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Transmissions :: Jake Xerxes Fussell

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Manage episode 441682204 series 3325236
Contenuto fornito da Justin Gage and Aquarium Drunkard. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Justin Gage and Aquarium Drunkard o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

If you’ve been listening to Transmissions for a while, you've noticed how often host Jason P. Woodbury brings up “time” when talking about music. And while he's certainly apt to talk about music in spiritual or "out there" terms, songs are in some ways literal time machines: they can take you back to your own past or in the case of traditional music, preserve some essential “nowness” of the human experience. Songsmith Jake Xerxes Fussell grew up understanding this intimately. As the son of folklorist, photographer, and artist Fred C. Fussell, he spent time on the road with his father, documenting the sound and feel of blues singers, indigenous fiddlers, and performers whose songbooks reached back generations.

The younger Fussell carries on curatorial work through his records, applying his alternately smooth and grainy voice to traditional vernacular ballads. His latest collection is called When I’m Called. Produced by James Elkington, it finds the Durham-based songwriter joined by a cast of collaborators including Blake Mills, Joan Shelley, and Joe Westerlund of Bon Iver. Though it's comprised of traditional blues and folk, as is Fussell’s trademark, it isn’t a work of historicity so much as a document of how songs live; how they can be preserved, and how they can find new life.

In this conversation, Fussell explains, and touches on The Beastie Boys and his time with one of our documentary heroes, Les Blank.

Aquarium Drunkard is supported by our subscribers. Head over and peruse our site, where you’ll find nearly 20 years worth of playlists, recommendations, reviews, interviews, podcasts, essays, and more. Subscribe at Aquarium Drunkard.

Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts.

This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard

  continue reading

229 episodi

Artwork

Transmissions :: Jake Xerxes Fussell

Transmissions

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iconCondividi
 
Manage episode 441682204 series 3325236
Contenuto fornito da Justin Gage and Aquarium Drunkard. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Justin Gage and Aquarium Drunkard o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

If you’ve been listening to Transmissions for a while, you've noticed how often host Jason P. Woodbury brings up “time” when talking about music. And while he's certainly apt to talk about music in spiritual or "out there" terms, songs are in some ways literal time machines: they can take you back to your own past or in the case of traditional music, preserve some essential “nowness” of the human experience. Songsmith Jake Xerxes Fussell grew up understanding this intimately. As the son of folklorist, photographer, and artist Fred C. Fussell, he spent time on the road with his father, documenting the sound and feel of blues singers, indigenous fiddlers, and performers whose songbooks reached back generations.

The younger Fussell carries on curatorial work through his records, applying his alternately smooth and grainy voice to traditional vernacular ballads. His latest collection is called When I’m Called. Produced by James Elkington, it finds the Durham-based songwriter joined by a cast of collaborators including Blake Mills, Joan Shelley, and Joe Westerlund of Bon Iver. Though it's comprised of traditional blues and folk, as is Fussell’s trademark, it isn’t a work of historicity so much as a document of how songs live; how they can be preserved, and how they can find new life.

In this conversation, Fussell explains, and touches on The Beastie Boys and his time with one of our documentary heroes, Les Blank.

Aquarium Drunkard is supported by our subscribers. Head over and peruse our site, where you’ll find nearly 20 years worth of playlists, recommendations, reviews, interviews, podcasts, essays, and more. Subscribe at Aquarium Drunkard.

Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts.

This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard

  continue reading

229 episodi

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