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Contenuto fornito da longform conversations with supertalents in music, film and writing. and Longform conversations with supertalents in music. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da longform conversations with supertalents in music, film and writing. and Longform conversations with supertalents in music o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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Barry Dean: There’s More to Life than a Number One

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Manage episode 408110963 series 3521512
Contenuto fornito da longform conversations with supertalents in music, film and writing. and Longform conversations with supertalents in music. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da longform conversations with supertalents in music, film and writing. and Longform conversations with supertalents in music o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

I speak with hit songwriter and producer Barry Dean, who, with four #1 hits, many singles, and countless cuts, somehow manages to act like an earnest kid grateful for the chance to take his shot. His songs have been recorded by Reba McEntire, Tim McGraw, Maren Morris, Alison Krauss, Jon Pardi, Ingrid Michaelson, Brothers Osbourne, and many, many others. In one of the podcast’s most illuminating guests to date, Barry discusses his unusual path to success — he didn’t move to Nashville until he was 38 — and how his approach to collaboration has evolved through the years. He also digs into a couple of the details for some of his best known co-writes, like “Daydrinking” (Little Big Town) and “God and Country Music” (George Straight), and is quick to sing the praises of his frequent collaborators — Lori McKenna, Luke Laird, and Natalie Hemby, among others. This intro doesn’t do justice to the caliber of the conversation we had. Barry is full of insight, wisdom and humility. You just gotta listen.


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50 episodi

Artwork
iconCondividi
 
Manage episode 408110963 series 3521512
Contenuto fornito da longform conversations with supertalents in music, film and writing. and Longform conversations with supertalents in music. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da longform conversations with supertalents in music, film and writing. and Longform conversations with supertalents in music o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

I speak with hit songwriter and producer Barry Dean, who, with four #1 hits, many singles, and countless cuts, somehow manages to act like an earnest kid grateful for the chance to take his shot. His songs have been recorded by Reba McEntire, Tim McGraw, Maren Morris, Alison Krauss, Jon Pardi, Ingrid Michaelson, Brothers Osbourne, and many, many others. In one of the podcast’s most illuminating guests to date, Barry discusses his unusual path to success — he didn’t move to Nashville until he was 38 — and how his approach to collaboration has evolved through the years. He also digs into a couple of the details for some of his best known co-writes, like “Daydrinking” (Little Big Town) and “God and Country Music” (George Straight), and is quick to sing the praises of his frequent collaborators — Lori McKenna, Luke Laird, and Natalie Hemby, among others. This intro doesn’t do justice to the caliber of the conversation we had. Barry is full of insight, wisdom and humility. You just gotta listen.


Get full access to The Morse Code at korby.substack.com/subscribe
  continue reading

50 episodi

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