In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Contenuto fornito da Fat Guys Network. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Fat Guys Network o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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America's premier investigative documentary series since 1983. We answer only to you. FRONTLINE presents audio versions of select full-length episodes for listening on the go. Want more full-length FRONTLINE Audiocasts? Please leave a review and let us know what you think.
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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“Y2K” Movie Review
Manage episode 455062703 series 10748
Contenuto fornito da Fat Guys Network. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Fat Guys Network o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Rated R
Opens: December 6, 2024
Kevin says Y2K kinda sucks!
Every generation has it all-night teen movie – from AMERICAN GRAFITTI and SIXTEEN CANDLES to CAN’T HARDLY WAIT and SUPERBAD. Now Millennial nostalgics are getting their chance with Y2K.
The story follows a high school misfit in 1999 attending a New Year’s Eve party where he hopes to finally kiss the girl of his dreams. However, when the Y2K bug executes at midnight and the machines start a violent revolt, the partying teens have to try and survive.
I’m all for the genre mix-up we get in this film, however, the movie fails to commit to either one.
The all-night party film half of the script just strings together a series of clichés. At least the sci-fi thriller element tries to be unique. However, aside from aping the goofy opening sequence of Stephen King’s coke-fueled fever dream MAXIMUM OVERDRIVE, the story ends up stumbling into that film’s own incoherence.
Even if you’re weepingly nostalgic for 90s music, AOL, and a quote-unquote “simpler” time before social media, the lack of story depth and likeable characters found me rooting for the killer robots.
Y2K gets two dial-up modems out of five. I’m Kevin Carr, and that’s the way I see it.
Email the Show
Follow the show on Twitter (@FGATM)
Follow Kevin on Twitter (@kevincarr)
54 episodi
Condividi
Manage episode 455062703 series 10748
Contenuto fornito da Fat Guys Network. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Fat Guys Network o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Rated R
Opens: December 6, 2024
Kevin says Y2K kinda sucks!
Every generation has it all-night teen movie – from AMERICAN GRAFITTI and SIXTEEN CANDLES to CAN’T HARDLY WAIT and SUPERBAD. Now Millennial nostalgics are getting their chance with Y2K.
The story follows a high school misfit in 1999 attending a New Year’s Eve party where he hopes to finally kiss the girl of his dreams. However, when the Y2K bug executes at midnight and the machines start a violent revolt, the partying teens have to try and survive.
I’m all for the genre mix-up we get in this film, however, the movie fails to commit to either one.
The all-night party film half of the script just strings together a series of clichés. At least the sci-fi thriller element tries to be unique. However, aside from aping the goofy opening sequence of Stephen King’s coke-fueled fever dream MAXIMUM OVERDRIVE, the story ends up stumbling into that film’s own incoherence.
Even if you’re weepingly nostalgic for 90s music, AOL, and a quote-unquote “simpler” time before social media, the lack of story depth and likeable characters found me rooting for the killer robots.
Y2K gets two dial-up modems out of five. I’m Kevin Carr, and that’s the way I see it.
Email the Show
Follow the show on Twitter (@FGATM)
Follow Kevin on Twitter (@kevincarr)
54 episodi
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Simile a Fat Guys Network
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
Watch what you want, where you want, when you want on whatever device you please. Take control of your TV, Movies and more. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
America's premier investigative documentary series since 1983. We answer only to you. FRONTLINE presents audio versions of select full-length episodes for listening on the go. Want more full-length FRONTLINE Audiocasts? Please leave a review and let us know what you think.
…
continue reading
Since 2010, the We Hate Movies podcast has been loudly celebrating and tearing apart movies from across the spectrum: from forgotten '80s actioners and insane romantic comedies of the '90s, to the early CGI blockbusters of the aughts and the hyper-nostalgic franchises of the 2010s and today. Every week, comedians Andrew Jupin, Stephen Sajdak, Eric Szyszka, and Chris Cabin pick a movie from the near-past to discuss and joke around about in all its positive and negative glory.
…
continue reading
A weekly boxing show from Sky Sports that goes "Toe2Toe" with the biggest names in the fight game.
…
continue reading
Every week, The Ringer's Andy Greenwald and Chris Ryan -- longtime friends and pop culture addicts -- break down the latest in TV, movies, and music.
…
continue reading
In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
…
continue reading
The Office co-stars and best friends, Jenna Fischer and Angela Kinsey, are doing the ultimate The Office re-watch podcast for you. Each week Jenna and Angela will break down an episode of The Office and give exclusive behind the scene stories that only two people who were there, can tell you.
…
continue reading
Discover movies you may have missed and be warned about others you should. Hosts Anderson Cowan (Loveline) and Bryan Bishop (The Adam Carolla Show) hash out their contrasting film tastes in the form of weekly Top 5 lists and recent screening reviews of both new and old titles. With numerous recommendations each episode, The Film Vault is entertainment about entertainment and as a result is a show that keeps on giving.
…
continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
…
continue reading
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