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Contenuto fornito da Settling Scores. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Settling Scores o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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Somewhere That's Mean: Settling Scores Feasts on Little Shop of Horrors

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Manage episode 453103053 series 3534382
Contenuto fornito da Settling Scores. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Settling Scores o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

Join us down on Skid Row with our latest episode - "Somewhere That's Mean: Settling Scores Feasts on Little Shop of Horrors." Categorizing LSOH (with music by Alan Menken and lyrics/book by Howard Ashman) is a bit tricky. Here’s our best effort: it’s a genre-crossing cult classic chamber musical with elements of dark comedy, horror (obviously), and sci-fi with a ton of catchy Motown-inspired earworms and a giant puppet. Phew.
While the musical does venture into heavier themes of ambition, morality, sadism, and the dangers of unchecked desire, the story is balanced with moments of humor and genuine heart, particularly in Seymour’s tender interactions with Audrey, who dreams of escaping her abusive relationship and finding a better life.
Join us as we discover and discuss the roots of this campy, brilliant, B-movie inspired musical and have a bloody good time along the way."

The cast and creative team of the original production of “Little Shop of Horrors.” In the front at center are Howard Ashman, left, wearing plaid, and Alan Menken, lying on the floor.

Howard Ashman directing Ellen Greene, who played Audrey. “He just loved me, and when a director just adores your creativity, your creativity blooms,” she said.

  continue reading

14 episodi

Artwork
iconCondividi
 
Manage episode 453103053 series 3534382
Contenuto fornito da Settling Scores. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Settling Scores o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

Join us down on Skid Row with our latest episode - "Somewhere That's Mean: Settling Scores Feasts on Little Shop of Horrors." Categorizing LSOH (with music by Alan Menken and lyrics/book by Howard Ashman) is a bit tricky. Here’s our best effort: it’s a genre-crossing cult classic chamber musical with elements of dark comedy, horror (obviously), and sci-fi with a ton of catchy Motown-inspired earworms and a giant puppet. Phew.
While the musical does venture into heavier themes of ambition, morality, sadism, and the dangers of unchecked desire, the story is balanced with moments of humor and genuine heart, particularly in Seymour’s tender interactions with Audrey, who dreams of escaping her abusive relationship and finding a better life.
Join us as we discover and discuss the roots of this campy, brilliant, B-movie inspired musical and have a bloody good time along the way."

The cast and creative team of the original production of “Little Shop of Horrors.” In the front at center are Howard Ashman, left, wearing plaid, and Alan Menken, lying on the floor.

Howard Ashman directing Ellen Greene, who played Audrey. “He just loved me, and when a director just adores your creativity, your creativity blooms,” she said.

  continue reading

14 episodi

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