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The Thin Man, part 2.
Manage episode 400405530 series 3316129
Contenuto fornito da Carolyn Daughters & Sarah Harrison, Carolyn Daughters, and Sarah Harrison. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Carolyn Daughters & Sarah Harrison, Carolyn Daughters, and Sarah Harrison o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Tea, Tonic, and Toxin is a mystery and thriller podcast and book club for people obsessed with mysteries and thrillers. Each month, your hosts, Sarah Harrison and Carolyn Daughters, will discuss a game-changing mystery or thriller, starting in the mid-19th century onward. Together, we’ll see firsthand how the genre evolved.
Along the way, we’ll entertain ideas, prospects, theories, and doubts, along with the occasional guest. And we hope to entertain you, dear friend. We want you to experience the joys of reading the best mysteries and thrillers ever written.
We’ll read and explore ideas about the book and about ourselves. And we’ll start at the very beginning with “The Murders in the Rue Morgue” by Edgar Allan Poe.
This episode we discuss The Thin Man. The allure of THE THIN MAN (1934) lies in its timeless intrigue, captivating characters, and masterful storytelling. Dashiell Hammett’s novel is known for its clever plot twists, witty dialogue, a surprising blend crime and comedy – and the enigmatic detective duo of Nick and Nora Charles.
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Our incredible guest is Julie Rivett! Julie M. Rivett is a granddaughter of Dashiell Hammett, an advocate for Hammett’s life and literature, a trustee for his estate, and an essayist, editor, and lecturer. Working with Hammett biographer Richard Layman, she has edited six books by or about her grandfather, including Selected Letters of Dashiell Hammett (2001), Return of The Thin Man (2012), The Hunter and Other Stories (2013), and The Big Book of the Continental Op (2017). She studied literature, culture, and persuasive arts at California State University, Long Beach, where she earned an M.A. in Communication Studies.
The Thin Man, Chapter 1 (72 Intro Words and 62 Closing Words That Set the Scene): “I was leaning against the bar in a speakeasy on Fifty-second Street, waiting for Nora to finish her Christmas shopping, when a girl got up from the table where she had been sitting with three other people and came over to me. She was small and blonde, and whether you looked at her face or at her body in powder-blue sports clothes the result was satisfactory. ‘Aren’t you Nick Charles?’ she asked.”
Nick and Nora find a table. Nora said: “She’s pretty.” [referring to Dorothy Wynant]
“If you like them like that.”
She grinned at me. “You got types?”
“Only you, darling–lanky brunettes with wicked jaws.”
“And how about the red-head you wandered off with at the Quinns’ last night?”
”That’s silly,” I said. “She just wanted to show me some French etchings.”
Vintage Books is planning to reissue all five of her grandfather’s novels, each with a fresh introduction by a well-regarded contemporary author! Check Julie's
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