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Maestro with Josh Singer

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Manage episode 397449718 series 2711077
Contenuto fornito da Script Apart. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Script Apart o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

The acclaimed new Leonard Bernstein biopic Maestro is about more than just the life and times of arguably America’s most famous composer. It’s about the idea of genius and what allowances those in the presence of gifted creatives sometimes permit, at great personal cost, to allow that artistry to flourish. Starring Carey Mulligan and Bradley Cooper, who also directs, the film’s another example of the supreme storytelling talents of Josh Singer – a screenwriter renowned for telling the true-life tales of people who sent ripples through our culture for decades to come.

In the Oscar-winning Spotlight, it was a team of Boston journalists who exposed a church cover-up. In Damien Chazelle’s First Man, it was astronaut Neil Armstrong – the first man on the moon. When it comes to writing dramatically compelling, non-sensationalised biopics, you won’t find many better. In our latest episode, the 51-year-old breaks down his latest exploration of a public figure and the demons hidden beneath the surface of his fame. It’s a fascinating spoiler conversation about how and Bradley Cooper co-wrote the script, spanning the meaning of its ambiguous title and how he approached the movie’s devastating ending.
Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on thescriptapartpodcast@gmail.com.
Support for this episode comes from ScreenCraft, Magic Mind, Final Draft and WeScreenplay.
To get ad-free episodes and exclusive content, join us on Patreon.

Support the Show.

  continue reading

106 episodi

Artwork

Maestro with Josh Singer

Script Apart

177 subscribers

published

iconCondividi
 
Manage episode 397449718 series 2711077
Contenuto fornito da Script Apart. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Script Apart o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

The acclaimed new Leonard Bernstein biopic Maestro is about more than just the life and times of arguably America’s most famous composer. It’s about the idea of genius and what allowances those in the presence of gifted creatives sometimes permit, at great personal cost, to allow that artistry to flourish. Starring Carey Mulligan and Bradley Cooper, who also directs, the film’s another example of the supreme storytelling talents of Josh Singer – a screenwriter renowned for telling the true-life tales of people who sent ripples through our culture for decades to come.

In the Oscar-winning Spotlight, it was a team of Boston journalists who exposed a church cover-up. In Damien Chazelle’s First Man, it was astronaut Neil Armstrong – the first man on the moon. When it comes to writing dramatically compelling, non-sensationalised biopics, you won’t find many better. In our latest episode, the 51-year-old breaks down his latest exploration of a public figure and the demons hidden beneath the surface of his fame. It’s a fascinating spoiler conversation about how and Bradley Cooper co-wrote the script, spanning the meaning of its ambiguous title and how he approached the movie’s devastating ending.
Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on thescriptapartpodcast@gmail.com.
Support for this episode comes from ScreenCraft, Magic Mind, Final Draft and WeScreenplay.
To get ad-free episodes and exclusive content, join us on Patreon.

Support the Show.

  continue reading

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