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Yolonda Youngs, "Framing Nature: The Creation of an American Icon at the Grand Canyon" (U Nebraska Press, 2024)

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Contenuto fornito da New Books Network. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da New Books Network o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

Perhaps no American landscape is as iconic as the rainbow rocks of Arizona's Grand Canyon. Yet, as the geographer Yolonda Youngs argues, the Grand Canyon many people think they know is but one sliver of the story of the wider Grand Canyon as a historical and physical place.

In Framing Nature: The Creation of an American Icon at the Grand Canyon (U Nebraska Press, 2024), Youngs, a Cal State - San Bernardino professor, tracks the history of the canyon from the perspective of spatial, physical, and visual culture studies. In doing so, she shows how the ways we think of a place shape how humans use that place. In the case of the Grand Canyon, that means the "classic" perspective that people recognize of the canyon from the south rim, means that changes to the riparian landscape hundreds of feet below often go unnoticed. Wider changes in American visual culture, including the development of postcards, film, and television, also shaped tourist expectations - visitors expecting to see rapids, for instance, rather than the fern groves and waterfalls which also form critical parts of the wider Grand Canyon environment. As the cliche goes, a picture is worth a thousand words, and in the example of the Grand Canyon, those same storytelling pictures also shape use in ways that continue up through the present day.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

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139 episodi

Artwork
iconCondividi
 
Manage episode 444279841 series 2421481
Contenuto fornito da New Books Network. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da New Books Network o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

Perhaps no American landscape is as iconic as the rainbow rocks of Arizona's Grand Canyon. Yet, as the geographer Yolonda Youngs argues, the Grand Canyon many people think they know is but one sliver of the story of the wider Grand Canyon as a historical and physical place.

In Framing Nature: The Creation of an American Icon at the Grand Canyon (U Nebraska Press, 2024), Youngs, a Cal State - San Bernardino professor, tracks the history of the canyon from the perspective of spatial, physical, and visual culture studies. In doing so, she shows how the ways we think of a place shape how humans use that place. In the case of the Grand Canyon, that means the "classic" perspective that people recognize of the canyon from the south rim, means that changes to the riparian landscape hundreds of feet below often go unnoticed. Wider changes in American visual culture, including the development of postcards, film, and television, also shaped tourist expectations - visitors expecting to see rapids, for instance, rather than the fern groves and waterfalls which also form critical parts of the wider Grand Canyon environment. As the cliche goes, a picture is worth a thousand words, and in the example of the Grand Canyon, those same storytelling pictures also shape use in ways that continue up through the present day.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

  continue reading

139 episodi

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Over the past decade Micaiah Carter has established himself as one of the most exciting and admired young photographers working in the field of portraiture and fashion. With a vision all his own, Carter's images are preternaturally sophisticated. His lighting is intentional but not attention-seeking, and his subjects always seem fully themselves, whether he’s photographing a celebrity, a musician, or a family member. Micaiah’s portraits are sincere, dignified representations of the sitters while staying true to his distinctive aesthetic. His stylized ideas and assiduous attention to color and light have culminated in a body of work that feels timeless and pertinent at the same time. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography…
 
Photography emerged in the 1840s in the United States, and it became a visual medium that documents the harsh realities of enslavement. Similarly, the photography culture grew during the Civil War, and it became an important material that archived this unprecedented war. Deborah Willis's The Black Civil War Soldier: A Visual History of Conflict and Citizenship (New York University Press, 2021) contains rarely seen letters and diary notes from Black men and women and photographs of Black soldiers who fought and died in this war. These ninety-nine images reshape African American narratives. The Black Civil War Soldier offers an opportunity to experience the war through their perspectives. N'Kosi Oates is a Ph.D. candidate in Africana Studies at Brown University. Find him on Twitter at NKosiOates. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography…
 
They call it Spanish Harlem or sometimes just El Barrio. But for over a century, East Harlem has been a melting pot of many ethnic groups, including Puerto Rican, Dominican, Cuban, and Mexican immigrants, as well as Italian, Jewish, and African American communities. Though gentrification is rapidly changing the face of this section of upper Manhattan, it is still full of sites that attest to its rich cultural heritage. Now East Harlem native Christopher Bell takes you on a tour of his beloved neighborhood. He takes you on three separate walking tours, each visiting a different part of East Harlem and each full of stories about its theaters, museums, art spaces, schools, community centers, churches, mosques, and synagogues. You'll also learn about the famous people who lived in El Barrio, such as actress Cecily Tyson, opera singer Marian Anderson, portrait artist Alice Neel, incomparable poet Julia De Burgos, and King of Latin Music Tito Puente. Lavishly illustrated with over fifty photos, Walking East Harlem: A Neighborhood Experience (Rutgers University Press, 2024) points out not only the many architectural and cultural landmarks in the neighborhood but also the historical buildings that have since been demolished. Whether you are a tourist or a resident, this guide will give you a new appreciation for El Barrio's exciting history, cultural diversity, and continued artistic vibrancy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography…
 
