In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Contenuto fornito da In The Details: a Celebration of Nuance and Colin Drucker. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da In The Details: a Celebration of Nuance and Colin Drucker o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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Episode 19: Dissecting The Devil Wears Prada w/ Jonathan Minton
Manage episode 222733008 series 2383101
Contenuto fornito da In The Details: a Celebration of Nuance and Colin Drucker. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da In The Details: a Celebration of Nuance and Colin Drucker o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Meryl Streep’s Oscar-nominated turn as ice queen Miranda Priestly in “The Devil Wears Prada” may belong in a better movie--or this might be the perfect vehicle to let Streep shine, with pitch-perfect support from Stanley Tucci, Emily Blunt, and even Anne Hathaway. This week, I’m joined by writer/director Jonathan Minton (“Everyone Else Has”) to queen out not only on Meryl, but Olivia Colman, Tilda Swinton, Mamie Gummer, actress-specific podcasts, mid-90’s white lady music that would make a great lip sync, Julianne Moore’s meltdown in Magnolia, and what it was like to be young in New York. Plus: alternate casting choices for Miranda and whether this movie could be made today. Support “Everyone Else Has”: https://www.indiegogo.com/projects/everyone-else-has-take-2 Instagram: @everyone_else_has Facebook: facebook.com/everyoneelsehas Get in touch! Email: inthedetailspod@gmail.com Twitter: @colindrucker YouTube: www.youtube.com/colindrucker
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66 episodi
Manage episode 222733008 series 2383101
Contenuto fornito da In The Details: a Celebration of Nuance and Colin Drucker. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da In The Details: a Celebration of Nuance and Colin Drucker o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Meryl Streep’s Oscar-nominated turn as ice queen Miranda Priestly in “The Devil Wears Prada” may belong in a better movie--or this might be the perfect vehicle to let Streep shine, with pitch-perfect support from Stanley Tucci, Emily Blunt, and even Anne Hathaway. This week, I’m joined by writer/director Jonathan Minton (“Everyone Else Has”) to queen out not only on Meryl, but Olivia Colman, Tilda Swinton, Mamie Gummer, actress-specific podcasts, mid-90’s white lady music that would make a great lip sync, Julianne Moore’s meltdown in Magnolia, and what it was like to be young in New York. Plus: alternate casting choices for Miranda and whether this movie could be made today. Support “Everyone Else Has”: https://www.indiegogo.com/projects/everyone-else-has-take-2 Instagram: @everyone_else_has Facebook: facebook.com/everyoneelsehas Get in touch! Email: inthedetailspod@gmail.com Twitter: @colindrucker YouTube: www.youtube.com/colindrucker
…
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66 episodi
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