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Contenuto fornito da Bijoux Parisiens and Taft Museum of Art. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Bijoux Parisiens and Taft Museum of Art o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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Lipstick on the Rim
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1 Amy Schumer & Brianne Howey on the Importance of Female Friendships, Navigating Hollywood's Double Standards, Sharing Their Birth Stories, and MORE 50:05
This week, in what might be the funniest episode yet, Molly and Emese are joined by co-stars Amy Schumer and Brianne Howey. They get candid about motherhood, career evolution, and their new film, Kinda Pregnant —which unexpectedly led to Amy’s latest health discovery. Amy opens up about how public criticism led her to uncover her Cushing syndrome diagnosis, what it’s like to navigate comedy and Hollywood as a mom, and the importance of sharing birth stories without shame. Brianne shares how becoming a mother has shifted her perspective on work, how Ginny & Georgia ’s Georgia Miller compares to real-life parenting, and the power of female friendships in the industry. We also go behind the scenes of their new Netflix film, Kinda Pregnant —how Molly first got the script, why Amy and Brianne were drawn to the project, and what it means for women today. Plus, they reflect on their early career struggles, the moment they knew they “made it,” and how motherhood has reshaped their ambitions. From career highs to personal challenges, this episode is raw, funny, and packed with insights. Mentioned in the Episode: Kinda Pregnant Ginny & Georgia Meerkat 30 Rock Last Comic Standing Charlie Sheen Roast Inside Amy Schumer Amy Schumer on the Howard Stern Show Trainwreck Life & Beth Expecting Amy 45RPM Clothing Brand A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us at @sonypodcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices…
Bijoux Parisiens
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Manage series 1373588
Contenuto fornito da Bijoux Parisiens and Taft Museum of Art. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Bijoux Parisiens and Taft Museum of Art o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
The exhibition “Bijoux Parisiens” has been produced by the Petit Palais, City of Paris Fine Arts Museum, Paris Musées, in cooperation with the Joslyn Art Museum in Omaha, Nebraska, with additional loans for this showing arranged by the Taft Museum of Art. This audio tour has been made possible through the generosity of the Docents of the Taft Museum of Art.
…
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21 episodi
Segna tutti come (non) riprodotti ...
Manage series 1373588
Contenuto fornito da Bijoux Parisiens and Taft Museum of Art. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Bijoux Parisiens and Taft Museum of Art o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
The exhibition “Bijoux Parisiens” has been produced by the Petit Palais, City of Paris Fine Arts Museum, Paris Musées, in cooperation with the Joslyn Art Museum in Omaha, Nebraska, with additional loans for this showing arranged by the Taft Museum of Art. This audio tour has been made possible through the generosity of the Docents of the Taft Museum of Art.
…
continue reading
21 episodi
Minden epizód
×The exhibition “Bijoux Parisiens” has been produced by the Petit Palais, City of Paris Fine Arts Museum, Paris Musées, in cooperation with the Joslyn Art Museum in Omaha, Nebraska, with additional loans for this showing arranged by the Taft Museum of Art. This audio tour has been made possible through the generosity of the Docents of the Taft Museum of Art.…
Worn on a chain, this pendant presents at its center a woman embracing two children, symbolizing the Christian virtue of charity. Some of the gold structure has been decorated with enamel, which is made of ground glass and pigment that produce vivid color when fired in a kiln. French creators also worked in the typical Renaissance style of this German pendant, linking diverse elements together.…
During the reign of Louis XV of France (1715–1774), his courtiers preferred jewelry marked by symmetry and shining white gems. In this piece imported from Portugal, semi-precious stones—quartz and tourmaline—replaced diamonds. Like Pouget’s engravings nearby, this brooch features ribbons, flowers, and pear-shaped drops.…
