
"I'm really very glad. I was happy to see that within my lifetime that the prospects of not just Mars, but in fact interstellar space is being taken seriously. I've been at two conferences where we were talking about building the first starship within this century. One of my later books, Arkwright, is about such a project. I saw that Elon Musk is building Starship One, I wish him all the best. And I envy anybody who goes. I wish I were a younger person and in better health. Somebody asked me some time ago, would you go to Mars? And I said, 'I can't do it now. I've got a bum pancreas, and I'm 65 years old, and I'm not exactly the prime prospect for doing this. If you asked me 40 years ago would I go, I would have said: in a heartbeat!' I would gladly leave behind almost everything. I don't think I'd be glad about leaving my wife and family behind, but I'd be glad to go live on another planet, perhaps for the rest of my life, just for the chance to explore a new world, to be one of the settlers in a new world. And I think this is something that's being taken seriously. It is very possible. We've got to be careful about how we do this. And we've got to be careful, particularly about the rationale of the people who are doing this. It bothers me that Elon Musk has lately taken a shift to the Far Right. I don't know why that is. But I'd love to be able to sit down and talk with him about these things and try to understand why he has done such a right thing, but for what seems to be wrong reasons." What does the future of space exploration look like? How can we unlock the opportunities of outer space without repeating the mistakes of colonization and exploitation committed on Earth? How can we ensure AI and new technologies reflect our values and the world we want to live in? Allen Steele is a science fiction author and journalist. He has written novels, short stories, and essays and been awarded a number of Hugos, Asimov's Readers, and Locus Awards. He’s known for his Coyote Trilogy and Arkwright. He is a former member of the Board of Directors and Board of Advisors for the Science Fiction and Fantasy Writers of America. He has also served as an advisor for the Space Frontier Foundation. In 2001, he testified before the Subcommittee on Space and Aeronautics of the U.S. House of Representatives in hearings regarding space exploration in the 21st century. www.allensteele.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo from a field trip to Pease Air Force Base in Portsmouth NH, now closed. Photo credit: Chuck Peterson…
What does the future of space exploration look like? How can we unlock the opportunities of outer space without repeating the mistakes of colonization and exploitation committed on Earth? How can we ensure AI and new technologies reflect our values and the world we want to live in? Allen Steele is a science fiction author and journalist. He has written novels, short stories, and essays and been awarded a number of Hugos, Asimov's Readers, and Locus Awards. He’s known for his Coyote Trilogy and Arkwright. He is a former member of the Board of Directors and Board of Advisors for the Science Fiction and Fantasy Writers of America. He has also served as an advisor for the Space Frontier Foundation. In 2001, he testified before the Subcommittee on Space and Aeronautics of the U.S. House of Representatives in hearings regarding space exploration in the 21st century. "I'm really very glad. I was happy to see that within my lifetime that the prospects of not just Mars, but in fact interstellar space is being taken seriously. I've been at two conferences where we were talking about building the first starship within this century. One of my later books, Arkwright, is about such a project. I saw that Elon Musk is building Starship One, I wish him all the best. And I envy anybody who goes. I wish I were a younger person and in better health. Somebody asked me some time ago, would you go to Mars? And I said, 'I can't do it now. I've got a bum pancreas, and I'm 65 years old, and I'm not exactly the prime prospect for doing this. If you asked me 40 years ago would I go, I would have said: in a heartbeat!' I would gladly leave behind almost everything. I don't think I'd be glad about leaving my wife and family behind, but I'd be glad to go live on another planet, perhaps for the rest of my life, just for the chance to explore a new world, to be one of the settlers in a new world. And I think this is something that's being taken seriously. It is very possible. We've got to be careful about how we do this. And we've got to be careful, particularly about the rationale of the people who are doing this. It bothers me that Elon Musk has lately taken a shift to the Far Right. I don't know why that is. But I'd love to be able to sit down and talk with him about these things and try to understand why he has done such a right thing, but for what seems to be wrong reasons." www.allensteele.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
"I am more interested now in writing on aesthetics from a theoretical basis. I find I'm able to express certain things that I'd always wondered about on a purely intuitive level. And so that's the nature of my writings. I have a book in the works entitled Theorem, which picks up from that series that you're familiar with, the vertical horizon and nature object things I did after that. They're much more based on theory of perception, theory of socially defined shapes, theory of cultural applications to how we perceive. And, you see, I can express le ciel. I can express the sky: the two different languages, same sky, slightly different. There is a difference when you say il cielo or the sky in Italiano. You see it? The emphasis, the sound of the word produces a response that impacts our perception of the object being described. So if the word sounds slightly different, the object is going to shift in an interesting way, it doesn't have to be positive or negative. It's just always interesting to me how think of it, which gets us closer to a musical construct. Because musical is nothing. Music is purely abstract sound capable of defining the undefinable. And it also happens to be a language that's universally spoken. We could play certain pieces of music in any society in the world and it would be to some extent or another perceived, understood. I recently read that there's never been a people that didn't have music. And that can be a very small group of people. It doesn't have to be a gigantic society like Asian or Caucasian. It could be a small splinter group somewhere." How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are? Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world’s leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland. Gibson’s works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea. www.ralphgibson.com www.deichtorhallen.de/en/ausstellung/ralph-gibson www.gibsongoeunmuseum.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are? Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world’s leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland. Gibson’s works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea. "I am more interested now in writing on aesthetics from a theoretical basis. I find I'm able to express certain things that I'd always wondered about on a purely intuitive level. And so that's the nature of my writings. I have a book in the works entitled Theorem, which picks up from that series that you're familiar with, the vertical horizon and nature object things I did after that. They're much more based on theory of perception, theory of socially defined shapes, theory of cultural applications to how we perceive. And, you see, I can express le ciel. I can express the sky: the two different languages, same sky, slightly different. There is a difference when you say il cielo or the sky in Italiano. You see it? The emphasis, the sound of the word produces a response that impacts our perception of the object being described. So if the word sounds slightly different, the object is going to shift in an interesting way, it doesn't have to be positive or negative. It's just always interesting to me how think of it, which gets us closer to a musical construct. Because musical is nothing. Music is purely abstract sound capable of defining the undefinable. And it also happens to be a language that's universally spoken. We could play certain pieces of music in any society in the world and it would be to some extent or another perceived, understood. I recently read that there's never been a people that didn't have music. And that can be a very small group of people. It doesn't have to be a gigantic society like Asian or Caucasian. It could be a small splinter group somewhere." www.ralphgibson.com www.deichtorhallen.de/en/ausstellung/ralph-gibson www.gibsongoeunmuseum.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - IAN ROBERTSON - Author of How Confidence Works - Co-Director, Global Brain Health Institute 11:27
“Narcissistic people have very high self-evaluations. This means they're able to do things in spite of not having mastered their brief. I'm thinking of Boris Johnson and Trump, in spite of having lots of legal cases against them. And so the kind of things that would make the rest of us anxious, the narcissist is so engrossed in their positive self-perception that they're not fazed by things. But the other thing about narcissism, particularly in the media, it can create charisma, and charisma gives you status, and status makes you persuasive. And persuasion gets you money and power and all sorts of other things, and these reinforce the charisma. So there's a rather sinister, vicious cycle to the narcissist and vicious to the rest of us. That can put people who are not fit for power in power because of the superficial, supreme overconfidence that is a part of narcissism.” How important is confidence? Psychologists say confidence is a series of mental, physical, and emotional habits that can be learned. What makes some people overconfident while others are realistic about their abilities and why are both outlooks important to succeed in life? Ian Robertson is Co-Director of the Global Brain Health Institute (Trinity College Dublin and University of California at San Francisco) and Co-Leader of The BrainHealth Project at University of Texas at Dallas. A trained clinical psychologist as well as a neuroscientist, he is internationally renowned for his research on neuropsychology. He has written five books and numerous newspaper and magazine articles and comment pieces in the Guardian, Times, Telegraph, Irish Times, Time magazine and New York magazine, amongst others. He has appeared on BBC Radio and featured in several major television documentaries. He is a regular speaker at major futurology and business conferences in Europe, the USA and Asia. https://ianrobertson.org www.gbhi.org www.penguin.co.uk/books/441931/how-confidence-works-by-robertson-ian/9781787633728 https://centerforbrainhealth.org/project www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 IAN ROBERTSON - Author of How Confidence Works: The New Science of Self-belief - Co-Director of the Global Brain Health Institute 40:36
How important is confidence? Psychologists say confidence is a series of mental, physical, and emotional habits that can be learned. What makes some people overconfident while others are realistic about their abilities and why are both outlooks important to succeed in life? Ian Robertson is Co-Director of the Global Brain Health Institute (Trinity College Dublin and University of California at San Francisco) and Co-Leader of The BrainHealth Project at University of Texas at Dallas. A trained clinical psychologist as well as a neuroscientist, he is internationally renowned for his research on neuropsychology. He has written five books and numerous newspaper and magazine articles and comment pieces in the Guardian, Times, Telegraph, Irish Times, Time magazine and New York magazine, amongst others. He has appeared on BBC Radio and featured in several major television documentaries. He is a regular speaker at major futurology and business conferences in Europe, the USA and Asia. “Narcissistic people have very high self-evaluations. This means they're able to do things in spite of not having mastered their brief. I'm thinking of Boris Johnson and Trump, in spite of having lots of legal cases against them. And so the kind of things that would make the rest of us anxious, the narcissist is so engrossed in their positive self-perception that they're not fazed by things. But the other thing about narcissism, particularly in the media, it can create charisma, and charisma gives you status, and status makes you persuasive. And persuasion gets you money and power and all sorts of other things, and these reinforce the charisma. So there's a rather sinister, vicious cycle to the narcissist and vicious to the rest of us. That can put people who are not fit for power in power because of the superficial, supreme overconfidence that is a part of narcissism.” https://ianrobertson.org www.gbhi.org www.penguin.co.uk/books/441931/how-confidence-works-by-robertson-ian/9781787633728 https://centerforbrainhealth.org/project www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - RICK BASS - Author & Environmentalist - “Why I Came West”, “For a Little While” 11:43
"So it's just a great joy to be passing this guitar made from the wood of an 800-year-old tree around to musicians and asking them to play a song of resistance or celebration. And that's what we're going to do at Climate Aid: The Voice of the Forest. We're going to have it be an annual event like Farm Aid. And we want it to be big. We want it to be Woodstock in its pivot point. The way the Children's Trust court case was pivotal, the way this Black Ram court case we had and won was pivotal. We want Climate Aid to be a celebration. And this one guitar exploring the question: Can one tree save a forest? Can one song save a forest? And we think the answer is yes. We believe it will be. What we want to do with the forest that the guitar came from is establish it as a climate refuge, a place dedicated to storing as much carbon and long-term safekeeping as possible. I went into this old forest called Black Ram that we were seeking to defend and did successfully defend for now. There are these 600, 700, and 800-year-old trees already spraypainted in orange and blue that they were going to cut down. And I thought let's make a guitar out of a piece of one of these giant spruces. And that's what I did. I went back with my chainsaw and cut out a length of it, wheel-barreled it out, and took the piece of wood to a man named Kevin Kopp." Rick Bass, a National Book Critics Circle Award finalist for his memoir Why I Came West, was born and raised in Texas, worked as a petroleum geologist in Mississippi, and has lived in Montana's Yaak Valley for almost three decades. His short fiction, which has appeared in The New Yorker, The Atlantic, Esquire, and The Paris Review, as well as numerous times in Best American Short Stories, has earned him The Story Prize, multiple O. Henry Awards and Pushcart Prizes in addition to NEA and Guggenheim fellowships. He’s an organizer and speaker at Climate Aid: The Voice of the Forest, a fundraiser event to benefit the grassroots environmental movement of Protect Ancient Forests & The Montana Project. Featuring Maggie Rogers and more great performers and speakers. The evening will advance the efforts to protect the Black Ram forest by designating the region as the nation’s first Climate Refuge. Portland, Maine, on Sunday, Oct. 15 at 7 p.m. ET, at the Merrill Auditorium. Tickets available at the Merrill’s box office and online at PortTIX.com. www.rickbass.net www.protectancientforests.org www.montanaproject.org www.PortTIX.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 RICK BASS - Environmentalist & Story Prize Award-winning Author of “Why I Came West”, “For a Little While” 42:09
Rick Bass, a National Book Critics Circle Award finalist for his memoir Why I Came West, was born and raised in Texas, worked as a petroleum geologist in Mississippi, and has lived in Montana's Yaak Valley for almost three decades. His short fiction, which has appeared in The New Yorker, The Atlantic, Esquire, and The Paris Review, as well as numerous times in Best American Short Stories, has earned him The Story Prize, multiple O. Henry Awards and Pushcart Prizes in addition to NEA and Guggenheim fellowships. He’s an organizer and speaker at Climate Aid: The Voice of the Forest, a fundraiser event to benefit the grassroots environmental movement of Protect Ancient Forests & The Montana Project. Featuring Maggie Rogers and more great performers and speakers. The evening will advance the efforts to protect the Black Ram forest by designating the region as the nation’s first Climate Refuge. Portland, Maine, on Sunday, Oct. 15 at 7 p.m. ET, at the Merrill Auditorium. Tickets available at the Merrill’s box office and online at PortTIX.com. "So it's just a great joy to be passing this guitar made from the wood of an 800-year-old tree around to musicians and asking them to play a song of resistance or celebration. And that's what we're going to do at Climate Aid: The Voice of the Forest. We're going to have it be an annual event like Farm Aid. And we want it to be big. We want it to be Woodstock in its pivot point. The way the Children's Trust court case was pivotal, the way this Black Ram court case we had and won was pivotal. We want Climate Aid to be a celebration. And this one guitar exploring the question: Can one tree save a forest? Can one song save a forest? And we think the answer is yes. We believe it will be. What we want to do with the forest that the guitar came from is establish it as a climate refuge, a place dedicated to storing as much carbon and long-term safekeeping as possible. I went into this old forest called Black Ram that we were seeking to defend and did successfully defend for now. There are these 600, 700, and 800-year-old trees already spraypainted in orange and blue that they were going to cut down. And I thought let's make a guitar out of a piece of one of these giant spruces. And that's what I did. I went back with my chainsaw and cut out a length of it, wheel-barreled it out, and took the piece of wood to a man named Kevin Kopp." www.rickbass.net www.protectancientforests.org www.montanaproject.org www.PortTIX.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - NAN HAUSER - Whale Researcher - Director, Cook Islands Whale Research - President, Center for Cetacean Research & Conservation 22:23
"I remember years ago, my Ph.D. advisor had asked me, 'How do you get such incredible footage of the whales and get them to stay with you?' So I said, 'unconditional love.' It's this whole sort of intuitive thing. And I can say this very comfortably as a scientist because it makes sense for anybody who works with these animals or any animals. And when you trust them, you emit this unconditional love, and they pick up on that, and they are going to respond. Believe me, every species of cetacean has its vibration, personality, and habits. And I'm just so fascinated by humpbacks and their beauty and their acrobatic abilities and their level of consciousness. Whales communicate with you constantly. It's like you have this relationship with them that you don't even have to use words. So it's reflections of the beauty and the wonder of the natural world, but it's also a reflection of the beauty of ourselves and nature and wildlife, and it's like awakening to to your true self." Nan Hauser is the President and Director of the Center for Cetacean Research & Conservation and the Director and Principal Investigator of Cook Islands Whale Research. Currently she's in the field studying the migration of the Southern Humpback Whale population that is currently passing through the Cook Islands, where she resides on the main island of Rarotonga. Her research includes population identity and abundance, acoustics, genetics stable isotopes behavior, and the navigation of cetaceans. https://whaleresearch.org https://whaleresearch.org/saved-by-a-whale www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 NAN HAUSER - Whale Researcher - President, Center for Cetacean Research & Conservation - Director, Cook Islands Whale Research 37:08