Perhaps no American landscape is as iconic as the rainbow rocks of Arizona's Grand Canyon. Yet, as the geographer Yolonda Youngs argues, the Grand Canyon many people think they know is but one sliver of the story of the wider Grand Canyon as a historical and physical place. In Framing Nature: The Creation of an American Icon at the Grand Canyon (U Nebraska Press, 2024), Youngs, a Cal State - San Bernardino professor, tracks the history of the canyon from the perspective of spatial, physical, and visual culture studies. In doing so, she shows how the ways we think of a place shape how humans use that place. In the case of the Grand Canyon, that means the "classic" perspective that people recognize of the canyon from the south rim, means that changes to the riparian landscape hundreds of feet below often go unnoticed. Wider changes in American visual culture, including the development of postcards, film, and television, also shaped tourist expectations - visitors expecting to see rapids, for instance, rather than the fern groves and waterfalls which also form critical parts of the wider Grand Canyon environment. As the cliche goes, a picture is worth a thousand words, and in the example of the Grand Canyon, those same storytelling pictures also shape use in ways that continue up through the present day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography…
 
An expressive book of prose and photographs that reveals the powerful ways our everyday places support our shared belonging. Where would you take someone on a guided tour of your neighborhood? In The Cities We Need: Essential Stories of Everyday Places (MIT Press, 2024), photographer and urbanist Gabrielle Bendiner-Viani introduces us to the complex, political, and eminently personable stories of residents who answered this question in Brooklyn, New York, and Oakland, California. Their universal stories and Bendiner-Viani’s evocative images illuminate what’s at stake in our everyday places—from diners to churches to donut shops. In this culmination of two decades of research and art practice, Bendiner-Viani intertwines the personal, historical, and photographic to present us with placework, the way that unassuming places foster a sense of belonging and, in fact, do the essential work of helping us become communities. In this unique book, Bendiner-Viani makes visible how seemingly unimportant places can lay the foundation for a functional interconnected society, so necessary for both public health and social justice. The Cities We Need explores both what we gain in these spaces and what we risk losing as they are threatened by gentrification, large-scale development, and most recently the COVID-19 pandemic. Ultimately, Bendiner-Viani shows us how to understand ourselves as part of a shared society, with a shared fate; she shows us that everyday places can be the spaces of liberation in which we can build the cities we need. Gabrielle Bendiner-Viani is a visual urbanist and cofounder of the interdisciplinary studio Buscada. She is the author of Contested City , a finalist and honoree for the Brendan Gill Prize. A widely exhibited photographer, she holds a doctorate in environmental psychology from the Graduate Center, CUNY. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography…
 
In a masterpiece of historical detective work, Sarah Lewis exposes one of the most damaging lies in American history. There was a time when Americans were confronted with the fictions shoring up the nation’s racial regime and learned to disregard them. The true significance of this hidden history has gone unseen—until now. The surprising catalyst occurred in the nineteenth century when the Caucasian War—the fight for independence in the Caucasus that coincided with the end of the US Civil War—revealed the instability of the entire regime of racial domination. Images of the Caucasus region and peoples captivated the American public but also showed that the place from which we derive “Caucasian” for whiteness was not white at all. Cultural and political figures ranging from P. T. Barnum to Frederick Douglass, W. E. B. Du Bois to Woodrow Wilson recognized these fictions and more, exploiting, unmasking, critiquing, or burying them. To acknowledge the falsehood at the core of racial order proved unthinkable, especially as Jim Crow and segregation took hold. Sight became a form of racial sculpture, vision a knife excising what no longer served the stability of racial hierarchy. That stability was shaped, crucially, by what was left out, what we have been conditioned not to see. Groundbreaking and profoundly resonant, The Unseen Truth: When Race Changed Sight in America (Harvard University Press, 2024) shows how visual tactics have long secured our regime of racial hierarchy in spite of its false foundations—and offers a way to begin to dismantle it. Sarah Lewis is the founder of Vision & Justice and the John L. Loeb Associate Professor of the Humanities and Associate Professor of African and African American Studies at Harvard University. She is the author of The Unseen Truth: When Race Changed Sight in America (Harvard University Press), the bestseller, The Rise: Creativity, the Gift of Failure, and the Search for Mastery (Simon & Schuster), Lewis is the editor of the award-winning volumes, “Vision & Justice” by Aperture magazine and the anthology on the work of Carrie Mae Weems (MIT Press). She is the organizer of the landmark Vision & Justice Convening at Harvard University, and co-editor of the Vision & Justice Book Series, launched in partnership with Aperture. Her awards include the Infinity Award, the Andrew Carnegie Fellowship, a Cullman Fellowship, the Freedom Scholar Award (ASALH), the Arthur Danto/ASA Prize from the American Philosophical Association, and the Photography Network Book Prize. Her writing has been published in the New Yorker , the New York Times , Artforum , and the New York Review of Books , and her work has been the subject of profiles from The Boston Globe to the New York Times . Lewis is a sought-after public speaker, with a mainstage TED talk that received over three million views. She received her BA from Harvard University, an MPhil from Oxford University, an MA from Courtauld Institute of Art, and her PhD from Yale University. She lives in New York City and Cambridge, MA. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography…
 
