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Contenuto fornito da John E. Drabinski. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da John E. Drabinski o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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Episode Notes [03:47] Seth's Early Understanding of Questions [04:33] The Power of Questions [05:25] Building Relationships Through Questions [06:41] This is Strategy: Focus on Questions [10:21] Gamifying Questions [11:34] Conversations as Infinite Games [15:32] Creating Tension with Questions [20:46] Effective Questioning Techniques [23:21] Empathy and Engagement [34:33] Strategy and Culture [35:22] Microsoft's Transformation [36:00] Global Perspectives on Questions [39:39] Caring in a Challenging World Resources Mentioned The Dip by Seth Godin Linchpin by Seth Godin Purple Cow by Seth Godin Tribes by Seth Godin This Is Marketing by Seth Godin The Carbon Almanac This is Strategy by Seth Godin Seth's Blog What Does it Sound Like When You Change Your Mind? by Seth Godin Value Creation Masterclass by Seth Godin on Udemy The Strategy Deck by Seth Godin Taylor Swift Jimmy Smith Jimmy Smith Curated Questions Episode Supercuts Priya Parker Techstars Satya Nadella Microsoft Steve Ballmer Acumen Jerry Colonna Unleashing the Idea Virus by Seth Godin Tim Ferriss podcast with Seth Godin Seth Godin website Beauty Pill Producer Ben Ford Questions Asked When did you first understand the power of questions? What do you do to get under the layer to really get down to those lower levels? Is it just follow-up questions, mindset, worldview, and how that works for you? How'd you get this job anyway? What are things like around here? What did your boss do before they were your boss? Wow did you end up with this job? Why are questions such a big part of This is Strategy? If you had to charge ten times as much as you charge now, what would you do differently? If it had to be free, what would you do differently? Who's it for, and what's it for? What is the change we seek to make? How did you choose the questions for The Strategy Deck? How big is our circle of us? How many people do I care about? Is the change we're making contagious? Are there other ways to gamify the use of questions? Any other thoughts on how questions might be gamified? How do we play games with other people where we're aware of what it would be for them to win and for us to win? What is it that you're challenged by? What is it that you want to share? What is it that you're afraid of? If there isn't a change, then why are we wasting our time? Can you define tension? What kind of haircut do you want? How long has it been since your last haircut? How might one think about intentionally creating that question? What factors should someone think about as they use questions to create tension? How was school today? What is the kind of interaction I'm hoping for over time? How do I ask a different sort of question that over time will be answered with how was school today? Were there any easy questions on your math homework? Did anything good happen at school today? What tension am I here to create? What wrong questions continue to be asked? What temperature is it outside? When the person you could have been meets the person you are becoming, is it going to be a cause for celebration or heartbreak? What are the questions we're going to ask each other? What was life like at the dinner table when you were growing up? What are we really trying to accomplish? How do you have this cogent two sentence explanation of what you do? How many clicks can we get per visit? What would happen if there was a webpage that was designed to get you to leave? What were the questions that were being asked by people in authority at Yahoo in 1999? How did the stock do today? Is anything broken? What can you do today that will make the stock go up tomorrow? What are risks worth taking? What are we doing that might not work but that supports our mission? What was the last thing you did that didn't work, and what did we learn from it? What have we done to so delight our core customers that they're telling other people? How has your international circle informed your life of questions? What do I believe that other people don't believe? What do I see that other people don't see? What do I take for granted that other people don't take for granted? What would blank do? What would Bob do? What would Jill do? What would Susan do? What happened to them? What system are they in that made them decide that that was the right thing to do? And then how do we change the system? How given the state of the world, do you manage to continue to care as much as you do? Do you walk to school or take your lunch? If you all can only care if things are going well, then what does that mean about caring? Should I have spent the last 50 years curled up in a ball? How do we go to the foundation and create community action?…
Contenuto fornito da John E. Drabinski. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da John E. Drabinski o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Podcasted conversation on critical and literary theory, drawing on a range of theorists from Europe, the United States, Caribbean, and Latin America. Our title is drawn from Audre Lorde's essay "Poetry Is Not a Luxury," where she writes that poetry fashions a language where words do not yet exist. How does theory make words and world new, attuned, and embedded within inventive and inventing lived-experience, tradition, and cultural production?
Contenuto fornito da John E. Drabinski. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da John E. Drabinski o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Podcasted conversation on critical and literary theory, drawing on a range of theorists from Europe, the United States, Caribbean, and Latin America. Our title is drawn from Audre Lorde's essay "Poetry Is Not a Luxury," where she writes that poetry fashions a language where words do not yet exist. How does theory make words and world new, attuned, and embedded within inventive and inventing lived-experience, tradition, and cultural production?