Nan Hauser is the President and Director of the Center for Cetacean Research & Conservation and the Director and Principal Investigator of Cook Islands Whale Research. Currently she's in the field studying the migration of the Southern Humpback Whale population that is currently passing through the Cook Islands, where she resides on the main island of Rarotonga. Her research includes population identity and abundance, acoustics, genetics stable isotopes behavior, and the navigation of cetaceans. "I remember years ago, my Ph.D. advisor had asked me, 'How do you get such incredible footage of the whales and get them to stay with you?' So I said, 'unconditional love.' It's this whole sort of intuitive thing. And I can say this very comfortably as a scientist because it makes sense for anybody who works with these animals or any animals. And when you trust them, you emit this unconditional love, and they pick up on that, and they are going to respond. Believe me, every species of cetacean has its vibration, personality, and habits. And I'm just so fascinated by humpbacks and their beauty and their acrobatic abilities and their level of consciousness. Whales communicate with you constantly. It's like you have this relationship with them that you don't even have to use words. So it's reflections of the beauty and the wonder of the natural world, but it's also a reflection of the beauty of ourselves and nature and wildlife, and it's like awakening to to your true self." https://whaleresearch.org https://whaleresearch.org/saved-by-a-whale www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - JIM SHEPARD - Award-winning Author of The Book of Aron, Project X, The World to Come, Like You’d Understand, Anyway 11:39
"I do think that literature is all about extending the empathetic imagination. And so I'm always looking to educate myself in emotional terms, too. Because I'm very interested in the way we respond in those situations where it feels like we both have responsibility, and we don't have responsibility. In terms of what I'm writing, I'm always trying to make myself a more interesting human being. And so that means I'm coming across these human dilemmas where I'm like what would it have been like to be in that position? And that snags my emotional imagination." How can literature help us extend our empathic imaginations? How can writing and reading expand our curiosity and compassion for people in situations distant from our own? Jim Shepard is the author of seven previous novels, most recently The Book of Aron (winner of the 2016 PEN New England Award, the Sophie Brody medal for achievement in Jewish literature, the Ribalow Prize for Jewish literature, the Clark Fiction Prize, and a finalist for the National Jewish Book Award) and five story collections, including Like You’d Understand, Anyway, which was a finalist for the National Book Award and won The Story Prize. His short fiction has appeared in, among other magazines, The New Yorker, Harper’s Magazine, McSweeney’s, The Paris Review, The Atlantic, Esquire, Tin House, Granta, Zoetrope, Electric Literature, and Vice, and has often been selected for The Best American Short Stories and The PEN/O. Henry Prize Stories. He lives in Williamstown, Massachusetts, with his wife, three children, and three beagles, and he teaches film and creative writing at Williams College. His story “The World to Come” was adapted into a feature film starring Casey Affleck, Vanessa Kirby, and Katherine Waterston. https://jimshepard.wordpress.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 JIM SHEPARD - Author of The Book of Aron, Project X, The World to Come starring Casey Affleck, Vanessa Kirby, Katherine Waterston 48:09
How can literature help us extend our empathic imaginations? How can writing and reading expand our curiosity and compassion for people in situations distant from our own? Jim Shepard is the author of seven previous novels, most recently The Book of Aron (winner of the 2016 PEN New England Award, the Sophie Brody medal for achievement in Jewish literature, the Ribalow Prize for Jewish literature, the Clark Fiction Prize, and a finalist for the National Jewish Book Award) and five story collections, including Like You’d Understand, Anyway, which was a finalist for the National Book Award and won The Story Prize. His short fiction has appeared in, among other magazines, The New Yorker, Harper’s Magazine, McSweeney’s, The Paris Review, The Atlantic, Esquire, Tin House, Granta, Zoetrope, Electric Literature, and Vice, and has often been selected for The Best American Short Stories and The PEN/O. Henry Prize Stories. He lives in Williamstown, Massachusetts, with his wife, three children, and three beagles, and he teaches film and creative writing at Williams College. His story “The World to Come” was adapted into a feature film starring Casey Affleck, Vanessa Kirby, and Katherine Waterston. "I do think that literature is all about extending the empathetic imagination. And so I'm always looking to educate myself in emotional terms, too. Because I'm very interested in the way we respond in those situations where it feels like we both have responsibility, and we don't have responsibility. In terms of what I'm writing, I'm always trying to make myself a more interesting human being. And so that means I'm coming across these human dilemmas where I'm like what would it have been like to be in that position? And that snags my emotional imagination." https://jimshepard.wordpress.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu and Azeezah Kanji talk with Sara Ahmed about her new book, The Feminist Killjoy Handbook. How and why is it that complaining about sexism, misogyny, homophobia, transphobia, and other forms of bigotry, is considered impolite? How is civility uncivil, and the mandate to be “happy” a tool for silencing grievances? Sara Ahmed tackles all those questions, and gives us strength and courage to keep on killingjoy and speaking truth. Sara Ahmed is an independent queer feminist scholar of colour. Her work is concerned with how power is experienced and challenged in everyday life and institutional cultures. Her first trade book, The Feminist Killjoy Handbook is coming out with Seal Press next month. Previous books (all published by Duke University Press) include Complaint! (2021), What's The Use? On the Uses of Use (2019), Living a Feminist Life (2017), Willful Subjects (2014), On Being Included: Racism and Diversity in Institutional Life (2012), The Promise of Happiness (2010) and Queer Phenomenology: Objects, Orientations, Others (2006). She is currently writing A Complainer’s Handbook: A Guide to Building Less Hostile Institutions and has begun a new project on common sense. She blogs at feministkilljoy.com . "So the door was shut. So when she said no, she ended up with nowhere to go. And that's one of the institutional mechanisms. You're more likely to progress if you say yes. It's a reproductive mechanism, which is why feminist culture knows so much about everything. We can explain how it is that institutions keep being reproduced in the same way. So what then do you do? Where do you go if your no has nowhere to go? And I think when you say no to the world, and you're pushed out by it, you still find your people. And that there's the world-making is in the people who find in the refusal of the institution a common ground." https://www.penguin.co.uk/books/454793/the-feminist-killjoy-handbook-by-ahmed-sara/9780241619537 www.palumbo-liu.com https://speakingoutofplace.com https://twitter.com/palumboliu?s=20 Photo credit: Sarah Franklin…
1 BENOIT DELHOMME - Cinematographer of At Eternity’s Gate w/ Willem Dafoe, The Theory of Everything w/ Eddie Redmayne - Part 1 30:33
What makes films memorable and meaningful? Great cinematographers are not only translators of a director’s vision but are involved in a dance between director and actor. When combined with personal techniques like handheld, the camera itself can become a character, bringing us back in time and behind the eyes of well-known figures like Van Gogh and Stephen Hawking, which is what Benoît Delhomme did in the films At Eternity’s Gate and The Theory of Everything. Benoît Delhomme studied cinematography at the École nationale supérieure Louis-Lumière and went on to make his breakthrough as a director of photography for the movie The Scent of Green Papaya directed by Tran Anh Hung. The film went on to win the Caméra d'Or Award at the Cannes Film Festival and was nominated for an Academy Award. Benoît has established himself as an international cinematographer and has worked with creatives such as Al Pacino, Julian Schnabel, and James Marsh. Over the years, Benoît Delhomme has worked on a wide array of films where his focus has been to tell a strong story through the visual. This focus has shined not only through his work as a cinematographer, but also his work as a painter. "If you want to do your art well, you need to have some pleasure. If talking is not a pleasure, it's horrible. And when filming on a set is a bad experience, it's one of the worst things in life. As a cinematographer, if you can't make what you do personal to you, there is no soul. You need to make it personal. I don't know if Julian Schnabel trusted me, and I had to prove myself. For example, he had another guy in mind. And for many weeks, he said to me, 'Maybe we should keep two cinematographers?' And one evening he said, 'I'm going to paint in my outdoor studio tonight if you want to come.' And, I went to see him painting and brought a small digital camera. And he had music on and was doing this incredible painting. I was kind of fascinated to be there. We didn't talk. He knew I was filming him. He didn't say anything. So I spent part of the night cutting my small documentary. And in the morning at breakfast, I put my computer on the breakfast table and showed it to him, and he was so focused and very moved by what he saw. And he said, 'Okay, you captured what I was doing. You've got the film.'" www.benoitdelhomme.com www.benoitdelhommestudio.com www.instagram.com/benoitdelhomme www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
Rob Verchick is one of the nation’s leading scholars in disaster and climate change law and a former EPA official in the Obama administration. He holds the Gauthier-St. Martin Eminent Scholar Chair in Environmental Law at Loyola University New Orleans. Professor Verchick is also a Senior Fellow in Disaster Resilience at Tulane University and the President of the Center for Progressive Reform, a research and advocacy organization that advocates for solutions to our most pressing societal challenges. He is the author of numerous articles and books, including The Octopus in the Parking Garage. A Call for Climate Resilience. “Well, there are good stories and bad stories. So the good stories are, Oh my gosh, renewable energy is just a wonderful technology story with solar panels getting as cheap as almost anything. Wind turbine technology. We're working on offshore wind farm planning in the Gulf right now, and we're going to build wind turbines that can survive hurricanes. So there's a lot of technology going on in energy storage that involves batteries. And I'm hoping that at some point we're going to get to batteries that don't use things like lithium so much, so that we don't have to be involved so much in the mining of those kinds of things. There's a lot of really interesting technology going on with using natural landscapes to protect against flooding and storms. So we have a coastal restoration effort in Louisiana, one of the largest in the world. And what we're experimenting with is diverting water from the Mississippi River to replenish sediment and grow new wetlands on our tattered shores. And that's technology, too. I mean, we've got some of the best engineering firms in the world down here, and NASA trying to figure out exactly how to do that. And if we can do it, we'll export that technology all over the place and help rebuild coastlines. So those are some really bright spots in terms of the technology that I see.” https://robverchick.com https://works.bepress.com/robert_verchick www.progressivereform.org/ Twitter/X/Instagram/Facebook: @robverchick @robsoctopusbook www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - LESLEY HUGHES - Lead Author, IPCC 4th, 5th Assessment Reports - Biology Professor, Macquarie University 10:09
"Australia is generally considered one of the most vulnerable developed countries to the impacts of climate change, and I've been in the climate science space for more than 30 years, but I have to say this last month has been particularly confronting. We're seeing all sorts of tipping points that scientists have been warning about for decades and they are really real right now. I've never had such climate anxiety, and it's sort of new for me to be struggling with that because I think I've been pretty resilient to sort of eco-anxiety. Talking about averages all the time is a real problem in climate science because the temperature on any one day goes up and down a lot more than 1.5 or 2 degrees. So we have to keep working on relating those average global temperatures to the extremes that people experience in their lives on the ground where they live. We have to keep reminding people that that is the sort of thing that we are going to see more and more often. It isn't a one-off event. It's a message about the future." Now in the 21st century, with an abundance of renewable technologies, why is the world still using 18th-century energy technology? How can each of us harness our unique skills to help solve the climate crisis? Lesley Hughes is a Distinguished Professor of Biology and Interim Executive Dean of the Faculty of Science & Engineering at Macquarie University. She is an ecologist whose main research interest has been the impacts of climate change on species and ecosystems, and the implications of climate change for conservation. She was a Lead Author of the IPCC’s 4th and 5th Assessment Report, Director for the WWF Australia and federal Climate Commissioner and is now a Councillor and Director with the Climate Council of Australia. She is also a member of the Wentworth Group of Concerned Scientists. https://researchers.mq.edu.au/en/persons/lesley-hughes www.climatecouncil.org.au www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 LESLEY HUGHES - Lead Author of IPCC 4th & 5th Assessment Reports - Director of Climate Council of Australia 37:23
Now in the 21st century, with an abundance of renewable technologies, why is the world still using 18th-century energy technology? How can each of us harness our unique skills to help solve the climate crisis? Lesley Hughes is a Distinguished Professor of Biology and Interim Executive Dean of the Faculty of Science & Engineering at Macquarie University. She is an ecologist whose main research interest has been the impacts of climate change on species and ecosystems, and the implications of climate change for conservation. She was a Lead Author of the IPCC’s 4th and 5th Assessment Report, Director for the WWF Australia and federal Climate Commissioner and is now a Councillor and Director with the Climate Council of Australia. She is also a member of the Wentworth Group of Concerned Scientists. "Australia is generally considered one of the most vulnerable developed countries to the impacts of climate change, and I've been in the climate science space for more than 30 years, but I have to say this last month has been particularly confronting. We're seeing all sorts of tipping points that scientists have been warning about for decades and they are really real right now. I've never had such climate anxiety, and it's sort of new for me to be struggling with that because I think I've been pretty resilient to sort of eco-anxiety. Talking about averages all the time is a real problem in climate science because the temperature on any one day goes up and down a lot more than 1.5 or 2 degrees. So we have to keep working on relating those average global temperatures to the extremes that people experience in their lives on the ground where they live. We have to keep reminding people that that is the sort of thing that we are going to see more and more often. It isn't a one-off event. It's a message about the future." https://researchers.mq.edu.au/en/persons/lesley-hughes www.climatecouncil.org.au www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
"The lobbyists that represent the fossil fuel companies like ExxonMobil, Koch companies, and the American Petroleum Institute, they knew for years that the climate crisis would happen, and they've been telling us that it wouldn't. And right now in every state capital, the lobbyists are doing everything they can to slow the transition from fossil fuel to renewables. The sad fact is, these oil and gas lobbyists will never wake up one morning and say: I am worried about the climate crisis. I'm worried about my children. I am going to cut off ties with these oil and gas companies and stop taking their money. That will never happen. And I'm sad to say this, but it's been a long, long road to try to change their behavior with facts or reason." Why are fossil fuel lobbyists also allowed to work for communities, schools, businesses, and nonprofit organizations being harmed by the climate crisis without declaring their conflict of interest? Why divestment from fossil fuels should include divesting from lobbyists which play for both sides. James Browning is the founder of F Minus, a research and advocacy group that tracks the extent to which fossil fuel lobbyists also represent victims of the climate crisis. He is also a writer and game designer, and his novel The Fracking King was named one of the best 100 books of 2014 by Amazon. https://fminus.org www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
Why are fossil fuel lobbyists also allowed to work for communities, schools, businesses, and nonprofit organizations being harmed by the climate crisis without declaring their conflict of interest? Why divestment from fossil fuels should include divesting from lobbyists which play for both sides. James Browning is the founder of F Minus, a research and advocacy group that tracks the extent to which fossil fuel lobbyists also represent victims of the climate crisis. He is also a writer and game designer, and his novel The Fracking King was named one of the best 100 books of 2014 by Amazon. "The lobbyists that represent the fossil fuel companies like ExxonMobil, Koch companies, and the American Petroleum Institute, they knew for years that the climate crisis would happen, and they've been telling us that it wouldn't. And right now in every state capital, the lobbyists are doing everything they can to slow the transition from fossil fuel to renewables. The sad fact is, these oil and gas lobbyists will never wake up one morning and say: I am worried about the climate crisis. I'm worried about my children. I am going to cut off ties with these oil and gas companies and stop taking their money. That will never happen. And I'm sad to say this, but it's been a long, long road to try to change their behavior with facts or reason." https://fminus.org www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - SHEHAN KARUNATILAKA - Booker Prize-winning Author of The Seven Moons of Maali Almeida 12:43
"The notion that the idea is out there, but you just need to be in a state to receive it, that's a very comforting thought because it takes the onus off of you. You don't have to be a genius. You don't have to be this big creator. You just have to read and keep healthy and keep yourself open and the idea will arrive. And the funny thing is, usually it arrives to you and then you're typing." What happens when we die? What happens to our memories and consciousness when our bodies cease to be? In the end, is it the things we did and the people we loved that give our lives meaning? Shehan Karunatilaka is the multi-award winning author. He is known for his novels dealing with the history, politics, and folklore of his home country of Sri Lanka. He won the Commonwealth Book Prize and the DSC Prize for South Asian Literature for his debut novel, Chinaman: The Legend of Pradeep Mathew, and the Booker Prize 2022 for his second novel, The Seven Moons of Maali Almeida. In addition to novels, he has written rock songs, screenplays and travel stories. Born in Colombo, he studied in New Zealand and has lived and worked in London, Amsterdam, and Singapore. www.shehanwriter.com https://wwnorton.com/books/9781324064824 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
What happens when we die? What happens to our memories and consciousness when our bodies cease to be? In the end, is it the things we did and the people we loved that give our lives meaning? Shehan Karunatilaka is the multi-award winning author. He is known for his novels dealing with the history, politics, and folklore of his home country of Sri Lanka. He won the Commonwealth Book Prize and the DSC Prize for South Asian Literature for his debut novel, Chinaman: The Legend of Pradeep Mathew, and the Booker Prize 2022 for his second novel, The Seven Moons of Maali Almeida. In addition to novels, he has written rock songs, screenplays and travel stories. Born in Colombo, he studied in New Zealand and has lived and worked in London, Amsterdam, and Singapore. "The notion that the idea is out there, but you just need to be in a state to receive it, that's a very comforting thought because it takes the onus off of you. You don't have to be a genius. You don't have to be this big creator. You just have to read and keep healthy and keep yourself open and the idea will arrive. And the funny thing is, usually it arrives to you and then you're typing." www.shehanwriter.com https://wwnorton.com/books/9781324064824 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo credit: David Parry/Booker Prize Foundation…
