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Contenuto fornito da Bob Wessels. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Bob Wessels o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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RM24021 - Rembrandt’s self-portrait of 1658

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Manage episode 449885881 series 3552285
Contenuto fornito da Bob Wessels. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Bob Wessels o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

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In this episode I will discuss these self-portraits and more specifically Rembrandt’s impressive self-portrait of 1658. Rembrandt was 52 years old when he painted it. For over 100 years, it has hung in New York’s Frick Collection. Why did Henry Clay Frick buy it and what did he think of this portrait? What are the features of self-portraits and where do ‘tronies’ fit in? How is this type of portrait interpreted today? What do you notice just by taking a closer look at the self-portrait of 1658? And, what triggered me to use this self-portrait for the cover of the study which led to my book ‘Rembrandt’s Money’? Before we answer these questions, let’s go back more than 30 years.
1. Idea, research, author, and narration: Bob Wessels: linkedin.com/in/bobwessels
2. Artwork, editing, production: Jan Wind: linkedin.com/in/janwind-videomaker
3. Artwork based on the bookcover of ‘Rembrandt’s money’ designed by Teun Okkerse: linkedin.com/in/theun-okkerse-516130b
4. Copyright accountability:
Music: Royal Philharmonic Orchestra (orchestra) - Thomas Beecham (conductor) The Salomon Symphonies (Volume One) — Capitol Records, 1958. GCR 7127. Copyright Public Domain - Source: Internet Archive - Public Domain
Artwork for this episode:
Frick Collection - New York
1. Welcome: https://www.rembrandtsmoney.com
1. Blog: https://www.rembrandtsmoney.com/blog/
2. Website: https://www.rembrandtsmoney.com
3. Sources: https://www.rembrandtsmoney.com/sources/
4. Instagram: https://www.instagram.com/rembrandtsmoney/
For a few years I did extensive research, leading to my book of Rembrandt’s Money. The legal and financial life of an artist-entrepreneur in 17th century Holland. The first edition of the book Rembrandt’s Money, published in autumn 2021. It is nearly sold out. See https://webshop.rembrandthuis.nl/nl/rembrandts-money.htmlOr: https://shop.wolterskluwer.nl/Rembrandt-s-Money-sNPREMBMON/?gad_source=1&gclid=CjwKCAiAu9yqBhBmEiwAHTx5p09qw-mnSxvfLuexD9n-MFLvE_EABhlDHGVEMVes2b2ygNNeyMim-BoCqbgQAvD_BwE

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24 episodi

Artwork
iconCondividi
 
Manage episode 449885881 series 3552285
Contenuto fornito da Bob Wessels. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Bob Wessels o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

Send us a text

In this episode I will discuss these self-portraits and more specifically Rembrandt’s impressive self-portrait of 1658. Rembrandt was 52 years old when he painted it. For over 100 years, it has hung in New York’s Frick Collection. Why did Henry Clay Frick buy it and what did he think of this portrait? What are the features of self-portraits and where do ‘tronies’ fit in? How is this type of portrait interpreted today? What do you notice just by taking a closer look at the self-portrait of 1658? And, what triggered me to use this self-portrait for the cover of the study which led to my book ‘Rembrandt’s Money’? Before we answer these questions, let’s go back more than 30 years.
1. Idea, research, author, and narration: Bob Wessels: linkedin.com/in/bobwessels
2. Artwork, editing, production: Jan Wind: linkedin.com/in/janwind-videomaker
3. Artwork based on the bookcover of ‘Rembrandt’s money’ designed by Teun Okkerse: linkedin.com/in/theun-okkerse-516130b
4. Copyright accountability:
Music: Royal Philharmonic Orchestra (orchestra) - Thomas Beecham (conductor) The Salomon Symphonies (Volume One) — Capitol Records, 1958. GCR 7127. Copyright Public Domain - Source: Internet Archive - Public Domain
Artwork for this episode:
Frick Collection - New York
1. Welcome: https://www.rembrandtsmoney.com
1. Blog: https://www.rembrandtsmoney.com/blog/
2. Website: https://www.rembrandtsmoney.com
3. Sources: https://www.rembrandtsmoney.com/sources/
4. Instagram: https://www.instagram.com/rembrandtsmoney/
For a few years I did extensive research, leading to my book of Rembrandt’s Money. The legal and financial life of an artist-entrepreneur in 17th century Holland. The first edition of the book Rembrandt’s Money, published in autumn 2021. It is nearly sold out. See https://webshop.rembrandthuis.nl/nl/rembrandts-money.htmlOr: https://shop.wolterskluwer.nl/Rembrandt-s-Money-sNPREMBMON/?gad_source=1&gclid=CjwKCAiAu9yqBhBmEiwAHTx5p09qw-mnSxvfLuexD9n-MFLvE_EABhlDHGVEMVes2b2ygNNeyMim-BoCqbgQAvD_BwE

  continue reading

24 episodi

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