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Contenuto fornito da Dean Luethi & Matthew Myers, Dean Luethi, and Matthew Myers. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Dean Luethi & Matthew Myers, Dean Luethi, and Matthew Myers o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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Ep. 95 - Improvisation and Community from the Folk-Acoustic Tradition - Lissa Scheckenburger

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Manage episode 437192085 series 3305154
Contenuto fornito da Dean Luethi & Matthew Myers, Dean Luethi, and Matthew Myers. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Dean Luethi & Matthew Myers, Dean Luethi, and Matthew Myers o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

“A lot of what I end up teaching with regards to all of music, but certainly improvisation, has to do with becoming comfortable. You can do all kinds of different technical exercises, improvisation exercises, conceptual brain project exercises, all of which serve to help the musician become comfortable and fluid with their musical expression so that they feel free enough to act on a musical impulse or a musical gesture, to respond freely to the moment.”
The first year of the pandemic was a deeply creative time for Vermont based fiddle composer and song-writer Lissa Schneckenburger. When everything shut down (including her touring schedule), writing music became an essential outlet. Schneckenburger explains, “I had to write music to process my experience of living through such a difficult time. It was my life line”. The result was what Schneckenburger jokingly calls “overflowing bucketfuls of music” and enough new material for several album releases. The first album, Falling Forward, is a collection of Schneckenburger’s original fiddle tunes and two traditional New England songs, released in March 2023.
Lissa hired a star powered all female cast of musicians to record her compositions, and Falling Forward was recorded in December of 2022. The ensemble included fiddling producer Katie McNally, pianist Rachel Aucoin, bass player Mali Obomsawin, cellist Natalie Haas, and accordion player Karen Tweed. “These women are my heroes,” Schneckenburger says, “they are leaders in the acoustic music world, and it was such an honor to record with them.” The tunes range from lively to somber and introspective. Many reflect the tone of a riotous fiddle party with floorboards thumping, bow hair flying, and instruments and dancers in every corner. Falling Forward provides music for both meditation and release. Both of which feel appropriate in processing our collective experience as a society over the last few years.
During the past few decades, Schneckenburger has made music showcasing everything from traditional dance tunes, to original songs. The latter inspired by her experience as a foster and adoptive parent. Falling Forward has blended her love of traditional music with her love of writing, in her first fiddle forward album release in over a decade.
To get in touch with Lissa, you can find visit her website, https://lissafiddle.com/, or find her on Instagram (@lissafiddle), Facebook (@lissafiddle), or Tiktok (@lissafiddle).
Choir Fam wants to hear from you! Check out the Minisode Intro Part 3 episode from February 16, 2024, to hear how to share your story with us.
Email choirfampodcast@gmail.com to contact our hosts.
Podcast music from Podcast.co
Photo in episode artwork by Trace Hudson

Blue Grit Podcast: The Voice of Texas Law Enforcement
Host: Clint McNear and Tyler Owen discussing topics, issues, and stories within the...

Listen on: Apple Podcasts Spotify

  continue reading

Capitoli

1. Ep. 95 - Improvisation and Community from the Folk-Acoustic Tradition - Lissa Scheckenburger (00:00:00)

2. [Ad] Blue Grit Podcast: The Voice of Texas Law Enforcement (00:08:15)

3. (Cont.) Ep. 95 - Improvisation and Community from the Folk-Acoustic Tradition - Lissa Scheckenburger (00:08:50)

111 episodi

Artwork
iconCondividi
 
Manage episode 437192085 series 3305154
Contenuto fornito da Dean Luethi & Matthew Myers, Dean Luethi, and Matthew Myers. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Dean Luethi & Matthew Myers, Dean Luethi, and Matthew Myers o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

“A lot of what I end up teaching with regards to all of music, but certainly improvisation, has to do with becoming comfortable. You can do all kinds of different technical exercises, improvisation exercises, conceptual brain project exercises, all of which serve to help the musician become comfortable and fluid with their musical expression so that they feel free enough to act on a musical impulse or a musical gesture, to respond freely to the moment.”
The first year of the pandemic was a deeply creative time for Vermont based fiddle composer and song-writer Lissa Schneckenburger. When everything shut down (including her touring schedule), writing music became an essential outlet. Schneckenburger explains, “I had to write music to process my experience of living through such a difficult time. It was my life line”. The result was what Schneckenburger jokingly calls “overflowing bucketfuls of music” and enough new material for several album releases. The first album, Falling Forward, is a collection of Schneckenburger’s original fiddle tunes and two traditional New England songs, released in March 2023.
Lissa hired a star powered all female cast of musicians to record her compositions, and Falling Forward was recorded in December of 2022. The ensemble included fiddling producer Katie McNally, pianist Rachel Aucoin, bass player Mali Obomsawin, cellist Natalie Haas, and accordion player Karen Tweed. “These women are my heroes,” Schneckenburger says, “they are leaders in the acoustic music world, and it was such an honor to record with them.” The tunes range from lively to somber and introspective. Many reflect the tone of a riotous fiddle party with floorboards thumping, bow hair flying, and instruments and dancers in every corner. Falling Forward provides music for both meditation and release. Both of which feel appropriate in processing our collective experience as a society over the last few years.
During the past few decades, Schneckenburger has made music showcasing everything from traditional dance tunes, to original songs. The latter inspired by her experience as a foster and adoptive parent. Falling Forward has blended her love of traditional music with her love of writing, in her first fiddle forward album release in over a decade.
To get in touch with Lissa, you can find visit her website, https://lissafiddle.com/, or find her on Instagram (@lissafiddle), Facebook (@lissafiddle), or Tiktok (@lissafiddle).
Choir Fam wants to hear from you! Check out the Minisode Intro Part 3 episode from February 16, 2024, to hear how to share your story with us.
Email choirfampodcast@gmail.com to contact our hosts.
Podcast music from Podcast.co
Photo in episode artwork by Trace Hudson

Blue Grit Podcast: The Voice of Texas Law Enforcement
Host: Clint McNear and Tyler Owen discussing topics, issues, and stories within the...

Listen on: Apple Podcasts Spotify

  continue reading

Capitoli

1. Ep. 95 - Improvisation and Community from the Folk-Acoustic Tradition - Lissa Scheckenburger (00:00:00)

2. [Ad] Blue Grit Podcast: The Voice of Texas Law Enforcement (00:08:15)

3. (Cont.) Ep. 95 - Improvisation and Community from the Folk-Acoustic Tradition - Lissa Scheckenburger (00:08:50)

111 episodi

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