Joseph Heathcott discusses his latest book, Global Queens: An Urban Mosaic (Fordham University Press, 2023), an engaging hybrid of text and visual that features a trove of his personal photography of urban spaces throughout NYC's most diverse borough. Including: airports, overgrown yards, possibly the last living speakers of indigenous languages, the Queens Public Library, racial covenants and civil resistance in early real estate development, and much more that, like the borough itself, is centerless, mundane, surprising, vibrant, challenging, and beautifully contradictory. Joseph Heathcott is Chair of Urban and Environmental Studies at The New School. His work has appeared in a wide range of venues, including books, academic journals, magazines, exhibits, and juried art shows. His most recent books include Urban Infrastructure: Historical and Social Dimensions of an Interconnected World ; The Routledge Handbook of Infrastructure Design: Global Perspectives from Architectural History ; and Capturing the City: Photographs from the Streets of St. Louis, 1900-1930 . Tyler Thier is a writing administrator, adjunct professor, and freelance critic. His research is concerned with violent writings and controversial media -- namely, content produced by hate groups and other extremists. He writes a lot about visuals (specifically "bad" or otherwise maligned pieces of pop culture) and how they shape our social realities. For better and worse. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography…
 
Queer Obscenity: Erotic Archives in Dictatorial Spain (Stanford University Press, 2024) takes us inside the archive to demonstrate how the incongruities of the Primo de Rivera (1923–1930) and Franco (1939–1975) regimes were manifested in the regulation of erotic material cultures. Focusing on amateur pornographers and their confiscated and censored erotica, this book adds a rich complexity to both the history and theory of pornography, demonstrating that surveillance depends entirely on documenting intimacy and preserving transgression. This book sheds new light on the production, consumption, and circulation of pornography and erotica in Spain over the course of the twentieth century, drawing connections between intimate queer desires, preservation, and erasure. Javier Fernández-Galeano is Ramón y Cajal postdoctoral fellow at Universitat de València in Spain. Tatiana Klepikova is a postdoctoral fellow at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography…
 
Losing a pet has always been a unique kind of pain. No set rituals exist to help provide closure when pets die, there are no readily shared passages from spiritual texts, no community of compassion to surround the mourner and help alleviate grief. And there is a sense of taboo, that it is somehow socially incorrect to mourn an animal as one would a person and feel the pain so intensely. Faithful Unto Death: Pet Cemeteries, Animal Graves, and Eternal Devotion (Thames & Hudson, 2024) by Dr. Paul Koudounaris confronts this taboo by telling the stories of people who have memorialised their beloved animals. The book addresses the moral and spiritual prejudices that have historically surrounded animals, and reveals how, in the face of these prejudices, a movement started in the nineteenth century to treat pets with dignity even in death. It is a fight that is still far from over, but the triumphs that are revealed as the book unfolds, found in burial grounds small to grand and on monuments humble to huge, possess the power to touch everyone who has ever cared for an animal companion. In tracing the historical evolution of pet cemeteries through the stories of the people and pets that have been integral to their development, this book reveals both similarities in the way we mourn animal companions and a stunning cultural diversity. From humble Cherry in London to pets of the rich and powerful, this is a history filled with inspiration, wild eccentricity, and eternal love. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography…
 
The Loneliness Room: A Creative Ethnography of Loneliness (Manchester University Press, 2024) by Dr. Sean Remond is a remarkably unique book takes the conceit of the loneliness room to show how everyday artistic practice opens up loneliness to new definitions and new understandings. Refusing to pathologise loneliness, the book draws on the creative submissions supplied by its participants to demonstrate that being lonely can mean different things to different people in differing contexts. Filled with the photographs, paintings, videos, songs, and writings of its participants, The loneliness room is a deeply moving account of loneliness today. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography…
 