1 Speaking Out of Place: ANTHONY ARNOVE & HALEY PESSIN discuss Voices of a People’s History of the United States in the 21st Century 52:52
"Climate action has become woven into every aspect of our society. I remember that time so clearly. It wasn't just activists and politicians who were building the future. Artists, creatives, storytellers, actors, and athletes began realizing their part in these movements to shape culture and reach the masses. Entrepreneurs, designers, architects, and poets began to reimagine what our society could look like if we used this great time of crisis as humanity's most unifying moment. I remember the shows I played and how we transformed those arenas into places of celebration and unity. The idea of being an activist was left behind. We realized that it is within our power as humanity and identity that belongs to all of us. To change the story and to build the world we've always known was possible. The place the world is in is a result of us striking the balance between technology, innovation, culture, and the ancient wisdom and teachings of the original peoples of this earth. Here we are, 10 years after changing everything to redefine our legacy, carried on in flowers and songs." from Xiuhtezcatl Tonatiuh Martinez’s “To Fight for a Just Climate Is to Fight for Everything That We Love” in Chapter 8: OUR RESISTANCE MUST BE INTERSECTIONAL In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu and Azeezah Kanji talk with Anthony Arnove and Haley Pessin about their new volume Voices of a People’s History of the United States in the 21st Century: Documents of Hope and Resistance. This book is not only a beautiful archive of people's struggles in the 21st century, but also a powerful tribute to and continuation of the work of professor and radical historian Howard Zinn. We speak with Anthony and Haley about the histories of struggles and the possibilities for building a more beautiful future. Anthony Arnove is the editor of several books, including, with Howard Zinn, Voices of a People’s History of the United States and Terrorism and War. He wrote the introduction for the thirty-fifth anniversary edition of Zinn’s classic book, A People’s History of the United States. Arnove cofounded the nonprofit education and arts organization Voices of a People’s History of the United States, wrote, directed, and produced the documentary The People Speak, and has directed stage and television versions of The People Speak in Dublin with Stephen Rea, in London with Colin Firth, and across the United States with various groups including Lincoln Center, the Brooklyn Academy of Music, and the Sundance Film Festival. He produced the Academy Award-nominated documentary Dirty Wars. Arnove is on the editorial boards of Haymarket Books and Tempestmag.org and is the director of Roam Agency, where he represents authors including Arundhati Roy and Noam Chomsky. He lives in Hopewell, New Jersey. Haley Pessin is a socialist activist living in Queens, New York. They have participated in struggles against police brutality and mass incarceration, in solidarity with Palestine, in defense of abortion rights and reproductive justice, and as a legal service worker and union delegate for 119SEIU (Service Employees International Union). Pessin has spoken at conferences in Switzerland, Australia, Ireland, Quebec, and throughout the United States on the struggle for Black liberation. Their writing has appeared in New Politics and at Tempestmag.org, where they currently serve on the editorial board. https://sevenstories.com/books/4479-voices-of-a-people-s-history-of-the-united-states-in-the-21st-century www.palumbo-liu.com https://speakingoutofplace.com https://twitter.com/palumboliu?s=20…
1 Highlights - Actress CATHERINE CURTIN (Orange is the New Black) & Artistic Director KATE MUETH (Director, Educator, Choreographer) 18:11
"Death is the imperfection of life. Because life is just a fleeting thing for everyone, for all of us. And so there's no way that a black box AI can know death. So AI can never, in that sense, know life, because every day you walk, you think. Like I was just on my way to do the zoom with you guys, and I just went to grab my bracelet, which was sitting next to my grandmother's picture. And I loved my grandmother. So AI doesn't touch us because we exist on a level of such mortal frailty and mortal cruelty, and mortal love, and hate, and jealousy, and insecurity and freedom and joy and wackiness, and being in the moment that there's no way that when one of my neurotic fellow conspiracy theory New Yorker friends says to me that AI is the end of the world! I'm like, it's just not possible because the world is not that permanent for any of us. This is an impermanent destination that we're on." -Catherine Curtin Why do we make art? What can the performing arts teach us about how to engage in dialogues to overcome conflict and division? Our guests today are actress Catherine Curtin and artistic director Kate Mueth. Curtin is known for her roles on Stranger Things, Homeland, and Insecure. She played correctional officer Wanda Bell in Orange Is the New Black, and for this role she was a joint winner of two Screen Actors Guild Awards for Outstanding Performance by an Ensemble in a Comedy Series. Mueth is the Founder and Artistic Director of the award-winning dance theater company The Neo-Political Cowgirls that seeks to deepen and challenge the ways in which audiences experience stories and awaken their human connection. Based in East Hampton, New York they have performed to audiences in America and Europe. www.imdb.com/name/nm0193160/ www.npcowgirls.org www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Actress CATHERINE CURTIN (Stranger Things) & Artistic Director KATE MUETH (Neo-Political Cowgirls) 57:16
Why do we make art? What can the performing arts teach us about how to engage in dialogues to overcome conflict and division? Our guests today are actress Catherine Curtin and artistic director Kate Mueth. Curtin is known for her roles on Stranger Things, Homeland, and Insecure. She played correctional officer Wanda Bell in Orange Is the New Black, and for this role she was a joint winner of two Screen Actors Guild Awards for Outstanding Performance by an Ensemble in a Comedy Series. Mueth is the Founder and Artistic Director of the award-winning dance theater company The Neo-Political Cowgirls that seeks to deepen and challenge the ways in which audiences experience stories and awaken their human connection. Based in East Hampton, New York they have performed to audiences in America and Europe. "Death is the imperfection of life. Because life is just a fleeting thing for everyone, for all of us. And so there's no way that a black box AI can know death. So AI can never, in that sense, know life, because every day you walk, you think. Like I was just on my way to do the zoom with you guys, and I just went to grab my bracelet, which was sitting next to my grandmother's picture. And I loved my grandmother. So AI doesn't touch us because we exist on a level of such mortal frailty and mortal cruelty, and mortal love, and hate, and jealousy, and insecurity and freedom and joy and wackiness, and being in the moment that there's no way that when one of my neurotic fellow conspiracy theory New Yorker friends says to me that AI is the end of the world! I'm like, it's just not possible because the world is not that permanent for any of us. This is an impermanent destination that we're on." -Catherine Curtin www.imdb.com/name/nm0193160/ www.npcowgirls.org www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - STEPHANIE FELDSTEIN - Population & Sustainability Director, Center for Biological Diversity 12:39
"Capitalism is an inherently unsustainable system the way that it is being practiced now. It is an economy that is based on infinite growth, even though we live on a finite planet. What if we measured success based on happiness and based on the health of communities? Based on wealth equity instead of just how rich are the richest people? So there's always going to be an end game for a growth-based economy. But, of course, that's being largely ignored right now to the detriment of the world around us. It's focused on growth and maximizing corporate profits but at the expense of people and the planet. It exploits workers. It exploits the environment. So we need to reimagine how we approach our economy." How can we take inspiration from our love for animals to protect wildlife and change the world? How can we take action and start making changes in our lives? What if we measured success based on happiness and on the health of communities? Stephanie Feldstein leads the Center for Biological Diversity's work to highlight and address threats to endangered species and wild places from runaway human population growth and overconsumption. Previously Stephanie worked for Change.org, where she helped hundreds of people start and win online campaigns to protect wildlife. She has years of experience in organizing, outreach and communications. She is the author of The Animal Lover’s Guide to Changing the World, and the series aimed at young adults Take Action: Save Life on Earth. https://biologicaldiversity.org/about/staff/#sfeldstein https://biologicaldiversity.org www.abebooks.com/9781250153258/Animal-Lovers-Guide-Changing-World-1250153255/plp https://cherrylakepublishing.com/series/445-take-action-save-life-on-earth https://takeextinctionoffyourplate.com/ https://endangeredspeciescondoms.com/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 STEPHANIE FELDSTEIN - Author of The Animal Lover’s Guide to Changing the World & Take Action: Save Life on Earth
40:32
How can we take inspiration from our love for animals to protect wildlife and change the world? How can we take action and start making changes in our lives? What if we measured success based on happiness and on the health of communities? Stephanie Feldstein leads the Center for Biological Diversity's work to highlight and address threats to endangered species and wild places from runaway human population growth and overconsumption. Previously Stephanie worked for Change.org, where she helped hundreds of people start and win online campaigns to protect wildlife. She has years of experience in organizing, outreach and communications. She is the author of The Animal Lover’s Guide to Changing the World, and the series aimed at young adults Take Action: Save Life on Earth. "Capitalism is an inherently unsustainable system the way that it is being practiced now. It is an economy that is based on infinite growth, even though we live on a finite planet. What if we measured success based on happiness and based on the health of communities? Based on wealth equity instead of just how rich are the richest people? So there's always going to be an end game for a growth-based economy. But, of course, that's being largely ignored right now to the detriment of the world around us. It's focused on growth and maximizing corporate profits but at the expense of people and the planet. It exploits workers. It exploits the environment. So we need to reimagine how we approach our economy." https://biologicaldiversity.org/about/staff/#sfeldstein https://biologicaldiversity.org www.abebooks.com/9781250153258/Animal-Lovers-Guide-Changing-World-1250153255/plp https://cherrylakepublishing.com/series/445-take-action-save-life-on-earth https://takeextinctionoffyourplate.com/ https://endangeredspeciescondoms.com/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Speaking Out of Place: SILVIA FEDERICI discusses Re-enchanting the World: Feminism and the Politics of the Commons 37:58
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu and Azeezah Kanji interview renown scholar, activist, and writer Silvia Federici about her powerful and inspiring collection of essays, Re-enchanting the World: Feminism and the Politics of the Commons. These essays, written over the span of several decades, display her abilities to diagnose and indeed predict the most important issues facing us today. Silvia Federici is a scholar, teacher, and feminist activist based in New York. She is a professor emerita and teaching fellow at Hofstra University in New York State, where she was a social science professor. She also taught at the University of Port Harcourt in Nigeria. In 1972, she co-founded the International Feminist Collective. In 1995, in the course of the campaign to demand the liberation of Mumia Abu-Jamal, she cofounded the Radical Philosophy Association (RPA) anti-death penalty project, an organization intended to help educators become a driving force towards its abolition. For several decades, Federici has been working in a variety of projects with feminist organizations across the world like Women in Nigeria (WIN), Ni Una Menos, the Argentinian feminist organization; she alsohas been organizing a project with feminist collectives in Spain to reconstruct the history of the women who were persecuted as witches in early modern Europe, and raise consciousness about the contemporary witch-hunts that are taking place across the world. Federici is considered one of the leading feminist theoreticians in Marxist feminist theory, women’s history, political philosophy, and the history and theory of the commons. Her most famous book, Caliban and the Witch, has been translated in more than 20 foreign languages, and adopted in courses across the U.S. and many other countries. Often described as a counterpoint to Marx’s and Foucault’s account of “primitive accumulation,” Caliban reconstructs the history of capitalism, highlighting the continuity between the capitalist subjugation of women, the slave trade, and the colonization of the Americas. It has been described as the first history of capitalism with women at the center. "To me, the struggle should not ever be purely an oppositional action but should actually be something constructive. Struggle is also a moment in which you raise your consciousness. You take your consciousness, you express a vision of the world that you want to construct what is being denied. The struggle is at the same time negation and also affirmation of the possibility of another world, another vision. And because of it, the struggle is also transformative. It's not only a wall against your enemies. It is also reshaping the relationship with other people. It's a moment of collective reconstruction. It's a moment of collective solidarity. This, to me, has become a very important element. This is what I've learned from the women's movement. That there's so much of our comfort, when we left the male-dominated organization, had to do not only with the program but also the forms of organizing, the kind of relation that you have with people. It became very, very important to think of the struggle as something much different and far more creative, far more constructive, and this vision of the struggle is also what should attract people to look at the struggle as something in which they want to be, not as another burden, not as another piece of work added to the day-to-day misery and the day in day workload. But actually, something that you look forward to. Going to a meeting has to be something that you look forward to as you go to a party, in the sense that here are the people that you feel connected with. You're building something. You are discovering something." www.pmpress.org/index.php?l=product_detail&p=961 www.palumbo-liu.com https://speakingoutofplace.com https://twitter.com/palumboliu?s=20…
1 Highlights - Nobel Peace Prize-winning Climate Scientist MARK HOWDEN - Director, Climate Change Institute at ANU - Vice Chair of IPCC 10:23
"One of the things we have to do is we have to increase the rate of learning. We are entering into increasingly uncharted territory and not just in terms of climate change, but in many other areas of activity, AI being one of those, of course. And I think what we need to do is we need to find ways to learn more quickly, as a society, as communities, as villagers, as professional groups. And there are advantages of using some of those technologies in terms of accelerating that learning. We need to be discerning about the technologies we use, and we need to think about the relationships between those technology and social outcomes, environmental outcomes, how to redesign our systems, and how to redesign our governance. So I think there's going to be a need for a lot more thought and creativity in the future." Our window to adapt to a warming world is narrowing quickly. What it will take to avert the climate crises? Mark Howden is Director of the Climate Change Institute at The Australian National University and a Vice Chair of the Intergovernmental Panel on Climate Change (IPCC) and a member of the Australian National Climate Science Advisory Committee. He has been a major contributor to the IPCC since 1991, with roles in the Second, Third, Fourth, Fifth and now Sixth Assessment Reports, sharing the 2007 Nobel Peace Prize with other IPCC participants and Al Gore. He was on the US Federal Advisory Committee for the 3rd National Climate Assessment and contributes to several major national and international science and policy advisory bodies. Mark has worked on climate variability, climate change, innovation and adoption issues for over 30 years in partnership with many industry, community and policy groups via both research and science-policy roles. https://iceds.anu.edu.au/people/academics/professor-mark-howden https://iceds.anu.edu.au/ www.ipcc.ch www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 MARK HOWDEN - Vice Chair, Intergovernmental Panel on Climate Change - Director, Climate Change Institute at The Australian National University 29:32
Our window to adapt to a warming world is narrowing quickly. What it will take to avert the climate crises? Mark Howden is Director of the Climate Change Institute at The Australian National University and a Vice Chair of the Intergovernmental Panel on Climate Change (IPCC) and a member of the Australian National Climate Science Advisory Committee. He has been a major contributor to the IPCC since 1991, with roles in the Second, Third, Fourth, Fifth and now Sixth Assessment Reports, sharing the 2007 Nobel Peace Prize with other IPCC participants and Al Gore. He was on the US Federal Advisory Committee for the 3rd National Climate Assessment and contributes to several major national and international science and policy advisory bodies. Mark has worked on climate variability, climate change, innovation and adoption issues for over 30 years in partnership with many industry, community and policy groups via both research and science-policy roles. "One of the things we have to do is we have to increase the rate of learning. We are entering into increasingly uncharted territory and not just in terms of climate change, but in many other areas of activity, AI being one of those, of course. And I think what we need to do is we need to find ways to learn more quickly, as a society, as communities, as villagers, as professional groups. And there are advantages of using some of those technologies in terms of accelerating that learning. We need to be discerning about the technologies we use, and we need to think about the relationships between those technology and social outcomes, environmental outcomes, how to redesign our systems, and how to redesign our governance. So I think there's going to be a need for a lot more thought and creativity in the future." https://iceds.anu.edu.au/people/academics/professor-mark-howden https://iceds.anu.edu.au/ www.ipcc.ch www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo credit: Lannon Harley/ANU…
1 Highlights - SUE INCHES - Fmr. Director, Maine Department of Marine Resources - Fmr. Deputy Director, State Planning Office
11:36
