Artwork

Contenuto fornito da DC Color. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da DC Color o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Player FM - App Podcast
Vai offline con l'app Player FM !

The Offset Podcast EP012: Color Grading Myth Busting

38:58
 
Condividi
 

Manage episode 424002983 series 3550819
Contenuto fornito da DC Color. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da DC Color o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

In this installment of The Offset Podcast, we're diving into some common color grading myths that we've heard over the years. This is by no means a comprehensive collection of myths, but rather a few select ones that we hear often.

We'll start by taking a look at the 'skin tone line' on a vectorscope and why its use is not as cut and dry as you think it might be. We'll then jump into why 'more' grading is usually not the best approach to your grades and the related issue of why teal & orange looks engineered in post can sometimes be a tell to 'over grading'. We'll explore why lots of LUTs are nothing more than snake oil and why the one-size-fits-all-all LUT doesn't exist.

We'll also discuss why separate P3 grades for film festivals can be an over complication for most projects, why you don't have to normalize a log image first before keying, and where you place noise reduction depends on the shot & your needs.

Remember, if you like The Offset Podcast please like and subscribe wherever you watch or listen!

  continue reading

19 episodi

Artwork
iconCondividi
 
Manage episode 424002983 series 3550819
Contenuto fornito da DC Color. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da DC Color o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

In this installment of The Offset Podcast, we're diving into some common color grading myths that we've heard over the years. This is by no means a comprehensive collection of myths, but rather a few select ones that we hear often.

We'll start by taking a look at the 'skin tone line' on a vectorscope and why its use is not as cut and dry as you think it might be. We'll then jump into why 'more' grading is usually not the best approach to your grades and the related issue of why teal & orange looks engineered in post can sometimes be a tell to 'over grading'. We'll explore why lots of LUTs are nothing more than snake oil and why the one-size-fits-all-all LUT doesn't exist.

We'll also discuss why separate P3 grades for film festivals can be an over complication for most projects, why you don't have to normalize a log image first before keying, and where you place noise reduction depends on the shot & your needs.

Remember, if you like The Offset Podcast please like and subscribe wherever you watch or listen!

  continue reading

19 episodi

Tutti gli episodi

×
 
Loading …

Benvenuto su Player FM!

Player FM ricerca sul web podcast di alta qualità che tu possa goderti adesso. È la migliore app di podcast e funziona su Android, iPhone e web. Registrati per sincronizzare le iscrizioni su tutti i tuoi dispositivi.

 

Guida rapida