In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Contenuto fornito da Joe Dzikiewicz. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Joe Dzikiewicz o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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Storylanes explicit
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Manage series 3008561
Contenuto fornito da Joe Dzikiewicz. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Joe Dzikiewicz o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
If you want to know about screenwriting, the first thing most people will tell you is this: Read screenplays. Lots of screenplays. And analyze them. I want to know about screenwriting, so I read a whole bunch of screenplays. And to force myself to dive a little deeper, I decided to share my analysis with the world. Thus the Storylanes Podcast. Every episode, I do a deep dive into some screenplay. I look at how it is structured, at how the pieces fit together, and at what makes it special. And I look at how closely each screenplay follows some of the more popular screenwriting models, things like three act structure, Save the Cat, and the Hero’s Journey. (And spoiler warning: a lot of great movies follow those models, but a lot don’t too.) And because I’m a computer-geek by trade, I developed a tool to help me analyze the screenplays. I use it to produce a chart that maps key elements of the screenplay. You can find each of these charts here at https://storylanes.com. I’ve learned a lot about screenwriting from preparing these episodes. I hope that listening to them will help you learn too.
…
continue reading
27 episodi
Segna tutti come (non) riprodotti ...
Manage series 3008561
Contenuto fornito da Joe Dzikiewicz. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Joe Dzikiewicz o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
If you want to know about screenwriting, the first thing most people will tell you is this: Read screenplays. Lots of screenplays. And analyze them. I want to know about screenwriting, so I read a whole bunch of screenplays. And to force myself to dive a little deeper, I decided to share my analysis with the world. Thus the Storylanes Podcast. Every episode, I do a deep dive into some screenplay. I look at how it is structured, at how the pieces fit together, and at what makes it special. And I look at how closely each screenplay follows some of the more popular screenwriting models, things like three act structure, Save the Cat, and the Hero’s Journey. (And spoiler warning: a lot of great movies follow those models, but a lot don’t too.) And because I’m a computer-geek by trade, I developed a tool to help me analyze the screenplays. I use it to produce a chart that maps key elements of the screenplay. You can find each of these charts here at https://storylanes.com. I’ve learned a lot about screenwriting from preparing these episodes. I hope that listening to them will help you learn too.
…
continue reading
27 episodi
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