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Contenuto fornito da Iain McKinstry and Andrew Hall, Iain McKinstry, and Andrew Hall. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Iain McKinstry and Andrew Hall, Iain McKinstry, and Andrew Hall o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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Now That's What I Call New(ish) Music Vol. 2!

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Manage episode 357491929 series 2984613
Contenuto fornito da Iain McKinstry and Andrew Hall, Iain McKinstry, and Andrew Hall. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Iain McKinstry and Andrew Hall, Iain McKinstry, and Andrew Hall o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

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Join us for the second and - likely final - volume of @weheardwonders’ short-lived but celebrated “Now That’s What I Call Newish Music!” series (that’s right, from next week, it’ll be nothing but box-fresh bangers guaranteed!). Iain and Andrew review more tracks from noteworthy albums released between January and now: the highly-collaborative return of industrial-gospel revolutionaries Algiers; Lil Yachty’s Questlove-approved psych-pop-funk-soul pivot; Rogê’s fresh update on the Brazilian masters; Marlene Ribeiro’s deeply psychedelic sonic patchworks; Graham Coxon and Rose Elinor Dougall’s surging new team-up The Waeve. Which one has Iain reaching for the “G” word once again? Finally, a 1972 masterwork has The Vinyl Word. Listen to We Heard Wonders on your podcast platform of choice; like, subscribe and recommend; catch up with previous editions and support the show by buying us a Coffee (link in the show bio).

www.buymeacoffee.com/weheardwonders
Support the show

www.instagram.com/weheardwonders
www.buymeacoffee.com/weheardwonders

  continue reading

97 episodi

Artwork
iconCondividi
 
Manage episode 357491929 series 2984613
Contenuto fornito da Iain McKinstry and Andrew Hall, Iain McKinstry, and Andrew Hall. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Iain McKinstry and Andrew Hall, Iain McKinstry, and Andrew Hall o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

Send us a text

Join us for the second and - likely final - volume of @weheardwonders’ short-lived but celebrated “Now That’s What I Call Newish Music!” series (that’s right, from next week, it’ll be nothing but box-fresh bangers guaranteed!). Iain and Andrew review more tracks from noteworthy albums released between January and now: the highly-collaborative return of industrial-gospel revolutionaries Algiers; Lil Yachty’s Questlove-approved psych-pop-funk-soul pivot; Rogê’s fresh update on the Brazilian masters; Marlene Ribeiro’s deeply psychedelic sonic patchworks; Graham Coxon and Rose Elinor Dougall’s surging new team-up The Waeve. Which one has Iain reaching for the “G” word once again? Finally, a 1972 masterwork has The Vinyl Word. Listen to We Heard Wonders on your podcast platform of choice; like, subscribe and recommend; catch up with previous editions and support the show by buying us a Coffee (link in the show bio).

www.buymeacoffee.com/weheardwonders
Support the show

www.instagram.com/weheardwonders
www.buymeacoffee.com/weheardwonders

  continue reading

97 episodi

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