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Contenuto fornito da Thriving Musician Podcast and Spenser Liszt. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Thriving Musician Podcast and Spenser Liszt o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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Ep. 34: Australian Composer Achieves Lofty Goals & Raises Big Money

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Manage episode 240970367 series 2516763
Contenuto fornito da Thriving Musician Podcast and Spenser Liszt. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Thriving Musician Podcast and Spenser Liszt o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Toshi Clinch is a renowned Australian arranger, performer and educator currently located in Melbourne, Australia. His works have been performed globally in Europe, America, Asia and Australia by artists such as the Glenn Miller Orchestra, Tommy Dorsey Big Band, Dick Oatts, Danilo Perez, James Morrison, various X Factor and Australian Idol finalists, West End vocalists, and many other ensembles. In 2016 Clinch graduated with a degree in Jazz Arranging from the prestigious University of North Texas where he studied under Grammy Nominated composer Richard DeRosa and Grammy Award Winning bassist Lynn Seaton. Following his studies he recorded his debut big band album Vesuvius that featured an all American version of the Toshi Clinch Big Band. As a bassist Clinch has performed alongside Vincent Gardner, Dick Oatts, Ed Soph, and Pat Coil, and is currently an arranger for Royal Caribbean Cruise Lines. In 2018 Clinch directed the inaugural Big Band Through The Ages Jazz Festival in Melbourne, Australia to great acclaim. The festival featured artists from the USA working with hundreds of Australian students and educators over a period of two weeks. During the final performance, chief artist Richard DeRosa titled Clinch as “the Quincy Jones of Australia” referencing the production work undertaken to run such a large event. In 2019 the festival grew to accommodate a yearlong youth jazz program, and looking into the future, Clinch looks to develop the organization further. Thanks for listening and keep thriving!
  continue reading

79 episodi

Artwork
iconCondividi
 
Manage episode 240970367 series 2516763
Contenuto fornito da Thriving Musician Podcast and Spenser Liszt. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Thriving Musician Podcast and Spenser Liszt o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Toshi Clinch is a renowned Australian arranger, performer and educator currently located in Melbourne, Australia. His works have been performed globally in Europe, America, Asia and Australia by artists such as the Glenn Miller Orchestra, Tommy Dorsey Big Band, Dick Oatts, Danilo Perez, James Morrison, various X Factor and Australian Idol finalists, West End vocalists, and many other ensembles. In 2016 Clinch graduated with a degree in Jazz Arranging from the prestigious University of North Texas where he studied under Grammy Nominated composer Richard DeRosa and Grammy Award Winning bassist Lynn Seaton. Following his studies he recorded his debut big band album Vesuvius that featured an all American version of the Toshi Clinch Big Band. As a bassist Clinch has performed alongside Vincent Gardner, Dick Oatts, Ed Soph, and Pat Coil, and is currently an arranger for Royal Caribbean Cruise Lines. In 2018 Clinch directed the inaugural Big Band Through The Ages Jazz Festival in Melbourne, Australia to great acclaim. The festival featured artists from the USA working with hundreds of Australian students and educators over a period of two weeks. During the final performance, chief artist Richard DeRosa titled Clinch as “the Quincy Jones of Australia” referencing the production work undertaken to run such a large event. In 2019 the festival grew to accommodate a yearlong youth jazz program, and looking into the future, Clinch looks to develop the organization further. Thanks for listening and keep thriving!
  continue reading

79 episodi

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