In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Kingdom of the Planet of the Apes with Wes Ball and Barry Jenkins (Ep. 479)
Manage episode 419364740 series 2999163
Contenuto fornito da The Director's Cut and Directors Guild of America. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da The Director's Cut and Directors Guild of America o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Director Wes Ball discusses his new film, Kingdom of the Planet of the Apes, with fellow Director Barry Jenkins in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses the importance of mis-en-scene and notes taken from his time helming the Maze Runner series, working in a production that relied heavily on mocap and digital replacement, and the unique process he underwent with his editors in the cutting process. Set 300 years after the events of the previous apes trilogy, the film tells the story of a young ape named Noa, who defies his tyrannical king and teams up with a human to embark on a harrowing journey. On his quest, he’ll uncover mysteries that lead him to question everything he’s been taught and make choices that will define a future for apes and humans alike. See photos and a summary of this event below: https://dga.org/Events/2024/June2024/KingdomOfThePOTA_QnA_0524
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494 episodi
Manage episode 419364740 series 2999163
Contenuto fornito da The Director's Cut and Directors Guild of America. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da The Director's Cut and Directors Guild of America o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Director Wes Ball discusses his new film, Kingdom of the Planet of the Apes, with fellow Director Barry Jenkins in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses the importance of mis-en-scene and notes taken from his time helming the Maze Runner series, working in a production that relied heavily on mocap and digital replacement, and the unique process he underwent with his editors in the cutting process. Set 300 years after the events of the previous apes trilogy, the film tells the story of a young ape named Noa, who defies his tyrannical king and teams up with a human to embark on a harrowing journey. On his quest, he’ll uncover mysteries that lead him to question everything he’s been taught and make choices that will define a future for apes and humans alike. See photos and a summary of this event below: https://dga.org/Events/2024/June2024/KingdomOfThePOTA_QnA_0524
…
continue reading
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