"So to me, the connection is just being outdoors. It really brings energy, to my life and it brings energy to my work. And I think for a lot of people, this is true, that nature is kind of the place where they can regenerate their energy. And if people haven't experienced that, I encourage them to try it, because nature can be very restorative. So, absolutely there's a connection between health, the outdoors, and between environmental issues and creating a healthy, clean environment for future generations." How do we connect our personal stories to the big story about the environment? How can we motivate corporations and government to not just aim for profit, but include reporting on their environmental risks and impacts in their balance sheets? Sue Inches is an advocate, author, and teacher. She has worked in public policy for over 25 years, serving as the Deputy Director of the State Planning Office, and as a Director at the Maine Department of Marine Resources. She is author of Advocating for the Environment: How to Gather Your Power and Take Action, and teaches college and high school workshops on same. Her consulting work focuses on strategic planning, program development, and environmental campaigns. https://sueinches.com www.penguinrandomhouse.com/books/670609/advocating-for-the-environment-by-susan-b-inches www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 SUE INCHES - Author of Advocating for the Environment: How to Gather Your Power and Take Action 41:32
How do we connect our personal stories to the big story about the environment? How can we motivate corporations and government to not just aim for profit, but include reporting on their environmental risks and impacts in their balance sheets? Sue Inches is an advocate, author, and teacher. She has worked in public policy for over 25 years, serving as the Deputy Director of the State Planning Office, and as a Director at the Maine Department of Marine Resources. She is author of Advocating for the Environment: How to Gather Your Power and Take Action, and teaches college and high school workshops on same. Her consulting work focuses on strategic planning, program development, and environmental campaigns. "So to me, the connection is just being outdoors. It really brings energy, to my life and it brings energy to my work. And I think for a lot of people, this is true, that nature is kind of the place where they can regenerate their energy. And if people haven't experienced that, I encourage them to try it, because nature can be very restorative. So, absolutely there's a connection between health, the outdoors, and between environmental issues and creating a healthy, clean environment for future generations." https://sueinches.com www.penguinrandomhouse.com/books/670609/advocating-for-the-environment-by-susan-b-inches www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - ARNOLD SCHWARZENEGGER: Athlete, Actor, American, Activist - Conversation with Editor DIAN HANSON 10:23
"Benedikt Taschen, like myself, like Arnold, is a man without formal education. Benedikt started his business when he was 18 years old and opened a comic book store. He had been buying and selling trading comic books since the age of 15. He made the money himself to open a comic book store and then went into publishing right after that. And I said, 'Benedikt, when did you have time to go to college?' And he said, 'There was no time. I did not go.' And so people are tempted to call people like Benedikt, to call people like Arnold, to call people like me, self-made. But we are obviously not self-made. We are determined, and we use our determination to bring other people into our dream and our motivation to accomplish what we want. And so Taschen sees in Arnold himself and his own determination he sees in me, himself, and his determination. And so we all come together in that, you know, let's celebrate somebody that most people would not imagine was an art book subject. This has been Taschen all along. Oh, they make sex books. You know, that's not art . Well, Benedikt Taschen said to me at the time when he hired me, and he was trying to hire me since 1994, I said, 'Well, you know, I made porn magazines. Am I going to have to change everything I do to make art books?' And he said, no. He said, 'I'm hiring you because I like what you do. We make good books. We put good art in our books. We put good sex material in our books. We do not put bad art in our books. We do not put bad sex material in our books. We do it good, and then it's art. And that is what we have done all along.' If you think Arnold is just some muscle guy, well go look in the book. Go see how Annie Leibovitz envisioned him. Go see how Robert Mapplethorpe saw him. Go see how Andy Warhol saw him. Go see how Herb Ritts saw him. He was inspiration for all of these people." “Why I was different from all the other boys in my town I cannot tell you. I was simply born with the gift of vision.” – ARNOLD SCHWARZENEGGER Is there any better example of the American Dream than Arnold Schwarzenegger? What does it take to make your vision a reality? How do you cultivate iron focus to overcome any obstacle and realize your dreams? On the publication of Arnold Schwarzenegger’s limited edition two-volume book published by TASCHEN, we sat down with Senior Editor and Writer Dian Hansen to discuss Schwarzenegger’s life, accomplishments, and history of unforgettable performances. The book has been a decade-long collaborative process and along with portraits by leading photographers Richard Avedon, Annie Leibovitz, Robert Mapplethorpe, Herb Ritts, Francesco Scavullo, and Andy Warhol, it is also filled with photos from Arnold’s private archive and exclusive interviews. Dian’s other works include The Art of Pin-up, Masterpieces of Fantasy Art, and The Fantastic Worlds of Frank Frazetta. www.taschen.com/en/limited-editions/film/03105/arnold-collector-s-edition www.schwarzenegger.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Image courtesy of Taschen. Photo credit: ARNOLD SCHWARZENEGGER IN VENICE, CALIFORNIA. PHOTO BY ALBERT BUSEK, 1980…
1 ARNOLD SCHWARZENEGGER: Athlete, Actor, American, Activist - Conversation with Editor DIAN HANSON 58:04
“Why I was different from all the other boys in my town I cannot tell you. I was simply born with the gift of vision.” – ARNOLD SCHWARZENEGGER Is there any better example of the American Dream than Arnold Schwarzenegger? What does it take to make your vision a reality? How do you cultivate iron focus to overcome any obstacle and realize your dreams? On the publication of Arnold Schwarzenegger’s limited edition two-volume book published by TASCHEN, we sat down with Senior Editor and Writer Dian Hansen to discuss Schwarzenegger’s life, accomplishments, and history of unforgettable performances. The book has been a decade-long collaborative process and along with portraits by leading photographers Richard Avedon, Annie Leibovitz, Robert Mapplethorpe, Herb Ritts, Francesco Scavullo, and Andy Warhol, it is also filled with photos from Arnold’s private archive and exclusive interviews. Dian’s other works include The Art of Pin-up, Masterpieces of Fantasy Art, and The Fantastic Worlds of Frank Frazetta. "Benedikt Taschen, like myself, like Arnold, is a man without formal education. Benedikt started his business when he was 18 years old and opened a comic book store. He had been buying and selling trading comic books since the age of 15. He made the money himself to open a comic book store and then went into publishing right after that. And I said, 'Benedikt, when did you have time to go to college?' And he said, 'There was no time. I did not go.' And so people are tempted to call people like Benedikt, to call people like Arnold, to call people like me, self-made. But we are obviously not self-made. We are determined, and we use our determination to bring other people into our dream and our motivation to accomplish what we want. And so Taschen sees in Arnold himself and his own determination he sees in me, himself, and his determination. And so we all come together in that, you know, let's celebrate somebody that most people would not imagine was an art book subject. This has been Taschen all along. Oh, they make sex books. You know, that's not art. Well, Benedikt Taschen said to me at the time when he hired me, and he was trying to hire me since 1994, I said, 'Well, you know, I made porn magazines. Am I going to have to change everything I do to make art books?' And he said, no. He said, 'I'm hiring you because I like what you do. We make good books. We put good art in our books. We put good sex material in our books. We do not put bad art in our books. We do not put bad sex material in our books. We do it good, and then it's art. And that is what we have done all along.' If you think Arnold is just some muscle guy, well go look in the book. Go see how Annie Leibovitz envisioned him. Go see how Robert Mapplethorpe saw him. Go see how Andy Warhol saw him. Go see how Herb Ritts saw him. He was inspiration for all of these people." www.taschen.com/en/limited-editions/film/03105/arnold-collector-s-edition www.schwarzenegger.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Images courtesy of Taschen. Photo credits: Cover Arnold Schwarzenegger for the film End of Days. Sante D'Orazio, 1999 Governor Schwarzenegger with the Lincoln Memorial · Photo by Peter Grigsby, 2009 Arnold Schwarzenegger and Lulu at his Los Angeles home · Photo by Tracy Nguyen, 2021…
1 Highlights - DAVID FENTON - Author of The Activist’s Media Handbook: Lessons From 50 Years as a Progressive Agitator 10:09
"When I say 'Make America Great Again', everybody probably cringes and I do too, but we have to learn from that. That is actually how the brain works. It works through being exposed to the repetition of simple, easy-to-understand messages that have an emotional, moral aspect. That's how the brain learns. It doesn't learn from facts. It doesn't learn from figures. It doesn't learn from policy pronouncements. And it certainly doesn't learn from complexity. Here's an example. People need to be conscious of the difference between internal and external communications. So, if you want to say that you believe in intersectional environmentalism, that's valid within your group. But if you use that in your public communication, no one understands what the hell you mean by that, not at all. Second, you're branding yourself as an other. You're not part of their world. You don't understand them. You have some weird agenda of your own, and you're incomprehensible. I hope my book makes a contribution to helping activists learn the difference between what the communists used to call an internal line and an external line. You know, the communists had a lot of things wrong, but that they were right about.” How can we effectively communicate that we're moving beyond climate change to a state of climate crisis? The trapped heat energy on Earth is equal to a million Atomic bombs going off every single day. Today we talk to someone who's been mobilizing the public mind for over 50 years. David Fenton, named “one of the 100 most influential PR people” by PR Week and “the Robin Hood of public relations” by The National Journal, founded Fenton in 1982 to create communications campaigns for the environment, public health, and human rights. For more than five decades he has pioneered the use of PR, social media, and advertising techniques for social change. Fenton started his career as a photojournalist in the late 1960s – his book Shots: An American Photographer’s Journal was published in 2005. He was formerly director of public relations at Rolling Stone magazine and co-producer of the No-Nukes concerts in 1979 at Madison Square Garden with Bruce Springsteen, Bonnie Raitt, James Taylor, Jackson Browne, and other artists. He has also helped create JStreet, Climate Nexus, the Death Penalty Information Center, and Families for a Future. He sold Fenton a few years ago to work on climate change full time. He is the author of The Activist’s Media Handbook: Lessons From 50 Years as a Progressive Agitator. https://davidfentonactivist.com www.simonandschuster.com/books/The-Activists-Media-Handbook/David-Fenton/9781647228668 https://fenton.com X / twitter @dfenton IG @dfenton1 facebook.com/davidfentonactivist www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast All photographs © 1968-2022 David Fenton…
1 DAVID FENTON - Founder of Fenton Communications, Author of The Activist’s Media Handbook: Lessons From 50 Years as a Progressive Agitator 49:41
How can we effectively communicate that we're moving beyond climate change to a state of climate crisis? The trapped heat energy on Earth is equal to a million Atomic bombs going off every single day. Today we talk to someone who's been mobilizing the public mind for over 50 years. David Fenton, named “one of the 100 most influential PR people” by PR Week and “the Robin Hood of public relations” by The National Journal, founded Fenton in 1982 to create communications campaigns for the environment, public health, and human rights. For more than five decades he has pioneered the use of PR, social media, and advertising techniques for social change. Fenton started his career as a photojournalist in the late 1960s – his book Shots: An American Photographer’s Journal was published in 2005. He was formerly director of public relations at Rolling Stone magazine and co-producer of the No-Nukes concerts in 1979 at Madison Square Garden with Bruce Springsteen, Bonnie Raitt, James Taylor, Jackson Browne, and other artists. He has also helped create JStreet, Climate Nexus, the Death Penalty Information Center, and Families for a Future. He sold Fenton a few years ago to work on climate change full time. He is the author of The Activist’s Media Handbook: Lessons From 50 Years as a Progressive Agitator. "When I say 'Make America Great Again', everybody probably cringes and I do too, but we have to learn from that. That is actually how the brain works. It works through being exposed to the repetition of simple, easy-to-understand messages that have an emotional, moral aspect. That's how the brain learns. It doesn't learn from facts. It doesn't learn from figures. It doesn't learn from policy pronouncements. And it certainly doesn't learn from complexity. Here's an example. People need to be conscious of the difference between internal and external communications. So, if you want to say that you believe in intersectional environmentalism, that's valid within your group. But if you use that in your public communication, no one understands what the hell you mean by that, not at all. Second, you're branding yourself as an other. You're not part of their world. You don't understand them. You have some weird agenda of your own, and you're incomprehensible. I hope my book makes a contribution to helping activists learn the difference between what the communists used to call an internal line and an external line. You know, the communists had a lot of things wrong, but that they were right about.” https://davidfentonactivist.com www.simonandschuster.com/books/The-Activists-Media-Handbook/David-Fenton/9781647228668 https://fenton.com X / twitter @dfenton IG @dfenton1 facebook.com/davidfentonactivist www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast All photographs © 1968-2022 David Fenton…
Wildfire season is starting earlier and lasting longer due to global warming across the world. What will we do to save the world on fire? How can we cure our addiction to fossil fuels which is verging on pyromania? Simon Dalby is author of Pyromania: Fire and Geopolitics in a Climate-Disrupted World and Professor Emeritus at Wilfrid Laurier University. His other books are Rethinking Environmental Security, Anthropocene Geopolitics: Globalization, Security, Sustainability, and Security and Environmental Change. He’s co-editor of Achieving the Sustainable Development Goals, and Reframing Climate Change: Constructing Ecological Geopolitics. "We have got to stop and think carefully about how we integrate our education systems so that we think across these silos and think about literally how to make a better world. And then we can extract ourselves hopefully from those little silos that we do our studying and thinking and learning in, and begin to think about our role as ecological beings. If we're going to think about well-being linked to planetary health, we need to get out of the silos that we traditionally thought about and think across the disciplines. And this should allow us to be much more creative in terms of how we design curriculum and how we organize our educational process." https://experts.wlu.ca/simon-dalby-1 www.agendapub.com/page/detail/pyromania/?k=9781788216500 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Speaking Out of Place: JENNIFER JACQUET discusses The Playbook: How to Deny Science, Sell Lies, and Make a Killing in the Corporate World 32:24
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu interviews Jennifer Jacquet, who is an Associate Professor in the Department of Environmental Studies and Director of XE: Experimental Humanities and Social Engagement at NYU. She is also deputy director of NYU's Center for Environmental and Animal Protection. Her research focuses on animals and the environment, Agnotology, and attribution and responsibility in the Anthropocene. She is author of The Playbook: How to Deny Science, Sell Lies, and Make a Killing in the Corporate World-- a work of 'epistolary non-fiction' that makes the business case for scientific denial. Among other things, we learn how corporations create an arsenal of experts and pseudo-experts at prestigious universities to create misinformation and disinformation for corporate profit, and at great cost to the public. At the end, we make the case for a partnership between the sciences and the humanities to fight such lies and violence. Jennifer Jacquet’s research focuses on animals and the environment, Agnotology, and attribution and responsibility in the Anthropocene. She is author of The: How to Deny Science, Sell Lies, and Make a Killing in the Corporate World (Pantheon/Penguin, 2022)-- a work of 'epistolary non-fiction' that makes the business case for scientific denial. She also wrote Is Shame Necessary? (Pantheon/Penguin, 2015) about the evolution, function, and future of the use of social disapproval in a globalized, digitized world. She is the recipient of a 2015 Alfred P. Sloan research fellowship and a 2016 Pew Fellowship in Marine Conservation. https://jenniferjacquet.com https://as.nyu.edu/faculty/jennifer-jacquet.html www.palumbo-liu.com https://speakingoutofplace.com https://twitter.com/palumboliu?s=20…
1 Highlights - JERICHO BROWN - Pulitzer Prize-winning Poet - Editor of How We Do It: Black Writers on Craft, Practice, and Skill 15:16
"This is a book I wish existed 20 years ago. I would have led an easier life if it had. I want you to have what I always wanted. Here is an anthology that gives us modes to try on the way we might wear and change clothing. And these wonderful writers are proof that nothing ever beat a failure but a try. In order to make what you make, you have to use what you have. You have to submerge yourself, immerse yourself in what you know, in your own vernacular, in your own tone, in your own belief, in your own way of doing things and telling stories. And that's how the writing can get done." How do you find your voice? As a writer, how do you take what you know and what you believe to share your stories with the world? How do we let young writers know just how powerful they are and that what they do matters? In How We Do It: Black Writers on Craft, Practice, and Skill Pulitzer Prize winning, and National Book Award finalist author Jericho Brown brings together more than 30 acclaimed writers, including the likes of Tayari Jones, Jacqueline Woodson, Natasha Trethewey, among many others, to discuss, dissect, and offer advice and encouragement on the written word. Brown is author of The Tradition, for which he won the Pulitzer Prize. He is the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of the Whiting Award. Brown’s first book, Please, won the American Book Award. His second book, The New Testament, won the Anisfield-Wolf Book Award. His third collection, The Tradition won the Paterson Poetry Prize and was a finalist for the National Book Award and the National Book Critics Circle Award. His poems have appeared in The Bennington Review, Buzzfeed, Fence, jubilat, The New Republic, The New York Times, The New Yorker, The Paris Review TIME magazine, and several volumes of The Best American Poetry. He is the director of the Creative Writing Program and a professor at Emory University. www.jerichobrown.com www.harpercollins.com/products/how-we-do-it-jericho-browndarlene-taylor?variant=40901184684066 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 JERICHO BROWN - Pulitzer Prize-winning Poet - Editor of “How We Do It: Black Writers on Craft, Practice, and Skill” 49:13
