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Contenuto fornito da Rock's Backpages, Barney Hoskyns, Mark Pringle, and Jasper Murison-Bowie. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Rock's Backpages, Barney Hoskyns, Mark Pringle, and Jasper Murison-Bowie o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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E189: Beverley Glick a.k.a. Betty Page on New Romantics + Quincy Jones

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Manage episode 449637845 series 3009246
Contenuto fornito da Rock's Backpages, Barney Hoskyns, Mark Pringle, and Jasper Murison-Bowie. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Rock's Backpages, Barney Hoskyns, Mark Pringle, and Jasper Murison-Bowie o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

In this episode — recorded on the somewhat sombre Wednesday after the U.S. elections — we welcome the wonderful Beverley Glick to our Hammersmith lair and ask her about her New Romantic nom de plume Betty Page.

Beverley tells us about her early days on Sounds, where she started out as editor Alan Lewis' secretary, and talks us through her seminal 1980 encounters with Spandau Ballet and Steve Strange. Her subsequent early interview with Duran Duran leads us to clips from David Keeps' 1993 audio interview with the Brummie band's frontman Simon Le Bon. After touching briefly on Depeche Mode, whom Beverley also interviewed very early on, our guest revisits the short-lived Noise!Sounds' very own attempt at "doing" a Smash Hits — and recounts her subsequent path to the editorship of the rather longer-standing Record Mirror.

Memories of mad moments with Happy Mondays (for Vox), and Beverley's eventual graduation to national newspapers, take us to her decision to forsake journalism for a career as a life coach specialising in "leadership communication" — and as the author of this year's In Your Own Words.

A few glum thoughts on the political distortion of words such as "freedom" segue into our homage to the brilliant and outrageous Quincy Jones. Mark then quotes from newly-added library pieces about the Who (1965) and Ronnie Scott (1979)... and Jasper wraps up the episode with his thoughts on articles about "Brazilian Prince" Ed Motta (2006) and Tricky's magnificent Maxinquaye (2023).

Many thanks to special guest Beverley Glick. For more Beverley, including info on her books and coaching, visit beverleyglick.com.

Pieces discussed: Spandau Ballet: The New Romantics — a Manifesto for the Eighties, Visage: Stranger In Town, How I Discovered Duran Duran. Or Did They Discover Me?, Duran Duran's Simon Le Bon audio, Quincy Jones Has a Story About That, The Who, Ronnie Scott: King Of Clubs, The World of Ed Motta and Tricky: Maxinquaye (Reincarnated) (UMR/Island)

  continue reading

190 episodi

Artwork
iconCondividi
 
Manage episode 449637845 series 3009246
Contenuto fornito da Rock's Backpages, Barney Hoskyns, Mark Pringle, and Jasper Murison-Bowie. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Rock's Backpages, Barney Hoskyns, Mark Pringle, and Jasper Murison-Bowie o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

In this episode — recorded on the somewhat sombre Wednesday after the U.S. elections — we welcome the wonderful Beverley Glick to our Hammersmith lair and ask her about her New Romantic nom de plume Betty Page.

Beverley tells us about her early days on Sounds, where she started out as editor Alan Lewis' secretary, and talks us through her seminal 1980 encounters with Spandau Ballet and Steve Strange. Her subsequent early interview with Duran Duran leads us to clips from David Keeps' 1993 audio interview with the Brummie band's frontman Simon Le Bon. After touching briefly on Depeche Mode, whom Beverley also interviewed very early on, our guest revisits the short-lived Noise!Sounds' very own attempt at "doing" a Smash Hits — and recounts her subsequent path to the editorship of the rather longer-standing Record Mirror.

Memories of mad moments with Happy Mondays (for Vox), and Beverley's eventual graduation to national newspapers, take us to her decision to forsake journalism for a career as a life coach specialising in "leadership communication" — and as the author of this year's In Your Own Words.

A few glum thoughts on the political distortion of words such as "freedom" segue into our homage to the brilliant and outrageous Quincy Jones. Mark then quotes from newly-added library pieces about the Who (1965) and Ronnie Scott (1979)... and Jasper wraps up the episode with his thoughts on articles about "Brazilian Prince" Ed Motta (2006) and Tricky's magnificent Maxinquaye (2023).

Many thanks to special guest Beverley Glick. For more Beverley, including info on her books and coaching, visit beverleyglick.com.

Pieces discussed: Spandau Ballet: The New Romantics — a Manifesto for the Eighties, Visage: Stranger In Town, How I Discovered Duran Duran. Or Did They Discover Me?, Duran Duran's Simon Le Bon audio, Quincy Jones Has a Story About That, The Who, Ronnie Scott: King Of Clubs, The World of Ed Motta and Tricky: Maxinquaye (Reincarnated) (UMR/Island)

  continue reading

190 episodi

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