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"Speak the speech as I pronounced it to you": Director of New York University's Classical Studio, Daniel Spector

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Contenuto fornito da NoSweatShakespeare. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da NoSweatShakespeare o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

New York University's Tisch School of the Arts houses multiple drama studios, each of which teach their own technique for acting. One of them, the Classical Studio, was developed more than 20 years ago to use Shakespeare as the basis for acting education. The studio is a training ground for both classical and contemporary work, and has produced alums who have used their Shakespeare training to work in both classical productions, in musicals on Broadway, and more.

We are joined today by the studio's director, Daniel Spector, who was once a student in the program himself. He is a member of the Lincoln Center Theater Directors Lab and an alumnus of the Broadway Theatre Project. He has served as a consultant to PBS on matters Shakespearean, moderated Artist Talks at the Brooklyn Academy of Music, led workshops for numerous arts organizations, produced many readings of new plays, and spoken at conferences around the world (British Shakespeare Association, Offensive Shakespeare, BritGrad, Shakespeare Theatre Conference). Today he will talk with us about how Shakespeare's verse can be used to train actors, what kind of classes are taught in a small Shakespeare conservatory ensemble, how Shakespeare acting education transferred online during the pandemic, and more.

Daniel is interviewed by host Emily Jackoway. To learn more about NoSweatShakespeare, check out our site at nosweatshakespeare.com and follow us on Facebook, Twitter, and Instagram. If you enjoyed this podcast, be sure to follow or subscribe and give us a five-star rating. Thanks for listening in!

  continue reading

14 episodi

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Manage episode 313585465 series 3277008
Contenuto fornito da NoSweatShakespeare. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da NoSweatShakespeare o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

New York University's Tisch School of the Arts houses multiple drama studios, each of which teach their own technique for acting. One of them, the Classical Studio, was developed more than 20 years ago to use Shakespeare as the basis for acting education. The studio is a training ground for both classical and contemporary work, and has produced alums who have used their Shakespeare training to work in both classical productions, in musicals on Broadway, and more.

We are joined today by the studio's director, Daniel Spector, who was once a student in the program himself. He is a member of the Lincoln Center Theater Directors Lab and an alumnus of the Broadway Theatre Project. He has served as a consultant to PBS on matters Shakespearean, moderated Artist Talks at the Brooklyn Academy of Music, led workshops for numerous arts organizations, produced many readings of new plays, and spoken at conferences around the world (British Shakespeare Association, Offensive Shakespeare, BritGrad, Shakespeare Theatre Conference). Today he will talk with us about how Shakespeare's verse can be used to train actors, what kind of classes are taught in a small Shakespeare conservatory ensemble, how Shakespeare acting education transferred online during the pandemic, and more.

Daniel is interviewed by host Emily Jackoway. To learn more about NoSweatShakespeare, check out our site at nosweatshakespeare.com and follow us on Facebook, Twitter, and Instagram. If you enjoyed this podcast, be sure to follow or subscribe and give us a five-star rating. Thanks for listening in!

  continue reading

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