How do you find your voice? As a writer, how do you take what you know and what you believe to share your stories with the world? How do we let young writers know just how powerful they are and that what they do matters? In How We Do It: Black Writers on Craft, Practice, and Skill Pulitzer Prize winning, and National Book Award finalist author Jericho Brown brings together more than 30 acclaimed writers, including the likes of Tayari Jones, Jacqueline Woodson, Natasha Trethewey, among many others, to discuss, dissect, and offer advice and encouragement on the written word. Brown is author of The Tradition, for which he won the Pulitzer Prize. He is the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of the Whiting Award. Brown’s first book, Please, won the American Book Award. His second book, The New Testament, won the Anisfield-Wolf Book Award. His third collection, The Tradition won the Paterson Poetry Prize and was a finalist for the National Book Award and the National Book Critics Circle Award. His poems have appeared in The Bennington Review, Buzzfeed, Fence, jubilat, The New Republic, The New York Times, The New Yorker, The Paris Review TIME magazine, and several volumes of The Best American Poetry. He is the director of the Creative Writing Program and a professor at Emory University. "This is a book I wish existed 20 years ago. I would have led an easier life if it had. I want you to have what I always wanted. Here is an anthology that gives us modes to try on the way we might wear and change clothing. And these wonderful writers are proof that nothing ever beat a failure but a try. In order to make what you make, you have to use what you have. You have to submerge yourself, immerse yourself in what you know, in your own vernacular, in your own tone, in your own belief, in your own way of doing things and telling stories. And that's how the writing can get done." www.jerichobrown.com www.harpercollins.com/products/how-we-do-it-jericho-browndarlene-taylor?variant=40901184684066 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - ERICA BERRY - Author of Wolfish: Wolf, Self, and the Stories We Tell About Fear 12:35
"And I think the ways that wolves converse with one another, there's also so much there that really conjures the way that we humans do. And I was trying to piece together: why did we feel so threatened by wolves? In part, I think because there's a sort of uncanny mirror that humans have seen in a wolf. And I'll give an example. Wolf packs will form a diversity of family structures very often. So they will have a nuclear family where you'll have two breeders, but they can also have an extended family where there's sort of aunts and uncles in the pack. Or (these are the biologist's names) they'll call it a step-family if a wolf pack welcomes an outside breeder. A foster family, if they welcome another outsider. And I think the way that a pack is its own ecosystem: if one wolf dies, there's one wolf in this pack that might be the one that teaches how to move through the territory. And if that one wolf dies, the whole pack has a much higher likelihood of disbanding. And so this idea that the interconnectivity between the packs and the individuality of the wolves is so critical. It is so beautiful, and you see that studying these different wolves, they have personalities." The lone wolf is actually alone because it's looking for connection. They leave in order to find a mate and form their own pack. If loneliness is an epidemic, what can wolves teach us about loneliness, courage, and connection? Erica Berry is the author of Wolfish: Wolf, Self, and the Stories We Tell About Fear. Her essays in journalism appear in Outside, Wired, The Yale Review, The Guardian, Literary Hub, The New York Times Magazine, The Atlantic, and Guernica, among other publications. Berry has taught workshops for teenagers and adults at Literary Arts, the Sitka Center for Art and Ecology, the New York Times Student Journeys in Oxford Academia. www.ericaberry.com https://us.macmillan.com/books/9781250882264/wolfish www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
The lone wolf is actually alone because it's looking for connection. They leave in order to find a mate and form their own pack. If loneliness is an epidemic, what can wolves teach us about loneliness, courage, and connection? Erica Berry is the author of Wolfish: Wolf, Self, and the Stories We Tell About Fear. Her essays in journalism appear in Outside, Wired, The Yale Review, The Guardian, Literary Hub, The New York Times Magazine, The Atlantic, and Guernica, among other publications. Berry has taught workshops for teenagers and adults at Literary Arts, the Sitka Center for Art and Ecology, the New York Times Student Journeys in Oxford Academia. "And I think the ways that wolves converse with one another, there's also so much there that really conjures the way that we humans do. And I was trying to piece together: why did we feel so threatened by wolves? In part, I think because there's a sort of uncanny mirror that humans have seen in a wolf. And I'll give an example. Wolf packs will form a diversity of family structures very often. So they will have a nuclear family where you'll have two breeders, but they can also have an extended family where there's sort of aunts and uncles in the pack. Or (these are the biologist's names) they'll call it a step-family if a wolf pack welcomes an outside breeder. A foster family, if they welcome another outsider. And I think the way that a pack is its own ecosystem: if one wolf dies, there's one wolf in this pack that might be the one that teaches how to move through the territory. And if that one wolf dies, the whole pack has a much higher likelihood of disbanding. And so this idea that the interconnectivity between the packs and the individuality of the wolves is so critical. It is so beautiful, and you see that studying these different wolves, they have personalities." www.ericaberry.com https://us.macmillan.com/books/9781250882264/wolfish www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo by Andrea Lonas…
1 Highlights - TOM LIN - Author of The Thousand Crimes of Ming Tsu - Andrew Carnegie Medal for Excellence in Fiction 2022 11:05
"I think I would like young people to preserve everything. I think so much of historical work is going back and trying to piece together the things that have not been preserved. And so even with biodiversity and the planet, I think we should try to have less impact on our surroundings and more impact on each other. There's less and less investment in the humanities, and that really saddens me. I think art is important because it's something that we do as humans that has no purpose beyond how it makes us feel. And something like that is valuable because it is hard and because it is directed at other people. The making of art, the consumption of art, I think is what makes us human as opposed to animals. If we are going to draw that line, I think that's where it is. And I think the purpose of artists is to preserve the feeling of being alive and to communicate that to others." How can we retell the story of America? In the United States of Amnesia, why does the Western celebrate cowboys but not all people who built this country? What does a Chinese-American hero look like in the 21st Century? Tom Lin is an American writer whose 2021 debut novel The Thousand Crimes of Ming Tsu chronicles the story of a Chinese American outlaw seeking revenge during America's railroad boom. The book won the 2022 Andrew Carnegie Medal for Excellence in Fiction, making Lin the youngest Carnegie winner in the prize’s history. Tom Lin is currently pursuing an English doctorate at the University of California Davis. https://twotreeforest.com www.hachettebookgroup.com/titles/tom-lin/the-thousand-crimes-of-ming-tsu/9780316542173/?lens=little-brown www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Image courtesy of Little, Brown and Company & Tom Lin…
1 TOM LIN - Author of The Thousand Crimes of Ming Tsu - Andrew Carnegie Medal for Excellence in Fiction 2022 41:56
How can we retell the story of America? In the United States of Amnesia, why does the Western celebrate cowboys but not all people who built this country? What does a Chinese-American hero look like in the 21st Century? Tom Lin is an American writer whose 2021 debut novel The Thousand Crimes of Ming Tsu chronicles the story of a Chinese American outlaw seeking revenge during America's railroad boom. The book won the 2022 Andrew Carnegie Medal for Excellence in Fiction, making Lin the youngest Carnegie winner in the prize’s history. Tom Lin is currently pursuing an English doctorate at the University of California Davis. "I think I would like young people to preserve everything. I think so much of historical work is going back and trying to piece together the things that have not been preserved. And so even with biodiversity and the planet, I think we should try to have less impact on our surroundings and more impact on each other. There's less and less investment in the humanities, and that really saddens me. I think art is important because it's something that we do as humans that has no purpose beyond how it makes us feel. And something like that is valuable because it is hard and because it is directed at other people. The making of art, the consumption of art, I think is what makes us human as opposed to animals. If we are going to draw that line, I think that's where it is. And I think the purpose of artists is to preserve the feeling of being alive and to communicate that to others." https://twotreeforest.com www.hachettebookgroup.com/titles/tom-lin/the-thousand-crimes-of-ming-tsu/9780316542173/?lens=little-brown www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Image courtesy of Little, Brown and Company & Tom Lin…
1 Highlights - MARK MASLIN - Author of How To Save Our Planet: The Facts - Professor, Earth System Science, UCLondon 21:20
"Economic growth in particular areas, when it comes to developed countries, economic growth in the US does nothing for the average person. It doesn't improve their health, doesn't improve their circumstances, doesn't improve their education. It just goes to the top 1%." Can we imagine a world where we leave half the earth to the natural environment and use the other half for ourselves? Can we change history and protect the Indigenous, the vulnerable, and the very poorest in society? Mark Maslin is a Professor of Earth System Science at University College London. Maslin is a leading expert in understanding the anthropocene and how it relates to the major challenges facing humanity in the 21st century. He has written a number of books on the issue of climate change, his most book is How to Save Our Planet: The Facts. www.geog.ucl.ac.uk/people/academic-staff/mark-maslin www.penguin.co.uk/books/320155/how-to-save-our-planet-by-maslin-mark/9780241472521 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Image courtesy of Mark Maslin…
1 MARK MASLIN - Author of How To Save Our Planet: The Facts - Professor, Earth System Science, University College London 45:07
Can we imagine a world where we leave half the earth to the natural environment and use the other half for ourselves? Can we change history and protect the Indigenous, the vulnerable, and the very poorest in society? Mark Maslin is a Professor of Earth System Science at University College London. Maslin is a leading expert in understanding the anthropocene and how it relates to the major challenges facing humanity in the 21st century. He has written a number of books on the issue of climate change, his most book is How to Save Our Planet: The Facts. "Economic growth in particular areas, when it comes to developed countries, economic growth in the US does nothing for the average person. It doesn't improve their health, doesn't improve their circumstances, doesn't improve their education. It just goes to the top 1%." www.geog.ucl.ac.uk/people/academic-staff/mark-maslin www.penguin.co.uk/books/320155/how-to-save-our-planet-by-maslin-mark/9780241472521 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast All images courtesy of Mark Maslin…
"Limitations are the greatest, greatest tools for advancing something. And that's where a narrative for me works very well. It acts like a kind of nautical map. I know where I'm going, and I know if I've gone way off course and I shouldn't be there because I look back at the limitations I've set for myself based on the stories within it. One of our great British artists is Brian Eno, and he spoke a lot about limitations. I had the great joy of having a conversation. We ended up chatting for a couple of hours and he said, 'Oh, I want to show you something. I want to show you my library, and this tool I've created!' His Sonic Library, which is decades of audio material. (I have something similar. I call it an orphanage of sound. These files and folders that will eventually find a home.) But he's created a piece of software using algorithms that will at random pull out sounds and play them. And he can set certain parameters: I want a string sound to be here. And I'd like some bass sounds to come in. And I'd like some drum sounds, but it's just choosing these layers and playing them all at the same time. Again, a bit like the cacophony of birdsong. It's a bit of a mess initially, but then you can edit, and you start to refine. And in those limitations that have come out of this tool - and this is the point I guess I'm trying to make - is that it can be used as a tool to set limits or to burst limits. Or to mix things up. Out of that editing process, you can output something that to your ear sounds good to somebody else's ear." How has music transported you? Where do you find inspiration from the natural world? Where do you find moments of every day magic? Erland Cooper is a Scottish composer, producer, and multi-instrumentalist from Stromness, Orkney. He has released three acclaimed studio albums, four additional companion albums, and multiple EPs, including a trilogy of work inspired by his childhood home. His work combines field recordings with traditional orchestration and contemporary electronic elements. Through music words and cinematography, he explores landscape, memory, and identity. Cooper also works across mixed media projects, including installation, art, theater, and film. He is widely known for burying the only existing copy of the master tape of his first classical album in Scotland, deleting all digital files, and leaving only a treasure hunt of clues for fans and his record label alike to search for it. The tape has recently been found. www.erlandcooper.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
How has music transported you? Where do you find inspiration from the natural world? Where do you find moments of every day magic? Erland Cooper is a Scottish composer, producer, and multi-instrumentalist from Stromness, Orkney. He has released three acclaimed studio albums, four additional companion albums, and multiple EPs, including a trilogy of work inspired by his childhood home. His work combines field recordings with traditional orchestration and contemporary electronic elements. Through music words and cinematography, he explores landscape, memory, and identity. Cooper also works across mixed media projects, including installation, art, theater, and film. He is widely known for burying the only existing copy of the master tape of his first classical album in Scotland, deleting all digital files, and leaving only a treasure hunt of clues for fans and his record label alike to search for it. The tape has recently been found. "Limitations are the greatest, greatest tools for advancing something. And that's where a narrative for me works very well. It acts like a kind of nautical map. I know where I'm going, and I know if I've gone way off course and I shouldn't be there because I look back at the limitations I've set for myself based on the stories within it. One of our great British artists is Brian Eno, and he spoke a lot about limitations. I had the great joy of having a conversation. We ended up chatting for a couple of hours and he said, 'Oh, I want to show you something. I want to show you my library, and this tool I've created!' His Sonic Library, which is decades of audio material. (I have something similar. I call it an orphanage of sound. These files and folders that will eventually find a home.) But he's created a piece of software using algorithms that will at random pull out sounds and play them. And he can set certain parameters: I want a string sound to be here. And I'd like some bass sounds to come in. And I'd like some drum sounds, but it's just choosing these layers and playing them all at the same time. Again, a bit like the cacophony of birdsong. It's a bit of a mess initially, but then you can edit, and you start to refine. And in those limitations that have come out of this tool - and this is the point I guess I'm trying to make - is that it can be used as a tool to set limits or to burst limits. Or to mix things up. Out of that editing process, you can output something that to your ear sounds good to somebody else's ear." www.erlandcooper.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo by Alex Kozobolis…
1 Highlights - SERGEI GURIEV - Political Economist - Provost of SciencesPo - Co-author of Spin Dictators 11:04
"We feel a great responsibility in that we train the citizens for the future. We train the leaders for the future. And SciencesPo is a unique institution in many ways. And one of those is it plays a disproportionately important role in training the social, political, and business elites in France. In no other country, do you have just one single institution which is so important for training the political elite. And that's why we feel a great responsibility. That's why we always ask ourselves what else we can do to make sure that people who will run this country 20 years later actually know what they are supposed to do? And we make sure that our student body is diverse. So we don't have this disconnect between elites and the others, but we also think about the subjects. So we teach more and more about environmental transformation. On digital transformation, we have special research programs on discrimination inequalities, and we teach courses on this. And of course, we also involve a highly international faculty and student body. This is, again, something that is a part of my strategy as a provost. We need to recruit more international faculty because we already have internationalized our student body. We have about half of SciencesPo students who are either international or binational. So this is also an important part of our strategy to become not just an institution in France, but also an institution for the whole world because of all these issues: climate change, digital transformation, inequalities, geopolitics, and crisis. These are all global issues that have to be addressed not by one country, but by the international community." What is a spin dictator? What does tyranny look like in the 21st century? Why is populism on the rise? And how do we reinvent democracy? Sergei Guriev is the co-author of Spin Dictators: The Changing Face of Tyranny in the 21st Century. Guriev is Provost and a professor of economics and at Sciences Po in Paris. He is a former Chief Economist of the European Bank for Reconstruction and Development, London, and a former Rector of the New Economic School in Moscow in 2004-13. https://sites.google.com/site/sguriev/ https://spindictators.com/ www.sciencespo.fr/department-economics/en/researcher/sergei-guriev.html www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 SERGEI GURIEV - Economist - Provost of SciencesPo - Co-author of Spin Dictators: The Changing Face of Tyranny in the 21st Century 37:05
What is a spin dictator? What does tyranny look like in the 21st century? Why is populism on the rise? And how do we reinvent democracy? Sergei Guriev is the co-author of Spin Dictators: The Changing Face of Tyranny in the 21st Century. Guriev is Provost and a professor of economics and at Sciences Po in Paris. He is a former Chief Economist of the European Bank for Reconstruction and Development, London, and a former Rector of the New Economic School in Moscow in 2004-13. "We feel a great responsibility in that we train the citizens for the future. We train the leaders for the future. And SciencesPo is a unique institution in many ways. And one of those is it plays a disproportionately important role in training the social, political, and business elites in France. In no other country, do you have just one single institution which is so important for training the political elite. And that's why we feel a great responsibility. That's why we always ask ourselves what else we can do to make sure that people who will run this country 20 years later actually know what they are supposed to do? And we make sure that our student body is diverse. So we don't have this disconnect between elites and the others, but we also think about the subjects. So we teach more and more about environmental transformation. On digital transformation, we have special research programs on discrimination inequalities, and we teach courses on this. And of course, we also involve a highly international faculty and student body. This is, again, something that is a part of my strategy as a provost. We need to recruit more international faculty because we already have internationalized our student body. We have about half of SciencesPo students who are either international or binational. So this is also an important part of our strategy to become not just an institution in France, but also an institution for the whole world because of all these issues: climate change, digital transformation, inequalities, geopolitics, and crisis. These are all global issues that have to be addressed not by one country, but by the international community." https://sites.google.com/site/sguriev/ https://spindictators.com/ www.sciencespo.fr/department-economics/en/researcher/sergei-guriev.html www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - JASON deCAIRES TAYLOR - Sculptor, Environmentalist, Creator of Underwater Museums 10:18
