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How Oscar-Nominated Scribe & Novelist Iris Yamashita Writes: Part Two

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Manage episode 403958441 series 2355239
Contenuto fornito da Kelton Reid. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Kelton Reid o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

Oscar-nominated screenwriter turned novelist, Iris Yamashita, returns to chat with me about the difference between writing for the ear and the screen, fusing plotting and pantsing, and her anticipated follow-up thriller Village in the Dark.

Iris Yamashita has been working in Hollywood for over 15 years and was nominated for a “Best Original Screenplay” Oscar for the movie Letters from Iwo Jima (directed by Clint Eastwood).

The sequel to her debut novel City Under One Roof is Village in the Dark, described as a riveting mystery perfect for fans of Twin Peaks, Mare of Easttown, and True Detective.

An Amazon Editor’s Pick for Best Mystery, Thriller & Suspense – New and continuing series. Kirkus Reviews called the book, “A sharp and gritty mystery with a compelling sociopolitical undercurrent.”

Iris continues to work in Hollywood, developing for both film and streaming media. She has taught screenwriting at UCLA and the American Film Institute.

[Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm]

[If you’re a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen]

In this file Iris Yamashita and I discussed:

  • Why you need to have a beginning, middle, and end in mind no matter what you’re writing
  • What it’s like to be both the writer and the director as a novelist
  • How to write for audio drama
  • Why filmmakers don’t like to read
  • Learning the rules so you can break them
  • How to keep your dreams alive
  • And a lot more!

Show Notes:

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

408 episodi

Artwork
iconCondividi
 
Manage episode 403958441 series 2355239
Contenuto fornito da Kelton Reid. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Kelton Reid o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

Oscar-nominated screenwriter turned novelist, Iris Yamashita, returns to chat with me about the difference between writing for the ear and the screen, fusing plotting and pantsing, and her anticipated follow-up thriller Village in the Dark.

Iris Yamashita has been working in Hollywood for over 15 years and was nominated for a “Best Original Screenplay” Oscar for the movie Letters from Iwo Jima (directed by Clint Eastwood).

The sequel to her debut novel City Under One Roof is Village in the Dark, described as a riveting mystery perfect for fans of Twin Peaks, Mare of Easttown, and True Detective.

An Amazon Editor’s Pick for Best Mystery, Thriller & Suspense – New and continuing series. Kirkus Reviews called the book, “A sharp and gritty mystery with a compelling sociopolitical undercurrent.”

Iris continues to work in Hollywood, developing for both film and streaming media. She has taught screenwriting at UCLA and the American Film Institute.

[Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm]

[If you’re a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen]

In this file Iris Yamashita and I discussed:

  • Why you need to have a beginning, middle, and end in mind no matter what you’re writing
  • What it’s like to be both the writer and the director as a novelist
  • How to write for audio drama
  • Why filmmakers don’t like to read
  • Learning the rules so you can break them
  • How to keep your dreams alive
  • And a lot more!

Show Notes:

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

408 episodi

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