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EP 506: Tim Dang On Directing "Pacific Overtures" @EastWestPlayers
Manage episode 448297916 series 79040
East West Players' venerable producing artistic director emeritus Tim Dang came back for a third appearance here to let us all know what's in store for audience members who come to his updated version of Stephen Sondheim's and John Weidman's Pacific Overtures. Previews start Nov. 7th and the musical will run through Dec. 1st. Go to www.eastwestplayers.org to purchase tickets.
Set in nineteenth-century Japan, it tells the story of the country's westernization starting in 1853, when American ships forcibly opened it to the rest of the world. The story is told from the point of view of the Japanese, and focuses in particular on the lives of two friends who are caught in the change.
Mako, one of EWP's co-founders, starred in the original 1976 Broadway production, and Dang originally directed it in 1998 to celebrate the opening of the new David Henry Hwang Theater in J-Town. Twenty-six years later, Dang has been tasked with directing a slightly refreshed take of this musical. Interestingly, the questions it originally raised about isolationism versus open borders remains quite relevant today.
180 episodi
Manage episode 448297916 series 79040
East West Players' venerable producing artistic director emeritus Tim Dang came back for a third appearance here to let us all know what's in store for audience members who come to his updated version of Stephen Sondheim's and John Weidman's Pacific Overtures. Previews start Nov. 7th and the musical will run through Dec. 1st. Go to www.eastwestplayers.org to purchase tickets.
Set in nineteenth-century Japan, it tells the story of the country's westernization starting in 1853, when American ships forcibly opened it to the rest of the world. The story is told from the point of view of the Japanese, and focuses in particular on the lives of two friends who are caught in the change.
Mako, one of EWP's co-founders, starred in the original 1976 Broadway production, and Dang originally directed it in 1998 to celebrate the opening of the new David Henry Hwang Theater in J-Town. Twenty-six years later, Dang has been tasked with directing a slightly refreshed take of this musical. Interestingly, the questions it originally raised about isolationism versus open borders remains quite relevant today.
180 episodi
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