"I just think we need to protect these areas. We have to feel for them. We have to understand them. And we have to feel that connection. So I would certainly encourage as many people as possible to learn to dive, to learn to snorkel and to really be in the moment, be in the space, in order to foster that empathy for the marine world. For me, it's one of the most beautiful, spiritual, and diverse places on the planet. And it's so little understood, but it's changing. We actually have some new works which have scientific monitoring devices in them. They actually have little sensors in them that monitor temperature and salinity and other factors. And they can be removed and then scanned. And all that data can then be downloaded to also monitor how the works are. I just completed a big project in Australia which just opened on World Ocean's Day. And one of the main pieces there is this piece called The Ocean Siren. And it is a young indigenous woman who is standing on the coastline, and she's actually attached to a weather station connected via a satellite link to a weather station out on the Great Barrier Reef. And that feeds data back to her. And then there's a solar array that changes a series of LEDs on her skin. So she changes red and orange color when there are prolonged spikes in temperature that could indicate coral bleaching. And then when the water is cooler, she obviously comes back down to a cooler blue or green color." What if museums weren’t confined to buildings but could be part of the natural world? What if sculptures could not only celebrate our oceans, but also provide habitats for marine life? Jason deCaires Taylor is a sculptor, environmentalist, and underwater photographer. His works are constructed using materials to instigate natural growth and the subsequent changes intended to explore the aesthetics of decay, rebirth, and metamorphosis. DeCaires Taylor's pioneering public art projects are not only examples of successful marine conservation but also works of art that seek to encourage environmental awareness and lead us to appreciate the breathtaking natural beauty of the underwater world. www.underwatersculpture.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
What if museums weren’t confined to buildings but could be part of the natural world? What if sculptures could not only celebrate our oceans, but also provide habitats for marine life? Jason deCaires Taylor is a sculptor, environmentalist, and underwater photographer. His works are constructed using materials to instigate natural growth and the subsequent changes intended to explore the aesthetics of decay, rebirth, and metamorphosis. DeCaires Taylor's pioneering public art projects are not only examples of successful marine conservation but also works of art that seek to encourage environmental awareness and lead us to appreciate the breathtaking natural beauty of the underwater world. "I just think we need to protect these areas. We have to feel for them. We have to understand them. And we have to feel that connection. So I would certainly encourage as many people as possible to learn to dive, to learn to snorkel and to really be in the moment, be in the space, in order to foster that empathy for the marine world. For me, it's one of the most beautiful, spiritual, and diverse places on the planet. And it's so little understood, but it's changing. We actually have some new works which have scientific monitoring devices in them. They actually have little sensors in them that monitor temperature and salinity and other factors. And they can be removed and then scanned. And all that data can then be downloaded to also monitor how the works are. I just completed a big project in Australia which just opened on World Ocean's Day. And one of the main pieces there is this piece called The Ocean Siren. And it is a young indigenous woman who is standing on the coastline, and she's actually attached to a weather station connected via a satellite link to a weather station out on the Great Barrier Reef. And that feeds data back to her. And then there's a solar array that changes a series of LEDs on her skin. So she changes red and orange color when there are prolonged spikes in temperature that could indicate coral bleaching. And then when the water is cooler, she obviously comes back down to a cooler blue or green color." www.underwatersculpture.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - DOMINIC McAFEE - Marine Ecologist, University of Adelaide - Restoring Lost Oyster Reefs 16:19
"Oysters are incredible beasts. You know, dolphins have cute eyes. Marine mammals, we have a natural affinity with them. How do you engage with a shelled introvert that hides away its entire life? But if we think about them as an organism, they are quite fascinating. A real character of the sea. So part of the reproductive process for the oyster that I work on are what we call sequential hermaphrodites. That means that they can switch between male and female almost on a daily basis. When you open them up, you can actually sometimes see egg and sperm next to each other. Incredibly dynamic organisms. They redefine, in many ways, how we think about sexuality. It's far more fluid with oysters. One of the amazing things about them though is that they were forming these reefs since before the time of the dinosaurs. We've lost something like 85% of oyster reefs globally.We've been using healthy marine sounds with underwater speakers to attract oysters to these reefs. So when the historical native habitat was lost, it also lost the sound that was associated with those reefs, that sound created by the millions of animals that live in that complex habitat. Now there's recognition that anthropogenic noise, noise from shipping and motorboats, and other urban noise is masking the natural sounds of the sea and dominating the soundscape as we call it. We're hoping that we can counteract some of those negative impacts of anthropogenic noise by playing healthy marine sounds." We have lost around 85% of oyster reefs. That’s not only the loss of oysters but also the habitat they provide other marine animals and plants. Oysters are amazing, not only do some create pearls but as sequential hermaphrodites, they can switch between male and female almost on a daily basis. Dr. Dominic McAfee is a researcher at the University of Adelaide in Australia. His work centers around restoring lost marine ecosystems, specifically shellfish reefs. Along with employing novel technology and reef restoration projects, he seeks to understand how oysters enhance the resilience and function of coastal ecosystems. He seeks to develop conservation messaging strategies that enhance public engagement via conservation optimism. https://researchers.adelaide.edu.au/profile/dominic.mcafee www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
We have lost around 85% of oyster reefs. That’s not only the loss of oysters but also the habitat they provide other marine animals and plants. Oysters are amazing, not only do some create pearls but as sequential hermaphrodites, they can switch between male and female almost on a daily basis. Dr. Dominic McAfee is a researcher at the University of Adelaide in Australia. His work centers around restoring lost marine ecosystems, specifically shellfish reefs. Along with employing novel technology and reef restoration projects, he seeks to understand how oysters enhance the resilience and function of coastal ecosystems. He seeks to develop conservation messaging strategies that enhance public engagement via conservation optimism. "Oysters are incredible beasts. You know, dolphins have cute eyes. Marine mammals, we have a natural affinity with them. How do you engage with a shelled introvert that hides away its entire life? But if we think about them as an organism, they are quite fascinating. A real character of the sea. So part of the reproductive process for the oyster that I work on are what we call sequential hermaphrodites. That means that they can switch between male and female almost on a daily basis. When you open them up, you can actually sometimes see egg and sperm next to each other. Incredibly dynamic organisms. They redefine, in many ways, how we think about sexuality. It's far more fluid with oysters. One of the amazing things about them though is that they were forming these reefs since before the time of the dinosaurs. We've lost something like 85% of oyster reefs globally.We've been using healthy marine sounds with underwater speakers to attract oysters to these reefs. So when the historical native habitat was lost, it also lost the sound that was associated with those reefs, that sound created by the millions of animals that live in that complex habitat. Now there's recognition that anthropogenic noise, noise from shipping and motorboats, and other urban noise is masking the natural sounds of the sea and dominating the soundscape as we call it. We're hoping that we can counteract some of those negative impacts of anthropogenic noise by playing healthy marine sounds." https://researchers.adelaide.edu.au/profile/dominic.mcafee www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
What is the role of music in cinema and why it is such an important part of the storytelling process? How does music increase our capacity for empathy and wonder? Fabrizio Mancinelli is an Italian-American composer, songwriter, and conductor, best known for his musical contributions to the world of cinema. As a songwriter, he has created original scores for The Land of Dreams,The Snow Queen 3, The Boat, and the upcoming animated drama Mushka, among others. In 2017, he led the orchestral recording for the Academy Award-winning Green Book, and he recently scored the documentary Food 2050, which premiered at the UN Climate Change Conference in 2022. "And here I have to recall a conversation I had with one of my mentors, Luis Bacalov, who won the Oscar for the movie Il Postino, one of the biggest film composers of the 20th century and a great music arranger. He told me that he always has music in his brain, and I always had music in my brain as well. It's always there in the background. I would be concerned if there was no music for one day or even for one minute. Silence is a different kind of sound for me in the difference when I write music. Silence, a rest, is as important as a note because it prepares us for something else. It's part of the music. There is a difference between relative silence, which I put in the music, and absolute silence, which I fear." https://fabriziomancinelli.us www.instagram.com/fabmancinelli www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 JEFFREY SACHS - Director, Center for Sustainable Development, Columbia - President, UN Sustainable Development Solutions Network 26:37
What is the path to peace for the war in Ukraine? Is America still powerful enough to impose global order? The US has just 4.1% of the world's population, while the BRICS countries have 41.5%. In this conversation with economist Jeffrey Sachs, we discuss the origins of the conflict in Ukraine and NATO enlargement, US-China relations, and the decline of US dominance. Jeffrey Sachs is Director of the Center for Sustainable Development at Columbia University and President of the UN Sustainable Development Solutions Network, Sachs has been Special Advisor to three United Nations Secretaries-General. He was an economic adviser to Gorbachev, Yeltsin, and Former President of Ukraine, Leonid Kuchma. Sachs was twice named among Time magazine’s 100 most influential world leaders, received the Tang Prize in Sustainable Development, the Legion of Honor from France, and was co-recipient of the Blue Planet Prize. He is Co-Chair of the Council of Engineers for the Energy Transition, and academician of the Pontifical Academy of Social Sciences at the Vatican. Sachs has authored and edited numerous books, including three New York Times bestsellers: The End of Poverty (2005), Common Wealth: Economics for a Crowded Planet (2008), and The Price of Civilization (2011). "The US has militarized the dollar. Meaning that usually, you think about money, well, you have it, you can use it, you can spend it. But the United States has come to say: if we don't like you, you don't necessarily have access to your money anymore if it's in our banks. So the US froze the dollar holdings of Russia. The US has frozen the dollar holdings of Venezuela. The US froze the dollar holdings of Afghanistan. My advice to any government that's not getting along with the US government is be careful about your money because the US might come in and freeze your money. And so countries are looking to hold their reserves in other ways now. Perfectly understandable. And I think that this is another part of the move to an international system from a dollar-based international system." www.jeffsachs.org https://sdgacademy.org www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
Richard Vevers is the Founder and CEO of The Ocean Agency. He is a fellow of The Explorers Club and an Adjunct Professor at the University of Rhode Island. He is best known for his leading role in the Emmy Award-winning documentary Chasing Coral on Netflix and his work has been featured in numerous publications and documentaries. Before diving into ocean and coral reef conservation, Vevers worked at some of the top London advertising agencies and then as an artist and underwater photographer. This background guides his unique creative and business-thinking approach to ocean conservation that includes inventing the camera that took Google Street View underwater, pioneering virtual reality ocean education, currently available to over 90 million kids, leading the most comprehensive underwater photographic survey of the world’s coral reefs, and developing a science-based global plan 50 Reefs. "People just forget the importance of the ocean. It controls the climate system and sustains life. For example, there are 20 billion carbon-capturing sea creatures for every human being. They are sucking carbon out of the system and pooping it to the ocean floor. And this is one of the solutions happening on an epic scale in the ocean. And there are so many other examples like that. And if you think about our bodies, we're 60% water. And that water was once in the ocean with fish swimming through it." www.theoceanagency.org www.50reefs.org www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
Happy World Oceans Day! Today we’re streaming voices of environmentalists and artists with music courtesy of composer, producer and multi-instrumentalist Erland Cooper. Voices on this episode are GIULIO BOCCALETTI Author of Water, A Biography Natural Resource Security & Environmental Sustainability Expert Chief Strategy Officer 2016–2020, The Nature Conservancy PAULA PINHO Director of Just Transition at the European Commission Directorate-General for Energy RON GONEN Founder & CEO of Closed Loop Partners Fmr. Deputy Commissioner of Sanitation, Recycling & Sustainability, NYC MARCIA DESANCTIS Journalist, Essayist, Author of A Hard Place to Leave: Stories from a Restless Life JEAN WEINER Goldman Environmental Prize Winner Founder of Fondation pour la Protection de la Biodiversité Marine, Haiti DERRICK EMSLEY Co-founder & CEO of veritree - Data-driven Restorative Platform & tentree Apparel Co. DR. FARHANA SULTANA Co-author: Water Politics: Governance, Justice & the Right to Water Fmr. UNDP Programme Officer, United Nations Development Programme NEIL GRIMMER Brand President of SOURCE Global · Innovator of the SOURCE Hydropanel: Drinking Water Made from Sunlight and Air ALAN JACOBSEN Director of Photography Emmy & Sundance Special Jury Award-Winning & Oscar Nominated Documentaries RICHARD VEVERS Founder & CEO of The Ocean Agency BRIAN WILCOX Chief Engineer & Co-founder of Marine BioEnergy Grows Kelp in the Ocean to Provide Carbon-neutral Fuels SETH M. SIEGEL Entrepreneur, Public Speaker & NYTimes Bestselling Author Let There Be Water: Israel’s Solution for a Water-Starved World Troubled Water: What's Wrong with What We Drink JOELLE GERGIS Lead Author of the IPCC Sixth Assessment Report, Author of Humanity’s Moment JAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" Podcast ROB BILOTT Environmental Lawyer, Partner Taft Stettinius & Hollister LLP Author of Exposure: Poisoned Water, Corporate Greed, and One Lawyer’s Twenty-Year Battle Against DuPont JILL HEINERTH Explorer, Presenter, Author of Into The Planet: My Life as a Cave Diver OSPREY ORIELLE LAKE Founder & Executive Director of the Women's Earth & Climate Action Network International Author of Uprisings for the Earth: Reconnecting Culture with Nature & Artist JESS WILBER International Outreach Citizens’ Climate Lobby Coordinator, Senior Stewards Acting for the Environment BERTRAND PICCARD Aviator of 1st Round-the-World Solar-Powered Flight, Explorer, Founder, Solar Impulse Foundation IBRAHIM ALHUSSEINI Founder & CEO of FullCycle Fund GARY GRIGGS Global Oceans Hero Award-Winner · Distinguished Professor of Earth Sciences Director Institute of Marine Sciences at UC Santa Cruz 1991 to 2017 Sample Credits: BBC News Excerpt, Public broadcast, 19th July. Fair usage, courtesy Simon Gurney, BBC Studios Limited. BBC News Excerpt, Public broadcast, 19th July. Fair usage, courtesy Simon Gurney, BBC Studios Limited. UN Broadcast Excerpt, Greta Thunberg, Young Climate Activist at the Opening of the Climate Action Summit 2019, United Nations license 24 October 2022. CBS News Excerpt 1970. Fair usage, archive courtesy Leah Hodge, CBS www.erlandcooper.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Artworks by Mia Funk www.miafunk.com Music from Folded Landscapes courtesy of Erland Cooper and Universal Music Enterprises.…
1 Highlights - DITTE LYSGAARD VIND - Circular Economy & Design Expert - Founder of The Circular Way 11:55
"Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions." Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH. www.thecircularway.com http://danishdesigncouncil.dk/en www.routledge.com/Danish-Design-Heritage-and-Global-Sustainability/Vind/p/book/9781032198200 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 DITTE LYSGAARD VIND - Circular Economy & Design Expert - Author of Danish Design Heritage & Global Sustainability 43:48
Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH. "Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions." www.thecircularway.com http://danishdesigncouncil.dk/en www.routledge.com/Danish-Design-Heritage-and-Global-Sustainability/Vind/p/book/9781032198200 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Special World Environment Day Stories - Environmentalists, Students & Teachers share their Love for the Planet 18:53
Today we’re streaming voices of environmentalists, students, and teachers with music courtesy of composer Max Richter. All voices in this episode are from our interviews for The Creative Process & One Planet Podcast or reflectors of our participating students. Voices on this episode are BRITT WRAY Author of Generation Dread: Finding Purpose in an Age of Climate Crisis Researcher Working on Climate Change & Mental Health, Stanford JEFFREY SACHS President of UN Sustainable Development Solutions Network Director of Center for Sustainable Development, Columbia University EVELINE MOL, Student Barnard College BERTRAND PICCARD, Aviator of 1st Round-the-World Solar-Powered Flight, Explorer, Founder, Solar Impulse Foundation AVA CLANCY, Student MIRA PATLA, Student DARA DIAMOND, Student ARIELLE DAVIS, Student CLAIRE POTTER, Designer, Lecturer, Author of Welcome to the Circular Economy MEGAN HEGENBARTH, Participating Student, University of Minnesota GRACE PHILLIPS, Participating Student, Pitzer College BIANCA WEBER, Participating Student, Syracuse University ELLEN EFSTATHIOU, Participating Student, Oberlin College SURYA VIR, Participating Student, University of Wisconsin-Madison MACIE PARKER, Participating Student, Boston University BEILA UNGAR, Participating Student, Columbia University CARL SAFINA, Ecologist, Founding President of Safina Center, Author of “Becoming Wild: How Animal Cultures Raise Families, Create Beauty, and Achieve Peace” Max Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep. Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song. www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
