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Contenuto fornito da Alice Azania Jarvis and The Sunday Salon. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Alice Azania Jarvis and The Sunday Salon o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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CHRISTMAS BONUS EPISODE: Kelleigh Greenberg-Jephcott on writer’s block and epic research

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Manage episode 280833179 series 2487262
Contenuto fornito da Alice Azania Jarvis and The Sunday Salon. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Alice Azania Jarvis and The Sunday Salon o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

I first interviewed Kelleigh back in February 2020 - and then the pandemic hit in earnest. We weren’t sure what to do: whether to ignore the fact that half of her answers now felt out of date, or to do it all again. I’m so glad we went for the latter, I wanted to hear how the pandemic experience had affected her life and her writing style. As a US national, she has spent the year miles away from her family. Of course, that’s not all we talk about - she also tells me about the incredibly level of research that went into Swan Song, which imagines the fall-out among Truman Capote’s group of female friends when his ‘expose’ of their private lives is published in Esquire, the differences between writing for page and for screen, and how she tackled the writers block that almost scuppered the book. I loved revisiting our conversation and I hope you enjoy it as much as I did.

By the book here: https://www.waterstones.com/book/swan-song/kelleigh-greenberg-jephcott/9781786090188
Twitter: @kgjephcott / @aliceazania
Instagram: @ kgjephcott / @aliceazania

Edited by Chelsey Moore

  continue reading

122 episodi

Artwork
iconCondividi
 
Manage episode 280833179 series 2487262
Contenuto fornito da Alice Azania Jarvis and The Sunday Salon. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Alice Azania Jarvis and The Sunday Salon o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

I first interviewed Kelleigh back in February 2020 - and then the pandemic hit in earnest. We weren’t sure what to do: whether to ignore the fact that half of her answers now felt out of date, or to do it all again. I’m so glad we went for the latter, I wanted to hear how the pandemic experience had affected her life and her writing style. As a US national, she has spent the year miles away from her family. Of course, that’s not all we talk about - she also tells me about the incredibly level of research that went into Swan Song, which imagines the fall-out among Truman Capote’s group of female friends when his ‘expose’ of their private lives is published in Esquire, the differences between writing for page and for screen, and how she tackled the writers block that almost scuppered the book. I loved revisiting our conversation and I hope you enjoy it as much as I did.

By the book here: https://www.waterstones.com/book/swan-song/kelleigh-greenberg-jephcott/9781786090188
Twitter: @kgjephcott / @aliceazania
Instagram: @ kgjephcott / @aliceazania

Edited by Chelsey Moore

  continue reading

122 episodi

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