In Camera Geologica: An Elemental History of Photography (Duke UP, 2024) Siobhan Angus tells the history of photography through the minerals upon which the medium depends. Challenging the emphasis on immateriality in discourses on photography, Angus focuses on the inextricable links between image-making and resource extraction, revealing how the mining of bitumen, silver, platinum, iron, uranium, and rare earth elements is a precondition of photography. Through a materials-driven analysis of visual culture, she illustrates histories of colonization, labor, and environmental degradation to expose the ways in which photography is enmeshed within and enables global extractive capitalism. This conversation discusses the meta-narrative and performative aspects of some of the photographs shown in the text, dives into some of the stories and examples from Ann Atkin's cyanotypes of the 1800s to Warren Cariou's contemporary bitumin prints, and asks what ethical photography looks like given the resource extraction required. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography…
 
Listen to Episode No.10 of All We Mean , a Special Focus of this podcast. All We Mean is an ongoing discussion and debate about how we mean and why. The guests on today's episode are Bill Cope and Mary Kalantzis, professors at the University of Illinois, and as well, John Jones, assistant professor at SUNY Cortland. In this episode of the Focus, our topic is Image as Form in a Transpositional Grammar: The Example of Photography . Bill Cope : "Every time a new medium turns up, it does new things. So, in the case of photography — our example medium today — its form is Image, and in our grammar, the Image is the human's way of representing the world on a two-dimensional plane. Now, of course, the Image has been around for a very long time, but when photography develops, it adds new things to the Image — it makes the Image much more accessible. You know, how many zillions of photographs are taken every day now, and most of them pushed across space and time via the Internet, right? So we ask, what does that massification of the ability to create the Image do?" Links Cartier-Bresson, The Decisive Image Muybridge's Moving Images Robert Fielding Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography…
 
The Study of Photography in Latin America: Critical Insights and Methodological Approaches (University of New Mexico Press, 2023) provides an insider's perspective to the study of photography. Nathanial Gardner provides readers with a carefully structured introduction that lays out his unique methodology for this book, which features over eighty photographs and the insights from sixteen prominent Latin American photography scholars and historians, including Boris Kossoy, John Marz, and Ana Mauad. The work reflects the advances of the study of photography throughout Latin America with certain emphasis on Brazil and Mexico. The author further underlines the role of important institutions and builds context by discussing influential theories and key texts that currently guide the discipline. The Study of Photography in Latin America is critical to all who want to expand their current knowledge of the subject and engage with its experts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography…
 
In Photography and Making Bedouin Histories in the Naqab, 1906-2013:: An Anthropological Approach (Routledge, 2023), Emilie Le Febvre takes us to the Naqab Desert where Bedouin use photographs to make, and respond to, their own histories. She argues Bedouin presentations of the past are selective, but increasingly reliant on archival documents such as photographs, which spokespersons treat as evidence of their local histories amid escalating tensions in Israel-Palestine. These practices shape Bedouin visual historicity; the diverse ways people produce their pasts in the present through images. The book charts these processes through the afterlives of six photographs as they circulate between the Naqab’s entangled visual economies – a transregional landscape organized by cultural ideals of proximity and assemblages of Bedouin iconography. She illustrates how representational contentions associated with tribal, civic, and Palestinian-Israeli politics influence how images do history work in this society. Here, Bedouin value photographs not because they evidence singular narratives of the past; rather, the knowledges inscribed by photography are manifold as they support diverse constructions of Naqab Bedouin history and society. In this episode, Emilie joins me to discuss the ethics of photographs of the Naqab Bedouin as a historical source; the nuances of gender norms around photographing Bedouin women; and how social media and modern technology have changed how photographs are used and understood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography…
 
In the middle decades of the twentieth century in New York City, Dubrow’s cafeterias in the Flatbush section of Brooklyn and the garment district of Manhattan were places to get out of your apartment, have coffee with friends, or enjoy a hearty but affordable meal. They were grounded in the world of Jewish immigrants and their children, and they thrived in years when Flatbush and the Garment District each had a distinctly Jewish character. The cafeterias were also places where working class and modestly middle class New Yorkers of European ancestry, with few great luxuries in their lives, could enjoy a taste of culinary abundance. Under demographic changes, economic decay and high crime in the 1970s and 1980s, the world that produced Dubrow’s came apart. The Brooklyn branch of Dubrow’s closed in 1978, the Manhattan branch in 1985. But before Dubrow’s cafeterias were shuttered, Marcia Bricker Halperin captured their mood and their patrons in black and white photographs. These pictures, along with essays by the playwright Donald Margulies and the historian Deborah Dash Moore, constitute Marcia’s book Kibitz and Nosh: When We All Met at Dubrow’s Cafeteria , published by Cornell University Press (2023) and winner of a National Jewish Book Council prize for Food Writing and Cookbooks. Robert W. Snyder, Manhattan Borough Historian and professor emeritus at Rutgers University, is editing an anthology of New Yorkers’ memories of the COVID-19 pandemic for Cornell University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography…
 
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