Carl Safina’s lyrical non-fiction writing explores how humans are changing the living world, and what the changes mean for non-human beings and for us all. His work has been recognized with MacArthur, Pew, and Guggenheim Fellowships, and his writing has won Orion, Lannan, and National Academies literary awards and the John Burroughs, James Beard, and George Rabb medals. Safina is the inaugural holder of the endowed chair for nature and humanity at Stony Brook University, where he co-chairs the steering committee of the Alan Alda Center for Communicating Science and is founding president of the not-for-profit Safina Center. He hosted the 10-part PBS series Saving the Ocean with Carl Safina. His writing appears in The New York Times, National Geographic, Audubon, CNN.com, National Geographic News, and other publications. He is the author of ten books including the classic Song for the Blue Ocean, as well as New York Times Bestseller Beyond Words: What Animals Think and Feel. His most recent book is Becoming Wild: How Animal Cultures Raise Families, Create Beauty, and Achieve Peace. "So we tend to take living for granted. I think that might be the biggest limitation of human intelligence is to not understand with awe and reverence and love that we live in a miracle that we are part of and that we have the ability to either nurture or destroy. The living world is enormously enriching to human life. I just loved animals. They're always just totally fascinating. They're not here for us. They're just here like we're just here. They are of this world as much as we are of this world. They really have the same claim to life and death and the circle of being." www.safinacenter.org www.carlsafina.org www.oneplanetpodcast.org www.creativeprocess.info IG www.instagram.com/creativeprocesspodcast Photo: Carl Safina in Uganda…
1 Highlights - HENRIK FEXEUS - Mentalist, Author & TV Host - The Art of Reading Minds, Mind Melt 10:44
"Social media is basically built around: Oh, so this is what you think of the world? Well, here are some people who think just the way you do. Listen to them and no one else. So, that is, of course, a great way to manipulate people. Tell them that they're right and have them go off in their own little bubble. If I meet you in the street, I will put on a certain demeanor. I will smile. I say hi. I want to elicit a positive response from you. That also means that I have influenced your emotional state. Basically, you can't communicate anything to anyone without in some way influencing their thoughts or their behavior. Communication, influence, and manipulation, it's all part of the package. Our brains are hardwired to react to this. That's why marketing works so well." Henrik Fexeus is an internationally bestselling author, lecturer, performer, and star of the TV show Mind Melt. An expert in psychology and communications, he travels the world "reading minds" and teaching others how to understand and manipulate human behavior through body language and persuasion. Henrik has studied mental skills like NLP, hypnosis, acting, and magic. https://henrikfexeus.se/en/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 HENRIK FEXEUS - Mentalist, Author & TV Host “The Art of Reading Minds”,“Mind Melt”,“Cult” 1:03:36
1:03:36 Riproduci in seguito Riproduci in seguito Liste Like Like aggiunto1:03:36
Riproduci in seguito Riproduci in seguito Liste Like Like aggiuntoHenrik Fexeus is an internationally bestselling author, lecturer, performer, and star of the TV show Mind Melt. An expert in psychology and communications, he travels the world "reading minds" and teaching others how to understand and manipulate human behavior through body language and persuasion. Henrik has studied mental skills like NLP, hypnosis, acting, and magic. "Social media is basically built around: Oh, so this is what you think of the world? Well, here are some people who think just the way you do. Listen to them and no one else. So, that is, of course, a great way to manipulate people. Tell them that they're right and have them go off in their own little bubble. If I meet you in the street, I will put on a certain demeanor. I will smile. I say hi. I want to elicit a positive response from you. That also means that I have influenced your emotional state. Basically, you can't communicate anything to anyone without in some way influencing their thoughts or their behavior. Communication, influence, and manipulation, it's all part of the package. Our brains are hardwired to react to this. That's why marketing works so well." https://henrikfexeus.se/en/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 PABLO HOFFMAN - Whitley Award-winning Conservationist - Exec. Director & Co-Founder of Sociedade Chauá 33:49
Pablo Hoffman has always been passionate about plants and natural ecosystems, with special appreciation for research and dissemination with practical results for the production and conservation of native species. Pablo graduated in Forestry at the Federal University of Paraná (UFPR) 2002, had his Master’s in Forestry – UFPR 2014, currently he is a PhD candidate in Forestry. One of the Founders of the Sociedade Chauá, Pablo has been a board member since 2008. Currently is the Executive Director as well Coordinator of the Chauá Nursery of native species. A specialist in conservation, propagation and restoration of rare and endangered species of the Araucaria Forest, whose projects are locally and internationally recognized. As a result of Sociedade’s Chauá efforts to save endangered plant species Pablo was awarded the Marsh Award (2018), Whitley Award (2022), and Guardians of Nature (2022). As a life choice, working with conservation of rare and endangered plant species is the lifeblood of his personal and professional aspirations, to leave a positive legacy for the next generations, keeping the ecosystems alive with humans as part of it. “We're trying to do a nice thing to save species, but the problem is not ours. I mean it's ours as well, but the problem is a state problem or a countrywide problem. Everybody needs to see this. And also the communication about what we are doing. How hard what we are doing is in terms of even finding these species, and finding funds to keep on going. Almost 20 years of working with species conservation in a country like Brazil is quite difficult. It's like almost like a miracle that we are still here and keep on going. One of the questions of the Princess was: are you still doing the same? Are you still fighting for this? And she said it because normally people give up. And this is my life. This is my life. I want to leave a legacy, in terms of trying to do something to save this ecosystem, to save the species to make sure that my daughter can see some of the species in the future, and not only my daughter. So that people in the future can see, can discover more species, and can use the species." www.sociedadechaua.org www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - BROCK BASTIAN - Author of The Other Side of Happiness: Embracing a More Fearless Approach to Living 9:00
"I think it's led to a focus on success and standing out, and I do think that the more young people can walk away with an understanding that perhaps the best thing they can do in life is actually contribute to the lives of others, that's probably where they're going to get most of their happiness from and most of their fulfillment from. And the rest is probably a little bit hollow. You know, money doesn't really buy happiness. I mean, it certainly buys comfort, and we do know some money is very important for that. But you do need to feel connected to other people, and you can't whilst consuming and even promoting ourselves on social media. Or playing the popularity game or aiming to be famous. That seems to be a value that a lot of young people have these days, but I don't think that it's going to breed happiness. And so being able to really identify what the values are that are going to make us happy, that are going to connect us to meaning and purpose in other people and that will actually contribute to a better world for all of us, I think would be great. And I think there's competition and space for young people's minds at the moment. So if we can get them on board with some of those values and approaches to life, I think the future generations would probably be better off." Brock Bastian is author of The Other Side of Happiness: Embracing a More Fearless Approach to Living and a professor at University of Melbourne’s School of Psychological Sciences. His research and writing focus on pain, happiness, morality, and wellbeing. In his search for a new perspective on what makes for the good life, Bastian has studied why promoting happiness may have paradoxical effects; why we need negative and painful experiences in life to build meaning, purpose, resilience, and ultimately greater fulfilment in life; and why behavioural ethics is necessary for understanding how we reason about personal and social issues and resolve conflicts of interest. www.brockbastian.com www.abebooks.com/9780141982106/Side-Happiness-Embracing-Fearless-Approach-0141982101/plp www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 BROCK BASTIAN - Author of The Other Side of Happiness: Embracing a More Fearless Approach to Living 34:54
Brock Bastian is author of The Other Side of Happiness: Embracing a More Fearless Approach to Living and a professor at University of Melbourne’s School of Psychological Sciences. His research and writing focus on pain, happiness, morality, and wellbeing. In his search for a new perspective on what makes for the good life, Bastian has studied why promoting happiness may have paradoxical effects; why we need negative and painful experiences in life to build meaning, purpose, resilience, and ultimately greater fulfilment in life; and why behavioural ethics is necessary for understanding how we reason about personal and social issues and resolve conflicts of interest. "I think it's led to a focus on success and standing out, and I do think that the more young people can walk away with an understanding that perhaps the best thing they can do in life is actually contribute to the lives of others, that's probably where they're going to get most of their happiness from and most of their fulfillment from. And the rest is probably a little bit hollow. You know, money doesn't really buy happiness. I mean, it certainly buys comfort, and we do know some money is very important for that. But you do need to feel connected to other people, and you can't whilst consuming and even promoting ourselves on social media. Or playing the popularity game or aiming to be famous. That seems to be a value that a lot of young people have these days, but I don't think that it's going to breed happiness. And so being able to really identify what the values are that are going to make us happy, that are going to connect us to meaning and purpose in other people and that will actually contribute to a better world for all of us, I think would be great. And I think there's competition and space for young people's minds at the moment. So if we can get them on board with some of those values and approaches to life, I think the future generations would probably be better off." www.brockbastian.com www.abebooks.com/9780141982106/Side-Happiness-Embracing-Fearless-Approach-0141982101/plp www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - ANDRI SNÆR MAGNASON - Writer & Documentary Filmmaker - On Time and Water, The Casket of Time, LoveStar, Not Ok 12:54
“Your time is the time of the people you know and love, the time that molds you. And your time is also the time of the people you will know and love. The time that you will shape." “Glaciers are frozen manuscripts that tell stories just like tree circles and sedimentary deposits; from them, you can gather information and create a picture of the past. Glaciers store histories of volcanic activity. They store pollen, rainwater and air that reveal the chemical make-up of the atmosphere tens of thousands of years back in time. They are important sources of details about vegetation and precipitation of the past.” “We do not see fire; we rarely see coal or oil. We’re frequent flyers but we have no idea about the size of the bonfire that could be ignited with 20 tons of jet fuel. We buy our airline tickets online but we never have to check in the oil barrels that will carry us out into the world. Take the time I went to a two-day poetry festival in Lithuania, a journey of around 1,750 miles, the same distance as Chicago to Los Angeles. A barrel of oil holds about 42 gallons, so a single airline passenger burns through about three-quarters of a barrel on such a flight: up to one gallon every 60 miles.” ― Andri Snær Magnason, On Time and Water Andri Snær Magnason is an award winning author of On Time and Water, The Casket of Time, LoveStar, Dreamland and The Story of the Blue Planet. His work has been published in more than 35 languages. He has a written in most genres, novels, poetry, plays, short stories, non fiction as well as being a documentary film maker. His novel, LoveStar got a Philip K. Dick Special Citation, and the Grand Prix de l’Imaginaire in France and “Novel of the year” in Iceland. The Story of the Blue Planet, was the first children’s book to receive the Icelandic Literary Award and has been published or performed in 35 countries. The Blue Planet received the Janusz Korczak Honorary Award in Poland 2000, the UKLA Award in the UK and Children's book of the Year in China. His book – Dreamland – a Self Help Manual for a Frightened Nation takes on these issues and has sold more than 20.000 copies in Iceland. He co directed Dreamland - a feature length documentary film based on the book. Footage from Dreamland and an interview with Andri can be seen in the Oscar Award-winning documentary Inside Job by Charles Ferguson. His most recent book, Tímakistan, the Time Casket has now been published in more than 10 languages, was nominated as the best fantasy book in Finland 2016 with authors like Ursula K. le Guin and David Mitchell. In English six books are currently available: Bónus Poetry, The Story of The Blue Planet, LoveStar, Dreamland and The Casket of Time, (Tímakistan) and On Time and Water. www.andrimagnason.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 ANDRI SNÆR MAGNASON - Icelandic Writer & Documentary Filmmaker - On Time and Water, The Casket of Time, LoveStar, Not Ok 42:52
Andri Snær Magnason is an award winning author of On Time and Water, The Casket of Time, LoveStar, Dreamland and The Story of the Blue Planet. His work has been published in more than 35 languages. He has a written in most genres, novels, poetry, plays, short stories, non fiction as well as being a documentary film maker. His novel, LoveStar got a Philip K. Dick Special Citation, and the Grand Prix de l’Imaginaire in France and “Novel of the year” in Iceland. The Story of the Blue Planet, was the first children’s book to receive the Icelandic Literary Award and has been published or performed in 35 countries. The Blue Planet received the Janusz Korczak Honorary Award in Poland 2000, the UKLA Award in the UK and Children's book of the Year in China. His book – Dreamland – a Self Help Manual for a Frightened Nation takes on these issues and has sold more than 20.000 copies in Iceland. He co directed Dreamland - a feature length documentary film based on the book. Footage from Dreamland and an interview with Andri can be seen in the Oscar Award-winning documentary Inside Job by Charles Ferguson. His most recent book, Tímakistan, the Time Casket has now been published in more than 10 languages, was nominated as the best fantasy book in Finland 2016 with authors like Ursula K. le Guin and David Mitchell. In English six books are currently available: Bónus Poetry, The Story of The Blue Planet, LoveStar, Dreamland and The Casket of Time, (Tímakistan) and On Time and Water. “Your time is the time of the people you know and love, the time that molds you. And your time is also the time of the people you will know and love. The time that you will shape." “Glaciers are frozen manuscripts that tell stories just like tree circles and sedimentary deposits; from them, you can gather information and create a picture of the past. Glaciers store histories of volcanic activity. They store pollen, rainwater and air that reveal the chemical make-up of the atmosphere tens of thousands of years back in time. They are important sources of details about vegetation and precipitation of the past.” “We do not see fire; we rarely see coal or oil. We’re frequent flyers but we have no idea about the size of the bonfire that could be ignited with 20 tons of jet fuel. We buy our airline tickets online but we never have to check in the oil barrels that will carry us out into the world. Take the time I went to a two-day poetry festival in Lithuania, a journey of around 1,750 miles, the same distance as Chicago to Los Angeles. A barrel of oil holds about 42 gallons, so a single airline passenger burns through about three-quarters of a barrel on such a flight: up to one gallon every 60 miles.” ― Andri Snær Magnason, On Time and Water www.andrimagnason.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - RACHEL ASHEGBOFEH IKEMEH - Whitley Award Winner - Founder of Southwest Niger Delta Forest Project 11:36
"So it's easier for the community to change their mindset about eating bush meat or about hunting or about destroying the forest wildlife if they're part of the process. You can't do it outside of them. You actively have to make sure they're participating in the entire process, that's where we've seen the best results. That's when we've seen the most progress. And I've also heard of people coming up with very technical step-by-step details of how things ought to go and leaving the people out and leaving indigenous communities out of that same process. And feel like it would be so difficult to sustain that system of doing diverse conservation. One of my teammates was asking a young boy "What would you like to be when you grow up?" And he pointed at me and said, "That's what I want to be." When I started as a female doing conservation and going to these communities, at that time I was disrespected and really looked down on for being out there doing what I was doing. Like it's either "You're not married. You don't have children. What are you doing in the middle of the forest looking for monkeys?" So to have a young man look up to a woman as a role model, especially in an African society, it's an experience that will live with me forever because I realize that not only are we bringing species back from the brink of extinction, but we are changing the way society thinks. And it makes me glad that I've been persistent. We saw that in real life how a community can be transformed to the point that an entire community has become conservation champions. So knowing that people can turn 180 and really become the protectors of the same species they tried to wipe out." Rachel Ashegbofeh Ikemeh is a Whitley Award-winning conservationist and Founder/Director at the Southwest Niger Delta Forest Project, a grassroots-focused conservation initiative that has been dedicated to the protection of fragile wildlife populations and habitat across her project sites in Africa’s most populous nation. Rachel won the award in 2020 for her work on chimpanzee populations in Nigeria and is aiming to secure 20% of chimpanzee habitat in Southwest Nigeria. She is also the winner of the National Geographic Society Buffet Awards for Conservaton Leadership in Africa, a Tusk Conservation Awards Finalist. She works to protect some of the most highly threatened forest habitats and primate populations in southern Nigeria. For example, Rachel’s determined efforts has helped to bring back a species from the brink of extinction – the rare and critically endangered Niger Delta red colobus monkey, also, considered one of 25 most endangered primates in the world. She has helped to establish two protected areas and have also taken on the management of these PAs to restore habitats in these very highly threatened ecosystems which are also areas of high-security risks in the country. Rachel is the Co-Vice Chair for the IUCN/SSC Primate Specialist Group African Section and Member of the International Primatological Society (IPS) education committee. Through her strategic positions in these networks, Rachel has been committed to championing the need to increase conservation leadership amongst Africans as she co-founded the African Primatological society in 2017. She’s trained the 55 persons that make up her team from local institutions and local communities. https://swnigerdeltaforestproject.org.ng www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 RACHEL ASHEGBOFEH IKEMEH - Whitley Award-winning Conservationist - Founder/Director, Southwest Niger Delta Forest Project 43:35
