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Contenuto fornito da Amethysta Herrick. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Amethysta Herrick o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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26 April 2024 - The Stories That Must Be Told

1:08:50
 
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Manage episode 414771304 series 3517843
Contenuto fornito da Amethysta Herrick. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Amethysta Herrick o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

Today I present an amazing conversation with Lindsay Law. Lindsay retired from a career as an executive producer and President of Fox Searchlight Pictures to become a novelist. Lindsay and I discuss the story of "Boys Don't Cry," why we need more gay people in media, and the magic of Vermont.

REFERENCES:

Lindsay’s personal website: https://www.lindsaylaw.net/

Follow Lindsay on Instagram: https://www.instagram.com/lindsay.law/

“The Orphan from Shepherds Keep:” https://www.amazon.com/Orphan-Shepherds-Keep-Intertwined-Rightful/dp/B0CXYPYX23

  • (00:00) - Opening credits
  • (00:37) - Show opening
  • (01:37) - Introducing Lindsay Law
  • (04:26) - Choosing stories for American Playhouse
  • (07:40) - Good storytelling has an impact
  • (11:57) - Boys Don't Cry
  • (18:32) - Introducing the world to gay people
  • (24:48) - Why wouldn't these stories be on TV?
  • (29:33) - We are all in a 10 percent category
  • (31:50) - The truth cannot be generic
  • (35:02) - Characters live inside your identity
  • (40:00) - Good storytelling has a real atmosphere
  • (47:50) - Stories about healing
  • (52:09) - Characters lead to the story
  • (54:57) - Writing longhand vs. on a computer
  • (58:18) - Finance who people are, not what they can pitch
  • (01:04:07) - How to find Lindsay
  • (01:06:55) - Show closing
  • (01:08:26) - Closing credits
  continue reading

28 episodi

Artwork
iconCondividi
 
Manage episode 414771304 series 3517843
Contenuto fornito da Amethysta Herrick. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Amethysta Herrick o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

Today I present an amazing conversation with Lindsay Law. Lindsay retired from a career as an executive producer and President of Fox Searchlight Pictures to become a novelist. Lindsay and I discuss the story of "Boys Don't Cry," why we need more gay people in media, and the magic of Vermont.

REFERENCES:

Lindsay’s personal website: https://www.lindsaylaw.net/

Follow Lindsay on Instagram: https://www.instagram.com/lindsay.law/

“The Orphan from Shepherds Keep:” https://www.amazon.com/Orphan-Shepherds-Keep-Intertwined-Rightful/dp/B0CXYPYX23

  • (00:00) - Opening credits
  • (00:37) - Show opening
  • (01:37) - Introducing Lindsay Law
  • (04:26) - Choosing stories for American Playhouse
  • (07:40) - Good storytelling has an impact
  • (11:57) - Boys Don't Cry
  • (18:32) - Introducing the world to gay people
  • (24:48) - Why wouldn't these stories be on TV?
  • (29:33) - We are all in a 10 percent category
  • (31:50) - The truth cannot be generic
  • (35:02) - Characters live inside your identity
  • (40:00) - Good storytelling has a real atmosphere
  • (47:50) - Stories about healing
  • (52:09) - Characters lead to the story
  • (54:57) - Writing longhand vs. on a computer
  • (58:18) - Finance who people are, not what they can pitch
  • (01:04:07) - How to find Lindsay
  • (01:06:55) - Show closing
  • (01:08:26) - Closing credits
  continue reading

28 episodi

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