In this necklace, the artist elegantly suspended a medallion depicting Athena, goddess of wisdom, from two swans, a symbol associated with Napoleon’s first wife, the Empress Joséphine. Bolstering his own empire, Napoleon I set a new taste for objects based on ancient Roman art. He especially adored antique cameos, small hardstones with figures carved in relief. This enamel plaque replicates a cameo design.…
The restored monarchy and its court could more easily afford semi-precious stones, such as these amethysts imported from Brazil, than the much costlier rubies, emeralds, or diamonds. The creator of this jewelry set placed amethysts within wide frames of embossed and delicately chiseled gold, which he treated with economical milled edges.…
In each of the linked gold medallions that compose this bracelet, finely worked silver busts emerge from emerald-green engraved enamel fields. Jules Wièse, the maker of this bracelet, drew inspiration from early Italian Renaissance sculptural busts. Wièse began his career as goldsmith for François-Désiré Froment-Meurice.…
This necklace shows fine workmanship in the techniques of filigree (intricate patterns made from thin strands of metal) and hand-embossing (hammering out a design in relief). At the 1867 Universal Exposition in Paris, Eugène Fontenay won praise for Neo-Greek jewelry like this. In admiring and emulating the remarkable skill of ancient goldsmiths, Fontenay helped initiate the 19th-century archeological style.…
This bracelet represents a joint product of the jeweler Eugène Fontenay and an enamellist, Eugène Richet. Venerating antiquity, they featured small painted enamel panels with scenes of an ancient Greek procession based on the Parthenon sculptures in Athens. Musicians lead the caravan, followed by the figure of Victory in a chariot—led by cherubs on leopards—and a bull to be sacrificed.…
This Renaissance-revival necklace features an enamel portrait of Diane de Poitiers (1499–1566), the mistress of Henri II and an art patron in Renaissance France. Both the gold frame of this enamel portrait and the style of the chains allude to Renaissance models. Further, like Renaissance pendants, which often featured initial letters and monograms, this work intertwines enameled Hs and Ds in several places to indicate the lovers’ close connection.…
The sections of this Gothic-revival bracelet recall the vertical spires of a High Gothic cathedral or picture frame. The 1825 opening of the Musée de Cluny, which housed spectacular medieval art, launched the Neo-Gothic style. A national effort to restore Gothic churches commenced in the 1840s and lasted through the century.…
![Artwork](/static/images/128pixel.png)
1 11. Pierre-Georges Deraisme, "Putti Playing Blind Man’s Bluff," "Putti with a Perching Cat,” 1898 2:12
Pierre–Georges Deraisme was the first of his generation to draw inspiration from the 18th century pictorial tradition of frolicking and music-making angels and cupids. Within a few years, Léopold Gautrait and Charles Jacqueau would also turn to the 18th century for design ideas for jewelry, as will be seen later in the exhibition.…
In the 1880s, Octave Loeuillard created a series of designs for the jeweler Frédéric Boucheron that were noted for their technique and originality. The elegant and airy Fern Brooch, which could also be worn as a hair ornament, was among them. Boucheron founded his very highly regarded jewelry house in Paris in 1858; it is still in business on the Place Vendôme in Paris.…
![Artwork](/static/images/128pixel.png)
1 13. Georges Fouquet, after a design by Charles Desrosiers “Thistle Leaf Bracelet,” about 1905–1909 2:18
Georges Fouquet sometimes collaborated with the designer Charles Desrosiers, who conceived this unusual bracelet. Encircling a central opal, the thorny thistle leaves have iridescent enameled surfaces that echo and accentuate the shimmering colors of the opal.
George Fouquet's hairpin illustrates the Art Nouveau aesthetic: it consists of organic forms punctuated by diamonds, enamel, and pearls, all used sparingly and in service to the overall design. Fouquet’s father Alphonse had founded the business in 1862, but the dynasty’s great stars were Georges and his son Jean Fouquet, whose Art Deco works appear later in the exhibition.…
Georges Fouquet selected delicately colored aquamarines for this headband. Between the gems, he colored the gold structure with equally pale plique-à-jour enamels, then lined the band with small diamonds. Like most of his colleagues, Georges Fouquet moved away from Art Nouveau designs by about 1910. Hair ornaments comprised an important field of jewelry after 1910, as can be seen in this section of the exhibition.…
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