Rachel Ashegbofeh Ikemeh is a Whitley Award-winning conservationist and Founder/Director at the Southwest Niger Delta Forest Project, a grassroots-focused conservation initiative that has been dedicated to the protection of fragile wildlife populations and habitat across her project sites in Africa’s most populous nation. Rachel won the award in 2020 for her work on chimpanzee populations in Nigeria and is aiming to secure 20% of chimpanzee habitat in Southwest Nigeria. She is also the winner of the National Geographic Society Buffet Awards for Conservaton Leadership in Africa, a Tusk Conservation Awards Finalist. She works to protect some of the most highly threatened forest habitats and primate populations in southern Nigeria. For example, Rachel’s determined efforts has helped to bring back a species from the brink of extinction – the rare and critically endangered Niger Delta red colobus monkey, also, considered one of 25 most endangered primates in the world. She has helped to establish two protected areas and have also taken on the management of these PAs to restore habitats in these very highly threatened ecosystems which are also areas of high-security risks in the country. Rachel is the Co-Vice Chair for the IUCN/SSC Primate Specialist Group African Section and Member of the International Primatological Society (IPS) education committee. Through her strategic positions in these networks, Rachel has been committed to championing the need to increase conservation leadership amongst Africans as she co-founded the African Primatological society in 2017. She’s trained the 55 persons that make up her team from local institutions and local communities. "So it's easier for the community to change their mindset about eating bush meat or about hunting or about destroying the forest wildlife if they're part of the process. You can't do it outside of them. You actively have to make sure they're participating in the entire process, that's where we've seen the best results. That's when we've seen the most progress. And I've also heard of people coming up with very technical step-by-step details of how things ought to go and leaving the people out and leaving indigenous communities out of that same process. And feel like it would be so difficult to sustain that system of doing diverse conservation. One of my teammates was asking a young boy "What would you like to be when you grow up?" And he pointed at me and said, "That's what I want to be." When I started as a female doing conservation and going to these communities, at that time I was disrespected and really looked down on for being out there doing what I was doing. Like it's either "You're not married. You don't have children. What are you doing in the middle of the forest looking for monkeys?" So to have a young man look up to a woman as a role model, especially in an African society, it's an experience that will live with me forever because I realize that not only are we bringing species back from the brink of extinction, but we are changing the way society thinks. And it makes me glad that I've been persistent. We saw that in real life how a community can be transformed to the point that an entire community has become conservation champions. So knowing that people can turn 180 and really become the protectors of the same species they tried to wipe out." https://swnigerdeltaforestproject.org.ng www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
"I think one thing that is not talked about enough is the importance of the arts and the importance of the humanities. And on the university level, the defunding of these sorts of programs and the kind of devaluing of that knowledge is an enormous loss. The arts are what tell us who we are. They're for the soul and they make being alive worthwhile. And the importance of making connections and finding a way to reach others and communicate and connect by trying to be honest and complicated and complex - because I truly believe that without those things, whatever future we can imagine for ourselves is going to be paltry. And it won't be imaginative. And without the humanities and the arts, it doesn't make me feel hopeful about the future." Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper’s Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming. www.madeleinewatts.com www.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-watts www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 MADELEINE WATTS - Author of The Inland Sea - Creative Writing Professor, Columbia University 50:58
Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper’s Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming. "I think one thing that is not talked about enough is the importance of the arts and the importance of the humanities. And on the university level, the defunding of these sorts of programs and the kind of devaluing of that knowledge is an enormous loss. The arts are what tell us who we are. They're for the soul and they make being alive worthwhile. And the importance of making connections and finding a way to reach others and communicate and connect by trying to be honest and complicated and complex - because I truly believe that without those things, whatever future we can imagine for ourselves is going to be paltry. And it won't be imaginative. And without the humanities and the arts, it doesn't make me feel hopeful about the future." www.madeleinewatts.com www.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-watts www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - ANIL SETH - Co-director of Sussex Centre for Consciousness Science & Canadian Institute for Advanced Research Program on Brain, Mind & Consciousness 13:54
"Whenever we are conscious, we are conscious of something, or of many things. These are the contents of consciousness. To understand how they come about, and what I mean by controlled hallucination, let's change our perspective. Imagine for a moment, that you are the brain. Really try to think about what it's like up there, sealed inside the bony vault of a skull, trying to figure out what's out there in the world. There's no light, no sound, no anything - it's completely dark and utterly silent. When trying to form perceptions, all the brain has to go on is a constant barrage of electrical signals, which are only indirectly related to things out there in the world, whatever they may be. These sensory inputs don't come with labels attached... How does the brain transform these inherently ambiguous sensory signals into a coherent perceptual world full of objects and people, and places?" – ANIL SETH Being You: A New Science of Consciousness Anil Seth is a neuroscientist, author, and public speaker who has pioneered research into the brain basis of consciousness for more than twenty years. He is the author of Being You: A New Science of Consciousness, as well as the best-selling 30 Second Brain, and other books. He is a Professor of Cognitive and Computational Neuroscience at the University of Sussex, where he is Co-Director of the Sussex Centre for Consciousness Science, and is Co-Director of the Canadian Institute for Advanced Research (CIFAR) Program on Brain, Mind, and Consciousness, and of the Leverhulme Doctoral Scholarship Programme: From Sensation and Perception to Awareness. He has a TED talk on consciousness and appeared in several films, including The Most Unknown and The Search. He has written for Aeon, The Guardian, Granta, New Scientist, and Scientific American. He was the 2017 President of the British Science Association (Psychology Section) and winner of the 2019 KidSpirit Perspectives award. He has published more than 180 academic papers and is listed in 2019 and 2020 Web of Science ‘highly cited researcher’ index, which recognizes the world’s most influential researchers over the past decade. www.anilseth.com www.penguinrandomhouse.com/books/566315/being-you-by-anil-seth https://perceptioncensus.dreamachine.world/ https://dreamachine.world/ @anilkseth www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 ANIL SETH - Author of Being You: A New Science of Consciousness - Co-director of Sussex Centre for Consciousness Science 56:29
Anil Seth is a neuroscientist, author, and public speaker who has pioneered research into the brain basis of consciousness for more than twenty years. He is the author of Being You: A New Science of Consciousness, as well as the best-selling 30 Second Brain, and other books. He is a Professor of Cognitive and Computational Neuroscience at the University of Sussex, where he is Co-Director of the Sussex Centre for Consciousness Science, and is Co-Director of the Canadian Institute for Advanced Research (CIFAR) Program on Brain, Mind, and Consciousness, and of the Leverhulme Doctoral Scholarship Programme: From Sensation and Perception to Awareness. He has a TED talk on consciousness and appeared in several films, including The Most Unknown and The Search. He has written for Aeon, The Guardian, Granta, New Scientist, and Scientific American. He was the 2017 President of the British Science Association (Psychology Section) and winner of the 2019 KidSpirit Perspectives award. He has published more than 180 academic papers and is listed in 2019 and 2020 Web of Science ‘highly cited researcher’ index, which recognizes the world’s most influential researchers over the past decade. "Whenever we are conscious, we are conscious of something, or of many things. These are the contents of consciousness. To understand how they come about, and what I mean by controlled hallucination, let's change our perspective. Imagine for a moment, that you are the brain. Really try to think about what it's like up there, sealed inside the bony vault of a skull, trying to figure out what's out there in the world. There's no light, no sound, no anything - it's completely dark and utterly silent. When trying to form perceptions, all the brain has to go on is a constant barrage of electrical signals, which are only indirectly related to things out there in the world, whatever they may be. These sensory inputs don't come with labels attached... How does the brain transform these inherently ambiguous sensory signals into a coherent perceptual world full of objects and people, and places?" – ANIL SETH Being You: A New Science of Consciousness www.anilseth.com www.penguinrandomhouse.com/books/566315/being-you-by-anil-seth https://perceptioncensus.dreamachine.world/ https://dreamachine.world/ @anilkseth www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - DAVID J. LINDEN - Professor of Neuroscience - Author of “Unique” “The Accidental Mind” “The Compass of Pleasure” “Touch” 19:01
"It's a fundamental human question, how do we become individuals? It's a basic thing about being alive and thinking. Nature versus nurture is a phrase that was popularized by Francis Galton in the late 19th century. and the idea behind it is that if you were to look at a particular trait, say, shyness or height, you could say, well, to what degree can we attribute height to nature? In this case, meaning the gene variants that you inherit from your parents versus nurture in this case, meaning how you were raised by your parents and by your community. And I have many problems with this expression. Part of it is that the nature part shouldn't just mean genetics. In other words, there's all kinds of biological things that are not genetic things. If your mother fought off a viral infection while you were developing in utero, then you have a much higher chance of developing schizophrenia or autism when you grow up. Now that's biological, but it's not hereditary. That's not something that you would then acquire and then pass on to your own children. It only happens in the one generation. The other problem is when we hear the word nurture, we really focus on the family, how your parents raised you or failed to raise you, how your community was involved. And those things are very important, but they're far from everything that impinges upon you in your life. I take experience as the thing to substitute for nurture because it is much more inclusive and it includes not just social experience from your family and your peers and your community, but also experience in the more general sense." David J. Linden is a Professor in the Department of Neuroscience at the Johns Hopkins University School of Medicine. He is the author of Unique: The New Science of Human Individuality, The Accidental Mind: How Brain Evolution Has Given Us Love, Memory, Dreams, and God, The Compass of Pleasure: How Our Brains Make Fatty Foods, Orgasm, Exercise, Marijuana, Generosity, Vodka, Learning, and Gambling Feel So Good, and Touch: The Science of the Hand, Heart, and Mind. His laboratory has worked for many years on the cellular substrates of memory storage, recovery of function following brain injury and a few other topics. www.davidlinden.org www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 DAVID J. LINDEN - Author of “Unique:The New Science of Human Individuality” “The Accidental Mind” “The Compass of Pleasure” “Touch” 55:45
David J. Linden is a Professor in the Department of Neuroscience at the Johns Hopkins University School of Medicine. He is the author of Unique: The New Science of Human Individuality, The Accidental Mind: How Brain Evolution Has Given Us Love, Memory, Dreams, and God, The Compass of Pleasure: How Our Brains Make Fatty Foods, Orgasm, Exercise, Marijuana, Generosity, Vodka, Learning, and Gambling Feel So Good, and Touch: The Science of the Hand, Heart, and Mind. His laboratory has worked for many years on the cellular substrates of memory storage, recovery of function following brain injury and a few other topics. "It's a fundamental human question, how do we become individuals? It's a basic thing about being alive and thinking. Nature versus nurture is a phrase that was popularized by Francis Galton in the late 19th century. and the idea behind it is that if you were to look at a particular trait, say, shyness or height, you could say, well, to what degree can we attribute height to nature? In this case, meaning the gene variants that you inherit from your parents versus nurture in this case, meaning how you were raised by your parents and by your community. And I have many problems with this expression. Part of it is that the nature part shouldn't just mean genetics. In other words, there's all kinds of biological things that are not genetic things. If your mother fought off a viral infection while you were developing in utero, then you have a much higher chance of developing schizophrenia or autism when you grow up. Now that's biological, but it's not hereditary. That's not something that you would then acquire and then pass on to your own children. It only happens in the one generation. The other problem is when we hear the word nurture, we really focus on the family, how your parents raised you or failed to raise you, how your community was involved. And those things are very important, but they're far from everything that impinges upon you in your life. I take experience as the thing to substitute for nurture because it is much more inclusive and it includes not just social experience from your family and your peers and your community, but also experience in the more general sense." www.davidlinden.org www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 We All Live on One Planet We Call Home - Part 4 - Environmentalists, Economists, Policymakers & Architects Share their Stories 22:57
Listen to Part 4 of this Special Series with music courtesy of composer Max Richter. All voices on this episode are from our interviews for The Creative Process & One Planet Podcast: INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animals JEFFREY D. SACHS, President of the UN Sustainable Development Solutions Network, Director of Center for Sustainable Development, Columbia University, Economist, Author JENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign Ministry MERLIN SHELDRAKE, Biologist & Bestselling Author of “Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures”, Winner of the Wainwright Prize 2021 WALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life Institute ARMOND COHEN, Executive Director of Clean Air Task Force PIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic Forum RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYC AIMEE NEZHUKUMATATHIL, Poet & Author of “World of Wonders: In Praise of Fireflies, Whale Sharks and Other Astonishments” ANA CASTILLO, Award-Winning Xicana Activist, Editor, Poet, Novelist & Artist www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast www.maxrichtermusic.com https://studiorichtermahr.com Max Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep. Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song. Artwork: Saudade, Mia Funk…
1 What Kind of World Are We Leaving for Future Generations? - Part 3 - Activists, Environmentalists & Teachers Share their Stories 17:00
Listen to Part 3 of this Special Series with music courtesy of composer Max Richter. All voices on this episode are from our interviews for The Creative Process & One Planet Podcast: PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for Energy PIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation , YGL World Economic Forum JENNIFER MORGAN , Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign Ministry WALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life Institute MERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021 RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYC MANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept. NICHOLAS ROYLE, Co-author of " An Introduction to Literature, Criticism and Theory ”, Author of “ Mother: A Memoir” MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London , Editor-in-Chief, Conservation Biology MIKE DAVIS, CEO of Global Witness JAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory , Exec. Director, Global Institute for Water Security, Host of "What About Water?" Podcast BRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis” , Researcher Working on Climate Change & Mental Health, Stanford University RICHARD VEVERS, Founder & CEO of The Ocean Agency ARMOND COHEN, Executive Director of Clean Air Task Force BILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate Scientist DAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place Podcast IBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “ Transcendence ” & “ Adventures in the Anthropocene” INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animals www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast www.maxrichtermusic.com https://studiorichtermahr.com Max Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep. Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.…
1 Highlights - JOHN PATRICK SHANLEY - Writer/Director - Doubt starring Meryl Streep, Philip Seymour Hoffman, Amy Adams, Viola Davis - Moonstruck 15:20
"I'm New York to the soles of my feet, and more specifically, The Bronx. I was formed in The Bronx. I lived there till I was 19. Then I went into the Marine Corps, and I came up against really something that I feel has really been lost when they stopped drafting people. I came up against everybody in the country, mostly poor people of every persuasion from Virginia to DC to wherever. And we lived together in an open barracks, like 90 of us in double-decker bunks for a year. And that is gold. It's irreplaceable. Not simply as an artist, but as a citizen of a given country, you really come to realize we're all in this together. And you see all of the prejudices play out in a kind of healthily violent way. People just punch each other in the face. So, this is back then. Now, apparently, it's much more civilized. I'm not sure I'm in favor of that, but back then, people said Marines said the most awful things to each other imaginable, of a racist nature, and of every other kind of nature. And you know, the shape of your head, anything. And then fists were thrown and somehow the world didn't come to an end. Then everybody calmed down, and they went back to their bunks and read their comic books or whatever they were going to do, and went to bed. And we got up the next day, and we worked together. That's a big lesson in how to get along, how to live, and how to live with people you don't necessarily agree with." John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing. www.imdb.com/name/nm0788234 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
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