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BEHIND THE LENS #448: Featuring Simon Boisvert

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Manage episode 437706254 series 1458191
Contenuto fornito da debbie lynn elias and Debbie lynn elias. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da debbie lynn elias and Debbie lynn elias o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
It's a fun week of crime and comedy, mystery and drama on BEHIND THE LENS as we take a look at two new films – THE CLEAN UP CREW with director JON KEEYES and CHARLIE TANGO with writer/director SIMON BOISVERT. First up, my exclusive interview with director JON KEEYES going in-depth into THE CLEAN UP CREW, a terrific crime comedy that boasts some incredible performances, most notably a balls-to-the-wall comedic turn by Melissa Leo and a scene-stealing Antonio Banderas, not to mention fun and action at every turn. Listen as Jon and I go into detail on the cinematography and editing choices, costuming and color, casting, score, and more! What excited me about speaking with Jon is his own sense of humor and joy as he talks about the film, something that comes through loud and clear on screen. Then writer/director SIMON BOISVERT joins us discussing his new twisty thriller CHARLIE TANGO. An intriguing tale that appears to be one thing, but thanks to Simon's storytelling skill and craftsmanship, turns on a dime and shifts our focus to the real meat of the story, delivering yet another surprise. As you will hear, it's an interesting journey bringing CHARLIE TANGO to life as Simon took two different stories, neither which was sufficient in length to make a feature film, and melded them into one to arrive at CHARLIE TANGO. A big element of the film is Simon's attention to visual detail which he breaks down for us along with the challenges he faced for some scenes while finding tone and tension within the editing process. http://eliasentertainmentnetwork.com
  continue reading

453 episodi

Artwork
iconCondividi
 
Manage episode 437706254 series 1458191
Contenuto fornito da debbie lynn elias and Debbie lynn elias. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da debbie lynn elias and Debbie lynn elias o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
It's a fun week of crime and comedy, mystery and drama on BEHIND THE LENS as we take a look at two new films – THE CLEAN UP CREW with director JON KEEYES and CHARLIE TANGO with writer/director SIMON BOISVERT. First up, my exclusive interview with director JON KEEYES going in-depth into THE CLEAN UP CREW, a terrific crime comedy that boasts some incredible performances, most notably a balls-to-the-wall comedic turn by Melissa Leo and a scene-stealing Antonio Banderas, not to mention fun and action at every turn. Listen as Jon and I go into detail on the cinematography and editing choices, costuming and color, casting, score, and more! What excited me about speaking with Jon is his own sense of humor and joy as he talks about the film, something that comes through loud and clear on screen. Then writer/director SIMON BOISVERT joins us discussing his new twisty thriller CHARLIE TANGO. An intriguing tale that appears to be one thing, but thanks to Simon's storytelling skill and craftsmanship, turns on a dime and shifts our focus to the real meat of the story, delivering yet another surprise. As you will hear, it's an interesting journey bringing CHARLIE TANGO to life as Simon took two different stories, neither which was sufficient in length to make a feature film, and melded them into one to arrive at CHARLIE TANGO. A big element of the film is Simon's attention to visual detail which he breaks down for us along with the challenges he faced for some scenes while finding tone and tension within the editing process. http://eliasentertainmentnetwork.com
  continue reading

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