A discussion of Sylvia Wynter's essay "Toward the Sociogenic Principle" and Aníbal Quijano's "Coloniality of Power" essay, with particular attention to how each diagnoses the pathologies of the colonial relation, the world is buoys, and the kinds of racial and national identities it produces. How can we think outside the coloniality of power? How can the social be constructed otherwise, such that it produces liberated forms of subjectivity, knowledge, and being?…
A conversation about Édouard Glissant's work on creolization, with particular emphasis on how that conceptualization of relation emphasizes both the right to opacity and the necessity of cultural contact. What happens to concepts, to art, to expressive life when it is put in contact with differences? How do vulnerable communities and traditions protect themselves in moments of asymmetrical contact? And so what are the ethics of these kinds of encounter?…
A discussion of Paul Celan's essay "The Meridian," along with companion pieces of Emmanuel Levinas. Claude Lanzmann, and Jacques Derrida, with particular focus on the poetic word's capacity to bring the deconstructive, dismantling, and interruptive function of absence in reckoning with traumatic experience. How does such a word reflect an ethics of speaking about catastrophe?…
A discussion of Hortense Spillers' essay "Mama's Baby, Papa's Maybe: An American Grammar Book," with particular emphasis on the critical possibilities opened up by her interrogation of naming, gender, and race after The Moynihan Report. What does the Report tell us about the status of the phrase "Black woman"? And what remains to be thought after what that Report erases from our conceptual approach to the world?…
Long discussion of Julia Kristeva's The Powers of Horror, with special attention to how her theory of abjection informs political strategies of oppression and exploitation rooted in the body. Our discussion works through the conception of the abject and its relation to misogyny and patriarchal cultural formation and reproduction, with particular attention to the aging feminine body, the "formless" and "plump" girl body (Nabokov's words and example), and how abjection sits at the center of our cultural-political imagination.…
A discussion of Gayatri Spivak's "Can the Subaltern Speak?," an essay that interrogates the discursive conditions of speaking and the coloniality of such conditions. We focus here on silence, withdrawal, and the refusal to enter into discourse as a form of resistance and ethics. In particular, we are here interested in why Spivak makes this claim - what is protected, what is kept from colonial view - and what are its implications for thinking about gaps and silences in the archive of subaltern history and lives.…
A discussion of Jacques Derrida's deconstructive practice, which seeks to identify "the supplement" to any origin story or set of claims in a text. What are the characteristics of this readerly practice? What motivates Derrida to make these kind of readerly, critical interventions? And where does deconstructive practice bring us as thinkers, critics, and readers - and perhaps even writers? It is to an anti-authoritarian place, a place oriented toward a future of multiplicity and refusal of origin stories, purity politics, and imperial principles of ethics and morality.…
A discussion of a cluster of Toni Morrison's non-fiction pieces concerned with gender, memory, and the imagination. We explore the relation between Morrison's meditations and our previous conversations about place and memory, in particular how transcendence is brought to sites through memory-work and the imagination. As well, the ways in which memory-work and the imagination entwine with landscape, meaning, and the ethics of reading emerge as both conceptually interesting and innovative and as imperatives placed on us by Morrison's deep work on the meaning of literature and literary production. How does that deep work make us different kinds of readers? How does it animate literature and our imaginations when we engage the text?…
This podcast is bookended by musical pieces by Arthur Cooper, Malaco Records recording artist and great grandfather of participant and University of Maryland doctoral student Timmy R. Bridgeman. A conversation about Albert Murray's The Hero and the Blues and two essays by Ralph Ellison, "Living with Music" and "Blues People." In this discussion, we explore the relation between Murray's and Ellison's development of blues as a form of thought, life, and expressive culture and ideas of tradition. With particular emphasis on and extension of blues and jazz as "idea emotions" (Ellison), we link their work to ideas of tradition, orality, invention, selfhood, and the relation between the bold or strong musician and their predecessors - articulating a relation of working with rather than, as with Harold Bloom, a parricidal impulse in relation to precursors. We also explore how blues, jazz, and the African American intellectual tradition reconfigures transcendence and ecstasy to locate intellectual-tradition work inside the body and inside the club, akin to the vision of poetry developed by Barbara Christian, which renders a very different sense of memory, history, and world than we find in the pessimistic work of Martin Heidegger. Participants: Katelin Ten, John E. Drabinski, Shannon Neal, and Timmy R. Bridgeman.…
A process piece reflecting on our discussion of two essays by Martin Heidegger, "The Origin of the Work of Art" (1936) and "Building, Dwelling, Thinking" (1951), with particular emphasis on how he rethinks the object of art and our sense of place. Heidegger's essays attend to the experience of alienation from what he calls "the fourfold," our relation to our own mortality, to the earth, to the sky, and to the divine. A key element in this, I claim, is the question of tradition. How has a sense of "the West" or "Europe" as an intellectual and human tradition been modified by the worst/essence of modernity? And what possibilities remain for thinking about being in modernity yet also outside modernity? And, most importantly, how do Heidegger's ideas travel from reflections on a Greek temple (the putative origin and foundation of European identity) to other sites of gathering of the divine, of memory, of moments of origin or transformation?…
Discussion of Harold Bloom's 1973 book The Anxiety of Influence , with attention to the limits of the book and also how a perversion or transformation of revisionary ratios might provide insight into anti- and even post-colonial literature and cultural production. In particular, we discuss how Bloom's work presupposes and needs antagonism and violence between poet and precursor, and then how Barbara Christian's evocation of poetry as world- and self-making via love and generosity offers a different model. That shift helps relocate the question of influence and violence in Léopold Senghor's work, where he argues that even in a colonial context there is a possibility of influence without fear of contamination. Does Bloom's book operate under a fear of contamination? Is there anything left of the revisionary ratios without that fear? What is influence without fear of contamination, without the violent impulse toward the precursor? How does love offer another kind of revisionary ratio, or perhaps embellish and transform the six outlined in The Anxiety of Influence ?…
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