Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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TRM PODCAST 061 | Ximo Noguera
Manage episode 285311585 series 1092249
Contenuto fornito da TRAUMA COLLECTIVE. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da TRAUMA COLLECTIVE o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Next TRM mix series comes from Ximo Noguera. Head of NXT Recordings and Industrial Complexx, delivers a 3h selection of his most recent influences. Ximo Noguera began his career as a DJ in 1991, attracted by the vibrant electronic scene of the late 80s . His interest in EBM pushes him to explore other styles such as psy trance, break beat nu skool , electro , IDM , trip-hop or minimal, genres that pave the way to find a perfect tune with techno. He has published on labels such as HC Records and NXT recordings. This last is where he is head together with Jesús Sierra and is also the head of Industrial Complexx. Industrial Complexx is a media linked to dark, transgressive, experimental, eclectic and dissonant electronic music. It first emerges as a digital platform but, its activity expands as a record company, and also, as a printed medium. “This set clearly shows my musical evolution in this last stage, as the linear techno that I frequented so much has given way to a more organic style and richer in nuances, in which any musical genre can appear at a certain moment. The length of the set is also something that I usually take into account because I need it to have a development similar to that of a hall, with a good warm up and a gradual progression that usually reaches its peak from the middle of the session and up to the end of it. Regarding styles and musical genres, above all, any cut that sounds at least elaborate and with a certain originality prevails.” Enjoy! @dj_ximo_noguera @industrialcomplexx
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122 episodi
Manage episode 285311585 series 1092249
Contenuto fornito da TRAUMA COLLECTIVE. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da TRAUMA COLLECTIVE o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Next TRM mix series comes from Ximo Noguera. Head of NXT Recordings and Industrial Complexx, delivers a 3h selection of his most recent influences. Ximo Noguera began his career as a DJ in 1991, attracted by the vibrant electronic scene of the late 80s . His interest in EBM pushes him to explore other styles such as psy trance, break beat nu skool , electro , IDM , trip-hop or minimal, genres that pave the way to find a perfect tune with techno. He has published on labels such as HC Records and NXT recordings. This last is where he is head together with Jesús Sierra and is also the head of Industrial Complexx. Industrial Complexx is a media linked to dark, transgressive, experimental, eclectic and dissonant electronic music. It first emerges as a digital platform but, its activity expands as a record company, and also, as a printed medium. “This set clearly shows my musical evolution in this last stage, as the linear techno that I frequented so much has given way to a more organic style and richer in nuances, in which any musical genre can appear at a certain moment. The length of the set is also something that I usually take into account because I need it to have a development similar to that of a hall, with a good warm up and a gradual progression that usually reaches its peak from the middle of the session and up to the end of it. Regarding styles and musical genres, above all, any cut that sounds at least elaborate and with a certain originality prevails.” Enjoy! @dj_ximo_noguera @industrialcomplexx
…
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122 episodi
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