Artwork

Contenuto fornito da SAL/on air and Seattle Arts. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da SAL/on air and Seattle Arts o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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Adam Zagajewski

43:47
 
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Manage episode 303541172 series 2317224
Contenuto fornito da SAL/on air and Seattle Arts. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da SAL/on air and Seattle Arts o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
At the start of this reading, which includes poems in English and Polish, Zagajewski says, “As long as you write new poems, you are alive. It’s the only proof of this.” Zagajewski died this March, but his poems remain with us—proof he was alive and lives still. In a poetic twist of fate, the date of Zagajewski’s passing was the same as the evening he read at Seattle Arts & Lectures—exactly nineteen years earlier. This reading by Adam Zagajewski, recorded in March 2001, was postponed from its original date by the forces of Mother Nature. On February 28, 2001, the Nisqually Earthquake struck. In wry form, Zagajewski banters about the interplay between reality and poetry, life and art. He notes thematic links between his book Tremor, his poem Lava, and the shaking earth that brought daily life in the Pacific Northwest to a halt. The pre-eminent Polish poet of his generation, Zagajewski’s early work was political in nature. He sought to illuminate conditions in western Poland post-World War II: “the bitter bread of urgency and contemporaneity.” With insight and imagination, Zagajewski’s poems depict the surreal experience of daily life in a totalitarian state following the Soviet takeover of his hometown, Lvov, in present-day Ukraine.
  continue reading

46 episodi

Artwork

Adam Zagajewski

SAL/on air

published

iconCondividi
 
Manage episode 303541172 series 2317224
Contenuto fornito da SAL/on air and Seattle Arts. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da SAL/on air and Seattle Arts o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
At the start of this reading, which includes poems in English and Polish, Zagajewski says, “As long as you write new poems, you are alive. It’s the only proof of this.” Zagajewski died this March, but his poems remain with us—proof he was alive and lives still. In a poetic twist of fate, the date of Zagajewski’s passing was the same as the evening he read at Seattle Arts & Lectures—exactly nineteen years earlier. This reading by Adam Zagajewski, recorded in March 2001, was postponed from its original date by the forces of Mother Nature. On February 28, 2001, the Nisqually Earthquake struck. In wry form, Zagajewski banters about the interplay between reality and poetry, life and art. He notes thematic links between his book Tremor, his poem Lava, and the shaking earth that brought daily life in the Pacific Northwest to a halt. The pre-eminent Polish poet of his generation, Zagajewski’s early work was political in nature. He sought to illuminate conditions in western Poland post-World War II: “the bitter bread of urgency and contemporaneity.” With insight and imagination, Zagajewski’s poems depict the surreal experience of daily life in a totalitarian state following the Soviet takeover of his hometown, Lvov, in present-day Ukraine.
  continue reading

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