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Episode 49: My Salinger Year by Joanna Rakoff

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Manage episode 433615056 series 3299157
Contenuto fornito da Charlie Bleecker. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Charlie Bleecker o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

Here’s what I learned from My Salinger Year by Joanna Rakoff:

How to write dialogue in a novelistic or cinematic way:

  1. Include details about the surrounding area. The weather, scenery, anything the characters interact with, other people in the room. This is especially useful at the start of the scene, and if/when the scene changes.

  2. When you add context for the reader it should relate to the dialogue before it. It can also help establish the relationship of the characters.

  3. There are three people to consider in a two-person conversation: the two people in the scene and the reader. Dialogue can be inside-baseball between the two characters even it’s unclear to the reader, but interjections by the writer can clarify and invite the reader into what’s happening.

  4. A scene should not end at the end of the conversation, but at a point when a character says something that transitions into the next scene.

And here’s the link to Joanna’s conversation with Estelle Erasmus on Freelance Writing Direct.

  continue reading

50 episodi

Artwork
iconCondividi
 
Manage episode 433615056 series 3299157
Contenuto fornito da Charlie Bleecker. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Charlie Bleecker o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

Here’s what I learned from My Salinger Year by Joanna Rakoff:

How to write dialogue in a novelistic or cinematic way:

  1. Include details about the surrounding area. The weather, scenery, anything the characters interact with, other people in the room. This is especially useful at the start of the scene, and if/when the scene changes.

  2. When you add context for the reader it should relate to the dialogue before it. It can also help establish the relationship of the characters.

  3. There are three people to consider in a two-person conversation: the two people in the scene and the reader. Dialogue can be inside-baseball between the two characters even it’s unclear to the reader, but interjections by the writer can clarify and invite the reader into what’s happening.

  4. A scene should not end at the end of the conversation, but at a point when a character says something that transitions into the next scene.

And here’s the link to Joanna’s conversation with Estelle Erasmus on Freelance Writing Direct.

  continue reading

50 episodi

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