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Michael Newall: A Philosophy of the Art School

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Manage episode 351197966 series 3431530
Contenuto fornito da Pierre d'Alancaisez. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Pierre d'Alancaisez o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

A Philosophy of the Art School

Michael Newall

Published by Routledge, 2021
ISBN 9781032094342

If one were to devise a motto for the art school of today, the choice between ‘you too are an artist’ and ‘abandon all hope you who enter here’ would be difficult. Despite significant changes in mainstream art education in recent decades, many anglophone art schools have not abandoned the principal tools of the masterclass or the crit that stem from some stubborn 18th-century ideas and the belief that creativity is the preserve of the artistic genius. Considering these histories can shed light on the role of the art school in the 21st century.

Research on art schools has been largely occupied with the facts of particular schools and teachers. Michael Newall’s book presents a philosophical account of the underlying practices and ideas that have come to shape contemporary art school teaching in the UK, US and Europe. It analyses two models that, hidden beneath the diversity of contemporary artist training, have come to dominate art schools. The book draws on first-hand accounts of art school teaching and is deeply informed by disciplines ranging from art history and art theory to the philosophy of art, education and creativity.

Michael Newall speaks to Pierre d’Alancaisez about the masterclass and the crit, the pervasive idea of the Romantic genius, creative disagreements with Kant, and the lessons for the future that a historical perspective may offer.

Michael Newall is a programme leader in art and philosophy at the University of Kent.

*************

Find many more interviews, projects, and my writing at https://petitpoi.net/
You can sign up for my newsletter at https://petitpoi.net/newsletter/
Support my work: https://petitpoi.net/support/

  continue reading

55 episodi

Artwork
iconCondividi
 
Manage episode 351197966 series 3431530
Contenuto fornito da Pierre d'Alancaisez. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Pierre d'Alancaisez o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

A Philosophy of the Art School

Michael Newall

Published by Routledge, 2021
ISBN 9781032094342

If one were to devise a motto for the art school of today, the choice between ‘you too are an artist’ and ‘abandon all hope you who enter here’ would be difficult. Despite significant changes in mainstream art education in recent decades, many anglophone art schools have not abandoned the principal tools of the masterclass or the crit that stem from some stubborn 18th-century ideas and the belief that creativity is the preserve of the artistic genius. Considering these histories can shed light on the role of the art school in the 21st century.

Research on art schools has been largely occupied with the facts of particular schools and teachers. Michael Newall’s book presents a philosophical account of the underlying practices and ideas that have come to shape contemporary art school teaching in the UK, US and Europe. It analyses two models that, hidden beneath the diversity of contemporary artist training, have come to dominate art schools. The book draws on first-hand accounts of art school teaching and is deeply informed by disciplines ranging from art history and art theory to the philosophy of art, education and creativity.

Michael Newall speaks to Pierre d’Alancaisez about the masterclass and the crit, the pervasive idea of the Romantic genius, creative disagreements with Kant, and the lessons for the future that a historical perspective may offer.

Michael Newall is a programme leader in art and philosophy at the University of Kent.

*************

Find many more interviews, projects, and my writing at https://petitpoi.net/
You can sign up for my newsletter at https://petitpoi.net/newsletter/
Support my work: https://petitpoi.net/support/

  continue reading

55 episodi

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