Artwork

Contenuto fornito da KCBX and KCBX Central Coast Public Radio. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da KCBX and KCBX Central Coast Public Radio o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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Ears on Art

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Serie archiviate ("Feed non attivo" status)

When? This feed was archived on July 12, 2018 04:00 (6y ago). Last successful fetch was on August 24, 2019 01:17 (4+ y ago)

Why? Feed non attivo status. I nostri server non sono riusciti a recuperare un feed valido per un periodo prolungato.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage series 1017674
Contenuto fornito da KCBX and KCBX Central Coast Public Radio. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da KCBX and KCBX Central Coast Public Radio o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
“Ears On Art” was previously broadcast as a part of Issues & Ideas , and is now an archived program with episodes available below . It began in earnest on April 1, 1999 with a half hour a month broadcast. In the beginning there were four hosts: Bill Beeson, Karen Kile, Gail Johnson, and me, Crissa Hewitt. Our aim was to create a magazine format with at least three segments. Bill opened the program with a commentary based on the show’s theme. Gail closed the show with a five-minute arts calendar. One or two interviews rounded out the thirty minutes. I spent the majority of my time learning how to tape, edit, and put in the finishing touches so that the recorded program could be aired. By 2002 the format had changed. Bill continued to do the commentaries, but Gail and Karen discovered that the time commitment was more than they could easily give. The search was on for a co-host. Naida Simpson of Simpson-Heller Gallery in Cambria came aboard. When she, too, found the time requirements
  continue reading

20 episodi

Artwork

Ears on Art

updated

iconCondividi
 

Serie archiviate ("Feed non attivo" status)

When? This feed was archived on July 12, 2018 04:00 (6y ago). Last successful fetch was on August 24, 2019 01:17 (4+ y ago)

Why? Feed non attivo status. I nostri server non sono riusciti a recuperare un feed valido per un periodo prolungato.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage series 1017674
Contenuto fornito da KCBX and KCBX Central Coast Public Radio. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da KCBX and KCBX Central Coast Public Radio o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
“Ears On Art” was previously broadcast as a part of Issues & Ideas , and is now an archived program with episodes available below . It began in earnest on April 1, 1999 with a half hour a month broadcast. In the beginning there were four hosts: Bill Beeson, Karen Kile, Gail Johnson, and me, Crissa Hewitt. Our aim was to create a magazine format with at least three segments. Bill opened the program with a commentary based on the show’s theme. Gail closed the show with a five-minute arts calendar. One or two interviews rounded out the thirty minutes. I spent the majority of my time learning how to tape, edit, and put in the finishing touches so that the recorded program could be aired. By 2002 the format had changed. Bill continued to do the commentaries, but Gail and Karen discovered that the time commitment was more than they could easily give. The search was on for a co-host. Naida Simpson of Simpson-Heller Gallery in Cambria came aboard. When she, too, found the time requirements
  continue reading

20 episodi

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