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Wild City #213: Okedolo

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Manage episode 337148811 series 1413480
Contenuto fornito da Wild City. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Wild City o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Earlier this year, the Twitter electronic music world chortled around a "Two Guy Theory", which is centred around the observation: "From Bicep to Overmono to Two Shell, the trend of two fellas coming up with elaborate excuses to hang out a lot has been picking up recently. Guys can't just be mates anymore, there has to be a catchy and fresh take on underground dance music involved." Towards the Indian sub-continent, two of the latest purveyors of that theory are Ishaan Gandhi aka Okedo and Rohan Sinha aka Dolorblind. The two music acts, who are likely familiar to anyone with an ear tuned to the electronica talent of New Delhi, have recently joined forces to create an amalgamation of their monikers with Okedolo. The story goes that the pair had initially met in childhood through their parents' attempts to get their introverted kids to make friends within the neighbourhood. After growing apart and becoming recognised members of the Indian independent music scenes as visual artists, instrumentalists, record engineers and musicians in their own right, Ishaan and Rohan reunited nearly two decades later at a gig. The pair found themselves sitting next to each other, unbeknownst that they were once childhood friends, and grumbling about the wider industry before discovering their shared past. Building upon their rediscovered camaraderie and encouraged by the anti-isolation instincts many of us experienced after the COVID-19 pandemic's lockdowns, the two musicians started collaborating to play around with music they wouldn't otherwise do. "When we first started making music, we realised our approach to music making was on opposite ends of the spectrum, yet we found ourselves really liking each other’s music (& taste in music), we knew we had to dig deeper, says Ishaan, to which Rohan adds: "Our one and only goal was to make music that's enjoyable to make. We are not confined to any genres but we do absorb the influences of our current surroundings." While the act is yet to disclose much about the resultant work to the wider public, early previews indicate bringing together Okedo's penchant for layered percussive production and Dolorblind's affinity for booming basslines and textured synthetic ambiences in entirely new contexts. Reflecting upon the sounds that informed it, Okedolo have curated the latest Wild City Mix which, even though touches upon various sub-genres of dance music, doesn't present itself as a dance mix. Hudson Mohawke's zany arpeggios creep up behind Hikaru Utadu's uptempo drama while a standout number by Burt Cope punctuates selections of drum 'n' bass and techno that completely disregard any technical common ground as long as they share the common emotional plain. For more information: https://www.thewildcity.com/mixes/19819-wild-city-213-okedolo
  continue reading

245 episodi

Artwork
iconCondividi
 
Manage episode 337148811 series 1413480
Contenuto fornito da Wild City. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Wild City o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Earlier this year, the Twitter electronic music world chortled around a "Two Guy Theory", which is centred around the observation: "From Bicep to Overmono to Two Shell, the trend of two fellas coming up with elaborate excuses to hang out a lot has been picking up recently. Guys can't just be mates anymore, there has to be a catchy and fresh take on underground dance music involved." Towards the Indian sub-continent, two of the latest purveyors of that theory are Ishaan Gandhi aka Okedo and Rohan Sinha aka Dolorblind. The two music acts, who are likely familiar to anyone with an ear tuned to the electronica talent of New Delhi, have recently joined forces to create an amalgamation of their monikers with Okedolo. The story goes that the pair had initially met in childhood through their parents' attempts to get their introverted kids to make friends within the neighbourhood. After growing apart and becoming recognised members of the Indian independent music scenes as visual artists, instrumentalists, record engineers and musicians in their own right, Ishaan and Rohan reunited nearly two decades later at a gig. The pair found themselves sitting next to each other, unbeknownst that they were once childhood friends, and grumbling about the wider industry before discovering their shared past. Building upon their rediscovered camaraderie and encouraged by the anti-isolation instincts many of us experienced after the COVID-19 pandemic's lockdowns, the two musicians started collaborating to play around with music they wouldn't otherwise do. "When we first started making music, we realised our approach to music making was on opposite ends of the spectrum, yet we found ourselves really liking each other’s music (& taste in music), we knew we had to dig deeper, says Ishaan, to which Rohan adds: "Our one and only goal was to make music that's enjoyable to make. We are not confined to any genres but we do absorb the influences of our current surroundings." While the act is yet to disclose much about the resultant work to the wider public, early previews indicate bringing together Okedo's penchant for layered percussive production and Dolorblind's affinity for booming basslines and textured synthetic ambiences in entirely new contexts. Reflecting upon the sounds that informed it, Okedolo have curated the latest Wild City Mix which, even though touches upon various sub-genres of dance music, doesn't present itself as a dance mix. Hudson Mohawke's zany arpeggios creep up behind Hikaru Utadu's uptempo drama while a standout number by Burt Cope punctuates selections of drum 'n' bass and techno that completely disregard any technical common ground as long as they share the common emotional plain. For more information: https://www.thewildcity.com/mixes/19819-wild-city-213-okedolo
  continue reading

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